OWNERSHIP

by W. Luther Jett

Three people were arrested by Florida Highway Patrol Sunday evening at the Pulse nightclub memorial site, after witnesses say they again attempted to chalk the nearby crosswalk in rainbow colors that were recently removed by the Florida Department of Transportation.—Central Florida Public Media, August 31, 2025. Photo by Nicole Darden Creston/Central Florida Public Media: Early Sunday afternoon, a sign reading "Defacing sidewalk prohibited" stands next to an area of sidewalk chalked with the phrase "You can't erase us." Florida Highway Patrol cars are seen in the parking lot across the street behind the building.

There was chalk

on the sidewalk and they—

the owners of the sidewalk

erased it.

                    Then it rained

while the sun shone—

We all saw the rainbow

before they put up walls

to hide it,

                    But you see

no-one really owned that sidewalk—

no more than anyone could own

the sky where the rainbow 

shimmered.

                    And if anyone

ever tells you they have touched

a rainbow—they are not

being truthful.

                    But I have held

chalk in my hand, chalk

all colors of—well, you know

how chalk dust rubs off—

how it gets

                    all over everything.

W. Luther Jett is a native of Montgomery County, Maryland and a retired special educator. His poetry has been published in numerous journals as well as several anthologies. He is the author of six poetry chapbooks. His full-length collection “Flying to America” was published by Broadstone Books in 2024, while his most recent chapbook “The Colour War” was released by Kelsay Books in 2024.

INNOCENCE

by Jo-Ella Sarich

Credit: Jorge Silva/Reuters via Aljazeera

You were
the bawdy older sister; we thought we were
coquettish, the fish
on the end of the hook. Your tears
were a map traced upon the backs of doors; the other land
of someone else’s pain. I count the seagulls
carving new wounds across my eyelids -
30; 40; 49; someone said ‘terrorist’,
and our world shifted
just that fraction like a coin flipped. Now this mirror,
now this dress that
makes my thighs look like the Port Hills
at dusk and you hold me,
for just a moment and say,
I know what it means
to bleed inside. Some say
Aoraki’s feet are awash in his tears; some say
tears are just the ties that bind us. Men are
shouting in loud voices while our parents
are in bed; in summer we shook, now
we stand still. You call me, the one
who taught me how to count
with both hands and I try and
imagine how you feel
in Orlando right now, holding a lock
of my baby hair and praying,
Is nothing ever sacred?

Jo-Ella Sarich is a lawyer, writer, and mother to two young girls living in Pito-one, Aotearoa New Zealand. Her poems have appeared in a number of print and online publications, including New Statesman, The Lake, Cleaver Magazine, Barzakh Magazine, Quarterday Review, Shoreline of Infinity, takahē magazine, Shot Glass Journal, the New Zealand Poetry Society’s Anthology for 2017 and the Poetry New Zealand Yearbook 2017.

CALLING THE ROLL

by Pamela L. Sumners

'Black lives don't matter,' lawyer says after jury awards $4 in police killing. —CNN, June 1, 2018. According to Lawyer John M. Phillips, Greg Hill “opened and closed his garage door deescalating the situation. Police shot through his closed garage door.” —CBS, June 1, 2018. Photo at the gofundme designed to provide for Greg Hill’s children.

Let me be the curator on the day
In the long hot summer
When all hell breaks loose.
Someone needs to be in charge.

Ferguson!  Hands up or I’ll shoot.
Don’t think I won’t do it, either.
Charleston!  Stop crying.
You put that thing down right now
Or I’ll give you something to cry about.

San Bernardino, you’re in time out.
Go to your mat.  Baton Rouge!
Redstick—go get me your switch.
Orlando, I told you you’d get burned
If you touched that.  I told you
A burned child dreads the fire.

All of you!  Back up.  Get down.
Show of hands.  Show me your hands.
Keep everything where I can see it.
Dallas—Dallas, now what did I tell you
About parade routes and snipers?

Pay attention.  Listen.  Settle down,
All of you.  Use your indoor voice
But use your words.  You have to
Use your words.  Meantime, what
We need—are you listening to me?
is a little
order
here . . .

Pamela L. Sumners is a civil rights and constitutional lawyer who writes poems. She lives in St. Louis with her wife, teenage kid, several dogs, and unwanted mice.

EVEN AS WE SLEEP

by Zara Raab

Disaster: the charred shell of Grenfell Tower a month after a fire in the building claimed 80 lives Getty Images via The Standard, July 27, 2017

To keep tenants warm
or impress rich neighbors,
builders wrap a London tower
in sheets of shiny tin,
and post notices that warn:
“Stay inside in case of fire,
and close your doors.”

Whisked up twenty floors
fire came this hour from outside in,
for the London tower is higher
(twenty stories to the roof)
than the fire man’s tallest ladder,
and the cladding, no proof
against Armageddon.


*

Pakistani residents carry an injured man after twin blasts at a market in Parachinar. Photograph: STR/AFP/Getty Images —The Guardian, June 23, 2017

Every river, its sault.
Where you gather on market
days, or pray in temple pew,
you couldn’t be the target
of doom, but come, still, to bombs
like all unwelcome fate, hidden,
one of many, lit back-to-back

in towns like Parachinar; a photo
of ruined streets will show
just what can happen,
you’ll see, just watch the news.
So too in Baluchistan--
the crucible of guns--in Orlando,
Cincinnati or Syracuse.

*

The damaged USS Fitzgerald sits in dry dock in Yokosuka Photograph: Spc. 1st Class Leonard Adams/AP via The Guardian, July 22, 2017

Once an old oak held a platform
in its gnarly arms
where we children played.
With gumption, we added a wall
or two with our kit of tools,
but spiders soon swarmed by the dozen
to spin, and drove us away.

What comes even as we sleep?
On auto pilot, one big ship
rams another, midnight. As men
sleep in their bunks, the sea pours in,
flooding the sealed rooms where,
un-waking, un-watchful, they’ll be, later,
when we count the drowned.

Zara Raab's books are Fracas & Asylum, Swimming the Eel, Rumpelstiltskin, or What’s in a Name? and The Book of Gretel, narrative poems of Northern California. Her work, including reviews and essays, as well as poems, has appeared in Mezzo Cammin, Verse Daily, River Styx, Arts & Letters, Crab Orchard Review, Raven Chronicles, and The Dark Horse. She lives in western Massachusetts.