DISPATCH FROM GAZA, JUNE 2025

by Carolyn Martin

With thanks to Yasser Abu Rida

Maria

From inside a desert tent––how I do not know––
he posts comments on my Facebook page.
“Lovely”: the Easter lilies bursting in my yard.
“Always creative”: his response to my latest poetry.
 
While I sit in the luxury of blossoms and words,
he messages me Khuza’a, his village, is gone.
What’s left: a wife, three kids, and the courage to survive.
“Endless displacements”: he calls his current address
and “Like zombies,” he says, “who don’t look 
left or right, people run toward flour trucks.”
Famine weakens hope.
 
Yet, he asks me to celebrate Maria’s birthday.
“Two,” he wrote, “and she has never seen
anything beautiful in this world.”
I ask him to give her a kiss and show her 
that Easter lilies exist somewhere 
on this tattered Earth.

 

Carolyn Martin is blissfully retired in Clackamas, OR, where she gardens, writes, and plays with creative friends. Her poems have appeared in more than 200 publications around the world.

I SUPPORT THE CONSTITUTION

by Indran Amirthanayagam

Cartoon by Ann Telnaes

I had a community read last night. Yes, a good old 

sharing of verse and opinions about the state 

of things, society, government, the neighbor laying 

a pillow outside the Martin Luther King library 

on G Street in the capital, to spend the night 

al aire libre, in the free air, on the eve of 

the 4th of July. Hey, buddy, do you want 

a dollar? How can I get you to the shelter?

Are the shelters disappearing with the ticker tape

after the Big Bloated Butchery Bill? Oh, how 

easy to go after MAGA, just twist the words 

and support the appointments of former 

insurrectionists to the Department of Injustice, 

to the Uncivil Rights Division, to the god-forsaken 

Black House. How unfortunate colors and 

their associations. Let’s change the popular 

perception. When I from black and he from 

white cloud free. Blake said it almost 

two hundred and forty years ago, 

during  the English campaign against 

slavery then. Now we see ourselves

shackled by the police state, surveilled,

our social security numbers sold to Palantir. 

This is rotten, my friends And yet we 

bring out hot dogs and coca cola today 

to feast the 249th anniversary of 

our independence. How sweet it is. 

How bitter. To say Goodbye to All That. 

To say, hello concentration camps 

in every hamlet. To say, NO. NO. NO. 

And yes I pledged my allegiance 

to the Constitution when I naturalized 

in 1988. I did not sing God Save the King.

Indran Amirthanayagam has just published El bosque de deleites fratricidas ( RIL Editores). Other recent publications include his translation of Kenia Cano’s Animal For The Eyes (Dialogos Books, 2025), Seer (Hanging Loose Press), and The Runner's Almanac (Spuyten Duyvil). He is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. He edits The Beltway Poetry Quarterly. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

WHILE THE ELK WERE MOVING

by Nick Allison

To my right,
Longs Peak rises jagged through pine.
To my left,
a wide meadow scattered with boulders—
bones from the old world.
Below, a stream elegies the slope,
snowmelt running fast over stone
worn smooth by thaw and thunder.
This morning, an elk herd passed through—
massive, deliberate,
moving with the grace of dancers,
as if gravity had chosen to spare them.
Not silence,
but the absence of familiar noise.
No voices. No engines.
No signal or screen.
Just the wind-clipped scratch of pen on paper,
and a stillness with weight—
the kind that settles like mist on skin,
that hushes thought.
In the fragile solitude of mountains,
one can almost forget how the edges burn.
Tomorrow I’ll hike back down, return—
to towers, to headlines,
to see what’s become of things—
to see if the center held,
or if, while the elk were moving,
the scaffolding finally collapsed.
He deployed Marines to American streets—
maybe that was the tilt.
Maybe not.
Days fold behind each other
like stage sets in the dark.
Blanket pardons.
Raids without warrants.
Agents at schools,
asking children for names.
Reporters cuffed.
A free press recast as enemy of the people.
The Justice Department, a private shield.
Federal hands bending toward one voice—
like sunflowers to heat.
He speaks of a third term
the way we speak of death:
a joke, until it isn’t.
Warnings come,
dressed in neutral tones:
constitutional crisis,
erosion of norms,
precedent dissolved.
But warnings read like museum plaques
once fire has claimed the foundation.
At some point, it stops being if—
and the only question left
is whether we’re still watching,
or simply learning to live inside the collapse.

Nick Allison is a former Army infantryman, college dropout, and writer based in Austin, Texas. His poems and essays have appeared in The Shore, Eunoia Review, HuffPost, The Chaos Section, CounterPunch, and elsewhere. He recently curated and edited the free-to-read poetry anthology Record of Dissent: Poems of Protest in an Authoritarian Age. “While the Elk Were Moving” is adapted from the introduction to that collection. More of his work can be found at TheTruthAboutTigers.com and @nickallison80.bsky.social.

ANTHEM

by Thomas DeFreitas

America is Bible and battery acid, Krispy Kreme and Christian soldiers, MAGA hats and “good people on both sides.” Forced birth, illegal miscarriages, classrooms from which history is deleted, whitewashed. Here we lock up refugees and confiscate their rosaries only to throw them away. Here we threaten families who display the wrong yard-signs. Here we say the Lord's Prayer at the end of twelve-step meetings, “not allied with any sect.” Liberty’s arm is tired from holding up that torch for all these bloody years. A voice-over announces the death, by embarrassment, of The New Colossus.

America is Deliverance and Don’t Say Gay. Fireworks on the Esplanade, the cannonade of 1812. Senatorial thoughts, congressional prayers. Spare the machine-gun, spoil the child. Wives submitting to their husbands, who give them black-and-blue merit-badges for overcooking the lasagna. America: a hot flat ounce of cola in a patriotic can. Plastic and persimmon. Sassafras and sadism.
 
America welcomes you if you’re One Of Us.

Thomas DeFreitas was born in Boston in 1969. A graduate of the Boston Latin School, he attended the University of Massachusetts, both in Boston and in Amherst. His poems have appeared in Autumn Sky Poetry Daily, Plainsongs, Ibbetson Street, Pensive, and elsewhere. His latest collection is Walking Between the Raindrops (Kelsay Books, 2025).

NOW AT THE FOOD CENTER

by Deb Freedman

Our clients are gracious even though all we offer won’t get them through July.

Handicapped stickers hang on their cars’ rearview mirrors;

backseats are strewn with car seats, crumbs, and walkers.

They show us pictures of grandchildren or kittens.

Sometimes, they walk across the bridge.

Sometimes, they tell us they’re hungry.

Two skinny little boys ask if we have any books for them.

When my friend says they can help themselves to as many as they want,

they get so excited, they rock their car.

The older brother tells his little brother to take 4 only books.

The older boy sees one about wolves and growls at me, grinning with a wiggly tooth.

They chorus thank you as their dad drives away.

Anna walks over without her curly, gray-haired dog today.

She says Sadie has a lump on her belly and she’s worried.

The vet will see her sweet baby on the 14^th.

She doesn’t know what she’ll do if it’s serious.

The blonde school bus driver, the size of a 5^th grader, waves

her passport at me.

She takes it everywhere.

Born here, she is afraid to go to the store.

Now is before the “Big Beautiful Bill” passes.

Deb Freedman's poetry has been published in The New Verse News, US I/ DVP Poets Worksheets and most recently, Patterson Literary Review. The Food Center, its clients and volunteers, take up a large shelf in her heart.

AMERICA’S PRECIPICE

by Laura Boatner

AI-generated graphic by NightCafé for The New Verse News.

It starts with one stone
      a chipping away, chiseling of sorts
      digging to China as my mother always         
      said                                        

In China it was pounded into sand
       and their people have known it
       for seven decades or so

Here, babbling brooks, once slick as silk
        have rough edges now etched
        into fifty pieces, maybe fifty-one

A carnival barker yelling;
        flushed face, eyebrows furrowed
        the color of honeydew, or more
        fluorescent than that
     
Stones and bricks in a road leading to Oz
        because this doesn’t feel quite real
        and the curtains are pulled back

Judges, legislators, 
           one at a time acquiescing 
           out of fear, reprisal
           is this really happening?
               to us of all people?
               right now?
               like we’re scarecrows or something?

In one-hundred days
               the rocks have become boulders
               on shoulders of complacency
 
David threw a rock at Goliath 
              hitting the target
              unlike we do at the strongman 

A mountain of stone
              penetrated upon and fissured
              and it’s on this precipice that 
              we now stand

Laura Boatner is a registered nurse by day and an aspiring writer by night.  She has been published in scholarly nursing journals, but finds it much more fun to write fiction.  She has been accepted into the MAPW program at Kennesaw State University in Fall 2025.  She lives in Atlanta, Georgia with her husband and her two rescue pups, Birdie and Pepper.

I HEAR AMERICA CRYING

by Judy Trupin

holding in their fingers the shreds of constitution
tattered perhaps beyond repair
The insurrectionists running free, absolved
I hear America crying
the carpenter and the mason being dragged away
by the chilling iceman
their families slipping on their tears
and murmuring to each other
What is this land in which we dwell?
A boatman turned pilot ferries them away to 
prisons in countries unknown
I hear America crying
as judges erase the law of the land
another pilot does not cry but grits his teeth
as he drops his bombs
preserving his president’s honor but nothing else
I hear America reeling as yes becomes no
and truth morphs into lies
I hear America whispering
too afraid to sing
to afraid to shout
huddling in their homes
uncertain what the night will bring
or when the night will end
and if they will sing 
and if they will sing
again.

Judy Trupin lives, writes, and thinks in Pittsburgh, PA. Walking, teaching and practicing yoga and singing to her plants keeps her sane.

TODO BUENO?

by Andrés Castro

from Macmillan

New York City continues to grow and grate on me.
     Being born at Coney Island Hospital the summer of ’58, 

     after my family arrived from Puerto Rico—Borikén 

to the Indigenous—should make me a Boricua, but no.

Mi familia on the island often says I am from Por Allá, 

     especially those claiming bloodlines to native villages—

     chiefs rabid in their gatekeeping—when calling 
the post-Columbian colonizing label, Taino, inauthentic. 

My genté, speaking from por alla/my over here—

     just call me Nuyorican. My ancestral archipelago remains

a natural wonder; but why erase my mainland city tribe. 
     My adolescence was blessed with a South Bronx block 

of modest homes owned by Black, brown, and white 

families that mixed—no matter the surrounding chaos 

of the sixties. My transplanted island roots took root 
above and below concrete. So what I was born too late 

to be an OG Nuyorican—say The Young Lords or outlaw

poets Pedro Pietri, Miguel Algarín, and Miguel Piñero, who

founded the Nuyorican Poets’ Café to welcome everyone. You
can’t grow up where I did and not be Nuyorican—this one, 

given my nature, still needs activism and revolutionary poetry.  

     The stakes are too high now: the world is being set ablaze 

with the U.S. the head arsonist—aren’t the U.S. bombs that made 

Gaza a wasteland and suddenly dropped on Iran enough proof? 

     I only wish my roots were not drying out so quickly. My mother

would say, “Cuídate, de los buenos quedan pocos,” if still alive.

I have gone from little boy to brittle—taking care and being good 

in 2025 is old as analog. The robotic other side is evil and reckless—

signing the Doomsday Clock will strike midnight in my lifetime—
whether I practice Yucayeque rituals in Borikén’s central mountains 

or rattle downtown on the Lexington Ave express. What I really

need to talk about is the genocide of Palestinians given the chance.  

Andrés Castro, a PEN member, is listed in Poets & Writers Directory and keeps a personal blog,
The Practicing Poet. Andrés is currently working on Militant Humanist, a project for poets, 
writers, artists, and others.

WISHING YOU ALL A GOOD DEATH

by Catherine Gonick

Art by Clay Bennett, July 1, 2025

Millions of low-income Americans could experience staggering financial losses under the domestic policy package that Republicans advanced through the Senate on Tuesday, which reserves its greatest benefits for the rich while threatening to strip health insurance, food stamps and other aid from the poor. —The New York Times, July 1, 2025

as the deviants' suicide hotline 

goes dead, the bad vaccines

and free food disappear

along with the women

and children, leaving

only one gender 

on the sickly green earth,

and you already too ill

to fill out new forms

are free to drop, already dust

beneath the rug of our law,

as the best deaths are dealt

out casually as cards

by we who can afford

the deep cuts

and consequent

deaths that ensure

 "they'll get over it"

before you can know it

you'll all be bleeding

too fast to know what's coming

for your common-good bodies

already installed in pre-paid

unremarked graves,

wishing you all a good night

and good death

Catherine Gonick has published poetry in journals including The New Verse News, Beltway Poetry Quarterly, Pedestal, and Orchards Poetry Journal. Her work has also appeared in anthologies including in plein air, Grabbed, Support Ukraine, and Rumors, Secrets & Lies: Poems About Pregnancy, Abortion and Choice. Her first full-length collection, Split Daughter of Eve, is forthcoming in June from Sheila-Na-Gig Editions. She lives in the Hudson Valley, where she works in a company that slows  the rate of global warming.

THIS TOO WILL BE OUR HISTORY

by Kristin Kowalski Ferragut

Let’s crawl out from between cracks

in Mrs. Malloy’s Social Studies class

look America square in the…  

Trail of Tears, Chinese Exclusion, Compromise

of 1877, red carpet for the KKK in troops

 withdrawal, 911, Homeland Security, ICE.

Military facing off with us — terror.

We love this country — swampy and lush; dry

and sharp; wide, wild, waking.

Echoes of past, Liberty or Death,

beg the question, Is the acrid smoke gulped 

after hollers of Freedom now

easier than silence? 

Don’t you want to fix her pockets, tuck

them in; pull her 

Fortnite shirt down over

her exposed sand-colored belly; embrace 

her and, while reaching behind, 

let loose the cuffs, like you might untie

a ribbon to free your girl’s hair?

Kristin Kowalski Ferragut is author of the poetry collection Escape Velocity (Kelsay Books, 2021) and children's book Becoming the Enchantress (Loving Healing Press, 2021). Her poetry has appeared in Beltway Quarterly, Bourgeon, Fledgling Rag, Little Patuxent Review, and Gargoyle Magazine, among others.