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Showing posts with label tax. Show all posts
Showing posts with label tax. Show all posts

Thursday, April 09, 2026

TAXES, SEEN FROM THE MOON

by Indran Amirthanayagam
 




NASA photo


I walked in the woods 

today, a spring in my step,

the Great Leader had

stepped back from 

his threats 


to the sovereign 

Republic of X,

and my tax deadline 

loomed even clearer; 

no more time 


to distract with poems, 

even this one a lazy 

fingering,  extracting juice 

from the rind of past fears, 

raising arms to God 


to say thank you

for your intervention.

But what’s ten minutes 

to a poet avoiding reckoning 

with the IRS?  Only ten 


minutes to say thanks, 

 to say I love you  and keep 

in touch always. Ten minutes 

to say tomorrow will come—

it already has—

 

despite the terrible words

and bombs exploded

until now in the latest 

killing fields 

of our one Earth


lit by the rising Sun seen 

now for the first time 

by the Artemis crew,

from the dark side 

of the Moon. 



Indran Amirthanayagam writes a Substack. He has just published Isla itinerante ( Editorial Apogeo, Peru, 2025) and White Space Sonnets ( Sarasavi publishers, Sri Lanka, 2025). His other publications include El bosque de deleites fratricidas ( RIL Editores), Seer (Hanging Loose Press),The Runner's Almanac (Spuyten Duyvil), Powèt Nan Pò A: Poet of the Port (Mad Hat), and Ten Thousand Steps Against the Tyrant (Broadstone Books). He is the translator of Kenia Cano’s Animal For The Eyes (Dialogos Books) and Origami: Selected Poems of Manuel Ulacia (Dialogos Books). He edits The Beltway Poetry Quarterly, hosts the Poetry Channel on YouTube, and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Thursday, February 05, 2026

TAX THE RICH

by Virginia Aronson




Legislators and governors in many blue states are preparing a range of new taxes on the wealthy. At the same time, many red states continue to cut or eliminate income taxes. —CNBC, January 30, 2026


Why is the sky
the limit for them
the gold bars
the shiny cars
the luxury this
exclusive that

starts with a penny
turns into a pound
of toys 
of gold 
of flesh
accumulation
without constraint
changing character
dirtying hands
using up resources
polluting our cities
changing our climate
socializing risks
privatizing rewards
paying for leadership
to hoard their gains:
it's socialism 
for the rich
and capitalism 
for the poor
it's golden visas 
for the rich
and deportations 
for the poor
it's cold streets 
for the homeless
shivering in misery
while the rich sleep well
on their beds of money
while the world burns down
under a blackened sky.


Virginia Aronson is the director of Food and Nutrition Resources Foundation and the author of many published books. New poetry collections include Collateral Damage(Clare Songbirds Publishing), Whiskey Island and Whiskey Straight Women (Cyberwit Press).

Wednesday, July 17, 2024

THE DAY AFTER THE UK ELECTION

by Stuart McFarlane




No, this is not Nineteen-ninety-seven,
a new Labour, new dawn, a new Heaven.
We've still not forgotten the stain of Iraq.
For you, Tony Blair, there was no way back!
We are, rightly, sick of all politicians,
we know, only too well, they're not magicians!
We hope there is but minimal disruption,
a growing intolerance of corruption.
Time to govern boldly, to influence our fate,
to shake the wrinkles out of the garment of state;
to pluck the jewel of meritocracy
from the tired, tattered threads of democracy.
Yes, there's jubilation outside Number Ten,
but we, the people, will not be fooled again.
Starmer proclaims 'The economy must grow!'
Tell us something we don't already know!
We're aware your tax plans don't make any sense.
We're all aquainted with pounds, shillings and pence.
We don't celebrate the dawn of a new day,
do not so much cheer, as desperately pray.
You are seeking growth, a spike in GDP?
Then why not start by contemplating the sea?
Europe is still there; a constant underpinning;
panacea, no; but, at least, a beginning.


Stuart McFarlane is now semi-retired. He taught English for many years to asylum seekers in London. He has had poems published in a few online journals.

Monday, July 15, 2024

A TAN-RENGA HAIGA

Photo by Marjorie Pezzoli


[Kenya] was left reeling after peaceful rallies last month to protest planned steep tax increases flared into deadly violence, with police firing at crowds who stormed the Parliament of Kenya, leaving it partly ablaze. Led largely by young people, the protests plunged [President] Ruto’s administration into the most serious crisis of his presidency, forcing him to abandon the tax hikes and scramble to contain the damage. —AlJazeera, July 11, 2024 


Christina Chin is a painter and haiku poet from Malaysia. She is a four-time recipient of top 100 in the mDAC Summit Contests, exhibited at the Palo Alto Art Center, California. 1st prize winner of the 34th Annual Cherry Blossom Sakura Festival 2020 Haiku Contest. 1st prize winner in the 8th Setouchi Matsuyama 2019 Photohaiku Contest. She has been published in numerous journals, multilingual journals, and anthologies, including Japan's prestigious monthly Haikukai Magazine.


Marjorie Pezzoli is a silk painter over 30 years, a visual artist, storyteller, and haikuist. Her writings cover joy, hope, grief, and cosmic wonders. Nature is a huge inspiration. Since 2019 her poems have been included in thirteen poetry anthologies and numerous online journals. She started writing when she found her daughter Alyssa's nearly blank journal in 2018; Marjorie filled its pages when she could not. This act began her writing journey. Her work deals with grief, hope, earth stewardship, and cosmic wonders. Photos taken while out walking Beau, the dog with Betty Davis eyes, inspires much of her work. Marjorie looks for words worth more than a thousand images.

Thursday, June 29, 2023

CHICAGO, STANDING FAST

by Jack Phillips Lowe 



Chicago’s air quality: ‘We’re in the crosshairs.’ Wildfires and wind push region’s air to worst in the world, global pollution index shows. —Chicago Tribune, June 27, 2023. Photo: The Chicago skyline is blanketed in haze from Canadian wildfires seen from Solidarity Drive on June 27, 2023, as weather officials issued an air quality alert. (Antonio Perez/Chicago Tribune)


They’ve counted you out… again.

They say you’re gone, for good this time. 

They say we must get used to 

speaking of you in the past tense. 


Is there nothing left for you,

dear town, but to be forgotten?

And perhaps forgiven, too, for all

that you were and weren’t?

Will there be any hope of legacy— 

the slim chance of being exhumed 

from the ashes of time, an ancient outpost 

to be ooo-ed and ahh-ed over by scavengers,

born centuries after you breathed your last? 

With no one left to tell your stories, 

will they fumble through your relics— 

children trying to piece together 

a picture puzzle that was made 

by grandparents they never knew?


I steal down your empty streets,

duck in and out of your deserted doorways, 

a ghost too naive to know that it’s passed.

I hunt faces in darkened windows. 

I chase traces of voices, fragments of songs

bouncing down bare alleys— 

I won’t believe that I’m alone. 


Chicago, I won’t quit you.

Go ahead, tax me—

take every one of my few dimes.

When my pockets are empty, 

I’ll present to you the lint from them,

gift-wrapped like the sweetest box of candy 

you ever tasted on St. Valentine’s Day.

Bon appetit, Chicago!

I refuse to fall out of love with you. 


Chicago, you can’t scare me off. 

I know all your tricks—

fires, floods, blizzards, 

heatwaves, riots, wrecking balls, 

lies, corruption, graft,

crappy sports teams

and blood, blood, blood.

Don’t forget: you made me.

I’m a monster in your own image, 

inoculated against all your horrors.

Chicago, I’m staying right here. 


Someone much smarter than I once said 

that a town is an idea, as much as a place. 

As long as there is a group of people, 

however small, to hold that idea in their hearts— 

come hell or high water—

then, that town will survive.


Look around you, my home. 

I’m not alone. Those faces I sought

peek out from all corners and shadows.

So many know and value you—

more than you do, yourself.

You’ve tried suicide before. 

But it never works out. 

There’s just too much life in you—

life that won’t be denied.


Stop, dear town, this self-flagellation.

Our faith in you lives on. 

We won’t let you destroy yourself.

Chicago, we’re standing fast.



Jack Phillips Lowe is a lifelong resident of the Chicago area. His poems and short stories have appeared in Clutch 2023, Cajun Mutt Press, and Red Fez Magazine among other outlets. His most recent book, Flashbulb Danger: Selected Poems 1988-2018 (Middle Island Press), is available from Amazon.com. 

Friday, September 16, 2022

SPEAKING OF LEGACIES

by Devon Balwit


King Charles III built his own empire long before he inherited his mother’s. Charles, who formally acceded to the British throne on Saturday, spent half a century turning his royal estate into a billion-dollar portfolio and one of the most lucrative moneymakers in the royal family business. —The New York Times, September 13, 2022


Your average Brit pays to inherit. Not he.
King Charles gets his tax free,
 
the pelf of the Commonwealth studiously invested.
You’d think working folk would grow disgusted
 
at the granting of titles to Saudis for cash, the off-
shore holdings, the real-estate profits,
 
that they’d line up with fists raised rather than phones.
Why should HRH earn 28 million
 
last year alone when inflation’s at 10%?
Are we really so suckered by pageantry?
 
Imagine the Crown Estate and the Duchy of Cornwall
liquidated, the money put towards ending global
 
warming. Now that would be a worthy legacy—
one to send cheering crowds into the streets.


Devon Balwit walks in all weather. Her most recent collections are Rubbing Shoulders with the Greats [Seven Kitchens Press 2020] and Dog-Walking in the Shadow of Pyongyang [Nixes Mate Books, 2021].

Thursday, September 16, 2021

TWISTED OLIVER

by Geoffrey Aitken

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 

 

Give me some good news 


 

“Please sir, can I have some more?”



Cartoon by Alan Moir. Twitter: @moir_alan




Note: The Australian Tax Office has opted not to pursue $180m in jobkeeper paid to ineligible businesses due to “honest mistakes” by employers claiming the money. At a Senate inquiry hearing on Friday, independent senator Rex Patrick said the decision contrasts with the government’s approach to social security recipients, with thousands of individuals asked to pay back money they received during the Covid pandemic. —The Guardian, September 10, 2021



A minimalist industrial signature drives Geoffrey Aitken away from the scene of mental unwellness for the eyes and ears of those without voices. Widely published locally (AUS), and internationally (the UK, US, CAN, CN & FR), he chases ongoing congeniality.

Thursday, February 16, 2017

DEAR PAUL RYAN

by Jacqueline Jules


Paul Ryan caricature by DonkeyHotey


After you’ve carried out your promises
to the American people,
I hope you’ll come to the chemo clinic with me.

Wait in my seat—rigid blue plastic,
stainless steel frame, comforting
as the flicker of fluorescent tubes
from the popcorn ceiling.

Notice how the legs of your chair
wobble on uneven green tile
while you listen
on a dying cell phone
to a bean counter at Blue Cross
explain why you don’t deserve
the drug your doctor prescribed.

Feel the bones
up and down your spine
burst into flames.

Then you can come home with me.
Sip canned soup at my table,
littered with pre-existing bills
for care no longer covered.

And you can tell me again
why you are so pleased
to be the face of the political party
which proclaims all life is precious
(no matter how tiny) as long
as no taxes are raised to protect it.


Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum and Stronger Than Cleopatra. Her work has appeared in over 100 publications including TheNewVerse.News, Potomac Review, Innisfree Poetry Journal, Little Patuxent Review, and Gargoyle. She is also the author of 40 books for young readers.

Sunday, July 19, 2015

THE MAYOR WEDS THE ALLIGATOR PRINCESS

by Luisa A. Igloria






San Pedro Huamelula, Mexico

1

Know
that I do
not take
these vows
lightly—
To wed ‘s
a serious
undertaking
fraught  with
more than
what’s fleeting:
thrashing of
limbs and tails
in the nuptial
bed, as the whole
town erupts
in a chorus
of bells and
feasting—
Diplomacy
takes skill
and  just
the right
amount of
daring:
I’ll swing
you round
the plaza
in a dance
meant to
cajole your
benevolence:
and the gifts
of a year’s
good fishing
in our nets,
tax I pay for
your watery
reprieve.

2

Dear mortal
Bridegroom,
your human
wife and child
have dressed me
in a trousseau:
lace underskirt
and a coronet
of small white
flowers; and for
good measure,
a round of duct
tape fastening
my jaws. I do
not, technically,
therefore, give
my consent
but play along,
though I obey
a different
order—In
my world,
chance is not
a thing to be
propitiated—
It prowls
the shallows,
sometimes
small as
a passing
minnow;
other times
it breaks
the surface
just because
it can, maw
opening
to the sun,
teeth brighter
than a dowry
of diadems.


Luisa A. Igloria’s most recent publication credits include Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014) and Night Willow (Phoenicia Publishing, 2014).

Thursday, February 26, 2015

SELF-MADE MAN

by Tom Russell






I gave birth to myself.

I discovered fire so that I could eat
whatever I, alone, produced.

I didn’t read your books,
you read mine.

I coined all the phrases.

I invented the wheel
and built all the roads
that wheels carry my money on.

I did all this with no help from anyone.

I created the dial tones and cyberspace
and made all the deals.

I forged all my own tools,
and that includes you.

Now you want to abuse me
with your regulations and taxations.
Blathering about responsibility
and shared sacrifice.

Suck it up, weasels.
Next you’ll be wanting your own bootstraps.

I don’t care who among you
gets sick or dies.
It pleases me
to see the spite you have for each other.

You are blind and weak.
Even if you could see my curtain
you wouldn’t be able to move it
and know that I am there.


Tom Russell works for the Omaha Public Library in Omaha, Nebraska. His poems have appeared in The New Verse News, Shot Glass Journal, and Crab Fat Literary Magazine.

Thursday, November 21, 2013

THE ASTROPHYSICIST TALKS ABOUT DARK MATTER

by Lewis Gardner


Image source: “How close are we to finding dark matter?” by Jim Al-Khalili, Light & Dark, BBC Four, 18 November 2013


The astrophysicist talks about dark matter
and how it must exist although it hasn't been found,
and I remember hearing that this universe


may be only one of an infinite number of universes,
and then I think that,
despite that practically unimaginable vastness,


we usually think about how much fiber we need to eat daily
and how will we find the money to pay the tax bill
and where did I leave the tack hammer


and how we touched each other
that night in February
years ago.

Lewis Gardner shares verse, fiction, and plays at gardnerspeaks.wordpress.com .

Thursday, December 06, 2012

MARS

by Robert Wooten

This artist's rendering provided by NASA shows the Curiosity rover on the surface of Mars. NASA announced Tuesday, Dec. 4, 2012, it plans to send another Curiosity-like rover to Mars in 2020. (AP Photo/NASA)


Mars would be the perfect place to begin
to look for water underneath the surface.
It is under something, under my skin.

After we get there, we may find it in
the rocks, when we arrive by outer space.
Mars would be the perfect place to begin.

If not in rocks, it may be frozen
under the soil or in a deeper place.
It is under something, under my skin,

that to find it we may go deeper, then,
going down farther at a faster pace.
Mars would be the perfect place to begin.

But will we become earth’s poorest citizens,
taxed by vast holdings in the Martian race?
It is under something, under my skin.

What next?  the chance of oceans deeply hidden,
drillings with the hope of finding a trace?
Mars would be the perfect place to begin.
It is under something, under my skin.


Robert Wooten's poems currently appear in Long Story Short, Voices: The Art and Science of Psychotherapy, Trajectory, Convergence, and  The Fifth D . . ..

Thursday, October 25, 2012

THE REPUBLICANS

by Martin Rocek


In Wile E. Coyote reality,
just look straight up if
you run off a cliff,
no need to heed science or gravity.

In Wile E. Coyote reality,
the stork only comes
to eager raped mums,
there's never unwanted gravidity.

In Wile E. Coyote reality,
if you're sick and can't pay
try the Tea Party way:
emergency room hospitality.

In Wile E. Coyote reality,
if God guides your path
there's no use for math,
the deficit's paid by divinity.

In Wile E. Coyote reality,
the poor pay the tax,
the rich just relax
and let Bain take care of their equity.

In Wile E. Coyote reality,
don't bother with truth
--it's a folly of youth--
the facts are a dull technicality.


Martin Rocek
teaches and studies theoretical physics at Stony Brook University.