by J. D. Mackenzie
The holy church does not believe
inanimate objects like buildings
have souls, but I know you do—
I saw into yours
I recall a summer term
fixated on gargoyles,
drinking in the art
and St. Julien
on Bastille Day
Wood on the inside,
stone on the outside
centuries of incense smoke
spilled wax and wine
This of all weeks
hours after Palm Sunday,
the Easter sermon
already written
Fire takes us
when nothing else can,
not even time
J. D. Mackenzie is an Oregon-based poet with an unnatural dependence on topics found in the news, including international and progressive news outlets.
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
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Showing posts with label Palm Sunday. Show all posts
Showing posts with label Palm Sunday. Show all posts
Wednesday, April 17, 2019
AU REVOIR, SAINTE EGLISE
Labels:
#TheNewVerseNews,
Bastille Day,
Easter,
fire,
J.D. Mackenzie,
Notre-Dame,
Palm Sunday,
poetry,
St. Julien,
time,
wax,
wine
WATCHING THE BURNING OF NOTRE-DAME CATHEDRAL ON MSNBC WORLD NEWS
by Alan Catlin
The day after
Palm Sunday
in Paris is now
Black Monday.
The flames
oddly beautiful
at night
like fire fight
mad minute
tracer rounds
in the jungle
or the rockets
Wilfred Owen
was transfixed by
in the trenches
of a no man’s land
during World War 1.
The Nazis were
supposed to burn
the city as they left
but disobeyed
high command
orders.
When asked
Is Paris Burning?
There was no
answer.
Paris is burning now.
Alan Catlin has published dozens of chapbooks and full-length books, most recently the chapbook Three Farmers on the Way to a Dance (Presa Press), a series of ekphrastic poems responding to the work of German photographer August Sander who did portraits of Germans before, during, and after both World Wars.
The day after
Palm Sunday
in Paris is now
Black Monday.
The flames
oddly beautiful
at night
like fire fight
mad minute
tracer rounds
in the jungle
or the rockets
Wilfred Owen
was transfixed by
in the trenches
of a no man’s land
during World War 1.
The Nazis were
supposed to burn
the city as they left
but disobeyed
high command
orders.
When asked
Is Paris Burning?
There was no
answer.
Paris is burning now.
Alan Catlin has published dozens of chapbooks and full-length books, most recently the chapbook Three Farmers on the Way to a Dance (Presa Press), a series of ekphrastic poems responding to the work of German photographer August Sander who did portraits of Germans before, during, and after both World Wars.
Labels:
#TheNewVerseNews,
Alan Catlin,
Black Monday,
Nazis,
Notre-Dame,
Palm Sunday,
Paris burning,
poetry,
rockets,
Wilfred Owen
Sunday, March 24, 2013
PALM SUNDAY AT RABIEH, MOUNT LEBANON
by Antony Johae
This early April the sun’s suddenly hot
good for summer suits, light dresses
and children’s spangled frocks.
Church bells jangle invitation to enter
into AC away from open heat and glare.
Candles are carried in procession
olive branches in lieu of palm.
This boy holds a sprig of rosemary, scented for Sunday.
This woman struggles with her wet baby,
she’s breaking out in tears.
Some come in out-worn dresses
pre-nuptial, before male seed misshaped them into mothers
their men baldish, bellies loose-belted.
But here’s a well-formed girl chaste as Mary, Beatrice-beautiful
coming in as the Lord’s Prayer is said:
“ . . . lead us not into temptation, but deliver us from evil . . .”
This man’s tripped on the west door steps
chagrined that he’s grazed a knee.
That woman’s bra-strap is showing. Does she know it?
These girls’ skirts are short, leg muscles winter-white.
This old woman’s hair is dyed black – and that man’s moustache
camouflage for untold years.
Those dark-skinned maids are looking on as strangers,
some too young to have traveled – they don’t look troubled.
Outside, power pylons stretch up tapering like spires
and thick cables overhang a church of stone
– modern wit enough to make the Lord laugh.
Or is perhaps the joke inverse?
Human circumstance absurd.
Antony Johae lives in Lebanon and is a freelance writer. The poem is taken from a collection in progress: Lines on Lebanon. His work has appeared previously in The New Verse News.
This early April the sun’s suddenly hot
good for summer suits, light dresses
and children’s spangled frocks.
Church bells jangle invitation to enter
into AC away from open heat and glare.
Candles are carried in procession
olive branches in lieu of palm.
This boy holds a sprig of rosemary, scented for Sunday.
This woman struggles with her wet baby,
she’s breaking out in tears.
Some come in out-worn dresses
pre-nuptial, before male seed misshaped them into mothers
their men baldish, bellies loose-belted.
But here’s a well-formed girl chaste as Mary, Beatrice-beautiful
coming in as the Lord’s Prayer is said:
“ . . . lead us not into temptation, but deliver us from evil . . .”
This man’s tripped on the west door steps
chagrined that he’s grazed a knee.
That woman’s bra-strap is showing. Does she know it?
These girls’ skirts are short, leg muscles winter-white.
This old woman’s hair is dyed black – and that man’s moustache
camouflage for untold years.
Those dark-skinned maids are looking on as strangers,
some too young to have traveled – they don’t look troubled.
Outside, power pylons stretch up tapering like spires
and thick cables overhang a church of stone
– modern wit enough to make the Lord laugh.
Or is perhaps the joke inverse?
Human circumstance absurd.
Antony Johae lives in Lebanon and is a freelance writer. The poem is taken from a collection in progress: Lines on Lebanon. His work has appeared previously in The New Verse News.
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