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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label sleeping. Show all posts
Showing posts with label sleeping. Show all posts

Saturday, January 30, 2021

SATURDAY AFTERNOON AFTER THE INAUGURATION

by Penelope Scambly Schott




Two boys racing bikes in tight circles
in the school parking lot.
The neighbor directly across the street
stepping into his shop.
My husband out in the yard mucking
with who-knows-what.
The dog fast asleep on the couch,
nose under one front foot.
Biden at his desk in the Oval Office
busily mending the past.
As if all our lives were now as simple
as what’s-for-dinner?


Penelope Scambly Schott is a past recipient of the Oregon Book Award for Poetry. Her newest book is On Dufur Hill, poems about the cycle of the year in a small wheat-growing town.

Tuesday, May 19, 2020

IF

by Jasmine Kitses


Photo by RYAN REMIORZ/THE CANADIAN PRESS via The Globe and Mail (Canada)


If taking a nap means
                                    weeping
if the whole sky
            lets go of its corners
if you feel empty
        for no reason
full
                                for no reason—


if we could
let ourselves
be riveted
to this          
very moment


Jasmine Kitses is a poet from San Francisco.

Thursday, July 27, 2017

EVEN AS WE SLEEP

by Zara Raab



Disaster: the charred shell of Grenfell Tower a month after a fire in the building claimed 80 lives Getty Images via The Standard, July 27, 2017

To keep tenants warm
or impress rich neighbors,
builders wrap a London tower
in sheets of shiny tin,
and post notices that warn:
“Stay inside in case of fire,
and close your doors.”

Whisked up twenty floors
fire came this hour from outside in,
for the London tower is higher
(twenty stories to the roof)
than the fire man’s tallest ladder,
and the cladding, no proof
against Armageddon.


*

Pakistani residents carry an injured man after twin blasts at a market in Parachinar. Photograph: STR/AFP/Getty Images —The Guardian, June 23, 2017

Every river, its sault.
Where you gather on market
days, or pray in temple pew,
you couldn’t be the target
of doom, but come, still, to bombs
like all unwelcome fate, hidden,
one of many, lit back-to-back

in towns like Parachinar; a photo
of ruined streets will show
just what can happen,
you’ll see, just watch the news.
So too in Baluchistan--
the crucible of guns--in Orlando,
Cincinnati or Syracuse.

*


The damaged USS Fitzgerald sits in dry dock in Yokosuka Photograph: Spc. 1st Class Leonard Adams/AP via The Guardian, July 22, 2017

Once an old oak held a platform
in its gnarly arms
where we children played.
With gumption, we added a wall
or two with our kit of tools,
but spiders soon swarmed by the dozen
to spin, and drove us away.

What comes even as we sleep?
On auto pilot, one big ship
rams another, midnight. As men
sleep in their bunks, the sea pours in,
flooding the sealed rooms where,
un-waking, un-watchful, they’ll be, later,
when we count the drowned.


Zara Raab's books are Fracas & Asylum, Swimming the Eel, Rumpelstiltskin, or What’s in a Name? and The Book of Gretel, narrative poems of Northern California. Her work, including reviews and essays, as well as poems, has appeared in Mezzo Cammin, Verse Daily, River Styx, Arts & Letters, Crab Orchard Review, Raven Chronicles, and The Dark Horse. She lives in western Massachusetts.

Saturday, November 07, 2015

RADICALIZED

Editor's Note: We are pleased to repost this poem, originally published in TheNewVerse.News on Sunday, March 8, 2015. It is one of our 2015 Pushcart Prize nominees.

RADICALIZED
by Elizabeth McMunn-Tetangco



Image source: RCOG Globeal Network International Women’s Day Page



The main thing was, she
listened. A
cliché.

So we told her
everything: how we cared

how we couldn’t
stand

watching all the news, how sad we felt.

She said we’re right. We told her
more: little

slips like pretty dolls
with long loose hair

laid on their backs –

here: the teacher
who won’t look
at us

my mother’s glass of brandy
every night,
her soft red cheeks.

She said the answer and it was
the one we wanted.

On the big plane
looking down
at the dark world we held

our coats wrapped tight
as love

around our ribs. The future waited like a bear,
still asleep.


Elizabeth McMunn-Tetangco lives in California's Central Valley, where she works as a librarian. Her poems have appeared in Word Riot, Hobart, decomP, The Tule Review, and Right Hand Pointing, among others.

Sunday, March 08, 2015

RADICALIZED

by Elizabeth McMunn-Tetangco



Image source: RCOG Globeal Network International Women’s Day Page



The main thing was, she
listened. A
cliché.

So we told her
everything: how we cared

how we couldn’t
stand

watching all the news, how sad we felt.

She said we’re right. We told her
more: little

slips like pretty dolls
with long loose hair

laid on their backs –

here: the teacher
who won’t look
at us

my mother’s glass of brandy
every night,
her soft red cheeks.

She said the answer and it was
the one we wanted.

On the big plane
looking down
at the dark world we held

our coats wrapped tight
as love

around our ribs. The future waited like a bear,
still asleep.


Elizabeth McMunn-Tetangco lives in California's Central Valley, where she works as a librarian. Her poems have appeared in Word Riot, Hobart, decomP, The Tule Review, and Right Hand Pointing, among others.