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Showing posts with label Tweets. Show all posts
Showing posts with label Tweets. Show all posts

Tuesday, April 28, 2026

DREDGING

by Barry Foy

in the manner of Noël Coward, with tinkling piano





Like a blowtorch to asbestos,

The Almighty’s keen to test us

In a way that nearly always entertains.

With a knowing smile He chastens, He

Takes aim at our complacency

To guarantee we won’t turn soft, or vain.

 

It’s as if, at His own pleasure,

He employed a cosmic dredger,

That was poised at any time to scrape and plow,

Just in case we thought we’d bottomed out,

Had reached bedrock without a doubt,

And were sure it couldn’t get much worse than now.

 

But there always is tomorrow,

And we’ve found out, to our sorrow,

That the worst can worsen worser than expected.

Take our current situation—it defies amelioration,

Till it seems like God Himself could not correct it. 

 

Oh, we oughtn’t to be scandalized

To find the White House vandalized

By rogues and chancers, plutocrats, and cons,

But this latest iteration boasts a record concentration 

Of the sort of scum that floats atop a pond.

 

With the drone of putrid tweetings

And the endless unhinged bleatings,

It is all enough to render one quite solemn.

It would seem—of course, one never knows—

That to try to keep us on our toes

God’s dredged us up a soul-destroying golem.

 

He has lies for each occasion

And a list of depredations

That his lackeys all are willing to abet,

And he says he’ll make this country great,

But indicators indicate

That’s not about to happen—(ahem) not quite yet.

 

As he mocks, maligns, and threatens,

He inspires ranks of cretins

To intimidate their neighbors brown and black.

With their slogans and their marches,

And their swastikas and torches,

They survey what isn’t theirs—and want it back.             

 

They’ve decided that the man next door

And total strangers at the store

And worshippers in temples are their foes,

And that out of all the sundry types

The right to claim the Stars and Stripes

Is theirs alone. How could they? Heaven knows!

 

In the days of brutes long fallen

Such as Mao Zedong or Stalin,

They at least could cite doctrinal points of view.

They’d explain away atrocity

With political philosophy,

And only do what dogma bade them do

(Or so they claimed).

 

But compare this clown shambolical,

In his helmet formed of follicles,

Who measures out his neckties by the yard.

He’s possessed of a psychology

So riddled with pathology

That he’s nasty just to make his penis hard. 

 

I don’t hesitate to shame him,

But in truth I do not blame him,

After all, it’s just the way that he was fashioned.

In the manner I was raised, at least,

They said if you can’t praise, at least

Accord that sort your pity and compassion.

 

He can’t help it if he’s not too bright

And doesn’t read and barely writes

Or hasn’t much to live for but his wealth,

Or that, eyeing his reflection,

It bypasses his detection

That there’s pocket lint where others have a self.

 

But no similar forbearance

Can we grant to his adherents,

Who’ve forsaken everything they learned from Mother,

And allied themselves with rot and sleaze,

Made governance a foul disease, 

And behaved as turncoats even to each other.

 

Let them proffer no excuses for the insults and abuses

They as cynical enablers heaped upon us,

For the way they cruelly cursed us all

By daring to immerse us all

In something that’s so toxic and dishonest. 

 

They’ve disgraced themselves and me and you,

Their chain-migrated forebears too,

And descendants through the next five generations,

Yet pouring poison down our well

Has not, as far as I can tell,

Inspired in them the least self-condemnation.

 

So, once God has had His little joke,

What say we take these dreadful folk

And board them on a fleet of little boats,

Where, as they drift for mile on mile,

Without an outlet for their bile, 

Eventually they’ll cut each other’s throats?

                                              

Let’s carve their names in tuna,

Fly the pieces to Bermuda,

And then stand upon a pier and chuck them in,

Where at depths of many fathoms

We will let the sharks have at them

In the hope we’ll never see those names again.

 

We, the upstarts who protest today,

Were none of us born yesterday,

And we know, with hist’ry’s lessons well in mind,

That it’s not a liberal fantasy

That crimes against humanity

Quite often sprout from seeds of just this kind.

 

Be it we who made this thing occur

Or God (or Zeus, if you prefer),

Empow’ring all these wolves in sheeps’ apparel,

There can be no further dredging

Of the sort that I’m alleging,

’Cause we’ve truly reached the bottom of the barrel.

 

If you lie with dogs, you wake with fleas,

If you lie with germs, you get disease,

If you lie with poison, you’ll pick up the toxin.

It’s a fine, imperfect nation

But it cries for fumigation—

It’s our henhouse, and we’ve gone and let the fox in.



Barry Foy is a musician, song lyricist, and the author of Field Guide to the Irish Music Session and The Devil’s Food Dictionary: A Pioneering Culinary Reference Work Consisting Entirely of Lies. His “Rabbit Story” was selected for Paul Auster’s anthology I Thought My Father Was God, and Mr. Auster read it on NPR. Recent/current/upcoming venues for Foy’s poetry and prose include The OffingDefenestrationTough Poets Review, and Syncopation Literary Journal.

Wednesday, December 30, 2020

A LIMERICK ON DECEPTION

by Richard Hacken




The tenure at West Point was fleeting
For freshman cadets caught cheating.
When shown to the door, 
They said, "It's no more
Than our Commander-in-Chief did by tweeting!"


Richard Hacken is a librarian-poet with degrees in German literature and past appointments at U.C. Davis, Oregon State, University of Kansas and BYU. He has kissed the Blarney Stone, yet his only visits to Limerick have been virtual.

Friday, December 25, 2020

SCREWGED

by Shelly Blankman




‘Tis the night before Christmas

and all through the House,

where the reps were so hopeful,

the Senate’s a louse.


T***p kills funds to feed families

as long food lines grow. 

Our incomes are shriveling

while his own funds flow.


The White House is lit 

with bright colors galore 

while suffering lingers

among the Black, Brown, and poor.


Small businesses are dying

while T***p continues to tweet

months after numbers 

clearly show his defeat. 


Not one single tweet 

about the sick and the dead

Medics, now heroes.

Hospitals now out of beds.


He pardons the thugs,

the rich white and male,

because white lives matter

while Blacks linger in jail.


He’s neglected the needs

he was sworn to protect.

In the end those he cared about

were extremely select. 


So Merry Christmas to all,

And to all a good night.

May next year be better

with T***p out of sight!



Shelly Blankman lives in Columbia, Maryland. She is author of Pumpkinhead, a collection of her poetry, printed for her as a surprise by her two sons, Richard and Joshua, currently quarantined in New York and Texas, respectively. Shelly's poetry has been published in a number of journals, including First Literary Review, The Ekphrastic Review, Halfway Down the Stairs, and Verse-Virtual.

Friday, November 27, 2020

CRIME SCENE

by Ilene Millman

“Taking Stock” by Keith Knight at The Nib.


If I were collecting evidence
wouldn’t I look at the tire tracks
tracing broken distances
living to dead
in stock dividends and expense accounts—
who has the motive—they who look like citizens
changing the map
leaving no forwarding address?
 
If I were collecting evidence
wouldn’t I analyze photographs,
video recordings, tweets
brittle as promises
and autopsy the bones
cracked like hope
and stacked deep
in boxes of discord?
 
If I were the one collecting evidence
shouldn’t I unpack the fingerprints
floating fibers, strands of hair
from the briefcases of influence
brushing what’s there to see
and lay them end to end
across this current carnage—
a measure of the outstretched fingers of God
or the smallest fisted hand?
 
 
In addition to writing poetry, Ilene Millman is a speech/language therapist currently working with school aged children and volunteering as tutor, tutor trainer and assessor for her county Literacy Volunteers organization. Her poems have been published in a number of print journals including The Journal of New Jersey Poets, Nelle, Connecticut Review, Paterson Review, Passager and anthologized in several volumes including the recently published Show Me Your Papers. She is an associate editor of The Sow’s Ear. Her first book of poetry Adjust Speed to Weather was published in 2018. 

Sunday, November 15, 2020

POST-ELECTION STRESS DISORDER

by Howie Good

 

Thousands of President Trump’s supporters converged on Washington, D.C., on Nov. 14 to falsely claim he won the election. (Video: Jorge Ribas, Joyce Koh/Photo: Toni L. Sandys/The Washington Post)


The emperor’s model army marches on,
bringing with them the suffocating smell of smoke,
a darkness like mud, while tens of millions
of just plain folks artlessly demonstrate their devotion
by cheering threats of kidnapping and murder
and parading bright new flags that with each wave
in the lie-filled air grow duller and more tattered,  
and when the light dwindles to a final few hours,
there will be tweet storms and wild speeches
and the military music of boots stamping on faces.


Howie Good is the author of The Death Row Shuffle, forthcoming from Finishing Line Press.

Sunday, July 19, 2020

A PESSIMIST TAKES STOCK

by George Salamon


Darkness & Light Art Print by Zeke Tucker


"Pessimism is a conscious filter which disarms ideologues and frees us to act in a practical manner.” —John Ralston Saul, The Doubter's Companion


The air all around our leader echoes with shouts,
His Tweets can not put the tiles that fell off the
Roof of his political temple back up, the storm of
Coronavirus has come and its furious waves grow
Denser, it bursts through masks and measurements
As it rages and more than 142,000 lives have gone down.
Our leader is concerned only with the quadrennial
Cockfight staged for us as Democracy while too many
Among us have lost touch with first things,as bands of
Rebels, marginalized and mocked, try to restore it,
In their own fashion, forcing us to see the state of our
Union from the short view, pitch in, waiting for the
Long view to stumble and stagger close enough to
Lead us to the light out of the darkness we chose.


George Salamon took to pessimism when he was a refugee kid in Switzerland during World War Two and the Holocaust, but he has not let it sour into cynicism. He lives and writes in St. Louis, MO, and most recently has contributed to The Asses of Parnassus, One Sentence Poems and TheNewVerse.News.

Sunday, May 17, 2020

THE DREADFUL FIGURE

by James Penha


Cartoon by Jeff Darcy, cleveland.com




Among the reign
and blight
I see the figure 45
in orange
on a dread
crisis stuck
moving
tense
tweeted
to red caps
lying howls
and spiels rambling
through this gloomy nation.


James Penha edits TheNewVerse.News .

Saturday, September 07, 2019

I WON'T BACK DOWN

by Scott Bade


via Good


          Well, I won't back down
          No, I won't back down
          You can stand me up at the gates of hell
          But I won't back down
                 —Tom Petty


I’m dead because I’m not giving in
not backing down like the song says
so plainly we almost wonder if he’s
being ironic behind his laid-back
persona which hides a driven artist
whose Americanism hangs directly
upon the red white, blue and green
ethics of a capitalist republic blown
up beyond anything a dream could
dream up if it had the time to wonder
what might happen if we let wealth
unbuckle its belt and hang loose
on humanity’s sofa, a phone in
hand to scan the endlessness
of desire: video after video after
video of nubile young bodies
performing their roles for those
who have put them there and who
hope to keep them there, tied
inside a loop of patriarchy and
testosterone, a world man made
for man to man world to hold
himself above everyone even
himself, who knows his past,
knows the wrongs he’s lived
and knows the wrongs he covered
          and so I’m hanging here above
all of us, even me, so that no
one can touch me, except
myself, which is, after all
really all I’ve ever needed.


Scott Bade earned his Ph.D. in creative writing at Western Michigan University (WMU). In addition to teaching at Kalamazoo College and the Kalamazoo Institute of Arts, Scott is also the coordinator of the WMU Center for the Humanities. He is a former poetry editor for Third Coast Magazine and editorial assistant at New Issues Press. His chapbook My Favorite Thing About Desire was a co-winner of the 2018 Celery City Chapboook contest. His poems have appeared in Fugue, Shadowgraph, H_NGM_N, Foothill and elsewhere.

Wednesday, July 25, 2018

BE CAUTIOUS

by Ron Riekki


“Thumbs-Up,” by Barry Blitt / The New Yorker cover July 30, 2018


                    My French girlfriend says,
                    “Your President loves all caps,
                    especially dunce caps,”
                    loves to yell,
                    to scream in fifth-grade language

               as if everything is a storm,
               as if he’ll make porn-$ize money
               if all hell breaks loose,
               as if we can’t lose,
               as if hell

          has no empty space,
          as if we all won’t suffer
          if suffering
          becomes the ring
          we must wear,

       where his words are slapped together
       like
       WE ARE NO LONGER A COUNTRY
       and
       the threat

               of
   NEVER, EVER THREATEN
   and
   in the mall
   my girlfriend points

and says,
“Look, it’s Trump”
and I ask what she means,
And she says,
“An escalator,

that’s what he does.”
Except this escalator
is broken
and she doesn’t even have to say
how much more fitting this is.


Ron Riekki wrote U.P. and edited The Way North (2014 Michigan Notable Book), Here (2016 Independent Publisher Book Award), And Here: 100 Years of Upper Peninsula Writing (Michigan State University Press, 2017), and Undocumented (with Andrea Scarpino, MSU Press, 2019).

Tuesday, March 20, 2018

THE BLOOD HAS STAINED OUR STREETS SOMETHING BAD

by DeWitt Clinton





Something is out there, and we’re all just a bit
Terrified of what’s going to happen next, but
What in the heck can we do about something
That we can’t even see when it’s coming about
To slash and twist us about so turning us into
Just about everything we’ve never ever wanted
To be, or even not be, and it’s just awful the way
Some of us know that it’s pretty hard to stop
What we don’t want, or grab at what we do
By crying out loud, or even whispering, but
Some suggest we find all our sleeping masks
And look around in the kitchen for kitchen knives
And run outside in the dark which is darker
Than we’ve ever known, but now we’re slashing
And stabbing and hoping one of those we
Think we’re gutting will be what’s started us
All into the panic we’re in, even on such a
Cold night in the smack dab middle of March
And we don’t want to make too much of it
But we do go out in the morning to see if any
Can find any blood splatters, anything that
Might let us know we’ve once again shaken
The cry baby who keeps us all up late at night,
Twittering and tweeting scaring the whatever
Out of us, but now we can rest a bit until the
Next blowhard makes a mess of something
Out there, which is really here, where we are.


Poems of DeWitt Clinton have appeared recently in Santa Fe Literary Review, Ekphrastic Review, Diaphanous Press, Meta/Phor(e)Play, and The Arabesques Review.  A new book collection of poems On a Lake by a Moon: Fishing with the Chinese Masters will be published in 2018 by Is A Rose Press, (Jerusalem) and a second book collection At the End of the War will be published by Kelsay Books (Hemet, Calif.) in the fall of 2018. He lives in Shorewood, Wisconsin.