Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label drivers. Show all posts
Showing posts with label drivers. Show all posts

Thursday, April 18, 2024

THE BLUE ENVELOPE PROGRAM

by Matthew E. Henry


State police in Massachusetts have begun implementing a program to improve interactions with people on the autism spectrum, building upon legislation that won Senate approval in January and remains before a House committee. —WBUR, April 10, 2024


the purpose: to support drivers with autism spectrum disorders 
during traffic stops. to ensure more sensitive communication
by law enforcement, drivers with ASD will hand a blue-backed 
envelope containing their license, registration, and a checklist 
of tips for the officer(s) on scene.
 
as a teacher, I wonder how this new social skill is scaffolded—
who reviews and instructs in advance of the practical exam. 
being Black, I wonder if this effort to reduce anxiety and 
enhance understanding, gave any thought to differentiating 
for ASD motorists of color. who carefully cautions them on
 

 

how to avoid and maintain eye contact 

and knowing the inherent dangers of both

 

how to calmly comply with contradicting orders

 

how to remain silent while being screamed at 

 

how to contend with the confusion of sarcasm 

or being called “boy” when over the age of 12 

 

how to hold hands at 10 and 2 until told otherwise

 

how and where to store their blue envelope

 

how and where to store their blue envelope for safe retrieval 

 

how to retrieve their blue envelope safely

 

how to remain safe while retrieving their blue envelope

 

how to make no sudden movements while retrieving their blue envelope

 

how to retrieve their blue envelope while making no sudden movements

 

how to forget Steven Washington, Stephon Watts, 

Dainell Simmons, Troy Canales, Osaze Osagie, 

Matthew Rushin, Ryan Gainer, and…



Matthew E. Henry (MEH) is the author of six collections, including the Colored page and The Third Renunciation. He is editor-in-chief of The Weight Journal and an associate poetry editor at Pidgeonholes and Rise Up Review. The 2023 winner of the Solstice Literary Magazine Stephen Dunn Prize, MEH is an educator who received his MFA yet continued to spend money he didn’t have completing an MA in theology and a PhD in education. You can find him at www.MEHPoeting.com writing about education, race, religion, and burning oppressive systems to the ground.

Tuesday, September 22, 2020

IMPOSSIBLE

by Diana Morley


A neighborhood destroyed by fire is seen as wildfires devastate the region, Thursday Sept. 10, 2020 in Talent, Ore. (AP Photo/Paula Bronstein via The Record Searchlight)


Two long days driving
through thick smoke
behind, ahead, behind
other fleeing drivers,
all going seventy, eighty mph
to get to air.
 
Diverted from inland to coast
from coast to inland—
fire grenades exploding 
in the hills alongside,
confusing the confused

on the road through 
Sweet Home
behind family
trailer homes
horse trailers
evacuating out of town 
till I reach a motel
where I need news— 

the radio 
assures me at 5 pm—

stock market up a tad

China, a valuable resource
for released Disney film—
‘an impossible resource to ignore.’


Author’s Note: I escaped the Alameda fire in Talent last Tuesday. For two days I thought my house was gone, then learned mine and one other neighbor’s survived on the block. That’s fire for you. My return won’t be to the neighborhood; it will be to both sorrow for my neighbors and joy for all those helping and planning for the future.


Diana Morley has published two books of poetry, one in 2019, one this year, been awarded honors by the Oregon Poetry Assn.  Lived in Oregon for 20 years, in Talent for 15 years. 

Thursday, September 29, 2016

WE WORKERS

by Thomas Piekarski


The south wall of Diego Rivera's Detroit Industry mural in the Detroit Institute of Arts. 


We are the workers who build the ships that police
vast oceans shared by squid, plankton and blue whales.
We’re workers autonomous in our uniforms swayed
by the motion of constellations gradual in their effect.
We’re black men without pensions to rely on gathered
in front of the convenience store with lottery tickets
tucked in our pockets. We’re scantily clad waitresses
sexy at Hooters serving deep fried appetizers for lunch.
In Chicago, Pensacola, Albuquerque and Minneapolis
we’re taxi drivers and plumbers rising and stretching
to get a jump on dawn, twisting out kinks in our backs.
We’re money-laundering Wall Street financial kingpins
whose losses that add to the national debt are reimbursed
by smug congressional scallywags. We’re the Mexicans
who labor in Salinas fields planting and picking crops
and go home to wives and kids existing mostly on beans.
We’re security personnel, and we demand you remove
your shoes, pass them through bomb detection scanners.
We change your oil down in the pits beneath engines,
and though our hands ache your car will run smoothly.
Is anything as tender as the steak cooked so invitingly
on a hot teppan grill by the immigrant Japanese chef?
Note the greeter at Walmart’s entrance slurring words
as he rolls his wheelchair back and forth, quite cheerful.
We’re doctors performing abortions, pharmacists bottling
way overpriced drugs by the millions for hypochondriacs.
We are the workers, stoic, captivated by random winds,
the workers who adore HBO, smart phones and burgers.
We’re the workers whose marrow is sucked out of bones
born from the infant canyons and ravines of our planet.
We’re dreams that left European killing fields and chose
our own nation. We’re Stephen Foster’s children, Mark
Twain’s alter ego, Lincoln’s ghost, Sitting Bull’s blood.
We live in cleverly constructed boxes near workplaces.
We dedicated workers are well trained to forget problems,
check our attitudes at the door, produce at top efficiency.
We thrive on hysterical rhetoric that stirs our nationalism.
When the day’s work’s done we retreat to our televisions.


Thomas Piekarski is a former editor of the California State Poetry Quarterly. His poetry and interviews have appeared widely in literary journals internationally, including Nimrod, Portland Review, Mandala Journal, Cream City Review, Poetry Salzburg, Pennsylvania Literary Journal, Boston Poetry Magazine, and Poetry Quarterly. He has published a travel book, Best Choices In Northern California, and Time Lines, a book of poems.

Wednesday, December 17, 2014

MY DAUGHTERS MARCH

by Janice Lynch Schuster



Demonstrators block the intersection of Forest Drive and Hilltop during a police violence protest in Annapolis, MD on Friday afternoon. (By Matthew Cole, (Annapolis) Capital Gazette /December 12, 2014) 



Lined up with
signs and silent
rage
protestors stymie
rush hour drivers,
so eager to be home
and done
with the day.

For the marchers,
some things are never
done.
Even when they breathe
their nostrils
burn
with awareness
that others cannot.

some mother’s child
will be next
it is only a matter
of time before
another child goes down
on a playground
or in a school
or home
or sleeping
or whatever it is
the living
take for granted

What are my girls
to the irritated drivers
who bitch
to Facebook
and text their nannies?
Thugs, they shout
at my daughters,
safe behind
their horns.

Whatever they knew
of care
is gone on the wind.
The women--
solemn
behind their signs--
pray anyway


Janice Lynch Schuster is the author of a collection, Saturday at the Gym, and has been published in various print and online venues, including Poet Lore, Your Daily Poem, and The Broadkill Review. She writes about health care and public policy, lives in Annapolis, MD, and works in Washington, DC.