MEDEA ALSO KILLED HER CHILDREN

by Kathy Gilbert

Medea on her golden chariot, by Germán Hernández Amores

I need to write a poem
But
413 people who were alive
Yesterday are dead
 
I need to write a poem…
Bombed without warning
In the night
167 children killed
 
I need to write a poem?
What happened
To the ceasefire?
 
The poem I thought I’d write
Was how yesterday
I saw ravens collecting
Stout twigs and branches
To build and fortify their nests
Home for their future children
 
The poem I thought I’d write
Was about spring and new life
But
It’s winter all over the world
 
I need to write a poem
 
Only love can save us
Love of action. Gathering twigs
To protect new life
Of spring/ offspring
Those babies in Gaza are
our children we have murdered.

 
Kathy Gilbert resides in the Bay Area and received her MFA from SFSU. She is retired, has written two books and practices tai chi.

ONE IN FOUR

by Deborah Kennedy

A study in the journal PLOS ONE found that extreme temperatures resulting from climate change could cause one in four steel bridges in the United States to collapse by 2050. By 2040, failures caused by extreme heat could require widespread bridge repairs and closures, the researchers found. Photo: A bridge connecting North Sioux City, S.D., and Sioux City, Iowa, collapsed in June after flooding. Credit: KC McGinnis —The New York Times, September 2, 2024

Squire Whipple's careful pen strokes flickered in the candlelight. A self-taught engineer, he drew his new design, the bowstring truss bridge built of iron, not unreliable wood. From the 1870s to the 1930s, his bridges arched across rural and urban American rivers knitting together a growing nation. 

(Houu-hou-wit. Mourning doves mate for life. All the tiny parts, unseen, unnamed, unloved, holding together whole worlds. Houu-hou-wit.)

Bowstring truss bridges feature sturdy arches and bracing studded with innumerable round-headed rivets set by teams of three men. A good team could set fifteen rivets a minute, all day long. The first man heated each bolt in portable coal forges cranking the fan and setting the bolts in the white-hot coals. When a bolt glowed cherry-red, he tossed it up to the next man who caught it in a tin cup, grabbed it with long-handled tongs, and set it against the milled holes. The last man formed the head with the ringing blows of a ball-peen hammer.

(Kraa-kraa. Ravens remember the faces of their enemies and teach their young. Did the ravens scold the men who brought rank smoke and sharp sounds to quiet rivers? Kraa-kraa.)

For decades, dutiful communities painted these bridges a patient flat grey, fending off creeping rust. Now, these bridges strain under the weight of modern cars and trucks delivering our endless needs and whims. Through the winter the metal freezes, draped in icicles. In our scorching days, triple-digit weather silently heats each rivet and expands each joint and slab. Rivets shear, expansion joints twist, concrete buckles, and bridges collapse.

(Tchew, tchip, tchup. In one day, hummingbirds can eat up to 2,000 small bugs and mosquitos. They are slowly disappearing. All the tiny parts, unseen, unnamed, unloved, once weaving our world together. Tchew, tchip, tchup.)

A writer and artist, Deborah Kennedy’s work has been presented in the United States and Europe. Her recent book Nature Speaks: Art and Poetry for the Earth (White Cloud Press) combines poetry and illustrations to capture the bond between ourselves and the larger natural world. Nature Speaks won several national awards including the 2017 Eric Hoffer Poetry Book Award and Silver Nautilus Poetry Book Award. Her writing has recently appeared in great weather for MEDIA, First Literary Review-East,  and Canary: A Literary Journal of the Environmental Crisis. Kennedy lives in San Jose, California where she teaches college classes and poetry workshops. She presents poetry readings with multimedia slide lectures to poetry, ecology and spiritual groups. Kennedy lives in San José, California, and is a Creative Ambassador for the City of San José working to advance creativity in her community with her innovative Broadside Art and Poetry Project. 

SINNED AGAINST

by Kit Zak

For fifteen seconds they streaked across the TV
three gals sporting signs for Ray
boobs pressed against t’s in baiting provocation
pom-pomming their support
for Ravens’ player Rice (only the latest)

maybe it happens in infancy
ingrained in DNA
the girl-child, Adam’s cast-off rib
second best/ split tail
cheerleading their hearts out

maybe the father preferred sons
or he submerges the mother’s weak ego--
witness the daughters, their voiceless smiling
how some touchstone for female being
repeats/repeats

ritualized violation
in one hundred and twenty countries
girls as young as five
held down by fellow females
their womanhood razored or knifed
and if they survive
proclaimed pure.                                                                                                        

uncounted nuns minioned to priests
unequal for centuries
tonguing their shame
as ‘the good father’ dispenses the wafers                                                                                                  
and we, who have been tattooed to serve
smile and offer tea.


Kit Zak retired from teaching and threw herself into some environmental projects in sea-threatened Delaware. She has published poems in The New Verse News, California Quarterly, A Time of Singing, The Blue Collar Review, and The Broadkill Review as well as several anthologies.