Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
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Showing posts with label empty. Show all posts

Saturday, January 31, 2026

AFTER READING "MINNESOTA BRIEF: THINK OF THE CHILDREN" BY BREE DONOVAN

by Laurie Rosen

this morning i read this poem 

so sad it feels like a stab 

to my heart i think 

maybe this could move 

the right people…

but the ones who need to be moved 

are heartless with nothing to stab

and empty of any passion 

for reading poetry 



"They Are All Responsible" cartoon by Ann Telnaes


Laurie Rosen is a lifelong New Englander. Her poetry has appeared in One Art: a journal of poetry, Gyroscope Review, Oddball Magazine, The New Verse News, Minyan Magazine, The Inquisitive Eater: New School Food, Zig Zag Lit Mag, and elsewhere. Laurie was nominated for a 2025 Pushcart Prize. 

Thursday, September 23, 2021

POSTSCRIPT TO AN ACTIVIST'S LIFE

by David Chorlton


Unrest #1, a painting by Alyssa Liles-Amponsah



                nobody rich or famous…
                                Richard Shelton
 

The car in the driveway
has barely a pulse
and the windows don’t let in the light.
The palm trees no longer
aspire to the sky
and the garden hose hangs
on a hook.
Something’s eating the house from inside
say the neighbors,
no one answers the door when
they knock. The ceiling gave way
and a bucket of grief
stands under a hole where
time drips day
after day. The telephone’s hoarse
from repeating
I’m sorry I can’t speak now…,
the doorbell plays a dirge
and every minute makes
a tiny splash as it falls
into the unwashed dishes
in the kitchen sink.
 
He brought the border home with him,
unrolled it on the floor,
ran it through the kitchen to
the living room and cut
it into strips to hang instead of curtains
at the windows where a light
shone upon every nationality and exposed
the fault line between the rich
and poor. His trash bin
was filled with tailings from a mine
and every day he emptied it and
every next day it was full
again but he kept emptying. When the nails
fell out from where they held
the world together, he picked them up
to hammer back. Meetings.
Petitions. Meetings. Letters.
Meetings. Always somewhere to be,
to drive across town
on the sweating summer asphalt
with the windows down
to save money for gas.
 
Nobody knows for sure. It was
a mystery. The neighbors didn’t care much
for the man. He kept
largely to himself. Didn’t have a lot
to say. Kept going out, revving up
his car and coming back
then leaving again six
or eight times a day. The lady who lives across
from his house knows; she kept count.
Never really spoke
to him. And he spoke only
when spoken to. He was alone the last
few weeks. Come and go. Feed
the cats. People watched but didn’t know
what they were seeing. Didn’t
ask. Left him alone. And the weeds grew
like secrets in his yard
until one night the moon tipped
on its side, spilling
silver dust onto the moths around it
asking ancient questions
of the passionate light.


David Chorlton is a longtime resident of Phoenix, who continues writing, painting, and keeping track of the local bird life. His newest book is Unmapped Worlds, a collection of rehabilitated poems from his files of the past.

Tuesday, November 17, 2020

EMPTIED

 by Andrena Zawinski




The streets and playgrounds, the courts and fields are emptied. 
The string of row house swings emptied of coffee klatches 
across porch rails. Silence on cobbles glistening in morning dew, 
heady scent of honeysuckle wafting by windows we close. 

Framed by the limits of imagination, ears cocked to a sparrow’s song,
sun setting on pyramids, creek beds, ice floes, desert flowers 
past our views of the world, ghosts carousing night winds 
of our mourning, all the eyes on clear skies boasting stars above

moored cargo ships, snow capped peaks, the sweaty rainforests.
Our windows view the emptied harbors, farmlands and vineyards, 
fire escapes and stoops. All of it emptied of the large and small 
solitary pleasures of our fractured lives in this godawful air.


Andrena Zawinski’s poetry has received awards for lyricism, form, spirituality, social concern, many of them Pushcart Prize nominations. Her latest book is Landings (Kelsay Books); others are Something About (Blue Light Press PEN Oakland Award) and Traveling in Reflected Light (Pig Iron Press Kenneth Patchen Prize) along with several chapbooks. She founded and runs the San Francisco Bay Area Women’s Poetry Salon and is a previous contributor to The New Verse News.

Sunday, March 22, 2020

TENDERLY

by Patricia Carragon




The evening breeze caressed the trees tenderly . . . 
The shore was kissed by sea and mist tenderly . . .
—music by Walter Gross; lyrics by Jack Lawrence


Chet Baker’s trumpet sings

unrestricted airwaves
in a senseless world

lonely trees by the promenade

wooden arms and hands
feel wind’s breath

an empty shore

a bedroom for sea and mist
to play without panic

courtyard ball games

a father spends time
with his son

a writer watches

social distancing
from the 2nd floor


Patricia Carragon’s recent publications include A Gathering of the Tribes, Bear Creek Haiku, First Literary Review-East, Jerry Jazz Musician, Live Mag!, Muddy River Poetry Review, Narrative Northeast, Panoplyzine, and Stardust Haiku. She has forthcoming work from EOAGH and The Paterson Review. Her latest books from Poets Wear Prada are Meowku and The Cupcake Chronicles, and Innocence from Finishing Line Press. Her first novel, Angel Fire, is forthcoming from Alien Buddha Press. Patricia hosts Brownstone Poets and is the editor-in-chief of its annual anthology. She is an executive editor for Home Planet News Online. Patricia lives in Brooklyn.

Tuesday, May 05, 2015

FIELD BOX 54

by Alejandro Escudé






Its come down to this: empty
major league baseball stands
while the game goes on below,


except for the one skeleton
sitting in Field Box 54, wolfing
down a hot dog whole, tossing peanuts
into its open jaw.


The hot dog bun perfectly preserved
and the pristine peanut shells
scattering past the skeleton’s severed
spinal chord.


The lonely announcer
can’t believe his eyes. “It appears
to be enjoying the game!” he says.


And why not? The whole stadium
to itself, Orioles against
the White Sox, nothing to worry about,


though it still remembers
the gelid badge pressed to its ear

and the godforsaken fear.


Alejandro Escudé published his first full-length collection of poems, My Earthbound Eye, in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Friday, November 29, 2013

KEEPING INDEPENDENCE

by Archana Sankaran


Old Beggar With a Boy - Pablo Picasso, 1903


I will keep my
strong sense of independence,
my fierce will,
precious freedom
and hopefully,
creative lust.
Until the minute coffers
where I pinned my
existential insecurities,
stand near empty.
But empty, it does not
scare me anymore.
I have seen empty,
spread those bowls of begging
and received often pity
but sometimes crumbs
that were and are of
much value to me.
That some people can
be kind, never mind if grudgingly
to strangers.
There certainly is
a clarity, a looking at truth
a freedom at empty.
Oh, what a wonderful
place I am at, tonight.
Happy at going to full.
And happy to get to empty.


Archana Sankaran is a poet based in India. She is also an artist . She finds writing poetry often emotionally cathartic. And is grateful for the gift of writing.