WHERE THE WILD THINGS WERE

by Mary K O'Melveny

Flaco, the Eurasian eagle-owl whose escape from the Central Park Zoo and subsequent life on the loose in Manhattan captured the public’s attention, died Friday night after apparently striking a building on the Upper West Side, officials said. —The New York Times, February 23, 2024

At some point we all wanted to be Flaco.

To rise above our circumstances,

escape our confined lives,

take flight in open spaces

once known as dreams.

To perch high enough that our

imaginations cannot be captured.

To gain perspective on those details

of our former lives closer to ground

that went missing each day.

At treetop height, our diary of daily

exploits expands like open secrets,

while our fears are as useless as yesterday’s news.

Watch us in awe as shadows of our wings

recede into the far distance.

Up here, we listen to wind symphonies,

sway to syncopated beats of rain drops

on balcony ledges, fire escapes, water towers.

We watch sunsets morph from marigold to auburn to mauve

Aloft, we leap, linger like Nijinsky.

Some said survival was sketchy.

Wild creatures face too many obstacles –

best to keep them caged for longer life.

But they forgot about the thrill of open skies.

How memories expand when airborne.

Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her poetry collections include Dispatches From the Memory Care Museum (Kelsay Books) and Merging Star Hypotheses (Finishing Line Press).

CONFESSION

by Susan Barry-Schulz

The life of Flaco, the Eurasian eagle-owl who escaped from the Central Park Zoo, and who died this past Friday outside a building on the Upper West Side, can be divided into two main chapters. Chapter 1 spanned nearly thirteen years, mostly in the zoo—first in the Temperate Territory near the snow leopards and red pandas, and later opposite the loud chiming of the Delacorte Clock. The second started when Flaco spotted a hole in his cage, evidently made by a vandal, and departed. Flaco, who’d been born in captivity and whose species is not native to North America, swooped and roosted in Central Park, taught himself how to hunt—stunning scientists—and lived more than a year on his own before wildlife rescuers found him unresponsive after an apparent collision with a building on West Eighty-ninth Street. —The New Yorker, February 26, 2024.  Photo: Flaco the owl perched on a water tower above a building in Manhattan in December. Credit: Paul Beiboer via The New York Times, February 26, 2024

The night I let Flaco the long eared Eurasian eagle-owl out of his enclosure at the Central Park Zoo I was as high as a red-tailed hawk. Earlier I had also downed two long-expired White Claws (one Blackberry and one Mango) and a bottle of Blue Moon from the back of the fridge because I was cleaning it out and I hate letting things go to waste. It was cold and dark and there we were, two creatures with eyes, just staring at each other and breathing in and out. After some time, it became apparent which one of us was the superior being. I was alone, which wasn’t unusual, but wished there was someone around to help me, which was. I hopped the fence no problem, but that stainless steel mesh was no joke. I stayed for a while, hoping the hole I had cut was big enough, but he didn’t budge. I kind of respected that. Later I followed his travels on @ManhattanBirdAlert and other birder accounts that I found by searching his name. At first, Flaco stayed in the park, testing his wings, learning to hunt, hanging out in his favorite oak tree at 104th Street. Then he expanded his reach, exploring the UES, eating rats and pigeons and other small animals, peering into people’s apartments and frequenting fire escapes, construction equipment and air conditioners. There was something about the sound of his hoots—almost like the sound you could make by blowing across the top of a glass bottle—echoing down from the rooftop water towers of Manhattan that made you feel lonely and comforted at the same time. I don’t know. Anyway, now he’s gone. I am responsible either for his death or for the best year of his life. Possibly both. Fly on, brother.

Author's Note: I assure you this is a persona poem.

Susan Barry-Schulz grew up in a house full of books just outside of Buffalo, NY. She is a poet, collage artist and disabled Physical Therapist. Her work has appeared in SWWIM, Shooter Literary Magazine, Bending Genres, B O D Y, Leon Literary Review, West Trestle Review, Stone Canoe, Okay Donkey, and in many other print and online journals and anthologies. 

BLESSING THE ANIMALS

by David Chorlton

On and around The Feast of St. Francis, October 4 this year, many churches organize a Blessing of the Animals to which dogs, cats, bird, bunnies, ponies, chickens, and all creatures great and small are welcome.

Here’s a cat who’d take

the dinner from a china plate but bless

her anyway; she doesn’t know

the rules of etiquette. Consider the coyote

blessed when he stops in the middle of the street

and looks back at a pedestrian

his wildness has touched. Bless the starlings

who were fruitful and

multiplied from coast to coast, and bless

the common pigeon for

turning waste lots into food. Bless

the rattlesnake who curls up at a trail’s edge

by stepping carefully around him,

and save

for the jaguar who returns to

ancient hunting grounds

a special blessing that will follow him through

darkness. Shall we dare

to shower favor on the rats who climb the final

daylight and cavort

in yards and vegetable beds? Or spare

an extra prayer for the Great horned owl

when he is done with ferrying souls

to comfort and a resting place?

When the Cooper’s hawk is waiting

for a mourning dove, be generous as this world

in which an ocean is the predator

and a river is the prey.

David Chorlton has lived in Phoenix since 1978, and has shared home with many cats, birds, and occasionally dogs. The creatures who visit his yard appear frequently in his new book Poetry Mountain from Cholla Needles in Joshua Tree, CA., who also published the poems his white cat Raissa wrote in the late Clinton years (of a very concrete nature) in a little book called Gilded Snow along with her owner's commentary.

ON THE VACANT BRANCH OF THE SPOTTED OWL

by Tricia Knoll

Killing barred owls will aid recovery of Oregon's spotted owls, federal wildlife officials believe. --The Oregonian, July 23, 2013

Talons withdrawn, nests gone,
the spotted owl loses its grip
on security, abundance, old-growth,
silenced victims of manipulated
moaning forest. The wind hears
loss

in the call of the barred
owl, manifest west from the east,
filling a niche
like the coyote
jumping at chance, taking bets

to eat what the wolf wouldn’t,
go where the wolf couldn’t.

An answer: slaughter 3,600
barreds. Invite spotteds
to return and they will
say biologists managing trays
of barred dead. The wind
puzzles out wagers of kills
to save life.

A croupier spins the wheel.
Wrenching bets on black, and the ball
explodes.


Tricia Knoll is a Portland, Oregon poet. In these days of dwindling biodiversity, she was recently thrilled to see a barred owl on a highway stanchion in Seattle, a place the spotted would never light.