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Showing posts with label day. Show all posts
Showing posts with label day. Show all posts

Monday, March 17, 2025

A DAY IS NOT A DAY

by Erin Murphy


AI-generated image by imbox sanothai via Dreamstime


“House Republican leaders on [March 11, 2025] quietly moved to shield their members from having to vote on whether to end President Trump’s tariffs… essentially [declaring] the rest of the year one long day.” —The New York Times



A day is not a day.
A night is not a night.
A star is not a star.
Sunrise is not sunrise.
Rain is not rain.
A robin is not a robin.
A song is not a song.
Darkness is not dark.
 
Reality is not real
and neither is steam
from a whistling teakettle
or the smell of fresh basil
on your fingers
hours after you make pesto
or the calligraphy
of hoof prints in virgin snow
or the neon cotton candy
of northern lights
in Zion National Park.
 
Hunger is not hunger.
A lie is not a lie.
A gun is not a gun.
Fear is not fear.
A deported neighbor
was never here at all,
never taught your son
to dribble a fútbol
in the alley between
your homes.
 
Silence is not silence.
 
A day is not a day.
A year is not a year.
A lifetime is not a life.
 
A kiss is just a kiss,
Dooley Wilson sang
in Casablanca.
But a kiss is not a kiss.
It didn’t lead to love
or lust, not even for
your parents which means,
of course, you don’t exist.
You could tell your analyst
but your analyst is not
an analyst. And no matter
what he says, a cigar
is not a cigar.
 
A poem is not a poem.
Ce n'est pas un poème.
A rose is not a rose is not
a rose is not a rose. We are

not who we think we are.


Erin Murphy’s latest book of poetry is Fluent in Blue (Grayson Books, 2024). She is professor of English at Penn State Altoona and serves as Poetry Editor of The Summerset Review.

Tuesday, March 08, 2022

INTERNATIONAL WOMEN'S DAY
8 MARCH 2022

by Mary K O'Melveny




Today, please celebrate all
the women we have lost.
In every war and cease fire.
On slaver’s ships. On thirsty
desert treks to walled borders.
In back-alley rooms without
anesthesia. Locked in basements,
without papers or escape routes.
Asleep in bed. Hitching a ride.
Nursing bruises or starving babies.
 
Our losses rise like mountain peaks.
Ukrainian women huddle in subways,
clutch children, family pets, a few
hastily gathered objects from lives
they will likely never know again
or tattered photographs of loved ones
they may never see again. Even in
safer worlds, friends die of causes
that repurposed money, refocused
attention could have remedied.
 
Some fade away from neglect,
inattention, dreams downsized
by school guidance counselors,
religious zealots, patriarchy.
Others drop dead without a whimper
on a sun-dappled afternoon. One friend’s
memories vanished by midnight
stroke; another’s by subtle daily
erasures. Open our mouths wide in
praise of all. Let songbirds loose.


Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her most recent poetry collection is Dispatches From the Memory Care Museum, just out from Kelsay Books. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

Friday, April 26, 2019

WHEN I AM THE DAY

by Buff Whitman-Bradley




If I were ever to be a day
I would be pleased and proud
To be like this one
Modestly performing its tasks
With competence and confidence
And economy of effort
Quietly and carefully arranging above us
The great clouds bulging
With this afternoon’s rain
Spreading pale gray light
Among the hillsides, the woods
The neighborhoods and parks
And playing fields
Toting armloads of song birds
From tree to tree to tree
Mingling with flowers and bushes
With forgotten grasses in roadside ditches
And vacant lots
Conducting the cantankeous oratorio
Of a chaos of crows
Occupying the bare branches
Of the neighbor’s walnut tree.
And when I am the day
No mauling of the climate
No wars or drone strikes
Or collateral damage
No indecency in high places
No exploitation or economic collapse
No children starved or abused or neglected
No drama, no flash-and-dazzle
Or whoop-dee-doo
A plain, ordinary day of abundant courtesy
And generosity
And a night flooded with stars
To still the noise
And remind the crowd at the top of the food chain
Whence they have come
And where they are bound.


Buff Whitman-Bradley's poems have appeared in many print and online journals. His most recent books are To Get Our Bearings in this Wheeling World and Cancer Cantata. With his wife Cynthia, he produced the award-winning documentary film Outside In and, with the MIRC film collective, made the film Por Que Venimos. His interviews with soldiers refusing to fight in Iraq and Afghanistan were made into the book About Face: Military Resisters Turn Against War. He lives in northern California.

Tuesday, January 22, 2013

WOMEN KEEP ON COUNTING

by Tricia Knoll

Image source: I love it when I wake up in the morning and Barack Obama is President.


For regular women like me
it’s possible to set an alarm
on any computer to remind
what day is most likely
what day is a bit late
what date is too late

Counting, getting to plus five
and no blood; we have been there,
regulars and irregulars
worrying
keeping silences

the want to be mothers
the can’t be mothers
the victims of others

the girl I knew
had to go to Mexico
and came back bloodied
sick and sterile
rocking in a chair
with her teddy bear

that was a long time ago
and women keep on counting


Tricia Knoll was a young woman before Roe v. Wade. She saw first hand the disintegration of a wonderful woman from a butchered abortion. Tricia Knoll is a Portland, Oregon poet.