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Showing posts with label Pripyat. Show all posts
Showing posts with label Pripyat. Show all posts

Monday, January 31, 2022

NUCLEAR WASTE

by Charles Rammelkamp


Ukraine has initiated a defensive strategy for the Chernobyl Exclusion Zone, one of the most radioactive places on Earth, which lies on the shortest path between Russia and Ukraine’s capital, Kyiv. Photo: A Ukrainian border guard on a joint patrol with the Ukrainian police inside the Chernobyl Exclusion Zone. —The New York Times, January 22, 2022


“It doesn’t matter if it’s contaminated,
or if nobody lives here,” Yuri declared,
responding to the unspoken skepticism 
in the sheen of the reporter’s dark eyes.
“It’s our territory, our country,
and we have to defend it.”
Shouldering his Kalashnikov, Yuri patrolled 
the snowy fields of the Chernobyl zone;
winter in northern Ukraine.

“I remember reading about the Soviets
parading the children on May Day 
through the swirl of radioactive dust
right after the accident 
to try to make us—and the world—believe 
nothing serious had happened.
Thank goodness I wasn’t alive then.

“Pripyat’s a ghost town now;
used to be the biggest city in the area.
You can still see the old Soviet propaganda –
a sign extolling the virtues of nuclear energy.
‘Let the atom be a worker, not a soldier.’”

Hunching his shoulders, as if to toss away his anger,
shifting the rifle, Yuri went on:
“Now we don’t know 
what will kill us first,
the virus, radiation, or Putin’s bombs.”
 

Charles Rammelkamp is Prose Editor for BrickHouse Books in Baltimore, where he lives with his wife Abby. He contributes a monthly book review to North of Oxford and is a frequent reviewer for The Lake, London Grip, Misfit Magazine, and The Compulsive Reader. A poetry chapbook, Mortal Coil, was published in 2021 by Clare Songbirds Publishing and another, Sparring Partners, by Moonstone Press. A full-length collection, The Field of Happiness, will be published in 2022 by Kelsay Books.

Thursday, May 05, 2016

EXCLUSION ZONE

by Joan Mazza



Evolutionary biologist Timothy Mousseau and his colleagues have published 90 studies that prove beyond all doubt the deleterious genetic and developmental effects on wildlife of exposure to radiation from both the Chernobyl and Fukushima nuclear disasters, writes Linda Pentz Gunter. But all that peer-reviewed science has done little to dampen the 'official' perception of Chernobyl's silent forests as a thriving nature reserve. —The Ecologist, April 25, 2016


Thirty years after Chernobyl’s accident
spilled radiation equal to twenty Hiroshimas,
wolves, roe deer, boar, bison, and moose thrive
between abandoned apartment buildings and once-
tended fields and gardens. Animals too contaminated
to eat. Appearing to be normal, they meander
within what is left of Pripyat. Tourists travel
to photograph the haunting beauty of decaying
buildings, trees flowering in spring, ignore long-term
threats of gamma particles that enter their bodies—
silent with their sinister destruction. This zone
is an unintentional wildlife sanctuary,

while Fukushima fallout spreads eastward
across the Pacific Ocean toward the west coast
of the Americas. Southern California seaweed
holds five times the normal radiation. What this
means for other foods, for long-term human
health, we don’t yet know. The ocean maps show
the field widening, contaminating fish, plankton,
and mammals, dumping tsunami debris on islands
along the way. Another natural experiment.
Perhaps another surprise nature reserve. We wait
to see what it brings, which of the fittest survives.
No one will be excluded from this test.


Joan Mazza has worked as a medical microbiologist, psychotherapist, seminar leader, and has been a Pushcart Prize and Best of the Net nominee. Author of six self-help psychology books, including Dreaming Your Real Self (Penguin/Putnam), her poetry has appeared in Rattle, Kestrel, The MacGuffin, Mezzo Cammin, Buddhist Poetry Review, and The Nation. She ran away from the hurricanes of South Florida to be surprised by the earthquakes and tornadoes of rural central Virginia, where she writes poetry and does fabric and paper art.