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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Jo-Ella Sarich. Show all posts
Showing posts with label Jo-Ella Sarich. Show all posts

Sunday, March 17, 2019

INNOCENCE

by Jo-Ella Sarich


Credit: Jorge Silva/Reuters via Aljazeera


You were
the bawdy older sister; we thought we were
coquettish, the fish
on the end of the hook. Your tears
were a map traced upon the backs of doors; the other land
of someone else’s pain. I count the seagulls
carving new wounds across my eyelids -
30; 40; 49; someone said ‘terrorist’,
and our world shifted
just that fraction like a coin flipped. Now this mirror,
now this dress that
makes my thighs look like the Port Hills
at dusk and you hold me,
for just a moment and say,
I know what it means
to bleed inside. Some say
Aoraki’s feet are awash in his tears; some say
tears are just the ties that bind us. Men are
shouting in loud voices while our parents
are in bed; in summer we shook, now
we stand still. You call me, the one
who taught me how to count
with both hands and I try and
imagine how you feel
in Orlando right now, holding a lock
of my baby hair and praying,
Is nothing ever sacred?


Jo-Ella Sarich is a lawyer, writer, and mother to two young girls living in Pito-one, Aotearoa New Zealand. Her poems have appeared in a number of print and online publications, including New Statesman, The Lake, Cleaver Magazine, Barzakh Magazine, Quarterday Review, Shoreline of Infinity, takahē magazine, Shot Glass Journal, the New Zealand Poetry Society’s Anthology for 2017 and the Poetry New Zealand Yearbook 2017.

Thursday, April 06, 2017

TRITINA FOR SYRIA'S CHILDREN

by Jo-Ella Sarich


A man carries the body of a child, after what rescue workers described as a suspected gas attack in the town of Khan Sheikhun. Photograph: Ammar Abdullah/Reuters via The Guardian, April 5, 2017


My daughters’ faces, quivering beneath Heavy
Water, their lips pucker and slide breath
from the inception of the word to the final release of the air.

And I all at once catch a flicker of them in the air,
their lungs grown bone-heavy.
I seize breath, before my own breath

is pressed, mouth-to-mouth to force breath
to form the word in them, air
becomes mercury in the glass and the heavy

air between us too much like one breath or word-clouds across our heavy sky.


Jo-Ella Sarich has practised as a lawyer for a number of years, recently returning to poetry after a long hiatus. Her poems have appeared or are forthcoming in Quarterday Review, Cleaver Magazine, Blackmail Press, Barzakh Magazine, Poets Reading the News, The Galway Review, Anti-Heroin Chic, takahē magazine and the Poetry New Zealand Yearbook 2017@jsarich_writer

Tuesday, January 24, 2017

POEM FOR THE POETS OF MYANMAR

by Jo-Ella Sarich


Myo Yan Naung Thein "spent six months in prison last year after posting a satirical poem to Facebook deemed insulting to the then president Thein Sein. Two of the lines read: 'I have a tattoo of the president’s face on my penis / My wife is disgusted.'" —“Free speech curtailed in Aung San Suu Ky’s Myanmar as prosecutions soar,” The Guardian, January 8, 2017


That time you
lay, wine-numbed, upon the bench
cling-wrapped like luncheon meat, and branded
yourself ‘Slut’ in another language
(accidentally, you didn’t discover until that
night out in Roppongi)

When you ran outside and cried
into the sun. And
That friend had
her twin’s names tattooed
on her wrist, and tattooed
Angel wings around
the name of the one
who first learned to Fly.

When That razor
was like a river in your hand
when you dug deep so they would see,
that being is just a hair’s breadth. When you carve
Freedom, and it’s just a word written in another language, just
thousands of tiny pin pricks that span the world. Like
light seen from space, if you see his back it’s
golden with his scars. I want to

Run

my fingers along them with the lightest touch,
connect them like humanitarian corridors. Because you can’t
lose those scars. But That leopard
could change its spots just by dreaming it can Fly, so

turn the page quietly, and I’ll write you a poem
in a place where no-one will ever read it.


Jo-Ella Sarich lives in Petone, New Zealand beside the beautiful Wellington harbour. She has worked as a lawyer for a number of years, and has a husband and two small girls. She has recently started writing again in her spare time. Her poetry has appeared in Tuck Magazine and The Galway Review, and will be appearing in the upcoming Poetry New Zealand Yearbook 2017.