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Showing posts with label Emma Lazarus. Show all posts
Showing posts with label Emma Lazarus. Show all posts

Sunday, March 23, 2025

LAZARUS RISES AGAIN

by Royal Rhodes

remembering “The New Colossus” by Emma Lazarus




White House says it will not return the Statue of Liberty to France. A French politician said the U.S. no longer deserved the legendary monument. —Politico, March 17, 2025


The White House sense of what we owe to France
forgets why we are not a monarchy.
This "mighty woman with a torch," perchance,
shows with her flame its dark autocracy.
Yorktown and the sword of Lafayette
have been suppressed in its new made-up tales.
Will God forget us, if we too forget?
As "world-wide welcome" in our marrow fails?
Exiles sought for freedom like fresh air.
America was built by diverse hands,
ignored by a self-centered billionaire.
A golden door was open to all lands.
For wealth, new tyrants rule by greedy whim.
Can someone teach this statue how to swim?


AI-generated graphic by NightCafé for The New Verse News.


Royal Rhodes is a descendent of migrants here in the 17th century from England, and in the 19th century from Ireland.

Wednesday, August 14, 2019

THE OLD COLOSSUS CLARIFIES HER SONNET

by Prince Bush





Oxidized, and stronger with patina, Libertas
Repeats herself, white supremacy is a storied

Pomp, dull-headedness, not welcome
In my country, but where I’m from—

The sea: Let prejudice sink beside that skin
Purported as porcelain, yet in any light, soft-paste—

A white clay and ground glass heart. I hope I am clear;
I hope this will end the fallacy, unnative white

Persons who trespassed & raped & carried cannons &
Smirkers & pigs & criminals & drugs & odious slavery.

Admittedly, older now and more of a sophist,
I want the door of gold to lead to anywhere:

I want to consolidate my lamp with the sun, console
Every soul, except those who publicly charge hate.


Prince Bush is a poet in Nashville TN with poetry in *82 Review, Cotton Xenomorph, Ghost City Press, Glass: A Journal of Poetry, Mobius: The Journal of Social Change, Pleides: Literature in Context, SOFTBLOW, and elsewhere. He was a 2019 Bucknell Seminar for Undergraduate Poets Fellow.

Saturday, February 10, 2018

TO EMMA LAZARUS IN THE WAKE OF 45

by Gail Thomas



Art by Dow Phumiruk.

    
The mother of exiles is pissed, her lips
no longer silent. Her beacon hand
sputters against the brazen lout
who threatens to bolt the door.
When a mother is pissed,
you’d better watch out.
When a mother is tired
of your bullshit,
you’d  better watch out.
When a mother is backed
into a corner, she will use
her teeth and voice to protect
the weak, the huddled, the hurt.
Her name is Queen of Heaven,
Empress of Hell, Demeter,
Fatima, Kali, Yemaya,
Ptesan-Wi, Asasa Ya,
Gaia
Lady of All the World.



Art via Pinterest.


Gail Thomas has published four books of poetry, and her work appears in many journals and anthologies. Her chapbook Odd Mercy was chosen by Ellen Bass for the Charlotte Mew Prize of Headmistress Press, and Waving Back was named a Must Read for 2016 by the Massachusetts Center for the Book.  She lives in Northampton, MA. Her last poem for TheNewVerse.News was published in 2012.

Monday, August 14, 2017

RENOVATIONS, THIRTY YEARS LATER

by Harold Oberman 


“The poet Emma Lazarus, moved by this unique symbol of the love of liberty, wrote a very special dedication 100 years ago.” —Ronald Reagan, in his Remarks on the Lighting of the Torch of the Statue of Liberty in New York, New York, July 3, 1986


We coated your flame in 24 carat gold
Pointed our spotlights at it and moved on,
A gilded reflection, not a beacon.

Mother of Exiles, we never enlightened you:

Now in our dark night
A man denied light makes fire
And that light concentrated on a point no longer illuminates.
It ignites.


Harold Oberman is a lawyer working and writing in Charleston, SC. He went to the University of Virginia where he took full advantage of the poets teaching in the English Department. The poems he wrote as an undergraduate that were deemed too political are now, in retrospect, not political enough.

Monday, November 14, 2016

PROTEST AT UNION SQUARE, NOVEMBER 12, 2016

by Sarah Stern


A woman holds a poster regarding safety pins as a sign of solidarity against intolerance during a protest against US President-elect Donald Trump at Union Square on November 12, 2016, in New York. Americans spilled into the streets Saturday for a new day of protests against Donald Trump, even as the president-elect appeared to back away from the fiery rhetoric that propelled him to the White House. AFP via Inquirerer.Net


This is what democracy looks like
                Radishes, scallions and brown bread
No hate, no fear, immigrants are welcome here
                Emma Lazarus, let's please have lunch today

Give me your tired, your poor, your huddled masses yearning to be free
                You wrote that poem already
A prayer for our country
                Emma Lazarus, come with me to shul today

Sit with me by Lady Liberty
                The New York Harbor, Leonard Cohen, Hallelujah
The little girl on her dad's shoulders down 16th street
                Holding on with me.


Sarah Stern is the author of But Today Is Different (Wipf and Stock) and Another Word for Love (Finishing Line Press). She is Associate Director of Communications at Bank Street College of Education and lives in New York City.