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Showing posts with label Barack Obama. Show all posts
Showing posts with label Barack Obama. Show all posts

Friday, June 19, 2026

A NEW BEGINNING

by Ron Shapiro




Step back from lies, greed

and corruption if only for

an afternoon in Chicago

for the opening of Obama’s

center on the south side.


Feast your eyes 

on an alternate

amerikan reality

where character,

kindness, community,

and truth matter. 

 

Listen to diverse voices

speak of the amerikan promise:

life, liberty, pursuit of happiness.

 

Hear words and songs

that elevate our country.

 

No need for a violent spectacle

on the lawn of the people’s

house. No need to reshape

and destroy this nation’s

original sins of slavery

and indigenous genocide.

No need to hide your gender,

skin color or faith. 

 

You are welcome in this place.

 

Come bring your children to

learn of the struggles for

equality, justice, and freedom.

 

Join hands with a stranger,

dance in the moonlight,

sing of hope and change,

believe in this country again. 



Ron Shapiroan award-winning teacher, has published over 20 poems in publications including Nova Bards 24 & 25Virginia Writers ProjectThe New Verse News, Poetry X HungerMinute Musings, Backchannels, Gezer Kibbutz Gallery, All Your Poems, Paper Cranes Literary Magazine, Zest of the Lemon and two chapbooks: Sacred SpacesWonderings and Understory, a collection of nature poetry.  

Monday, April 13, 2020

ON BARS

by DeWitt Henry


Source: Cagle


A.G. Bill Barr
should be disbarred
and/or spend time
behind bars or
drinking at them,
both earnest and glib.
doing biddings of
our worst President,
bar none.

For lack of Barack,
step up, be heard;
raise the bar of expectations.
Climb the barricades.
High jump, pole-jump:
clear the bar.
Cross the bar.

Nearly half of us
fear barbarian hordes,
beards and all (unless
us is them).  Seek to
bar the gate, build barriers.
Keep us over barrels, where
barrels are meant for
storing and protecting,
e.g. over Niagara;
or for shooting fish,
or empty ones for noise.

The BAR man sights down
his ungainly weapon
(though Browning Automatic Rifle
has nothing to do with “baros,”
Greek for weight).

Bars of gold, candy, or soap.
Bars of music and rank.
Barcode.  Bar-
gain.  Crow, salad,
barbell and barometer.
Stars and bars forever.

Barbed.  Barred.

Democracy amok.


DeWitt Henry’s most recent prose collection is Sweet Marjoram: Notes and Essays (MadHat, 2018).  A new collection, Endings and Beginnings: Family Essays, is scheduled for 2020 from MadHat.  Poems have appeared in Ibbetson Street, On the Seawall, Plume, Muddy River Poetry Review, Constellations, and Woven Tale Press.  Henry was the founding editor of Ploughshares and is Prof. Emeritus at Emerson College.

Thursday, March 12, 2020

COMPASSION IN CHIEF

by Tricia Knoll





We lost heartfelt
in the mocking
of disabilities.

We lost empathy
with one toss of paper towels
to the devastated.

We lost all trust.
what test is beautiful
for the virus of fear?

We lost a tender voice
with respect
for the dying,

for the worry of sickness
for those of us
targeted in our chests.

We lost our trust
in the beautiful test
for the virus of fear.

We hear the echo
of amazing grace notes
in a by-gone tenor

that true Compassion in Chief.





Tricia Knoll remembers the singing of "Amazing Grace" by our last President while this one seems to think the scare of corona virus events is mostly financial.

Thursday, February 13, 2020

THOUGHTS OF THE FORMER PRESIDENT

as He Languishes with Dementia 
at Age 83 in the Year 2030




by Albert Haley

                            
Disgusting. Corrupt. Liars!
Who is Melania?
Really, Junior, again?
Tower, tower, tower.
Haters. Where’s Vlad?

Make America grate?
Gold plated and Colonel KFC.
How to spell anything.
Perfect. Ivanka. If she weren’t
my daughter.

Was a time I could have shot someone.
Right in the middle of Fifth!

Wall, we were going to have.
What happened Tim Apple?
Gold plated wall. Good!

Have I said “pussy” yet?
Where’s my phone? Sad.

Me, me, me, my country tis of me. 
Do you like this hair?
In the middle of Fifth.
Put a tariff on it.
Put a businessman in 
the White House and acquit him.
They rip babies out of mothers
and smother them. Bullshit!
Sharpies predict the weather
better.

But who is this Mitch? Why do I miss
him. Lyin’ Ted sure knew how to lie
down with the lion. Good crew,
kept their heads off the pikes.
  
Greatest hits. Rallies                                                  
and media is enemy of the state.
Some people say. Snow falling. 
Told you it was a hoax. 
The earth’s cooling—me too?

If they’d only respected
the Second. Right in the middle of Fifth. 
Might have spared me 
(A-l-z… how you spell?) this.

The focused hot blowtorch
of hatred so carefully cultivated. 
Main act in the middle of their circus.
Cancel the failing show
with a ratings bang.

Obama? Birth certificate?
Never saw it. Get him out of here!

Highest form of love
a man like me can ever know.


Albert Haley's poems have appeared previously in New Verse News, Poets Reading the News, and Rattle. He lives and teaches in dry, dusty Abilene, Texas, which at present seems far away from any refreshing blue waves. Haley's poems have appeared previously in TheNewVerse.News, Poets Reading the News, and Rattle. He lives and teaches in dry, dusty Abilene, Texas, which at present seems far away from any refreshing blue waves.

Sunday, December 01, 2019

ANY FUNCTIONING ADULT 2020

by Marc Swan




On a lawn down a side street off a main drag
in Portland Maine, it catches my eye—
simple phrase in red, white and blue
with a big bang center stage
to that intact region our current leader
can’t claim—a brain that thinks, acts,
feels with compassion, caring, humanity.
A sign in a yard can’t change the world
but it can open thinking beyond
media thrum and whimper—
insult, injury, uncertainty, and help us feel
we can make a difference
as clichéd as that may be. Grab your pen,
paper, keyboard, text, phone, load up
the information highway with a message
echoing these immortal words—
Yes We Can.


Marc Swan has poems forthcoming in Stonecoast Review, The Nashwaak Review, Channel Magazine, Floyd County Moonshine, among others. His latest collection today can take your breath away was published by Sheila-na-gig Editions in 2018. He lives in coastal Maine with his wife Dd, an artist, clothing designer and maker.

Tuesday, August 21, 2018

AMISS



Kathleen A. Lawrence enjoys the abundance of grapes and apples in Central New York. A crisp sip in the shade of an orchard is very conducive to writing poetry.

Friday, June 29, 2018

DONALD HALL (1928-2018), CURMUDGEON OF CURMUDGEONS

 by Earl J Wilcox



I do get it, Donald (may I?) all your cranky
Ways when you arrived at your eighties.
I’m there myself, too, and every day when
I watch the world go by, I share your sense
That history has left us, bereft and almost
Pissless without our wives, our old friends
Galway and Dick and Jane so many others
We have (alas) forgot their names. But you
Did buck up, you old son of a bitch (may I?)
And we admired your wild and wooly ways,
Looking like a battering ram who needed
To be shorn when you arrived at the
Obama White House. I never heard you
Speak or read or rant, but brother I feel
Your presence just the same. Today, I
Reel from the pain of losing you and
Our long gone generation. And I will try
By God to keep on writing as long as I
Can think of you meeting and shooting
The breeze with that other old man in
The cloak. Hail and Farewell, Don.


Earl J Wilcox turns 85 in a few weeks. His aim is to stop writing only when he turns 90. Until then, poetry and baseball keep him going most days.

Thursday, December 21, 2017

INSIDE DISNEY'S HALL OF PRESIDENTS

by Darrell Petska





Transported like a side of beef,
the 45th arrived on a cart,
a small hand jutting from the wraps.

"Dog hater!" growled LBJ.
"Wall builder!" shouted Reagan.
Obama stirred. "Uh . . ."

Onto the stage, positioned off-center,
went the 45th, animatronically correct,
a dead ringer for Jon Voight.

"Jesus Christ!" prayed Jimmy Carter.
"He'll mock my braces," bemoaned FDR.
"Travesty," said Washington. "I cannot lie."

Switched on, the 45th did its test run:
hands moved, head nodded, voice sounded
rather like Putin's—

"I smell a crook," muttered Nixon.
"The only natural area he knows is beneath the belt,"
Teddy complained, and Obama gestured, "Uh . . ."

The techs fixed the Putin glitch,
except for faint tweeting in the background,
and the America First dummy stood ready to wow.

"Uh . . ." spoke Obama, "anyone whose meal preference
is two Big Macs, two Filet-O-Fish, and a malt
will never complete a full term!"—

which perked up Bill Clinton: "Yum!"
Abe sighed. "Shall we never stop this bleeding?"
"Lightweights! I'm huge!" crowed their silicone successor.


Darrell Petska's writing has appeared in Whirlwind, Mobius: The Journal of Social Change, Chiron Review, Rat's Ass Review, Verse-Virtual, previously in TheNewVerse.News and elsewhere. Darrell worked for many years as communications editor for the University of Wisconsin-Madison.

Monday, November 13, 2017

OVER

by Judith Terzi


The Trump administration announced tight new restrictions Wednesday on American travel and trade with Cuba, implementing policy changes President Trump announced five months ago to reverse Obama administration normalization with the communist-ruled island. Under the new rules, most individual visits to Cuba will no longer be allowed, and U.S. citizens will again have to travel as part of groups licensed by the Treasury Department for specific purposes, accompanied by a group representative. Americans also will be barred from staying at a long list of hotels and from patronizing restaurants, stores and other enterprises that the State Department has determined are owned by or benefit members of the Cuban government, specifically its security services. —The Washington Post, November 8, 2017. Havana photo by Judith Terzi.


To Barack Obama



Like the Roman deity Janus, you looked
to the past & the future. Janus––god of time.
God of gates & passages. God of trade.

Yes, trade. Shadowy jumble of words &
punishment emerges today from the WH.
No golf resorts, no ties, no towers, no art

of the deal. The future is opaque, grieves
the loss of your imagination, your
luminosity, your esperanza. No sunrise

today over restoration in Old Havana,
over skyscrapers along Avenida de los
Presidentes, over Hemingway's weary

Corona, over John Lennon's statue in
Lennon Park. No sunset watch from Fort
Morro, from Lucky Luciano's sunlit rooms

at the Hotel Nacional where John Kerry's
photo hangs over a bar, where Nat King Cole
hangs out in bronze, & a sculpture

of Isadora Duncan surprises in the lobby
of this hotel now blacklisted for Americans.
Can we still use their bathrooms? Can we

still drink their mojitos, smoke Cohibas
on the terrace after La Parisienne show?
Can we still speak to the two Parisian

couples fêting their marriages, or tourists
from Jamaica, Shanghai, Czech Republic,
Germany, Barcelona, Chile, & México?

These travelers on their own, alone. Can we
still walk through the bunker, stark reminder
of the verge of war––the Missile Crisis. Can

we still climb to the top of this blacklisted
hotel & view our Embassy & the cruise
ships beyond & wish you were here?


EDITOR’S NOTE: TRAVEL TO CUBA WITH THE AUTHORS GUILD FOUNDATION: "New Cuba Trip Added by Popular Demand February 10-17, 2018 (December and November trips are SOLD OUT) Please note that recent sanctions on travel to Cuba prohibit individual travel; however, it is legal to visit Cuba with a group led by a licensed educational organization. The Authors Guild Foundation trip qualifies under the new restrictions."


Judith Terzi's poems appear or are forthcoming in journals and anthologies including Caesura, Columbia Journal, Good Works Review (FutureCycle Press), Myrrh, Mothwing, Smoke: Erotic Poems (Tupelo), Raintown Review, Unsplendid, and Wide Awake: The Poets of Los Angeles and Beyond. Her poetry has been nominated for Best of the Web and Net and included in Keynotes, a study guide for the artist-in-residence program for State Theater New Jersey. Casbah and If You Spot Your Brother Floating By are recent chapbooks from Kattywompus Press.

Wednesday, September 06, 2017

ADVICE TO A PRESIDENT

by Howard Winn




from a president
literate and wise
protect our democratic institutions
for those are what
distinguish us from the
world’s dictatorships
and it is our role
to provide that pattern
which has been
established by wise
people over time
for presidents are temporary
guardians of unique
traditions established out
of the experience of
many judicious men and women
certified by courts of law
and genuine patriotism
not tin horn palaver
for the unique American
experience that must be treasured.


Howard Winn's work, both short fiction and poetry has been published in Dalhousie Review, The Long Story, Galway Review, Antigonish Review, Chaffin Review, Evansville Review, 3288 Review, Straylight Literary Magazine, and Blueline.  His B. A. is from Vassar College. His M.A. is from the Stanford University Writing Program. His doctoral work was done at N.Y.U. He is Professor of English at SUNY.

Sunday, August 06, 2017

AFTER EUPHORIA

by Ralph La Rosa






A post-Obama meditation



After Euphoria, formal feelings come –
Once Tuning Forks, the Nerves won’t hum
And numbed Hearts wonder, “Where is the Sage who bore
Such sane Good News – out of the White House door?”

Eyes widen, dim, dart around –
Ears ache so
From toxic Lies – all Oughts –
In offal sown,
The requiems for loss – alone –

This is the Hour of Dread
For those who were misled –
But Sickened watchers of the Trumped-up show –
Rest – Regroup – Resist – their Hearts say he must Go


Ralph La Rosa’s work has been published online, including at TheNewVerse.News, and in the books Sonnet Stanzas and Ghost Trees.

Monday, March 06, 2017

Sunday, November 20, 2016

SPECTRUM: NOVEMBER 8, 2016

by Deborah Kahan Kolb




The day the red-ones drew the curtains and chose the orange-one
to mind the white oval that had embraced the black-one
nearly three thousand days --- that day

was the day the blue-ones formed
a veined parenthesis to contain the pulsing mass
of the red-ones, spilling sideways,

was the day the red-ones and the blue-ones
never turned to purple and the green-ones
stayed scattered, shoots pushing up to be counted,

was the day the brown-ones huddled and burst, and
waited for the white-ones, the eye-holed pointed ones,
to bear a burning broken cross, its twisted arms akimbo,

was the day the pink-ones, like the blue-one who
missed her grip at the finish, snatched steel from
between their legs and bound themselves each to each,

was the day the tan-ones veiled themselves
into invisibility,

was the day the yellow-ones shifted, and strove
for the exits,

was the day the beige-ones bent double, and breathed
dios mio,

was the day the rainbows clung together, their colors melted
and shriven,

was the day a keening Hallelujah rose up from the teeming streets
and evanesced into the violet sky,

was the day I waited for the raging ones to bring a yellow star
for me.


Deborah Kahan Kolb is the author of the forthcoming chapbook Windows and a Looking Glass (Finishing Line Press, 2017). Her work has appeared in Poetica, Veils, Halos & Shackles, and Voices Israel. She lives in Bronx, NY. 

Thursday, November 17, 2016

LINGERIE COUNTER

by Clara B. Jones


Claes Oldenburg. Lingerie Counter. 1962. Textiles, canvas, plaster, enamel, metal stand, neon tube, mirror, and fiberboard Ludwig Museum - Museum of Contemporary Art, Budapest . . . with the addition of Ivanka Trump’s $10,800 “bangle” that she wore from her Metropolis Collection on 60 Minutes.

Trump is a Pop Artist with enough influence to have
poetry recover its power from the Romantics
and their natural tone inspiring Ivanka and Gucci
and other global icons—
balancing perfect acts for their new collections.
There is no rap masterpiece
since Killer Mike® didn't “get the message”
like Hillary didn't send the e-mails that Wikileaks exposed.
Obama has been sad for the last year
but we can think of several ways to thank him
though Michelle is a dealmaker
and her war with 50 Cent® is about to end
if she gets 5% of the profits
when the Oval Office is painted red.
Michelle said
I am for an art that helps old ladies across the street*
when Trump performed in the Green Room
where his show was stunning.
Call 1-800-800-1234 to order his book.
The price will never change.
Something happened
but it never got out of hand
since Trump's career is on the rise
and he fries tasty catfish.
Barak wants to end global warming
but Michelle wants to fight vile diseases—
having said that it's Thanksgiving
so what is Trump going to cook if poems are at stake?
Trump has prescriptions for migraine headaches
but knows his problems are genetic and Melania has
the right to remain silent so nothing will be held against her.


*Claes Oldenburg (1961)


Clara B. Jones is a retired scientist, currently practicing poetry in Silver Spring, MD (USA). As a woman of color, she writes about the “performance” of identity, alienation, and power and conducts research on experimental poetry. Clara is author of three chapbooks, and her poems, reviews, essays, and interviews have appeared or are forthcoming in numerous venues.

Tuesday, November 08, 2016

THE YEAR THE CUBS WON THE WORLD SERIES

by David Spicer



I celebrated my 68th year without
steak, because I never cared for it anyway.
I listened to Fats Domino sing "Blueberry Hill"
over and over again day after day because I could
see him ambling down the New Orleans
sidewalk as he sang, his voice echoing in the night,
and I loved to think about the day I saw
Hank Aaron break the Babe’s record to boos.

Years before the Cubs won the Series,
I didn’t follow baseball like I did
when I was a kid: Ernie Banks, Mr. Cub,
was beautiful flicking the ball toward second
as the first part of a double play to end the inning,
and Willie Mays beyond beautiful the day he hit four
homers and a double when I was eleven.
Now, I plug for the Cubs and hope they’ll win.
But hell, I don’t even know who their stars are.

The year the Cubs won the Series
a racist, misogynistic, xenophobe billionaire
ran for president and almost won, would’ve
if he hadn’t stepped into his own stink
too many times, his opponent an alleged liar,
cuckoldette, and e-mailer extraordinaire hated
by millions because she was an aggressive woman
destined to capture the holy grail of modern politics
and break through the wall of male white lawyers.

The year the Cubs won the Series
I began reading and writing again, attended
readings where gifted wordsmiths read poems
about the day their mothers died, or the cold night
the Titanic sank. They stood at podiums, glancing
down at a published book too few people bought,
staring out at small groups of poetry lovers and poets.
I enrolled in a workshop—many times—and learned
more about craft from a master and other poets.

The year the Cubs won the Series
millions jogged streets for miles and miles
to get a high unique to themselves, millions
more received blessings of a few states
to smoke dope or eat pot brownies and giggle,
and I kept waiting for my state to bless me,
while millions breathed their first breaths
after billions made love to each other hundreds
of times, and millions breathed final breaths.

The year the Cubs won the Series
celebrities passed away, kicked the bucket,
expired, refused to be, bade the world farewell,
or just dropped dead. My favorites: David
Bowie, who sang "Young Americans,"
Patty Duke, Muhammad Ali—the Greatest—
Guy Clark, and Gene Wilder. They left
the scene, skedadled, died, like all of us do,
when it’s time to howl at Pluto and say goodbye.

The year the Cubs won the Series
Bob Dylan received the Nobel Literature Prize
and the hoity-toity crowd scoffed and griped:
He’s not a poet, he’s a singer-songwriter
or Why didn’t the Swedes give it to a minority?
Dylan remained silent, toured the country,
aloof as a spoiled cat, singing his songs
with his back to the audience, strumming his axe,
and never committed to attend the awards ceremony.

My wife almost bled to death on our porch
the year the Cubs won the Series:
On a sunny day, the corner of the steel door
slammed into her Achilles heel, the red porch
a different shade of red and the sun suddenly pale.
I broke three mops cleaning up her life liquid,
used two bottles of bleach to make sure it disappeared
after I drove her to the ER and waited ten hours,
hoping she’d live almost forever with her new blood.

I drank two glasses of Pinot Noir
the night the Cubs won the Series,
ate too many potato chips over five hours
and a rain delay. I watched a disgraced manager
wearing a bow tie hold a mic crowding his
little lips comment on the game with other
experts about the freshly minted World Champs
from the city of the first black president
crying, hugging, and jumping up and down.

The day after the Cubs won the Series
I promised myself I’d lose a few pounds
the next year by not eating potatoes or rice
or cow or pig but just fish and fruit.
I told myself I’d walk three miles a day and smile
when the sun climbed the trees to the sky
and shined while it still could, while clouds
caressed its hot cheeks. I wonder how

that’ll go for me as I sweat and starve?


David Spicer has had poems in In Between Hangovers,  TheNewVerse.News, Gargoyle, The American Poetry Review, Ploughshares,  Mad Swirl, Reed Magazine, Slim Volume, The Laughing Dog, Easy Street, Ploughshares, Bad Acid Laboratories, Inc., Dead Snakes, and in the anthologies Silent Voices: Recent American Poems on Nature (Ally Press, 1978), Perfect in Their Art: Poems on Boxing From Homer to Ali (Southern Illinois University Press, 2003), and A Galaxy of Starfish: An Anthology of Modern Surrealism (Salo Press, 2016). He has been nominated for a Best of the Net twice and a Pushcart, and is the author of one full-length collection of poems, Everybody Has a Story (St. Luke's Press, 1987), and four chapbooks. He is also the former editor of Raccoon, Outlaw, and Ion Books. He lives in Memphis, Tennessee.

Monday, September 12, 2016

A PANTOUM MORASS OF SOCIAL MORES

by Joe Amaral 

“He’s winning this. His critics are losing. We’re better for it.” —Tim Kawakami, The (San Jose) Mercury News, September 7, 2016. KHARTOON! by Khalid.


                                                for Colin Kaepernick


They sack their own hypocritical souls,
judging a biracial man sitting down between
Gatorade coolers, bench warmer, while
standing in safe zones chanting anthems.

Character assassinating a person-
hostile when their comfortable tedium
is knelt upon during an incomplete poem,
overheated, entwined in symbolic confliction.

Dislodged from routine surroundings, habits
of public conformity become glare and troll;
despite loafing when the flag waves on private
TV: bloviating from couches about abstract duty.

In my Catholic days I swung suffocating incense
before hearing the priest who married my parents
molested little boys. We spurned the cross in peace.
Pleas from true patriots are treated with violence.

Some only meme, righteous as sacramental fire
while buying foreign cars, clothes and smartphones
made by slave labor, then pout: THANKS OBAMA!
Colin audibles brave; to Hail Mary the fallow loam

of this country, as American as freedom can be, calling
to the knee-jerks and neutrals, even to the haters,
for a healing conversation amongst culpable toxicity—
warming a bench for enemies to connect, sit,
and see.


Joe Amaral likes to spelunk around the California central coast as a paramedic and stay-at-home dad. His work has appeared or is forthcoming in 3Elements Review, Arcadia Magazine, Crow Hollow 19, Writers of the Portuguese Diaspora, Zingara Poet and other awesome places. Joe won the 2014 Ingrid Reti Literary Award. He also hiked Mount Kilimanjaro. It was epic.

Monday, August 29, 2016

RELAXING INTO BLACKNESS

by Orel Protopopescu



 “He [Obama] was not always free to relax into his blackness, out of fear that it would frighten white America." —Michael Eric Dyson,  The New York Times, June 24, 2016

Although my winter skin is sallow,
a pale olive the world calls white,
my eyes and ears and pores
absorbed many shades of blackness
in New York in the sixties
in the middle of Long Island.

When I relax into my blackness,
I’m back in the music of the streets,
homes and churches of my childhood,
back with the old folks who called me baby
like they’d given birth to me,
their pupils widened in welcome,
back where doo wop groups sang
in the halls of Hempstead High
and we spilled out of choir to join them.

Where are you now, besides alive in me,
sweet-time brothers Andriamaharu,
who taught me to speak French,
a few words of Malgache,
and how to make a dance of laughter?

Fast and deep run the dark waters
that take me everywhere, bathed
in the fine and mellow vibrations
that forever slip like syrup
from the throat where Billie Holiday
birthed her blues, a fierce beauty,
a deep ease like a pair of taps
laying down paths I never want to leave,
sounds I never want to stop hearing,
like the voice of my then best friend,
abused for “talking like a white”
who said, in her Jamaican lilt,
“I don’t know what color a voice has.”

Oh, to relax again in the hammock
of our blackness, sharing secrets,
dividing the gold of the world between us.


Orel Protopopescu, children’s author, translator and poet, has been published by major houses (Simon&Schuster, FSG, Scholastic) and her book of translations, A Thousand Peaks, Poems from China (with Siyu Liu) was honored by the New York Public Library. Orel won the Oberon poetry prize in 2010. What Remains, a chapbook (2011) followed. Thelonious Mouse, her fourth picture book, won a Crystal Kite, 2012, from SCBWI.  A Word’s a Bird, her animated, bilingual (English/French) poetry book for iPad, was on SLJ’s list of ten best children’s apps, 2013. Her poetry has appeared in Spoon River Poetry Review, Light, Lighten Up Online, and other reviews and anthologies.

Friday, May 27, 2016

VISIT TO HIROSHIMA

by Alejandro Escudé



A boy looks at a huge photograph showing Hiroshima city after the 1945 atomic bombing. Hiroshima Peace Memorial Museum, Japan August 6, 2007. Reuters/Toru Hanai via International Business Times.


Oh children of Japan,

the dot that inflated
to the size of a neutron star.

Oh children of Japan,

you watched your own feet
evaporate.

Oh children of Japan,

you clung to a rope
thick as an Egyptian obelisk.

Oh children of Japan,

an apology flying like
a bomber evading a blast.

Oh children of Japan,

your bodies, a pile
of blackened marbles.


Alejandro Escudé published his first full-length collection of poems, My Earthbound Eye, in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Tuesday, May 24, 2016

AMERICAN HISTORY

by George Held


Photograph: Joe Burbank/Orlando Sentinel/EPA via The Guardian.


              "I am honored and humbled to announce
the sale of an American firearm icon…"
--George Zimmerman


When George Zimmerman advertised
an auction for “a piece of American history,”
the gun he murdered Trayvon Martin with,
it didn’t take long for the bidding to soar
to 65 million dollars, since withdrawn.

The money, George said, would go to two
worthy causes: protecting peace officers
from the violence of Black Lives Matter
protestors and fighting Hillary Clinton’s
“anti-gun rhetoric.”

Like a magician’s wand, this gun will
“Open presto” not just the wallets
of fatuous rich collectors but also
the deep Pandora’s box of bigotry
and racial discrimination.

Poets have no tropes for dopes who
uphold the Second Amendment in order
to justify the right to shoot to kill
any “other” in a hoodie on a dark
Florida night

And they have no tropes for hope that when
President Obama flies the White House
coop he’ll leave the legacy of a post-racial
society, for America is more racialist
than ever.

It turns out that George Zimmerman,
who’s been unemployable since his
acquittal, has accepted a bid of $138,000
for his piece, enough to keep him in beer
and skittles for a few years.


George Held, a frequent contributor to TheNewVerse.News, has a new poetry collection Bleak Splendor (Muddy River Books, 2016).

Wednesday, July 01, 2015

TRANS PACIFIC PARTNERSHIP

by F.I. Goldhaber



Image source: The Journal of Personal Cyberconsciousness



First Abraham Lincoln let them live longer than people.
Then the U.S. Supremes gave them personhood and freedom.
Privileges of citizenship -- free speech and the pretense of religion
-- to gain tax reductions and eliminate workers' rights.

The president wants to allow their interests to supersede
sovereign nations' ability to serve their people.
Laws protecting safety, clean air, public health, will be waived
if it's possible they'll inhibit corporate profits.

Protection of corporate revenue will usurp all
individual rights to free expression, privacy,
due process, and the ability to afford housing,
food, medical care, education, transit, internet.

Forget about human rights. Only corporate power
carries any weight. They bought the U.S. government and
many of the world's leaders, jailing any who speak out.
They negotiate in secret to take away more rights.


As a reporter, editor, business writer, and marketing communications consultant, F.I. Goldhaber produced news stories, feature articles, essays, editorial columns, and reviews for newspapers, corporations, governments, and non-profits in five states. Now, her poems, short stories, novelettes, essays, and reviews appear in paper, electronic, and audio magazines, ezines, newspapers, calendars, and anthologies.  Her latest book of poetry, Subversive Verse, collects poems about corporate cruelty, gender grievances, supreme shambles, political perversion, and race relations.