TWENTY-FIVE YEARS AGO THE TOWERS FELL

by Al Ortolani

September 11, 2001 by Ann Telnaes

In twenty-five years

I lost two sets of parents. All four

of my children married happily. My wife

& I traveled to the Blue Mosque, faced Mecca,

Watched the whirling dervishes.

                                  The alignment of planets.

In Athens we took a selfie outside Socrates’s cell.

I retired from caving & mountain climbing,

made peace with the Catholic Church,

almost became a Buddhist like Thomas Merton

almost became a Buddhist. Gave my kayak

                                    to a duck hunter.

Kept my paddle in case I was ever up a creek.

My daughter taught English in Chinatown.

When the Towers collapsed, the school filled

with dust & debris. The children crawled

along the hallway wall to the gymnasium.

My daughter, moving back to Kansas in 2000,

called & called the school on her cellphone,

prayed for the parents rescuing their kids

                                     under the basketball goal.

Since that day we’ve had six grandchildren

added to our family. Two cats have died

& I’ve buried them under the Japanese maple.

                                     I own the same Toyota.

We rescued a dog at the beginning of Covid.

He has grown & been loved & is living

what people call his best life. He has visited

the mountains & the desert & the ocean.

He’s been kicked out of poetry readings

for whining at poorly written lines.

                                      I was told in Spain

that we had an idiot for a president. America,

once the shining light of democracy is an

embarrassment to me. Stupidity in red & white

& blue. NATO rotting. We’ve threatened

Greenland with invasion. Canadians flip us the finger.

Our president renamed the Gulf of Mexico &

Lake Ontario for America & the Kennedy Center

for himself,

                   and & and & and, each American

promised five thousand dollars if his sycophants

were elected in November. The Towers fell

twenty-five years ago, since then we’ve attacked

Iraq & Afghanistan & Venezuela & Iran,

                   our migrants in the streets.

We honor our dead with more dead. Our tears

with Taps. War begets war for generation upon

generation.

                    Someone smart said this.

Saint Peter in his cell. Gandhi making salt.

Mother Teresa in her slums. Chief Joseph

who today will fight no more forever.

Ukraine & Gaza & The National Parks.

There is no god, but God. No death, but Death.

No poem in the streets, but the Rant.

Two of my grandchildren are eligible for service

in the military. I consider a house for them

in Canada near my cousin Tony who fled Nixon

across Lake America in seventy-one. Today,           

                    I tipped the kid on the trash truck

twenty bucks to haul off my dead television

for his supper.

Al Ortolani is a poetry editor for the Chiron Review. His poems have appeared recently in Rattle, One Art, Pithead Chapel, and Muleskinner Journal.  New York Quarterly Books plans to release his poetry collection, American Watercolor, in early 2027.  

AT HIGH FALLS, MINNESOTA

by Maxine Susman

 

I look across the gorge to Ontario—

same wilderness on the other side.

The great Falls plunge, three separate chutes,

over the bowl of ragged basalt cliffs

into the river flowing to Lake Superior.

Pounding roar, wall of spray, impassible—

here the voyageurs, bearing on their backs

more than their weight in beaver pelts,

slung their birch canoes onto their shoulders

and made le grand portage.

 

Wilderness ranges along the gorge

farther than the eye can travel.

United States / Canada / Gichi Onigamiig,

The narrow bed of Pigeon River

now the border between nations

that share the same terrain:

Falls, thick forest, gray cliffs of diabase.

I could almost hurl a rock across—

it would reach another country,

shared bedrock of Laurentian Shield.

 

Wilderness joins both sides together.

My father / myself,

his native land / and mine,

his parents' native land / and his,

our family river flowing over borders

from Belarus to Montreal,

from Ontario to New York.

I won't cross through Customs this time,

I'm close enough to know my father's laugh

inside the space inside the water

same on both sides of the Falls

my father's homeland a stone's throw away.

Maxine Susman, Highland Park, NJ, has published six chapbooks and two full-length books of poetry, most recently Northern Swim (Ragged Sky Press, 2024). Her work concerns the environment and natural world, history, art, people and other creatures. She has been leading poetry workshops for many years and she teaches poetry-writing at the Osher Lifelong Learning Institute of Rutgers University, earning the Distinguished Teaching Award. A Ginsberg Award finalist and multiple Pushcart nominee, her work has appeared in dozens of publications including Paterson Literary Review, Fourth River, Canary, Blueline, Slant, Earth’s Daughters, and Crab Orchard Review.

BEING NEIGHBOURLY

by Brydon Caldwell

As humanity expands to

fill the globe, so too

does density as we are

stacked one on top of

another on top of another.

Neighbours, who used to be

a friendly wave across a 

field, are now as close as

thin sheetrock, plaster, 

and some studs.

In our proximity, our

capacity has not changed;

we are no more magically

tolerant of others than before.

We share a space that is

subject to the elements,

acts of God, even fire, water,

and air. Accept or deny

climate change, we all live

on the same globe with

common conditions. We can

turn on the kitchen fan when

the smell of curry gets too

strong, but none of us have

control over Mother Nature.

Still, it is easier to blame

someone nearby for those

things that are beyond our

dominion, rather than face

the shared responsibility for

dealing with those outcomes.

What, then, is the

neighbourly response?

Brydon Caldwell is a long time teacher and emerging writer from the western edge of the Canadian Shield. A lifetime of creativity and flirtation with the written word has finally coalesced into writing that he’s proud to put out into the world. His writing can be found in The Ekphrastic Review, The Fib Review, and the upcoming Fear Dealer, Opolis 2026, and Still From Somewhere anthologies.

FROM THE HIDEOUSLY SMOKY MIDWEST

by Elizabeth Kerlikowske

I love my Canadian neighbors but…

 

At least during Covid we could step outside.

I resurrect my masks and wear them now

to water the puzzled garden, get the mail,

drag in the dumpster. Ash on squash leaves

ages them as surely as gray hair. My throat hurts.

Eyes sting and I’m breathing filtered air.

Exhausted squirrels lay in bird baths.

Deer stagger through the yard.

We keep water out for them,

not to breed mosquitos, nosy neighbor!

Sun a muffled peach pit in both skies.

Moon, overcome with particulate matter,

hides her face, throws scarves of stars

over her mouth to filter pernicious smoke.

Just guessing, since we no longer see her.

Elizabeth Kerlikowske’s latest chapbook is Falling Women, with painter Mary Hatch.

AN UNDESIRABLE SILENCE

by Katy Z. Allen

I first noticed it early in the morning, isolated orange rays of light passing between the trees, the unusual color catching my eye, and so I went looking for the Sun, hidden from sight, and stopped abruptly when I saw it, not far above the horizon, a deep orange disc in the foggy, hazy, cloudy sky. Later, stepping outside for a second time, the light was so strange and eerie it gave me the shivers. I thought a storm was coming, maybe even a tornado, for the feel of the air was foreboding, so I checked all three weather apps on my phone, but none said anything about rain. The unease remained with me as I journeyed from errand to errand, wondering why I had heard nothing, although to be honest I hadn’t gone searching beyond my weather apps, but each time I stepped out of the car I felt that unease and when at last I arrived home and checked my email I saw a subject line, “The sky looks ominous and the air quality is bad. When will it end?” and that was when I learned—perhaps having had my head in the sand for longer than I should have—about the latest wildfires across Canada and Minnesota and the smoke from those fires arriving on our doorstep, so to speak, here in New England, and at last I understood, but all day I’d been feeling the silence of an explanation and only when it was so bad that everyone would notice did some brief and insufficient explanation arrive. I don’t have my head so far into the sand to be fully unaware that as long as we’re not seeing it, we’re not hearing it, we’re not experiencing it, the fact that the world is on fire is greeted with silence, even though it is a deep, dark  heaviness that breaks our hearts and weighs us down, no matter what the color of the Sun as it rises above the horizon in the morning.

Katy Z. Allen is a lover of the more-than-human world, poet, retired rabbi of an outdoor congregation, former healthcare chaplain, and co-founder of a Jewish climate organization. Her poetry has been published or is forthcoming in print and online in such places as The New Verse News, Amethyst Review, The Bluebird Word, Cosmic Daffodil, The Soliloquist Journal and Art on the Trails: Number 9. She was awarded Honorable Mention in The Prose Poem’s 2025 Prose Poetry Competition, and her book, A Tree of Life: A Story in Word, Image, and Text was published by Strong Voices Publishing. 

WORLD CUP BUTTERFLY

by Indran Amirthanayagam 

AI animation by Nightcafé for The New Verse News

Yes, this is a poem dribbled, crossed, headed, corner and free kicked

This is the beginning of the month that will never equal any other

period in time: The World Cup in North America, in Mexico

with families gathering to ask for news of loved ones disappeared, 

to ask for electricity, to ask for justice and to ask for tickets;

In Canada, all quiet for the moment, a tranquil backwater, a pause 

between acts.  But over there in the Great Bearish United States,

denying entry to a Somali referee, claiming an official Iraqi photographer

has ties to terrorists, and eleven US cities handed extra costs by FIFA,  

excluded from sponsorships that compete with FIFA contracts, 

and local taxes  removed from ticket prices. As the saying goes, 

FIFA takes  the loot and host cities are left  holding what? 

A bunch of memories, some extra grass in stadiums, and something 

more ineffable,  beautiful: pride in hosting teams from far away lands 

in our corner of the planet, spinning the web to capture the butterfly, 

not a bad use of taxes to be left holding the woven bag.

Indran Amirthanayagam writes a Substack. He has just published Isla itinerante ( Editorial Apogeo, Peru, 2025) and White Space Sonnets ( Sarasavi publishers, Sri Lanka, 2025). His other publications include El bosque de deleites fratricidas ( RIL Editores), Seer (Hanging Loose Press),The Runner's Almanac (Spuyten Duyvil), Powèt Nan Pò A: Poet of the Port (Mad Hat), and Ten Thousand Steps Against the Tyrant (Broadstone Books). He is the translator of Kenia Cano’s Animal For The Eyes (Dialogos Books) and Origami: Selected Poems of Manuel Ulacia (Dialogos Books). He edits The Beltway Poetry Quarterly, hosts the Poetry Channel on YouTube, and publishes poetry books with Sara Cahill Marron at Beltway Editions.

FRENCH MEAT PIE

by Michelle Valois

 

 

French meat pie is a greasy wonder of pork, beef, and onion, filling a pie crust that is flaky and buttery. Some parts of French Canada add potatoes, some breadcrumbs. Either way, the additions were intended to stretch the meat, which you had to do if you were poor. My family used breadcrumbs.
 
My Mai Mai taught my mother and she taught me. These days, though, with one of my children vegan, I make a meatless meat pie, using mushrooms and lentils as a substitute for the meat. My relatives and other purists are appalled, but it’s actually not bad.

This vegan daughter of mine is also queer, and all three of my children are Jewish, as is my partner. I just found out that if you can prove that a grandparent was born in Canada you can apply for Canadian citizenship. If what is happening in Minnesota becomes the norm, we may just have to return to the motherland of meat pies, maple syrup, and ice hockey. I hope they won’t mind how I have tinkered with one of their national dishes in the three generations that my family has thrived in this so-called land of the free, but it appears that it is no longer free, which it never really was for people of color; now, though, it’s only free if you are white and MAGA.

My grandparents left their farms in Canada for a better life in the factories of New England. They could never have dreamed that their granddaughter would become a college professor, marry a woman, and be able to afford all the pork and beef she wants (but chooses mushrooms and lentils), the American dream come true.

My father fought fascists in Germany. He could never have dreamed that his children and grandchildren would have to fight them here on American soil, the American dream turned nightmare.

Meatless meat pie? You can make anything, really, without meat, but you can’t make a life without freedom.

Michelle Valois' work has appeared in The Massachusetts Review, The Florida Review, TriQuarterly, Pank, Brevity, and others. A chapbook My Found Vocabulary was published in 2017 (Aldrich). She lives in Massachusetts and teach at a community college.

ME AND MR. MONROE

by Lynn White

Cartoon by Christo Komarnitski

You wonder where next.

Gaza, or Greenland,

just follow the gas,

so some say.

But Monroe and me say Mexico.

Don-roe and they say Mexico.

Gaza and Greenland

are just chips in the deal.

You can bet your bottom dollar,

it’s Mexico, say Monroe and me.

And then it’s the time of Don-roe and they

All doors open, north and south.

Canada, Colombia, Cuba,

Greenland… and then

we can only wait

and see.

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Peach Velvet, Light Journal, and So It Goes.

JANUARY 2026

by Richard Collins

AI-generated graphic by NightCafé for The New Verse News.

Crossing the Rainbow Bridge to Canada,

it’s a bumpy ride over the dry Niagara, 

only a trickle of red from the wound below,

flags flying overhead, the Maple Leaf 

at half mast on one side, twin U.S. banners

on the other: Stars and Stripes, and the McDonald’s 

Arch redacted to add the eight stolen

Venezuelan stars in cheap gold leaf

from Home Depot. 

         And the quickly setting sun:

a leering orange troll with an oily glow

screaming like nails on a virtual chalkboard,

“GREENLAND UBER ALLES!” 

Author’s Note: This poem evolved from the logic of a dream. Like others whose sleep has been disrupted by the Venezuelan violation, I found sleep subconsciously interpreting the ruptures being perpetrated against our allies. Thus the wound at the border with our northern neighbors, the flag of economic imperialism now adding the Venezuelan arch of eight stars, the threats against Greenland. The leering orange troll that keeps torching the bridges to our allies with inflammatory midnight texts will be recognized worldwide. The one hope: that that doomed sun is setting.

Richard Collins, abbot of the New Orleans Zen Temple, lives in Sewanee, Tennessee. His books include In Search of the Hermaphrodite (Tough Poets Press, 2024), and Stone Nest (Shanti Arts, 2025). His forthcoming book of poetry, Cartoons for the Chaos (Shanti Arts) contains his political poem, "November 2024," which was published in Clockhouse and nominated for a Pushcart Prize.

AIR QUALITY ALERT

by Elizabeth Kerlikowske

The National Weather Service has issued an air quality alert for Aug. 11-12 for multiple northern Michigan counties because of smoke drifting south from Canadian wildfires. —Lansing State Journal, August 10, 2025

We’re in charge of so little. Less than an acre; a cat. Clearing debris from the street drain. The few things we control are so inconsequential, no one cares. Not even us. Take my lungs. Please. Take Canadian wildfire smoke. Their wilderness makes civilization  hard. Even deer here in Michigan wear masks. How do they get them on?  Last week, we found out we were made of plastic. Today particulate matter is coating our lungs with Teflon. Silver Beach is like the bottom of an ashtray half full of gin. Haze, the weather man says, trying to fool the tourists. Maple/bacon smoke rolls in, a plague from the Northwest, but we are so far gone, its smell only makes us hungry.

Elizabeth Kerlikowske’s latest chapbook is Falling Women, with painter Mary Hatch.

THE DAY I FOUND OUT TIMOTHY SNYDER MOVED TO CANADA

by Nan Ottenritter

after “The Day Lady Died,” a lunch poem by Frank O'Hara

It is 12:20 pm in Richmond, VA a Monday

several days after Saturday Night Live’s skit

featuring James Austin Johnson 

portraying President Trump airs.

I will watch more TV news tonight.

Yes, perhaps not a great idea.

 

Dinner is served on TV table trays, 

7:00 pm sharp to see if Amna will join Geoff

on the PBS News Hour, and learn about 

what they consider important 

                                     

    I scroll, remote in hand,

to my YouTube library, search TCM for a 

movie I might have saved, and do what I

swear I wouldn’t – start watching recorded 

segments of Rachel and Lawrence and 

Amanpour (I like her the best. What’s not

to like about Walter Issacson interviewing

Ron Chernow about Mark Twain?)

Holy cow! Life in TV-media-land is good

 

so I opt out and switch to another streaming 

service to pick up an interview with one of my

favorite authors on fascism—Timothy Snyder.

The interviewer asks about his living in 

Canada now—what’s it like? The food in my 

stomach curdles 

 

and I learn that his academic inquiry resulted

in a move to Canada. He said the move had nothing 

to do with Trump. But for a moment I paused and 

imagine many, along with me, stopped breathing

Nan Ottenritter has published chapbooks Eleanor, Speak (Finishing Line Press, 2021) and My Year 2023 (2024).  She co-edited Discovery, Recovery: A Journey with Veterans (2023) and has been published in Artemis, Still Points Quarterly, Poetry Society of Virginia Anthologies, Dissent: an anthology to end war and capitalism (2023), and Writing the Land: Virginia (NatureCulture LLC, 2024). Her concern about American democracy has prompted her to read and understand the books of contemporary historians and host informal Citizens' Salons with friends, neighbors, and strangers in informal settings.