JULY NIGHT AFTER THE SHOT AT TRUMP

by Tricia Knoll

I open a fortune cookie with my take-out 
egg fu young from Men at Wok. No fortune. 
 
Fewer fireflies than last week light up
this humid July night.
 
The grass needs mowing. Jewel weed
takes over the woods.
 
The first bitternut hickory falls from
the trees looming over my skylights. 
 
My shy dog flinches like the nut
is a bullet aimed at her easy life. 
 
I read a list of assassinations.
Kids learned about Lincoln.
 
I remember Kennedys, King,
and Milk. One King, a Mayor,
 
of Mt Pleasant, Iowa shot
when a citizen’s sewage backed up. 
 
Of course, the gun was an AR 15, 
what the  NRA calls America’s gun.
 
A long night unrolls with drips
of information. The names of the dead
 
withheld. Lamentations in the fairground
field. Endless replays of a bloody ear. 
 
I swat at the mosquito buzzing in mine. 

Tricia Knoll is a Vermont poet old enough to vividly remember the shooting of President Kennedy announced to her high school over a public address system while she took a French test. Her most recent chapbook The Unknown Daughter contains persona poems linked to reactions in a community that houses the Tomb of the Unknown Daughter.

ABER-CLAM LINCOLN

by Martin Elster

Aber-clam Lincoln, a quahog clam believed to be 214 years old found at Alligator Point, was released into the Gulf of Mexico Friday by his caretakers at the Gulf Specimen Marine Lab in Panacea. Americorps member Blaine Parker dug up the two-century old mollusk while collecting shellfish to make chowder. Parker said it is hefty enough to make two servings and has shells large enough to use as bowls to serve it in. “We were just going to eat it, but we thought about it a while and figured it was probably pretty special. So, we didn’t want to kill it,” said Parker. Instead, he took it to the aquarium at the Gulf Specimen Marine Lab where he works as a specimen collector. Photo by Alicia Devine: Marine Blaine Parker releases a quahog clam believed to be 214 years old into the Gulf of Mexico. Parker found the clam he calls "Aber-Clam Lincoln" at Alligator Point. —Tallahassee Democrat, February 26, 2023

Finding a clam weighing more than a quart of milk,

his mind said, “Turn her into tasty chowder!”

but another voice inside him—which was louder—

was telling him this clam was of an ilk

quite special. So he didn’t kill the critter

but, thinking a little, had the bright idea 

to take her to a lab in Panacea.

(A picture of her can be seen on Twitter.)

Counting the layers in her rounded shell,

scientists recognized she took her first

breath of water before Lincoln was nursed,

and so he tossed her back into the swell.

We wonder: How many times will the world loop

around the Sun before she is clam soup?

The winner of the 2022 Helen Schaible International Sonnet Contest, Martin Elster comes from Hartford, CT, where he studied percussion and composition at the Hartt School of Music and performed with the Hartford Symphony Orchestra. Martin, whose poetry has been strongly influenced by his musical sensibilities, has written two books, the latest of which is Celestial Euphony (Plum White Press, 2019).

PEOPLE LIKE US AND THE DAY YOU WERE BORN

by John Hodgen

Heading in to the Quickie Mart I can tell right away something’s wrong, 

the kid behind the counter with the plexi-glass wrap-around going at it  

with a customer, giving him a piece of her mind, or more. I think perhaps  

she caught him stealing, or worse, but he’s a business guy, gray suit, gray tie,  

and when I open the door it’s not anger at all, it’s passion I’m hearing,   

passion in a Quickie Mart. She’s just a kid, early 20’s or so, hair pulled back,  

masked, oversized glasses fogged up. She’s saying, …when even we can see  

what’s going on, us average people, people like us, then you know something’s wrong.  

And the man doesn’t speak, just nods and turns away, goes past me  

like a broken ghost, back to the world again. And I turn to her in this  

tiny temple where we all come and go for milk and tickets and cigarettes  

and gas, and ask her what it is that all of us should know, all us average people  

who gas and gulp and come and go. She says, …the Capitol, what those people did. 

And I tell her I agree, it’s a sacred place, that they call it the People’s House, 

that Lincoln ended slavery there with the 13^th Amendment in the Capitol,  

that when you’re actually there it feels more like a church. And then I can’t stop.  

I tell her it’s good what you did, speaking up like that. I tell her Siddhartha  

says your birthday isn’t really the day that you’re born. It’s the first time  

you stand up to your parents, to anyone with power over you, and tell them  

the truth. That’s the day when you’re truly born, when you first come alive.  

I want to say she was smiling, gleaming like a newborn held up to the light,  

but she was wearing a mask. I gave her a twenty for pump number five. 

John Hodgen, Writer-in-Residence at Assumption University, won the AWP Prize for Grace (University of Pittsburgh Press). His new book is The Lord of Everywhere (Lynx House/University of Washington Press).

LONG LIVE THE LAST KING

by Mickey J. Corrigan

People are saying it’s the biggest

the greatest, the best crowd

this shithole has ever seen

sleek limos slide through, his face

at the bulletproof window 

mouth open, golf cap tight

on his oversize head

People are saying

the crowd's as big as Lincoln's

and everyone wept, even Jesus

the fans wild with joy

racecar thrilled to see him

to be seen by him

the man who would be king

People are not saying

he took an appalling strut

across the world stage

that ended in folly, farce

reflecting internal unrest

bubbling anger, belligerence

and distrust of everyone else

People aren't saying

he was a mad genius

skilled at detecting weakness

in a narrow human range

of emotions others feel

absent in his lurking bulk

under the ruby crown

the bloated expression

of abject fear

People aren't asking

why the devout followers

of this crazy cult

still willing to sicken 

maskless in the face

of scientific evidence, millions

of facts like corpses piling up

vowing to win at all costs

or die trying

 

Originally from Boston, Mickey J. Corrigan writes Florida noir with a dark humor. Novels include  Project XX about a school shooting (Salt Publishing, UK, 2017) and What I Did for Love a spoof of Lolita (Bloodhound Books, 2019). Kelsay Books recently published the poetry chapbook the disappearing self. Grandma Moses Press will publish the poetry chapbook Florida Man later this year. 

WALKING DEAD

by Jeremy Nathan Marks

The Lakota people  consider the Black Hills to be sacred ground; it was originally included in the Great Sioux Reservation. The United States broke up the territory after gold was discovered in the Black Hills. The mountain into which the Rushmore figures wer carved is known to the Lakota Sioux as Six Grandfathers. Photo: Six Grandfathers circa 1905. Source: Wikipedia.

On the eve of the fourth
in Lincoln’s shadow
on sacred ground
of the Lakota and Cheyenne
downwind of the dust
of an unfinished bust
of Crazy Horse
not one of his kin asked for
a sitting president defending
the Stars and Bars
its politicians, generals and adjutants
to extolling chants of

USA! USA!

What do you say to a drop in
from a fortified copter flying
the Great White Father
over crowds of people whose lands
these stone monstrosities smother
carvings made at the hand of a man
who sympathized with the Klan
a troupe of Confederate brethren
keeping alive the dream of Calhoun
interposition, the antebellum masculine
to thwart a more perfect union?

Carve the face of the great emancipator
beside slaveholders and Teddy R.

I think the fourth is in danger of becoming
a mausoleum because we do not vet
the monument builders
history stalks the land like the undead
in a high ratings show many of us watch
on television.

Jeremy Nathan Marks lives in London, Ontario. Recent work is appearing at Isacoustic, So It Goes, Muddy River, Wilderness House Literary Review, and The Right Life.

LOVING V. VIRGINIA 1967

by Sally Zakariya




The case hit home for me—
Virginia born and bred, Love
is my middle name, chosen Southern
style for the great-great-somebody
who rode to college in a boxcar
through Confederate lines bringing
her piano and her favorite slave

Virginia Is for Lovers the slogan says
but only certain lovers in those days
certainly not me and the black man
I lived with way back when

A hundred years plus four it took
for marriage to catch up
with Mr. Lincoln’s proclamation
for a suffering nation to bind
this one heart-deep wound—
at least to make a start

I love Virginia’s hills and valleys
its rich red earth where blood
of black and white is mingled
where black and white lie
equal under headstones
but there’s still healing to be done
one nation divided
      still wounded
            still bleeding

Sally Zakariya’s poems have appeared in 60-some print and online journals. She is the author, most recently, of When You Escape (Five Oaks Press, 2016), as well as Insectomania (2013) and Arithmetic and other verses (2011); and the editor of the poetry anthology Joys of the Table (2015).

WE WORKERS

by Thomas Piekarski

The south wall of Diego Rivera's Detroit Industry mural in the Detroit Institute of Arts. 

We are the workers who build the ships that police
vast oceans shared by squid, plankton and blue whales.
We’re workers autonomous in our uniforms swayed
by the motion of constellations gradual in their effect.
We’re black men without pensions to rely on gathered
in front of the convenience store with lottery tickets
tucked in our pockets. We’re scantily clad waitresses
sexy at Hooters serving deep fried appetizers for lunch.
In Chicago, Pensacola, Albuquerque and Minneapolis
we’re taxi drivers and plumbers rising and stretching
to get a jump on dawn, twisting out kinks in our backs.
We’re money-laundering Wall Street financial kingpins
whose losses that add to the national debt are reimbursed
by smug congressional scallywags. We’re the Mexicans
who labor in Salinas fields planting and picking crops
and go home to wives and kids existing mostly on beans.
We’re security personnel, and we demand you remove
your shoes, pass them through bomb detection scanners.
We change your oil down in the pits beneath engines,
and though our hands ache your car will run smoothly.
Is anything as tender as the steak cooked so invitingly
on a hot teppan grill by the immigrant Japanese chef?
Note the greeter at Walmart’s entrance slurring words
as he rolls his wheelchair back and forth, quite cheerful.
We’re doctors performing abortions, pharmacists bottling
way overpriced drugs by the millions for hypochondriacs.
We are the workers, stoic, captivated by random winds,
the workers who adore HBO, smart phones and burgers.
We’re the workers whose marrow is sucked out of bones
born from the infant canyons and ravines of our planet.
We’re dreams that left European killing fields and chose
our own nation. We’re Stephen Foster’s children, Mark
Twain’s alter ego, Lincoln’s ghost, Sitting Bull’s blood.
We live in cleverly constructed boxes near workplaces.
We dedicated workers are well trained to forget problems,
check our attitudes at the door, produce at top efficiency.
We thrive on hysterical rhetoric that stirs our nationalism.
When the day’s work’s done we retreat to our televisions.

Thomas Piekarski is a former editor of the California State Poetry Quarterly. His poetry and interviews have appeared widely in literary journals internationally, including Nimrod, Portland Review, Mandala Journal, Cream City Review, Poetry Salzburg, Pennsylvania Literary Journal, Boston Poetry Magazine, and Poetry Quarterly. He has published a travel book, Best Choices In Northern California, and Time Lines, a book of poems.

THE BOOK OF NEMESIS, CHAPTER 2016

by Gilbert Allen

Image source: DonkeyHotey

                   
And He said, I am The Great Candidate.
All the others?
Low energy.
Stop and think for a minute, people.
You really want a GOTUS who looks like that?
This is gonna be huge.
I’ll build a ginormous wall in the desert, and Saddam is gonna pay for it.
He’s history, and I know where his money is.
I’ve got some experience with walls.
And money.
You’ll be the father of many nations, after I smite them into The Stone Age.
You’ll mark all their members with red ties, before you let them out of the rubble.
Have I said you’ll be the mother of many nations, too?
I cherish mothers.
Mothers love me.
Especially Mexican mothers.
Listen, I know how to make deals.
I’ve been making deals for a pretty long time now.
You’re gonna have so many victories you’re gonna get sick of them.
Did anyone ever tell you you look just like Abraham?        
Abraham Lincoln?
Now fall on your face already.


Gilbert Allen's most recent collection of poems is Catma, from Measure Press. A book of short stories, The Final Days of Great American Shopping, is forthcoming from USC Press in April. He lives in Travelers Rest, South Carolina.

ABRAHAM LINCOLN ON DANIEL DAY-LEWIS

by Earl J. Wilcox

After some days of wandering around in his skin,
I found myself imitating his spikey voice, his iconic

glazed look. His crooked nose fit my face when he
scratched his scraggy chin. When he got down on

his hands & knees, crawled to stir the logs in the drafty
White House fireplace, I felt the creak in his battered bones

from years ago when he’d trained his body to deal
with a typing left foot. O, I cannot say just how many

times I felt Godawful, day after day, night after night
of the movie making because the sumbitch kept

pushing and pushing himself to get my stoop,
my lumbering gait just so. Dan’l was maybe best

when he sat or slept on the floor with that little child
actor playing my son Tad, especially when the kid had

to hide his electronic game so the camera could not see
how bored the boy was. Watching the two of them I can

even now feel Tad squirming like a little tadpole,
never still, running around and around---loving me

like I loved him. I am cold to the core today when
I recall that scene early in the movie in the bitter,

falling rain. I hear Dan’l made a movie about Mohican Indians,
so he adapted to the woods, felt as much at home there

as I might have in Kentucky or Indiana. No matter that now.
What I do remember is being soaked through my scruffy

underwear when I visited the battlefields, listening
to the young, death-driven soldiers, sometimes praise me,

lamenting at length, finishing each other’s rendition of
my little Gettysburg speech. The pain, the pain, the pain.


Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.