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Showing posts with label Camus. Show all posts
Showing posts with label Camus. Show all posts

Sunday, July 12, 2020

HOW TO

by Bonnie Naradzay


"Zeus the Blind Owl" The original watercolor painting is by Artist Sinclair Stratton.


This morning we loaded cardboard boxes of vegetables
into the trunks of cars. In each box, we put a card:
"How to: Broccoli," in tiny print, one side in Spanish.
How to choose fresh broccoli. But it had been chosen.

Families stayed in cars for hours in July's fierce heat.
In church we have prayed for the virus to go away.
You can buy human remains pouches on Amazon.
The zipper locks are guaranteed to keep the liquid in.

A man in the car line going up the hill stood outside,
bent over his battered Dodge Caravan, hood up, trunk held
in place with Bungee cords. Steam rose from the radiator.
The Great Pretender said he'd save the statue of Christ in Rio.

Last week, no form, no advice on Broccoli. Today,
to receive the USDA box, they must fill out a form:
name, address, the number in each family group.
The rule: one box per family, no matter how many.

How to eat it raw with a dip, how to stir fry, steam.
But we have seven in our family, one man pleaded.
Our group gave him two. A small boy waved at us
from the back seat.  I saw the careful handwriting,

apartments disclosed, streets, so painstakingly done,
 all for a box of surplus white mushrooms, broccoli,
head of iceberg lettuce.... Some boxes sagged.
There’s a Gaelic name for victims of bubonic plague

entombed in an Irish burial mound.  A plague hill.
Who sees the forms? One woman said, "We are illegal.
We don't want to put our names down on anything."
The young man in the passenger seat looked ahead.

In church we now regard the virus as a wake-up call.
I nodded, put two boxes in the trunk of her small blue car
that sputtered, set to break down.  Mute me on Zoom.
The Pharisees held out for handwashing, we were told.

The virus wants our lungs. Hart Island is our Potters Field.
Camus said we are owls blinded by too much light.
She told us the truth, and the truth will set us free.
Then my eyes stung; I could hardly see.


Bonnie Naradzay’s poems have appeared most recently in American Journal of Poetry, New Letters (Pushcart nomination), Kenyon Review Online, RHINO, EPOCH, The Tampa Review, Tar River Poetry, TheNewVerse.News, Ekphrastic Review, One; and poems are slated to appear later this year in AGNI and others.  In 2017 she graduated from St John’s College (the Graduate Institute), in Annapolis, Maryland.  For many years she has led poetry workshops at a day shelter for the homeless (Miriam’s Kitchen) and at a retirement center, both in Washington, DC.

Saturday, April 25, 2020

LINES

by Bonnie Naradzay


Sculpture depicting a Great Depression breadline at the Franklin Delano Roosevelt Memorial, Washington, D.C.


This has been done before, standing in line for a long time.        
Think of Soviet women who queued for hours for bread.              
And I have learned about the lines of the Great Depression:        
men lined up for mind-numbing jobs at assembly lines.                

Think of Soviet women who stood for hours for bread                
or Akhmatova outside the prison waiting for news of her son.    
Here, men lined up for mind-numbing jobs at assembly lines.    
These days some have it easy – food deliveries, yoga online.        

Akhmatova outside the prison waited with women for news        
and the chance to send a loaf of bread, or a note, inside.              
These days some have it easy – food deliveries, yoga online.        
Still, Camus said the plague is within us, here to stay.                

I have learned about the lines of the Great Depression                
where hope envisions a loaf of bread, a note from inside.              
Camus wrote that the plague is within us, here to stay,                
as it has always done: waiting in line for a long time.      


Bonnie Naradzay’s poems have appeared most recently in American Journal of Poetry, New Letters (Pushcart nomination), RHINO, EPOCH, the Tampa Review, Tar River Poetry, and Ekphrastic Review and are slated to appear in Kenyon Review Online, AGNI, and others.  For many years she has led poetry workshops at a day shelter for the homeless and at a retirement center, both in Washington, DC. 

Friday, July 12, 2019

HAS ANYBODY SEEN THE RESISTANCE?

by George Salamon





"For their heroism was that they had to conquer themselves first."
—Albert Camus, "Letters to a German Friend: First Letter"


The word is everywhere,
Action remains nowhere.
Consciousness is raised,
Resistance demands deed,
Not just correct creed.
Occupy Wall Street troubled
No one on the actual street.
Call it protest, call it outrage,
Only oneself does it assuage.


George Salamon supports many of the protests and marches, but thinks "resistance" requires what the protestors and marchers are not (yet?) willing to risk. Can't blame them. He lives and writes, often politically incorrect stuff, from St. Louis, MO.

Sunday, April 23, 2017

LEDELL LEE, R.I.P.

by George Held


Image source: The Innocence Project


The state machinery for murder
executed its steps coolly and efficiently
in the killing of Ledell Lee.

So what if the blood on his shoes
and the hairs found at the scene
received no test for DNA?

So what if the Innocence Project
and Sister Helen Prejean protest
Ledell Lee might be not guilty?

So what if Camus warned against
executions as mere state-approved
murder? How many have heard

of Camus, Prejean, even DNA? How
many have thought hard about
the idea of state-approved murder

or resisted the confection that
medazolam’s nearing expiration date
justified eight executions in eleven days?

So the executioners poured three drugs
Into Lee: medazolam, a sedative, then
a paralyzer called vecuronium bromide—

hear the falling meter?—and a heart-
stopper, potassium chloride.
Each flawlessly performed its part.

Thus did the wheels of Arkansas justice
turn exceedingly well on 4/20/17
in the killing of Ledell Lee.


George Held, a frequent contributor to TheNewVerse.News, has received ten Pushcart nominations, including ones for both poetry and fiction in 2016. His new poetry chapbook is Phased II (Poets Wear Prada, 2016).

Sunday, March 29, 2015

STRANGER

by George Held




1.

Warum? Por qué? Pourquoi?
Why-o-why-o-why-o?

The people want to know: Why
Did Andreas fly into the alp?

It would be OK if he’d killed
Only himself – suicide, while

Regrettable, is acceptable,
But murdering 149 innocents …

That’s beyond the pale,
The boundaries of civilized

Behavior.

O the pounding on the door
And the screams of terror …


2.

Warum? Por qué? Pourquoi?
Why-o-why-o-why-o?

But what if the answer
Is “just because …”

Because Andreas could
And so he did,

Adding his name to those
Of Stavrogin, who killed

A child to prove his freedom
To do so, and Gide’s Lafcadio,

And Camus’ … is Lubitz
The new Meursault,

Author of an “acte gratuit”?

O the pounding on the door
And the screams of terror …


3.

Warum? Por qué? Pourquoi?
Why-o-why-o-why-o?

But those men and their victims
Are literature, figments

Of great writers’ dreams,
While Lubitz’ victims

Left living survivors,
feeling loss, grief, despair.

Germanwings suffered
A cockpit intrusion

By the co-pilot, who locked
the door, dialed the numbers

in and then hit
“Execute.”

O the pounding on the door
And the screams of terror …


George Held, a regular contributor to The New Verse News, has a new book out from Poets Wear Prada, Culling: New & Selected Nature Poems.