MESSENGER RNA

by Claudia Gary

AI-generated graphic by Shutterstock for The New Verse News.

Vaccine doing its work

sent signals overriding

emotion, music, words,

hunger, desire—but only for

one day, that messenger.

Soon there would be sunset 

with orange hues to mark

the hours that made up

a day of gratitude—

vaccine, then first-day voting—

two gifts! Will I recall

such joy? And will the volume

of voting be sufficient

to stop that other virus?

Claudia Gary teaches workshops on Villanelle, Sonnet, Meter, Poetry vs. Trauma, etc., at The Writer’s Center and privately, currently via Zoom. Author of Humor Me (2006) and chapbooks including Genetic Revisionism (2019), she is also a health/science writer, visual artist, composer of tonal songs and chamber music, and an advisory editor of New Verse Review. Her 2022 article on setting poems to music is online.

APOCALYPSE

by Katherine West

detail of the poster for the film Apocalypse Now

I stand with my back to winter 
as if I could hold off blizzards 
with force of will alone 

I am the last dam without a crack 
Water trickles over my shoulders 
Flood whispers in my ears 

I am rain following fire 
tracking its crackle and whoosh 
lowering like a raptor after prey 

I am the final embrace before death 
grabs you by the ankles 
leaving only your soul in my arms 

I am the last mother
carrying a million children on my back 
swimming for safety against the tide 

I am the last dancer, the last poet
the last artist using my own blood 
to paint the last sunset 

I am the last person on Earth 
I have broken all mirrors, all my brothers 
are only songs

Katherine West lives in Southwest New Mexico, near Silver City. She has written three collections of poetry: The Bone Train, Scimitar Dreams, and  Riddle, as well as one novel, Lion Tamer. Her poetry has appeared in journals such as Writing in a Woman's Voice, Lalitamba, Bombay Gin, The New Verse News, Tanka Journal, Splash!, Eucalypt, Writers Resist, Feminine Collective, Southwest Word Fiesta, and The Silver City Anthology. The New Verse News nominated her poem “And Then the Sky” for a Pushcart Prize in 2019. In addition she has had poetry appear as part of art exhibitions at the Light Art Space gallery in Silver City, New Mexico, the Windsor Museum in Windsor, Colorado, and the Tombaugh Gallery in Las Cruces, New Mexico.

ANGEL

by Alejandro Escudé

Jasper Johns: Mind/Mirror at the Whitney Museum of American Art, Sept 29, 2021–Feb 13, 2022. Above: Jasper Johns, Three Flags, 1958. Encaustic on canvas (three panels), 30 7/8 × 45 3/4 in. (78.4 × 116.2 cm) overall. Whitney Museum of American Art, New York; purchase, with funds from the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, Howard Lipman, and Ed Downe in honor of the Museum’s 50th Anniversary 80.32. © 2021 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York

In the flag painting the flag

goes and is going into the flag

and it takes us with it

the flag that is into the flag 

beyond what we do when

we surf the net, as a nation

we’re a flag entering another flag

and a flag after that one. 

Jasper Johns knows this, 

or does he? You mustn’t ask

him you know. The interpretation

lags behind the artwork always

like a little girl struggling to keep up

with her father who is walking

too fast for her keep up 

but is she really unable to keep up?

The truth is leaving us, and you,

and taking a train to a new epoch

where a train will travel into

another train and another train

after that toward a sunset

that sets within a sunset and 

(you guessed it) another sunset

after that—because it was

Warhol who engineered the first

internet, an ad box for Brillo

that became box after box

after box. So Johns does too

with his flag and other things,

which is what a country is

…things.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

LETTER FROM SOLITARY

by Katherine West

March 2021

The birds are singing 

and it isn't snowing 

We have our vaccines 

and schools are open 

It is warm enough to sit outside 

but too cool for forest fires 

In sunny spots brown grasses are turning green

from the inside out 

The cat hasn't shed her winter down

still sits on my lap for warmth

She is my most intimate companion 

on this March afternoon in 2021

I have survived the shipwreck 

that tossed me up on this desert island 

on this alien planet 

this solitary confinement 

for a crime 

I didn't commit 

And although Spring is coming 

I'm cold

I could be old and all 

my relationships memories 

I could be dead 

and all my lovers ghosts 

sitting on the side of my bed 

that empty symbol of sleep

and love 

that flag 

that empty symbol of unity 

at half mast 

Half the time 

the ghosts hold my cold 

hands in their cold hands 

whispering platitudes 

like therapists 

over the phone 

like friends 

on a screen 

They cannot hold me 

They cannot hold me down 

as I drift like old smoke 

old scarves 

as I fray

unravel 

silk skeins 

cool 

weightless 

slim 

as threads 

of red sunset 

resting like raptors 

on the updraft 

like strands

of blood 

lovely 

and unloved 

Katherine West lives in Southwest New Mexico, near Silver City. She has written three collections of poetry: The Bone Train, Scimitar Dreams, and Riddle, as well as one novel, Lion Tamer.  Her poetry has appeared in journals such as Writing in a Woman's Voice, Lalitamba, Bombay Gin, The New Verse News, Tanka Journal, Splash!, Eucalypt, and Southwest Word Fiesta. The New Verse News nominated her poem "And Then the Sky" for a Pushcart Prize in 2019. In addition she has had poetry appear as part of art exhibitions at the Light Art Space gallery in Silver City, New Mexico and at the Windsor Museum in Windsor, Colorado. Using the name Kit West, Katherine's new novel, When Night Comes, A Christmas Carol Revisited has just been released, and a selection of poetry entitled Raising the Sparks will come out in March of 2021, both published by Breaking Rules Publishing. She is presently at work on the sequel to When Night Comes. It is called Slave, The Adventures of Huckleberry Finn Revisited. She is also an artist.  

SPRING BREAK

by Mickey J. Corrigan

Spring Break ramps up on Fort Lauderdale beach and bars nearby. (Mike Stocker / South Florida Sun Sentinel)

They amass like mosquitoes

seasonal, thirsty

buzzing full throated

drinking from the trough

dancing bikini bar to bar

singing across hot sand

under bright sun freedom

in the Ponzi State

Where cities are whitewashed

spiritually unclaimed, soulless

coyotes nosing full garbage cans

their woods stripped bare for 

asphalt streets, pink plastic

body parts and towers 

on Styrofoam foundations

eroding narrowed beaches

while out in the rurals

abandoned washers, rusty 

cars, no jobs, lots of guns

red banners to the past

This is the place 

to party-hardy

for frontier values

fierce individualism

reduced taxes, no rules

endless cycles of consumption

just build, build and burn 

When the invaders conquered

the Natives warned them

of the inevitable loss:

the nose of the deer

will fall off... 

and that's Florida

the Underwater State

Where everyone is welcome

to the final season 

the grand finale

the greatest sunset

in American history.

Originally from Boston, Mickey J. Corrigan writes tropical noir with a dark humor. Novels include Project XX about a school shooting (Salt Publishing, UK, 2017) and What I Did for Love, a spoof of Lolita (Bloodhound Books, UK, 2019). In 2020, Grandma Moses Press released the poetry micro-chapbook Florida Man. The Physics of Grief puts the fun back in funerals while taking a serious look at the process of mourning (QuoScript, UK, April 2021). 

BREATHING IN FLORIDA

by Mickey J. Corrigan

Fort Myers resident Wilson Cardenas tosses a cast net during sunset at Bunche Beach Preserve on Tuesday, June 30, 2020. Saharan dust is blanketing parts of U.S. including SWFL. Photo by Andrew West, The News-Press, July 1, 2020

The sky's a dirty white
Saharan dust brushing
through crusty air
pulsing in and out
bruised blue lungs
crablegs scuttling skin
burnt to the touch.

Weddings are off,
funerals are on again.

You breathe great again
on the sand, in bars, half-naked
bodies clumped around you
over cheap beers, laughs
strained burgundy faces
maskless, so careless.

Happy hour's brisk,
the ERs overcrowded.

Throw dust on the data,
another round to your health!
Joke about the washed out
camped in steamy hideouts
wringing scrubbed hands
germfree and chapped.

Red sunset fireworks
in a sky full of sand.

This is the kind of dirt
you throw at poetry too
making it shine darker
revealing bleak truths.


Originally from Boston, Mickey J. Corrigan writes Florida noir with a dark humor. Novels include  Project XX about a school shooting (Salt Publishing, UK, 2017) and What I Did for Love a spoof of Lolita (Bloodhound Books, 2019). Kelsay Books recently published the poetry chapbook the disappearing self. Grandma Moses Press will publish Florida Man later this year.

THE IMMIGRANT BOY'S LAMENT

“President Donald T***p wants America to know that his plans to remove government officials deemed insufficiently loyal to him is actually for the country’s own good.” 

—Talking Points Memo, February 25, 2020

Photograph by Oleg Ver.

George Salamon entered the USA as a 13-year-old immigrant in 1948, after a decade as a refugee from Austria in Switzerland during World War Two. The first play he saw, in early 1949, was Tennessee Williams's A Streetcar Named Desire.

SUNSET COMMENT ON THE NEW YEAR

by George Held

29 December 2016

It’s one of those glorious sunsets,
Like an ad for New Mexico, that makes
You feel blessed to be alive even as
Authoritarianism leaks over the horizon –
Orange and gold flames with a purple core
Over New Jersey without the seasonal
Obstruction of leaves on the trees –
What might it presage, what tacit
Message doth it bring, this dynamic neon
Peach Melba of a twilit sky? Not the Orange
Man risen from New York City towers
To loom Kong-like over even the sunset,
The sky, the compliant Universe,
The galactic figure of our tabloid
Imaginations?
And now the fire in the sky
Deepens like a Roman omen, the night
Rushes in to drape dark auguries
About the perishing republic, and we brace
For the inevitable inauguration, the sunset
A mere glowing ember in the charred evening.

George Held, a frequent contributor to TheNewVerse.News, has received ten Pushcart nominations, including ones for both poetry and fiction in 2016. His new poetry chapbook is Phased II (Poets Wear Prada, 2016).

AFTER READING THE HEADLINES

by Howie Good

Image source: Julia's Journical

I went
along the road.
Gravediggers
followed.
They followed
everywhere,

eavesdropping
on painful
memories

being
described
in hushed
tones.

Suddenly
the sun set.
The red
came off
on my hands.

Nobody said,
How sad.

Night was
a dark room.
The stars
were the holes
in the ceiling.


Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has a number of chapbooks forthcoming, including Elephant Gun from Dog on a Chain Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. goodh51(at)gmail.com.