ICE CREAM TRUCK

by Jacqueline Jules

At the park this summer
Jacob misses the big blue truck
full of treats.

I am relieved.

How could I let him
run to the window for a fudge bar?
Risk one hand touching another?

It’s enough of a gamble to ride bikes
on the circular path, reminding Jacob
every few minutes to keep his mask on,
stay away from Joseph over there
on the swings.

How will Jacob remember this summer?
The only one without the ice cream truck?
Or when he was taught to keep his distance,
to fear the air others exhale?

School on a screen begins in three days.

Will he ever learn to hold hands again?

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum, Stronger Than Cleopatra, and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her work has appeared in over 100 publications including TheNewVerse.News, The Rising Phoenix Review, What Rough Beast, Public Pool, Rise Up Review, and Gargoyle. She lives in Arlington, Virginia.

SEARCHING FOR A PRAYER

by Jacqueline Jules

400 Rounds of Ammunition Found at Pawnshop Connected to N.J. Killings: The police arrested the owner of the store in Keyport, N.J., on criminal weapons charges. [Their search] on Friday night … yielded six rifles, three handguns and one shotgun, in addition to the ammunition rounds, including hollow point bullets, which expand when they hit a target, according to officials. Three of the weapons were AR-15 style assault rifles, the same type of firearm used in the Sandy Hook, Las Vegas and Parkland mass shootings. —The New York Times, December 15, 2019

When the news buzzed on my phone:
6 Dead in Jersey City. Jewish Kosher Deli,
I was googling, searching for a prayer
to read Friday night at our yearly service
to remember the dead at Sandy Hook
with an invited speaker
who would tell our congregation
how little progress has been made
since those babies were gunned down
with the same kind of rifles
carried inside a kosher market
at the very moment I was searching
for a prayer, not too political
to read from the pulpit
at a service organized to keep
the memory of innocents alive.

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum, Stronger Than Cleopatra, and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her work has appeared in over 100 publications including TheNewVerse.News, The Rising Phoenix Review, What Rough Beast, Public Pool, Rise Up Review and Gargoyle. She lives in Arlington, Virginia. 

PENTAGON MEMORIAL

by Jacqueline Jules

Photo of the National 9/11 Pentagon Memorial by Mike Myers

Across the river in D.C., tourists
come from all over the country
to touch walls honoring
soldiers who died
in Vietnam, Korea,
Europe, and other places
far from American soil.

But here in this sacred place
built beside a structure
still standing in spite of attack,
I read the name of a three-year-old
seated on a plane with her parents
and older sister.

Here, water flows in shallow pools
as I walk with silent steps
between 184 benches
made of stainless steel and granite,
each one positioned to preserve
the last moments of someone
who died in a ball of fire
on a clear September morning.

Here, I stand beside
young trees planted in the hope
visitors will value their shade
as they come from all over
to remember the lives lost here,
not somewhere else, far away.
                                           

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum, Stronger Than Cleopatra, and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her work has appeared in over 100 publications including TheNewVerse.News, The Rising Phoenix Review, What Rough Beast, Public Pool, Rise Up Review and Gargoyle.  She lives in Arlington, Virginia.

ON THE ALTAR

by Jacqueline Jules 

                                                                             

Evidence for the largest single incident of mass child sacrifice in the Americas— and likely in world history—has been discovered on Peru's northern coast, archaeologists tell National Geographic. More than 140 children and 200 young llamas appear to have been ritually sacrificed in an event that took place some 550 years ago on a wind-swept bluff overlooking the Pacific Ocean, in the shadow of what was then the sprawling capital of the Chimú Empire. —Kristin Romey, National Geographic, April 26, 2018. Photograph by Gabriel Prieto.

                                                                 

The remains of children and llamas in Peru
reminds me of Abraham, how he didn’t argue
for Isaac the way he did for Sodom and Gomorrah,
how he acquiesced, traveling three days as commanded,
building an altar, binding his son.  Imagine
Isaac’s terrified eyes until an angel appears
with new instructions.

Which brings me back to the bodies in Peru,
breastbones bent to extract 140 hearts
offered to appease an angry god, demanding
what’s most precious as ultimate bribe.

Like a folktale reinvented around the globe,
sacrifice is not confined to geographic region.
From ancient times, somehow humans have believed
we have to kill to demonstrate devotion.

When the angel told Abraham to offer a ram instead,
it was more than a revelation, it was a weaning.
Spiritually, we were babies, still sucking
on our first source of sustenance.

Think of how we despaired later on,
when the Temple was destroyed and
we were told we couldn’t burn animals
anymore. What can we put on the altar now?
We cried. How do we please now?

The answer still seems to baffle us.

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum, Stronger Than Cleopatra, and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her work has appeared in over 100 publications including TheNewVerse.News, The Rising Phoenix Review, What Rough Beast, Public Pool, and Gargoyle.

COMPLICIT: WORD OF THE YEAR 2017

by Jacqueline Jules

“As we look at the cultural and political landscape, we ask:

‘What does it mean to be complicit in 2017?’” —Dictionary.com

A word with soft syllables,
like a snake slithering in the grass.
Silent but deadly.

Who gets bitten if I step away?
If I wait for someone else to speak?

The president’s daughter
said she didn’t know
what the word meant,
denied wrongdoing.

We can’t be guilty
if we do nothing.

Right?

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum, Stronger Than Cleopatra, and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her work has appeared in over 100 publications including TheNewVerse.News, The Rising Phoenix Review, What Rough Beast, Public Pool, and Gargoyle.

DEAR PAUL RYAN

by Jacqueline Jules

Paul Ryan caricature by DonkeyHotey

After you’ve carried out your promises
to the American people,
I hope you’ll come to the chemo clinic with me.

Wait in my seat—rigid blue plastic,
stainless steel frame, comforting
as the flicker of fluorescent tubes
from the popcorn ceiling.

Notice how the legs of your chair
wobble on uneven green tile
while you listen
on a dying cell phone
to a bean counter at Blue Cross
explain why you don’t deserve
the drug your doctor prescribed.

Feel the bones
up and down your spine
burst into flames.

Then you can come home with me.
Sip canned soup at my table,
littered with pre-existing bills
for care no longer covered.

And you can tell me again
why you are so pleased
to be the face of the political party
which proclaims all life is precious
(no matter how tiny) as long
as no taxes are raised to protect it.

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum and Stronger Than Cleopatra. Her work has appeared in over 100 publications including TheNewVerse.News, Potomac Review, Innisfree Poetry Journal, Little Patuxent Review, and Gargoyle. She is also the author of 40 books for young readers.

DOG WHISTLE POLITICS

by Jacqueline Jules

Embed from Getty Images

A pitch prepared for ears
sensitive to a certain frequency.

Meaning my neighbor
doesn’t hear the same message
in the sign he posted in his front yard.

Words that scream for me
like teenagers in a slasher movie
don’t make him blink. No more disturbing
than a housecat meowing for supper.

He waves at me from his white porch
wearing his red sweater, unaware
of the sirens he’s set off in my head.

Though I suspect he steams, just as I do,
at the prospect of sharing a sidewalk
with someone who steps on his vote.

I wipe my eyes on the sleeve
of my blue sweater. Breathe deep.
Remind myself
we are both howling
at the same cruel moon
for different reasons.

Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum and Stronger Than Cleopatra. Her work has appeared in over 100 publications including TheNewVerse.News, Potomac Review, Innisfree Poetry Journal, Little Patuxent Review, and Gargoyle. She is also the author of 35 books for young readers.

FASHIONABLE FOOTWEAR

by Jacqueline Jules

'Escolta de una gran senora en Barcelona' by Christoph Weiditz, Nationalmuseum, Nuremberg, Germany.

Demonstrating
dominance
over the working class,
the wealthy
once wore chopines,
platform heels so high,
canes or servants
were needed to walk
a cobbled 16th century street.

In every generation,
there are those
who never question
the crippling cost
of standing higher
off the ground,
as long as they feel
tall enough to totter
over someone else.


Jacqueline Jules is an elementary school librarian who left public education when the testing environment became ridiculous. As a reader, she devours every genre—biography, poetry, essays, science fiction, mystery, etc. As a writer, she doesn’t restrict herself to one genre, either.  Her work has been published in over 100 journals and she is the author of 30 books for young readers on a wide variety of topics. She is also the author of two poetry books, Field Trip to the Museum (Finishing Line Press) and Stronger Than Cleopatra (ELJ Publications).