BLACK ICE

by Lavinia Kumar

In Edison [NJ], thousands of immigrant workers toil in hundreds of warehouses, sorting millions of boxes arriving from nearby ports before being sent by trucks across the United States. But this summer has delivered something else. Immigration raids a few weeks apart at two warehouses have unsettled the daily rhythms of this busy corridor, where Amazon, FedEx and UPS have a large presence. The second raid happened Wednesday, [August 20] and resulted in the arrests of 29 workers, among the largest sweeps in the region since President Trump took office. Warehouses have been left short-staffed and behind schedule as detained workers were sent to immigration jails and others stopped showing up. —The New York Times, August 22, 2025

Oh, those winter mornings,

that fresh brisk air,

you go for a walk, spot a deer,

forget to look at the path,

and down you go—black ice.

Yes, black ice, its face invisible,

not like real ice, like white ice, 

in sweet slushies soothing a hot day,

or like crackling ice dropped

into an evening cocktail.

Yes, black ice, its every feature

disguised so you cannot not see danger.

 

Like tinted car windows to hide

the dark man in handcuffs taken by

Black ICE, this working man

taken from his family, from his work.

Black ICE seizing this man,

counting on a bonus award,

adding to the number 

for the White House 

Black ICE tally.

 

Black ICE in black masks,

Black ICE with tinted windows

Black ICE in unmarked vans

Black ICE with no warrants

Black ICE taking husbands,

mothers, fiancés, wives,

Black ICE taking dark men

who pay taxes, who love,

who have children

to Black ICE cages,

to who knows where

to crowded Black ICE jails.

 

And yes that young deer you saw

before you slipped on black ice

danced on its ballet hoofs

into bushes, into hiding,

hiding from you,

like a neighbor, like a friend,

hiding from Black ICE.

See Lavinia Kumar’s three food stories in Issue Five of Ruby Literary Press, The Monsoon Rain winning a 2024 Pushcart nomination.

IN THE DAYS BEFORE I DIE, I RECALL THE LAST TIME I WAS HERE

by Dick Westheimer

                   for Vanda Semyonovna Obiedkova

A 91-year-old Holocaust survivor died while sheltering from Russian strikes during the siege of Mariupol, her daughter has said. Vanda Semyonovna Obiedkova died on 4 April while taking cover in a freezing basement without water, in a grim echo of how she had hidden in a basement from the Nazis when she was 10 years old, her daughter Larissa told Chabad.org. Obiedkova, the second Holocaust survivor known to have died during Russia’s war in Ukraine, “didn’t deserve such a death”, said Larissa, who was with her mother at the time. Larissa described the conditions in Mariupol as “living like animals”. Photograph: c/o Rabbi Mendel Cohen —The Guardian, April 19, 2022

"I see the world being slowly transformed into a wilderness;

I hear the approaching thunder that, one day, will destroy us too.”

—Anne Frank

The tongue of huddling in cellars is a forgotten one, a language 

only a few of us remember from the before times. But here I am, 

again, buried in this frigid basement beneath these same shamed streets. 

I should be home, folding laundry, making khrustykys for the little ones, 

maybe napping. Instead, I shiver away the last of what was me

covered only by my daughter’s thin coat.

I recall my father, gone to dust in the gulag days, his sure hand

firm over my small mouth, held my crying inside as Nazis hunted

for my kind in the homes above our blacked-out hiding place.

I beg for water but it’s really the dark that defeats me, steals these 

last shallow breaths of mine. I dream back to that time when 

10 year old me first learned the lightless dialect of cellar life, 

was forever drained of light. Since then, it has been the daily 

illuminated hours that have saved me—that made the thin link 

from one frightful night to the next—and without that dim lit bridge

I am already dead.

Dick Westheimer has—with his wife and writing companion Debbie—lived on their plot of land in rural southwest Ohio for over 40 years. His most recent poems have recently appeared or are upcoming in Rattle, Paterson Review, Chautauqua Review, RiseUp Review, Ekphrastic Review, Minyan, Gyroscope Review, and Cutthroat.

MRI

by Robin Wright

"Breathe in breathe out" poster  by Raphaella Vaisseau

A voice summons from somewhere outside this tube.

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

No way to say I’ve been doing just that

ever since Putin invaded Ukraine.

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

I study gray tape on the ceiling, a few inches

from my face. It’s long and straight, a runway, but

no planes, only torn spots in the shapes of tear drops.

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

I lie still. When loud thuds like gunfire overpower U2

playing "With or Without You" on my headphones,

I squeeze my eyes tight, willing the noise to stop.

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

I’m safe, tucked in a tube.

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

A pregnant woman, bloody, swollen

thought she’d be safe inside the maternity ward

in Mariupol, but had to stumble through glass,

rubble, and labor pains to keep her body

and unborn baby from being torn to bits by bombs.

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

How many families are with or without loved ones?

How many hide in basements with no food, water, electricity?

How many buried in mass graves? How many more?

 

Breathe in, Breathe out, Breathe in, Hold your breath

 

The machine done, the radiology tech

tells me I’m good at holding my breath.

 

I leave, await my fate and that of Ukrainians.

 

Breathe in, Breathe out, Breathe in, Hold my breath

Robin Wright lives in Southern Indiana. Her work has appeared in One Art, Young Ravens Literary Review, Olney Magazine, As it Ought to Be, Rat’s Ass Review, Sledgehammer Lit, Muddy River Poetry Review, Sanctuary, and others. Her first chapbook Ready or Not was published by Finishing Line Press in October of 2020.