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Showing posts with label neighbor. Show all posts
Showing posts with label neighbor. Show all posts

Monday, June 15, 2026

MASS SHOOTING #16

19300 block of Rensellor Street, Livonia, MI, 

June 10, 2026





by Ron Riekki



Ron Riekki has covered every mass shooting in Michigan since July 2025 for The New Verse News.


The Detroit Wayne Integrated Health Network offers a 24-hour helpline at 1-800-241-4949.


And those in a mental health crisis can call 988 instead of 911.



“With my ear to the door

of my cell.  And my want

like a comb in my hair.”

—Jane Huffman,

“Failed Sestina”

 

“I’m sure as heat,

as surety.

The bleed”

—Jane Huffman,

“Surety”

 


“Police say there is no ongoing threat to the public.”

Are you kidding me?  Michigan has had more than

100 mass shootings since 2020.  You don’t think it’s

an ongoing threat?!  I can’t imagine a more ongoing

 

threat to the public.  It’s another family annihilation.

Yes, another family annihilation.  Another.  Another

family.  Another family annihilated.  Anti-Christed,

hated, non-mothered, to not, knotted, no other Tues-

 

days, shooter unsteady.  When you search “Livonia”

on the Poetry Foundation website, it says “0 results.”

When you search “Livonia” on the Gun Violence

Archive website, you get 31 results since 2014—

 

31 shootings here since 2014.  Only one of them a mass

shooting.  I’m at the mass shooting.  The house, small.

The houses nearby, small.  A small man sits on a small

porch, a tiny porch, broken wooden rails, his skin also

 

broken so that I ask what’s wrong, bandages on both

arms, the look like previous bleeding, bruises, purpura,

petechiae.  The feel of peripeteia, bathos, pathos, cath-

arsis, anagnorisis, a chorus of country music cranked

 

in some a--holes truck parked mid-street, blocking traffic,

the guy getting out, going to the memorial in front of

the house, standing there, staring at it, has enough, goes

back to his truck and then squeals the tires loooong with

 

the truck in park, attention-seeking, angry, this hyper-mask,

this loudness, this performativity, and then he floors it,

truck swerving, almost hitting cars on the side of the road,

and he’s gone.  I talk to Doug, a neighbor two doors down

 

from the mass shooting.  So many of these guys who live

near the mass shootings I go to look like pirates—sea-salt

skin, Blackbeard-types with white beards, beer-belly skinny.

Doug tells me his last name and, swear to God, he actually

 

has the same last name as a famous pirate, a 1600s buccaneer.

He smokes, looking like a survivor, tells me that on Tuesday,

the day of the mass murders, he was in the backyard with

the family that was killed, helping them set up a pool.  I say,

 

“A pool.  And then it becomes a pool of blood.”  Doug says

in a voice that combines hip-hop’s Drake and outlaw pirate

Sir Francis Drake, “I should kick you in the shins.”  He’s not

joking.  He tells me of seeing the corpse of the mother killed

 

by the shooter, tells me the shooting happened at 5 p.m.-some-

thing, but the bodies weren’t taken out until 11:30 p.m.-ish.

Why would they leave the bodies there for that long?

Fingerprints, detectives, a cop telling him, “This is a crime

 

scene,” Doug staying on his property.  And the cop cars.

Cop car after cop car.  No place to park.  He points to a car

on the street, says, “That’s Sterling’s car.”  58-year-old.

The father.  Shot and killed by his son who shot his mother,

 

his brother, and his brother’s girlfriend.  Doug tells me that

they’re slowly towing their cars away.  I never thought of

the cars.  How the owners are all dead.  Something I’d never

even think of.  He tells me how long it took them to take

 

the bodies away, how long it’s taking them to tow the cars.

Doug wears an ALICE’S RESTAURANT WOODSIDE

CALIFORNIA T-shirt, black-and-white.  It’s a black-and-

white neighborhood.  The shooter, white.  Family, white.

 

All dead.  The killer looking dead in news video footage of

him in front of the judge who denied him bail.  A face that,

honestly, the first time I saw it, I thought of severe substance

abuse disorder.  A face that made me think of abuse, and of

 

disorder.  Doug pulls his shirt out like pro basketball players

do after scoring a critical basket, says, “Guthrie,” proud,

a song about cops, about crime, the longest song I’ve ever

heard.  Doug tells me of his wife calling him, telling him

 

she heard gunshots.  Doug telling her to hide in the bath-

tub if it continues.  The song has the lyrics of kill kill kill

kill.  Such strange lyrics.  Such a strange life.  Telling your

wife to hide in a bathtub if the gunshots continue.  Doug

 

tells me the mass shooter “didn’t talk much,” was “quiet,”

but “I’d joke with him every once in a while,” like yelling

at him to “buy me a Slurpee!”  Doug tells me the mother

planted flowers.  It’s the exact same talk as the last family

 

annihilation I went to, the neighbor in Grand Rapids telling

me about the woman’s love of gardening.  These mass

shooters are killing women who love to garden.  I can’t

imagine anything more peaceful, more grounded, paired

 

with such horror.  This life makes no sense, because of all

the death.  That pairing.  Doug says, it “seemed like a normal

day,” the day of the mass murders.  He tells me no bullets

came towards his home.  The killer used a semiautomatic

 

rifle, shoots five to thirty rounds with up to five bullets per

second.  You can kill five people in one second with a semi-

automatic rifle.  Who would own that?  Online, it says semi-

automatic rifles are for “hunting, sport shooting, self-defense,”

 

and, apparently, for mass shootings.  They forget to mention it.

I’m going to be honest: Fuck the NRA.  That’s my one

curse word I’ll allow.  The three-letter curse word: NRA.

The nonrandomness of these shootings, how repetitive

 

they are, automatic, unraveling daily, nonrational, enraging,

the pain they cause unratable.  Sunrays hit the house, punch

our skin.  Doug tells me he’s on blood-thinners, the reason

for his contusions, his arms covered in red, blue, purple,

 

green, yellow discolorations.  Semiautomatic rifles were

invented by a German, were used by the Nazis in WWII.

The killer’s last name is Pierce: to make a hole or opening

in.  Perforate.  Penetrate.  The penitentiary awaits.

 

I remember when I worked in the prison system, an inmate

in there who was doing back-to-back-to-back life sentences—

he would have to die, get resurrected, die again, resurrect,

and then die again, and then he could get out on his fourth

 

life.  I think of the 1.7 million men in prison in the U.S.

The prison system is hungry for angry men.  Its stomach

aches for angry men.  It’s “nearly impossible” for men

to get into therapy—the cost, the therapists who work

 

Monday through Friday from 9 a.m. to 5 p.m. and don’t

realize that’s when people work, that they can’t go to

therapy if you schedule your hours for when they work,

the therapists who “refuse to see men,” the stigma, markets

 

of anger, the MMA marketing, the UFC marketing, WWE,

the road-rage retaliation that’s stuffed into men’s brains, how

boring it is, how polluted.  Doug tells me the shooter killed

his brother in his bedroom, his brother’s girlfriend the same

 

bedroom, killed his parents in their backyard, Doug realizing

the mother was dead because she’d “been there for an hour

and a half,” lying there, motionless, when he saw her, the body

in the sun, the body “on the patio.”  Doug tells me “Tuesday

 

night, I prayed and cried and cried and prayed,” that he “did

not sleep well.”  He tells me it took “two days” for their “cat

to come out of the basement.”  The shooter even shot one

of the dogs in the leg.  Doug says, “I didn’t know he got

 

any guns in the house.”  I ask Doug if he has a gun.  “No,

my wife won’t let me.”  I ask him if his wife won’t let him

because so many guns, I find, are used to kill the partner.

It seems there’s nothing safer than ensuring there are no

 

guns at all in a home.  I talked to a therapist who told me

that gun ownership is a sign of mental health disorder,

another therapist who told me how often you find that

those with substance use disorders are gun owners, as if

 

they go hand-in-hand.  If I was married to someone, I think

the first thing I’d do is throw out any guns in the home,

because I’d prefer not to be shot.  But that’s just me.

I want to tell Doug that his wife is smart, brilliant.

 

I ask Doug what needs to happen to improve things.  He says,

“The yahoo in the White House, he doesn’t do anything

about gun control,” adds, “I don’t even like saying his name.”

Doug tells me he’d own a gun though, if it wasn’t for his wife.

 

Why?  “Protection.”  He says the problem is “alpha males,

macho males,” says the answer is if we “cut the trigger finger

off” of these mass shooters, takes his free hand and acts like

he’s holding a saw, his finger sticking out, pretending he’s

 

invisibly sawing off his finger, adds, “background checks”

would help.  I tell him the mass shooter had no criminal

background, no reported mental health issues.  At least

that’s what the news reports.  I see a neighbor pull up,

 

lives in the house right next to the mass shooting.  I go

over.  The guy reminds me of Ichabod Crane, how I

imagined him when I read the story.  He’s nervous,

visibly, very.  We talk.  He’s guarded.  A full family

 

was murdered feet from where we’re standing.  Even

his dog in the window looks scared.  I say this to him.

I asked if he talked to the shooter.  Yes.  I ask what

he was like.  He starts to tell me, then backtracks.

 

He’s jittery.  He tells me not to put that, tells me

to put he was “nice,” that the mass shooter was

always “nice.”  He repeats the word “nice.”  He

doesn’t want me to put what he was originally

 

going to say, except I don’t know what he was

going to originally say, just that now he wants me

to put that the killer was “nice,” and I have this

revelation—all these times I’ve seen the news

 

where neighbors, friends, family of the mass

murderer gets asked to describe the killer, they

always say something like that, that he was “nice”

and I realize now, for the first time, that it’s B.S.

 

He’s saying the killer was nice, because he’s nervous,

noticeably, almost exaggeratedly, a definite PTSD, eyes

darting, restless.  He doesn’t want me putting anything

down that might make the killer pissed off, a killer who,

 

I remind him, will most likely be doing life in prison

with no parole.  He tells me his name, but I tell him

I can use a nickname, but he says, no, I can use his

name, but I won’t, simply because of all sixteen mass

 

shootings I’ve gone to, I can tell he’s really honestly

fearing for his life from this guy who’ll probably be

incarcerated forever, but I understand.  It’s right next

to his home, his dog in the window, anxious for him

 

to go inside, his dog having heard the gunshots.  Can

dogs have PTSD?  Hell yes.  My parents owned a rescue

dog and that thing was more hypervigilant than an ex-

Marine.  I walk over to the memorial in front of the house.

 

I notice the neighbor watching me.  He mentioned that

he’s in therapy.  I think, Good.  I wish more men would

get into therapy.  I wish more men weren’t seduced by

the small-penis pseudo-cure of gun ownership.  I wish

 

more men were actually like Ichabod Crane and less

Headless Horseman—brainless, violent, ghoulish; I think

of the Hell that awaits the mass murderer, what happens

in prison, the sons in there, the poison of prison, the way

 

you pay and pay and pay and pay, an inmate one time

telling me that he taped books to his chest when he slept

at night, worried about being stabbed in his sleep, another

inmate telling me he didn’t go to the chapel because so

 

many men were raped in there, and I remember this row

of toilets, toilet after toilet after toilet that you’d see

through the glass, on the way with the walk to the chapel

and how all these men would be sitting, shitting, in full

 

sight, no privacy, and the chapel in back, a guard taking me,

and this intricate Jesus Christ depiction, incredible, detailed,

even expensive looking, carved, careful, Jesus with so much

blood on his wrists.  So much.  I kept staring at all the blood.



Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice

Thursday, January 29, 2026

FOR MINNEAPOLIS

by Ruth Lehrer





They don’t tell you in the morning
you will die by noon 
driving in your car
walking on the street 
 
after you are gone
you see a picture of the gun
flesh as good as ashes
blood as good as painted pain 
 
But in that morning you just know
yesterday your neighbor was brave
so today you must be too
The boundary between trust and fear
torn open
 
We are all ash
We are all brave. 


Ruth Lehrer is a sign language interpreter and Pushcart-nominated poet living in western Massachusetts. 
She is the author of the young adult novel Being Fishkill. 

Wednesday, November 26, 2025

THE BOOK OF QUIET GIRLS WHO BURN

by Linda K. Sienkiewicz



To the pediatrician who insisted on taking a rectal temperature with me across his knees,
To the pediatrician who tweaked my nipples during a physical,
To the neighbor’s grandfather who worked his fingers into my shorts,
To the stranger in Woolworth’s who grabbed my hand to rub against his crotch and ran,
To the boy who called me into the pool for one last swim and tried to drown me,
To the mechanical drawing teacher who rubbed his elbow against my breasts while checking my work,
To the employer who told his female, high-school-aged staff that whoever got the most sales would win an overnight date with him,
To the guy who raced his car through town while I screamed for life from the passenger seat after I said I was breaking up with him,
To the recruiter who told me to wear a short skirt to the job interview,
To the hiring manager who instructed waitress applicants to go heavy on makeup,
To the neurologist who sat on the arm of my chair, pinning me there in nothing but a hospital gown, while discussing my options,
To the employer who gave me a gold necklace but told me never to wear it at work,
To the guy who date raped me in a warehouse loft,
To the guy who parked in the woods and shoved my head into his crotch,
To the guy who said he should rape me after I broke up with him,
I remember every one of you.
Quiet. Quiet piggy.


Linda K. Sienkiewicz is the author of the multi-finalist award-winning novel Love and Other Incurable Ailments, forthcoming novel In the Context of Love, five poetry chapbooks and a children’s picture book. Among her awards are a poetry chapbook and a Pushcart Prize Nomination in poetry. She holds an M.F.A. in Creative Writing, and serves as Honorary Director of Detroit Working Writers.

Monday, April 07, 2025

HOW DO YOU READ THE LAW?

by Jeff Hardin


The Tennessee Senate on Thursday approved legislation that could subject churches and charitable organizations to lawsuits if they provide housing aid to immigrants without legal status who go on to commit a crime… Sen. Jeff Yarbro, a Nashville Democrat, noted the bill makes changes to a portion of Tennessee’s “Good Samaritan” statutes, which are designed to shield individuals and organizations that provide aid from lawsuits. “What we are doing here is we are literally limiting the application of the Good Samaritan law,” Yarbro said. —Tennessee Lookout, April 3, 2025


We finally got around to laws against
loving one’s neighbor. After all, feed
someone hungry, then ever afterwards
one should be accountable for any crime
he commits. Had he died instead, he
wouldn’t have crossed that yellow line!
 
There was snow on the roads, a dark night.
In another month, buttercups in the ditch.
None of us survives experiments going on
around us—a high limb nudged by wind,
a few words spoken in haste, others unvoiced.
 
A friend describes an island—secluded
but uninhabitable. Think of standing—
wind-lashed, unsteady, uncertain—on
ground knife-edged in every direction.
 
New weights are added the longer one
hesitates deciding which step to take.


Jeff Hardin is the author of seven collections of poetry, most recently WatermarkA Clearing Space in the Middle of Being, and No Other Kind of World. Recent and forthcoming poems appear in ImageThe Laurel ReviewThe Inflectionist Review, and others. His eighth collection, Coming into an Inheritance, is forthcoming. He lives in Tennessee.

Saturday, July 23, 2022

HEAT WAVE

by Felicia Sanzari Chernesky




When oppressiveness becomes
the custom of the day, the news croons
its heavy jingle of despair.
 
A heady, muggy tune, so stay
inside. Abide—though taking hot advice
is like a trot on burning coals—
 
it’s captivating until the effort                                   
breaks a sweat. I think therefore I am
exhausted. So change and change the channel
 
and make me an instrument of piece
by piece, for love thy neighbor’s a-okay
when all I see is sweltering me.

 
Felicia Sanzari Chernesky has many years of experience as an editor, author, and person, but at this crossroad feels as if she’s starting anew—all bets off. Let’s see where the road travels.

Tuesday, March 22, 2022

OSTINATO

by Kay Newhouse




Count the time from lightning flash 
And multiply by distance till the thunder
Rolls its way inside the house and rattles all the dishes on the shelves.
In case of nuclear disaster, ready.gov says that there is time
(I read) To go inside
Rinse out your hair and eyes and mouth
Take off your clothes
Like napalm child whose scream in glossy magazines
Holds still for history (I should know her name)
(This is important now)

My neighbor hides her thyroid scars in wrinkles on her neck
And tells me my old dog is fat again
And daughters should wear pink not jeans
And English is not easy (she repeats) and she grew up not in Chernobyl 
But a hundred miles away or so where wind picked up the dust 
And brought it to her through the forests
Sifting ash across her clothes and hair and face and now finding her with cancer 
These so many miles and years ago—
But it doesn’t matter (she says) остинато
You can’t see a scar that has so many wrinkles to surround it 
What’s that flower on my driveway
And I answer her with just one word
“impatiens,” I repeat to her, a little louder now
“impatiens”


Kay Newhouse’s first byline was in Physical Review Letters, and most recent in Wildfire Magazine. She lives near Washington DC, where the cherry trees flower every spring, the fireworks are overrated, and people are more likely to talk to each others’ dogs than to each other. This is about the same as everywhere, more or less.

Friday, November 18, 2016

DOG WHISTLE POLITICS

by Jacqueline Jules





A pitch prepared for ears
sensitive to a certain frequency.

Meaning my neighbor
doesn’t hear the same message
in the sign he posted in his front yard.

Words that scream for me
like teenagers in a slasher movie
don’t make him blink. No more disturbing
than a housecat meowing for supper.

He waves at me from his white porch
wearing his red sweater, unaware
of the sirens he’s set off in my head.

Though I suspect he steams, just as I do,
at the prospect of sharing a sidewalk
with someone who steps on his vote.

I wipe my eyes on the sleeve
of my blue sweater. Breathe deep.
Remind myself
we are both howling
at the same cruel moon
for different reasons.


Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum and Stronger Than Cleopatra. Her work has appeared in over 100 publications including TheNewVerse.News, Potomac Review, Innisfree Poetry Journal, Little Patuxent Review, and Gargoyle. She is also the author of 35 books for young readers.

Sunday, November 06, 2016

THE ELECTION IS RIGGED

by Llyn Clague





THE ELECTION IS RIGGED
blares the hand-painted sign beside the road
for every passing 4X4, SUV, BMW.

THE ELECTION IS
RIGGED—a neighbor, living on my street,
screams scam!  Every time I pass,
scam! . . . scam! . . . scam! . . .

Man—I want to say—
you don’t even know me
and you insist we cannot play fair.

THE ELECTION, you cry, IS RIGGED
even before the first whistle
in the raucous, unruly, Saturday-celebrating stadium.

2

Remember the games we played as kids?
Throw an elbow, give a furtive kick, scratch—
sure, we wanted to win.
But, say it aloud or not,
we knew, victory “earned” by cheating
was a sham.

THE ELECTION IS RIGGED
Have the adults, in their games, lost
what we had as kids?
Are the rewards so rich,
they’re willing to “win” at any cost?

And you, neighbor, before you roar . . . RIGGED
to every passing semi, RV, antique classic,
don’t you realize, if you are right,
our entire American “democracy”
is a sham?

Of course you do.
Out of the many, there is no shazam,
no will of the governed,
no “voice of the people.”

No voice of you and me.

3

THE ELECTION IS RIGGED
And maybe, my neighbor down the street,
whom I don’t know, you are right—THE ELECTION
IS RIGGED, though maybe not
how you think.

Nobody is bribing the refs,
nor paying off rogue players in the stadium.

Long before the soft whistle
in the teeth of the first volunteer
opening the precinct door,
all across this wide continent
federal, state, and local elections
ARE being rigged—

by precise gerrymandering,
by particular ID cards,
by cascades of designated cash.

RIGGED, at the very least,
to the very best of their manipulative ability,
by our election-selecteds
and their precise, particular, dedicated minions.

You grieve me, neighbor, living on our street,
screaming at every passerby
THE ELECTION IS RIGGED,
not because you are wrong,
but because you may be right.

And if you are, in the stampede
after the shout of Fire! in our national theater,
we will be crushed, you and I together.


Llyn Clague is a poet based in Hastings-on-Hudson, NY.  His poems have been published widely, including in Ibbetson Street, Atlanta Review, Wisconsin Review, California Quarterly, Main Street Rag, New York Quarterly.  His seventh book Hard-Edged and Childlike was published by Main Street Rag in September, 2014.

Friday, November 08, 2013

OUR NEIGHBOR

by  Hannah Thomassen


Image credit: cascoly2 / 123RF Stock Photo


a potter
lived down the road
in the woods
forty years
spinning bowls
growing old
with the forest
heart attack
some time back
a rickety run
every day
after that
our neighbor
our friend
the potter
died in the winter
in that little house
in the forest
they clear
cut this week.

           Here is the house
           left standing alone
           and here the last tree
           like the steeple
           that calls us to prayer
           and where are the doors
           we need to go through
           what will become of the people?


Hannah Thomassen lives in the Cascade foothills of Oregon where she works as a self-employed poet and lives with a husband, a dog, three chickens and two donkeys. Her work has appeared in a few places here and there.