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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Dakota Access Pipeline Company. Show all posts
Showing posts with label Dakota Access Pipeline Company. Show all posts

Sunday, October 16, 2016

DAKOTA

by Jay Sizemore


Image source: Daily Mail, September 3, 2016


How beautiful must the world be
to make me stop and notice
I am a narcissist?
I’m so far away from the plains,
the rolling weeds and sagebrush,
dirt-dry plateaus cracked like ancient faces.
I’m so far away from open fields
stretched equidistant to every inch
of the empty and aubergine horizon;
the sky seems endless as a child’s imagination,
white puffy clouds like floating castles
turning purple and gray along the dust bowl rim,
with rain shaft ropes tethering those
mountainous zeppelins to the Earth.

How beautiful must the world be
to make me care about the future
my children will live to see?
Some hold onto hope like eagle feathers
in their hands, have seen the stars
through a portal of smoke
cloaked in a buffalo’s hide.
They have stood for centuries
at the edge of a graveyard,
watching the white man dig more holes.

How beautiful must the world be
to make me want to live here
inside its nebular womb?
With every breath, the timeline of existence
shrinks backward one step.
In my heart, I could wear a headdress,
I could smell the burnt leaves
wafting like spirits around my skull,
like voices turned to ashes
swirling and sticking to my tongue.
I could sing songs around the fire
in a language I never learned.

How beautiful must the world be
that I shut off these engines of dinosaur teeth,
that I throw my hardhat to the ground
and climb down from my mechanical cage,
that I brush the crushed grit from my jeans
and embrace the joyful tears
streaming down my face
with so many arms around me,
welcoming me home like a long lost son,
turning to stand in line
against something as intangible as time?

How beautiful must the world be
that I admit I’ve always been wrong
about everything I’ve ever believed?
This world must be beautiful,
with its birds, its light-flickered murmurations,
its ponds with surfaces kissed
by hungry fish mouths catching flies.
It’s a beauty that never asks to be observed,
and that is just what makes it
so irreplaceable.


Jay Sizemore was born blue, raised by wolves, and learned to write by translating howls. He doesn't regret his wisdom teeth. He thanks you for your concern. His work can be found here or there, mostly there.

Wednesday, September 07, 2016

BLOOD ON THE DOG'S MOUTH

by Laura Lee Washburn





After dinner we have cherry pie.
We are four people from three continents.

The pie: thick with red, butter
crusted: we are sure some old woman made it.

My friends say French and German words
with some ease.  Cherries burst under forks.

We drink tall glasses of iced tea
made with cool water from the kitchen tap.

We have come to live on the plains.
The town festival with a European name offers pie today.

George Washington, cherry pie, pure
dumb luck to be born in this country, and deliberate movements.

What must you be born to
to go out on the land against the oil machine?

You must love the water like life
to tie yourself to the digging machine that doesn’t stop

even with thin court orders.  You must
know the earth is not yours to give while others

train dogs to tear at strangers, loose dogs trained
to tear human skin.

The blood on the dogs’ mouths is human blood.

All over America while folks sit down to dinner,
the blood on the dogs’ mouths is the human blood of water protectors.

Breathe through your nose not your mouth.
[Cry liiiiiiii if you still have the bloody red heart to cry it.]
#nodapl


Laura Lee Washburn is the Director of Creative Writing at Pittsburg State University in Kansas, and the author of This Good Warm Place: 10th Anniversary Expanded Edition (March Street) and Watching the Contortionists (Palanquin Chapbook Prize).  Her poetry has appeared in such journals as TheNewVerse.News, Apple Valley Review, Whale Road Review, Ninth Letter, The Sun, OccuPoetry, and Valparaiso Review.  Born in Virginia Beach, Virginia, she has also lived and worked in Arizona and in Missouri.  She is married to the writer Roland Sodowsky and is one of the founders and the Co-President of the Board of SEK Women Helping Women.