WHAT I TELL MYSELF

by Marjorie Tesser

 

That it’s all right to mourn. Okay to take a day to grieve. Okay to take it slow,

to do some yoga, take a nap; you know last night you didn’t sleep, the writing

on the wall a tale of loss on loss writ with excruciating slowness, unrelenting speed.

 

I warn myself not to indulge in doom prescience, worrying each bead

of a litany of despoliations sure to come. Try not to guess how they’ll pervert 

the name of freedom, desecrate “liberty,” have their nasty fun.

  

...women’s health and status racism xenophobia homophobia transphobia environmental waste bizarre quasi-scientific theories conspiracy book banning religious hegemony distasteful alliances impetuousness anti-intellectualism clannishness cronyism greed shitty “jokes” glorification of the mean spirited the sociopathic the stupid....

 

(I remind myself I was not going to do that. Tell myself it’s okay 

to backslide, as long as I catch it). Caution myself: anger can spark, 

but combust and turn to ashes.

 

Remind myself I can’t be so surprised; numbers show 

what I already knew in my heart: we’re still a misogynistic, 

racist nation in significant part. Remember that they feed 

 

on negative attention; deny them that sustenance. 

Command myself not to freeze in terror or wallow in despair; 

not to always blunt feelings with self-soothing behavior.

 

I tell myself my job’s the same: to be present, kind, true to my values

and respectful of others’, to support those that champion such aims 

and care for those who need. To uphold ideals, to interpret with empathy. 

 

To try to put it into words. To remind myself of bright points, precious few 

though they may be. I tell myself to write a poem take a walk talk with friends 

spend moments with an animal or tree.

 

The only way is forward.

 

Eyes and mouth, heart and hands and feet.

Marjorie Tesser’s poetry and fiction have appeared in Molecule, Cutleaf, poets.org, SWWIM, and others. She is the author of two poetry chapbooks, The Important Thing Is, winner of the Firewheel Chapbook Award (Firewheel Editions 2010), and The Magic Feather (FLP 2011). She has co-edited three anthologies of poetry and prose, and is editor in chief of MER - Mom Egg Review.

WHEN WEASELS HOLD OFFICE AND RATS WEAR ROBES

by Michael T. Young





The great slap away the hand
that reaches out; the great know
the need of a migrant child is not
their need, and to imprison them
will make a country great.

The great watch the news but
spit foul words, praise the attacker,
the killer of journalists because this
will make a country great.

The great bellow of unity and love,
parrot Amazing Grace while grabbing
women between their legs because
this will make a country great.

The great speak their mind, act
from the gut, then deny everything—
brag because the great let no one
forget they’re great and this
makes a country great, like them.


Michael T. Young’s third full-length collection The Infinite Doctrine of Water was published by Terrapin Books. He received a Fellowship from the New Jersey State Council on the Arts, and his chapbook Living in the Counterpoint received the Jean Pedrick Award.

SIMPLE MATH

by Marissa Glover

When he calls her horseface
I hear dumb bitch and remember
when you texted to tell me
Wife #2 is 5x the woman I am.
It doesn’t matter if I’m 1/2 Italian
or 1/4 Irish or 1/1024 Cherokee—
you’ve always got my number.
If only one drop of Eve’s blood
lurks inside these arteries, the heart
pumps sin to the body.
You point your finger > I take the fall.
Cow + Crazy + Lowlife + Loser + Cunt
Never equals,
we’re reduced to a name
that is not our own.
Not even the one our fathers gave us
because zero plus zero is always zero.
5,246,670 women could march on Washington
and, still, the sum of every woman in America
is nothing.

Marissa Glover is a teacher and writer who shares her thoughts more than necessary, which she considers a form of charitable giving. If it counted as a tax deduction, she’d be rich. Her poetry has been published at Easy Street, The Opiate, Lipstick Party Magazine, Unbroken Journal, Helen: A Literary Magazine, and Muddy River Poetry Review, among others—and is forthcoming from Riggwelter. Twitter:  @_MarissaGlover_.

PROSTITUTE

an anagram poem by David Spicer

For months I’ve watched Rose,
not a woman of ill repute
but a unique kind of poet,
a smooth blonde who’s a poster
girl for works of prose
she recites by rote
for the misogynist she touts
every morning. She doesn’t protest
when asked to produce tropes
glorifying him, writes riots
of rhetoric that possess a tinge of eros,
that she delivers with poise
to the cameras as though a tourist
familiar with any kind of ruse.
She holds a gold-sequined purse,
proceeds to tutor
male reporters who don’t trust
her to do anything except roust
questions in their heads they store
away, just to deprive them of a rest,
to convince herself she can pour
her special brand of suet
for them, and then stir
it, inducing a rise
from them, supplying enough rope
so they stop, think, and sort
thoughts in their sore
minds, the last step
before she fools them to posit
they have passed a test
which allows them to tour
her body that she’ll pose
for them, and instead she’ll step
forward to reveal her intellect’s tits,
an act she considers anything but trite,
but expected for her kind of prostitute.

David Spicer has had poems in The American Poetry Review, Ploughshares,  Gargoyle, Rat’s Ass Review, Reed Magazine, Slim Volume, TheNewVerse.News, North Dakota Quarterly, Chiron Review, Easy Street, Bad Acid Laboratories, Inc., Prime Number, among others, and in the anthologies Silent Voices: Recent American Poems on Nature (Ally Press, 1978), Perfect in Their Art: Poems on Boxing From Homer to Ali (Southern Illinois University Press, 2003), and A Galaxy of Starfish: An Anthology of Modern Surrealism (Salo Press, 2016). He has been nominated for a Best of the Net twice and a Pushcart, and is the author of one full-length collection of poems, Everybody Has a Story (St. Luke's Press, 1987), and four chapbooks. He is also the former editor of Raccoon, Outlaw, and Ion Books.

MISOGYNY ALA DONALD

by David Spicer

I agree: we need to strike with force

and hijack our favorite fetish. Shout

Shit! at our divorce depositions, buy

a bus ticket to Buffalo, Wyoming

with our lawsuit checks. Before we leave,

let’s sing our inner rock songs, wear

rattlesnake skin cowboy boots, and tickle

Heather on her tasseled tits while she’s

corkscrewing an orgasm down the grind pole

in the dank pit of The Holy Moly.

We can steal a bottle of our favorite Korean

champagne, rub it against the sunburned

barmaid’s crotch and tell her the next

round is on her. We’ll film the janitor

in flagrante delicto and crunch her

cauliflower ears, and then raid the fridge

of its last slices of Boston crème pie.

Bug anybody we can, shout horny

come-ons in our black leather

dusters, and then label each other

The Fuck Geeks of Sauerkraut Doom.

Yep, let’s break the rules every chance

we get and feel great about it, let’s be

boys being boys and climb the prettiest

willow we can find and whistle-whisper

to her so sweetly she sighs and swoons

under the mighty, cloud-kissing moon.

David Spicer has had poems in In Between Hangovers,  TheNewVerse.News, Gargoyle, The American Poetry Review, Ploughshares,  Mad Swirl, Reed Magazine, Slim Volume, The Laughing Dog, Easy Street, Ploughshares, Bad Acid Laboratories, Inc., Dead Snakes, and in the anthologies Silent Voices: Recent American Poems on Nature (Ally Press, 1978), Perfect in Their Art: Poems on Boxing From Homer to Ali (Southern Illinois University Press, 2003), and A Galaxy of Starfish: An Anthology of Modern Surrealism (Salo Press, 2016). He has been nominated for a Best of the Net twice and a Pushcart, and is the author of one full-length collection of poems, Everybody Has a Story (St. Luke's Press, 1987), and four chapbooks. He is also the former editor of Raccoon, Outlaw, and Ion Books. He lives in Memphis, Tennessee.

SOCHI'S CHOICE

by George Held

            "That old black [widow] has me in its spell . . . "

            “‘You carry enough stuff in your pocket to blow yourself  and everything within sixty yards of you to pieces.’”          —Joseph Conrad, The Secret Agent (1907)


Those young Moslem women terror-bent
from Dagestan and Chechnya now are sent
to Sochi with bombs embracing their bodies
like the arms of their dedicated husbands,
already blown to bits by suicide bombs
to earn their tickets to Paradise.

The young ladies now arm themselves
like Conrad’s Professor, “hand closed round”
the detonator in his pocket,
an armed flask bomb sitting
in another pocket like a sleeping
black Angel of Death.

Call these young women “black widows,”
conjure our primal fear of black spiders
with red hourglass shape on their abdomen,
who devour their mates for giving the gift
of fertilization. The old misogynist myth
is summoned again to feed nightmares

for the well-heeled with tickets to Sochi,
the Winter Olympics Paradise,
with palm trees, by the Black Sea,
while at its back, in the snow-clad Caucasus,
Moslem revolutionaries fight
for independence and send (black) widows

to detonate the fun and games.
Which is your choice: the curious
tourists who require armed security
to bolster Vladimir Putin’s coffers
or the widows dedicated to avenge
their husbands and help to liberate

their ancient/nascent nations
from Putin’s pitiless grip?
Let the games begin.

An occasional contributor to The New Verse News, George Held occasionally blogs at www.georgeheld.blogspot.com