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Showing posts with label ceasefire. Show all posts
Showing posts with label ceasefire. Show all posts

Tuesday, June 24, 2025

HOW WE ROLL

Prelude to prayer and action

by Darrell Petska


AI-generated gif by NightCafé for The New Verse News.


Killing. Maiming.
Forever grieving.
That’s how we’ve rolled
since descending from trees
and living in caves.
Rolled with spear, with bow,
with sword, gun, and bomb.
Killing. Maiming.
For power, gold or spite,
god or country, king or knave.
Forever grieving.
Our own graves digging
or those of our loved ones.

Is killing our imperative?
Sorrow forever to yoke our necks?
Or might we have (we must believe
we have) hidden wings
awaiting prayer and act
to relieve us of these roads we roll on,
spill blood on, die on over and over
until life is cheapened, some cruel curse?
Wings we can will to grow,
to spirit away hatred, envy, and fear.
Wings at long last on which to fly
along peaceable skyways promoting
unity, egality, and love.


Darrell Petska is a retired university engineering editor and three-time Pushcart Prize nominee. Father of five and grandfather of seven, he lives near Madison, Wisconsin with his wife of more than 50 years.

Friday, March 21, 2025

MEDEA ALSO KILLED HER CHILDREN

by Kathy Gilbert


I need to write a poem
But
413 people who were alive
Yesterday are dead
 
I need to write a poem…
Bombed without warning
In the night
167 children killed
 
I need to write a poem?
What happened
To the ceasefire?
 
The poem I thought I’d write
Was how yesterday
I saw ravens collecting
Stout twigs and branches
To build and fortify their nests
Home for their future children
 
The poem I thought I’d write
Was about spring and new life
But
It’s winter all over the world
 
I need to write a poem
 
Only love can save us
Love of action. Gathering twigs
To protect new life
Of spring/ offspring
Those babies in Gaza are
our children we have murdered.

 
Kathy Gilbert resides in the Bay Area and received her MFA from SFSU. She is retired, has written two books and practices tai chi.

Wednesday, June 19, 2024

BLOOD ISLAND

by Sheikha A.


Mohammed Hajjar/Associated Press


''The [US-sponsored proposal for a] ceasefire would evolve into a permanent end to hostilities and the release of all hostages in a second phase. A final stage would see the launch of a major reconstruction effort.'' —The Guardian, June 12, 2024


This planet will become a museum;
the future nodes of our past karma
will live in corridors without walls, 
where displayed in liquid sunsets 
will be an imagined version of blood 
because it will no longer exist: extinct 
artefact impossible to save for relic. 
Humans will be dissolved vapour 
from a combustion that was meant 
to enforce power; and, neutralists 
chose to write words to write-off
histories. Our veins will be draped
like decorative tinsel over our future. 
The dominant climate being eternal 
outrage, and no one to alter the code 
to turn back time to halt the rockets 
in the skies. Ahlan wa Sahlan, we 
greeted ourselves into their homes, 
and then eviscerated. Ma’afi mushkela
we will now help rebuild it from scratch.


Sheikha A. is from Pakistan and United Arab Emirates. Her work appears in a variety of literary venues, both print and online, including several anthologies by different presses. Her poetry has been translated into Spanish, Vietnamese, Greek, Arabic, Polish, Italian, Albanian and Persian.

Friday, February 16, 2024

WITNESS

by Jean Mikhail




I have witnessed little animals, 
their death throes at my doorstep,  
ones killed or maimed by my cat, 
Phoebe,  and from time to time, 
I have nearly stepped on some small dead 
something, and I’d love to catch her 
before the killing act, to turn back time, 
and gently place the baby rabbit back 
in its burrow, or set the fledgling 
robin on a branch, safely, but instead, 
I have tossed the carcass in the trash 
or pitched the body into the woods,
a safe distance away, and I have   
shifted my focus, turned my eyes  
from their bloody mouths, lifted 
my shoe to float over them, 
like  a cloud crosses the convex 
eyes of a child of Gaza, lying dead, 
and I saw him in, of all places, 
a Facebook video while scrolling 
through all the other videos of surfers 
surfing, of people giving cooking 
lessons, and the bombing of this 
building, the concrete caving into
a boy’s chest,  he will never crack 
a smile, or break into laughter, ever 
again, he was made to be a martyr, 
in his mother’s eyes, a martyr, 
his brown eyes softening into cloud 
wisps, into blue sky reflection, 
and he and other children throughout
history, the children of the Holocaust,
of Syria, and those others murdered 
for no reason, no fault of their own, 
don’t even have a doorstep 
tombstone,  or a proper burial, 
or a bell ringing like a doorbell,  
no one will answer the question 
why their deaths don’t matter, 
or how can this be happening, 
because let’s face it, 
we’d never get anything done 
if we solely focused on the world’s 
horrors, we’d never even get our 
shopping done, or have the strength
to lift our heavy brown paper sacks 
to the car because everything would feel 
so burdensome, heavy as a body, 
as concrete collapsing into the child
counted among the dead, a number, 
a child cocooned in a burial cloth, 
and the world tilts on its heavier side, 
and we are on the lighter side giving  
nothing but a thumbs up for dying children, 
and all we can do is hope for better 
endings, for a ceasefire and for peace, 
I  can no longer watch a mother grieve,
yet can’t look away from her, either, 
as she  performs the ungodly task 
of collecting her child’s blown off 
ears and fingers, wiping tears 
on her hijab because what else 
does she have but a sheer will 
to survive and head covering, 
and how else can she know 
her child’s hand from any other 
child’s hand, like my own children's 
hands, how would I recognize them,  
whose hand would I hold, whose 
fingers thrown into the air, asking 
which almighty to help them. 


Jean Mikhail lives in Athens, Ohio with her husband, who is Egyptian. Two of her children are Guatemalan adoptees. She has published in The Appalachian Review, Sheila Na Gig Online, Pudding Magazine, and other journals and anthologies. 

Tuesday, January 23, 2024

METAMORPHOSIS

by Imogen Arate




The White House is campaigning to spin Biden’s support for Israel’s war while actively facilitating the slaughter. —The Intercept, January 17, 2024



Bid farewell in the rearview
the world you invented

A paper house unfurls
oil-slicked plumes 
as flags of surrender 

The chartreuse shutters
you proudly claimed
the victory of your refinement
curl to the lap of an inferno
nursed on sated falsehoods

And the Astroturf spits
its faux blades onto
the white pickets still
defending your illusions 

What aftertaste regurgitates now 
of the celebratory bubblies imbibed 
What terroir offers the graves 
of those you condemned

Limp now into a future that 
your past has trampled 

Let your nostrils collect the iron 
of dried blood drained to solidify 
the quicksand swallowing your flailing 
proclamations of pristine intentions


Imogen Arate is an Asian-American poet in search of hope: that humanity will overcome our self-destructive tendencies to work together against the onslaught of the climate crisis. She's also the Executive Director of Poets and Musesan award-winning multimedia platform that has featured diverse contemporary poetic voices from around the globe. She believes that we will only be able to value lives equally when we lend our ears and hearts to the life stories of those we don't readily recognize as our kin.

Wednesday, December 20, 2023

LET THEM DRINK WATER!

by Amy Wolf


Last Thursday [December 14], on the eighth night of Hanukkah, JVP members shut down eight bridges and highways in eight cities across the U.S. to demand an end to the genocide of Palestinians. Thousands of Jews and allies protested in Philadelphia, Washington, D.C., Atlanta, Chicago, Minneapolis, Seattle, Portland, Los Angeles, and San Diego — eight cities symbolizing the eight candles lit on the final night of Hanukkah, plus the shamash, or “helper” candle. JVP members blocked traffic for hours, singing, chanting, carrying giant menorahs, and holding signs reading “Jews says ceasefire now” and “Let Gaza live.” Hundreds were arrested. —Jewish Voice For Peace


Let them drink water!
As you protest, and shut down bridges
As you congratulate each other on your solidarity 
And stop traffic
They are dying of thirst, and of dysentery,
And a dozen water-borne diseases.
The bombs are killing far fewer
Than thirst, hunger, bacteria.
Don’t look away.

Rather than chanting prayers 
With our street-borne menorahs,
Rather than snarling the evening commute,
Should we not be commandeering boats,
And airplanes 
And jeeps
And our cousins and relatives in the Knesset, 
In the State Department,
To bring water to the Gazans?

To give a cup of life to those who thirst,
The babies, the children, the adults alike?
And now food.
Do you know that over a million are starving?
That none know where their next meal is coming from?
In these circumstances, it is little more than a week 
Before that next bomb will not matter.

I am tired of marching.
I do not believe the merchants of Pike Place Market 
Control the foreign policy here
Let alone the War Cabinet of Eretz Yisrael.
Principled Jews the world over have prayed and demonstrated,
Occupied, chanted and sung.
Not a morsel of food have we been able to bring over that border,
Not a cup of water.

"Nation shall not lift sword against nation;
Neither shall they study war anymore" 
Gave me such hope, in the beginning, as my relatives sang it
In Grand Central Station, in Capitol Buildings, in the street, in Hebrew.
It's an important prayer, straight out of liturgy, out of Torah.
I grew up singing it.
Surely this would work!
Surely when the President and the Congress saw
That Jews ourselves condemned this indiscriminate massacre,
They would prevail on Israel to stop.

Catch the murderers, catch the rapists, execute them,
But leave the population alone.
Their answer, an unqualified, inelegant, "We can't."
Mixed in with a mind-bending, gas-lighting, "We are!"
Pretending to be cautious of non-combatant deaths
While leveling whole city blocks on top of the heads of babes,
In full view of the whole world.

Those blinded by the narrative say, "But the images coming out of Gaza
Are only what Hamas wants you to see. I don't believe them."
True, to the extent that the images don't show us weapons amassed in tunnels,
Soldiers in uniform plotting their next strike, or hoarding supplies,
Untrue in that those buildings are truly flattened, those babies dead,
Filmed by iPhone and uploaded by stunned and defeated citizens. 

I am tired of marching.
Where are the convoys of boats full of Americans,
Heading to the Gaza coast with water and food?
Where are the airdrops of sustenance from private planes,
Where are the means by which we might feed the starving?
In Sudan as well, in Syria, in other lesser-known conflicts,
I look at us out in the street, closing bridges and highways,
And see a feel-good exercise.

Show me one person who has changed their mind on the urgency
Or right of an issue, because they were stuck in traffic one extra hour,
While their little ones and spouse waited at home.
I'll show you two who were run over while protesting,
One dead in her twenties, the other badly hurt.

Sign me up for the convoy, the jeeps, boats, and planes
Flying an American flag, daring the Israeli army to stop us
From bringing food and water.
Oh wait. Rachel Corrie.
This experiment has been run before.
They would not hesitate to fire on us either.
They rolled a bulldozer over her young body
As she stood between it and a Palestinian house
They were intent on demolishing.

24 years old, from Olympia, Washington.
Dead in 2003.
This is why we close bridges and march against our own merchants.
Israel is too deadly a place to demonstrate.


Amy Wolf is an LMT and energy worker who resides in Seattle, WA, and is studying writing.

Thursday, December 07, 2023

MEDITATION ON FEAR AND LOVE

by Heather H. Thomas


“Reflected Autumn Light 2 Photograph” by Catherine Lottes



If I say I love god and hate my brother, I must be a liar.

 

Roots protrude over knots of weeds 

and wildflowers overgrowing the path 

 

to the old bench: knife scars. Initials dotted 

with bird shit. Today the ceasefire ended. 

 

Bombs resumed falling on crowded hospitals 

where the attacker says the enemy hides 

 

command centers that must be destroyed. 

The water’s green-black gloss. 

 

Slanted sun flares across it, flashes onto trees. 

Angled, the sun doubles its reflection, blinding me. 

 

For a second my face turns up to the sky 

glaring down. If I cannot love my brother

 

whom I have seen, how can I love god whom I 

have not seen? Quickly I turn away. 


My eyes burn. Behind them the sun repeats 

on my eyelids, retina, optic nerve. 

 

The riverbank is bathed in golden shimmers, 

shaking the leaves, making old branches dance.  

 

Pockets of air vibrate without breeze or wind, 

shaking me. Shifting reflections fracture into 

 

prisms of light flowing far away to the rubble, 

the dead, the injured, the taken, shaking every 

 

stripped-open heart that’s part of it all, the pulsing

downstream, the cross-stream ripple, the light 

 

refracted in this instant, as if the river upended 

and we were all under water. 



Heather H. Thomas is the author of Vortex Street (FutureCycle Press, 2018), and six other poetry collections. Her work has won awards from the Joy Harjo Prize, the Rita Dove Prize, and the Academy of American Poets, among others. Barrow Street; Cutthroat: A Journal of the Arts; Pedestal Magazine; and The Wallace Stevens Journal have published her recent work. Widely anthologized, Heather's poems are translated into six languages, including Arabic. She lives along the Schuylkill River in Reading, Pennsylvania, and has taught creative writing for many years.

Tuesday, November 14, 2023

A TOMATO FOR JOSEPH

by Liz Rose Shulman


Haidar Eid’s book available for pre-order today; shipping tomorrow from LeftWord Books.



Note: The following poem adapts language from Haidar Eid’s Facebook page, with his permission. He is currently trapped in Gaza. Haidar Eid is an Associate Professor of Postcolonial and Postmodern Literature at Gaza’s al-Aqsa University. As of this writing, he is alive. 
 
 
I am standing over the ruins of a house in Gaza City 
peering at the horizon
 
Please don’t let our posts go unnoticed 
This is the only alternative we have 
 
Where is Abu Muhammad
under the rubble
Where is Muhammad’s mother
under the rubble
Where is Muhammad
under the rubble
 
I’ve just received the long awaited news of my book while I am trying to stay alive
LeftWord Books is publishing my latest work 
Decolonising the Palestinian Mind
 
My former student Samah Eid has risen
“My heart is ripped out of my ribs.”
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
They need Palestinian fig leaves 
Sorry, I don’t feel like doing that 
There are others who are more equipped to deal with that.
 
I am a South African Palestinian literature professor in Gaza right now, 
with a wife 
and two small daughters
 
My kind dentist, artist Oraib Rayyes has risen
My colleague and co-founder
of the Department of English
at Al-Aqsa University, 
Abdul Rahman Elhour, has risen 
with 14 members of his family.
 
Some are still under the rubble
 
My friend, ex-student Khalil Abu Yahya, has risen
with his wife, Tasnim 
and two daughters
 
This was my home
 
Where is Salwa
under the rubble
Where is Magda
under the rubble
Where is Mahmoud
under the rubble
 
Where is the rest of the family at
 
Nine members of my family were killed today
One man 
three women 
and five children
 
Progressive activist friend, mother of Prince Samira Rafiqah, 
Our friend Em ElAmeer Samira has risen
Haidar Eid updated his profile picture
 
On the hospital floor
wounded children sit next to their injured mother
one aids her as she receives treatment after a bombing
of a family’s home in the Gaza Strip
 
Why would any country vote,
even veto, 
against a humanitarian ceasefire
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
The home is a lover
A woman who has feelings for you 
and for whom you have feelings.
She is you and you are her. 
There are no boundaries 
No separation
When the home is demolished 
something within you dies.
The sweet story of Youssef Al-Baydani as narrated by his mother: 
“Mom, I’m hungry, I want to eat.
Don’t be afraid, my love, 
I will make you a pan of tomato
I went out to the house of Um Mahmoud, my neighbor, 
in search of a tomato 
to quench Joseph’s hunger,
hoping to find a tomato for Joseph. 
I waited at the door for Joseph to come back from school every day 
I waited for him 
in front of the door every day 
welcomed him with my arms
and a tomato grill that he loves.
How can I wait anymore when Joseph is no longer here
How can a mother protect her son in war?”
 
In this house, a woman lived with her husband 
three sons 
and three daughters. 
They had also provided refuge to relatives from northern Gaza 
who had been displaced
 
Besan was a third-year medical student 
she loved her cat 
Besan was killed with all her family and her cat
 
The young columnist of We Are Not Numbers, Yousef Dawas, has risen
along with his entire family.
He attended my lecture on Postcolonial literature last month.
A few months ago he wrote the article 
“Who will pay for the 20 years we lost?”
 
“I wish my eyes were a sea
where my eyelids could dwell.”
 
In 2014, I performed “Love in the Time of Genocide” 
adapted from a poem 
by the late Egyptian poet Abdul Rahim Mansour. 
 
What we need for literature 
and literary criticism 
is a critique of institutional thought
by offering an alternative
 
A will written by a little girl from Gaza via Anat Matar:
“My name is Haya and I will write my will now.
My money: 45 for my mother, 5 for Zeina, 5 for Hashem,
5 for my grandma, 5 for Aunt Heba and five for Aunt Mariam, 5 for Uncle Abdo and Aunt Sarah
My toys and all my stuff: for my friends Deema, Menna, and Amal, and Zeina (my sister)
My clothes: to my uncle’s daughters and if there’s anything left, donate them
My shoes: donate them to the poor and vulnerable
after washing them, of course.”
 
To white, mainstream media
As per my cardiologist’s instructions, plz do not call me
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
They need Palestinian fig leaves 
Sorry, I don't feel like doing that 
There are others who are more equipped to deal with that.


Liz Rose Shulman’s work has appeared in The Boston Globe, The Chicago TribuneLos Angeles Review, Mondoweiss, The Smart Set, and Tablet Magazine, among others. She teaches English at Evanston Township High School and in the School of Education and Social Policy at Northwestern University. She lives in Chicago.