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Showing posts with label Richard Meyer. Show all posts
Showing posts with label Richard Meyer. Show all posts

Monday, February 28, 2022

DOOMED

by Richard Meyer


a sandwich board pessimist proclaims the apocalypse


the blighted land, a globe on fire,                     
the sludgy oceans rising higher,
the sky an ashen winding sheet

no place to run, nowhere to hide,
a species bent on suicide,
extinction on a dead-end street

maybe a plague, or flood, or war
or greedy scoundrels gulping more
on a planet wrecked, made obsolete

or tumbling toward us through the void
a stone and iron asteroid
the size of old Minoan Crete

no matter what the fatal blow,            
from up above or down below
no refuge in our self-deceit

it’s doom and doom and doom from here
the die is cast, the end is near,
a final reckoning complete


Richard Meyer, recipient of the 2012 Robert Frost Farm Prize, lives in Mankato, MN. His book of poetry Orbital Paths was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Thursday, December 17, 2020

BEETHOVEN

by Richard Meyer

  
For Beethoven’s 250th birthday: “5 Minutes That Will Make You Love Beethoven—Listen to the best of the stormy, tender work of the composer who changed music” at The New York Times, December 17, 2020. GIF by Angie Wang for The New York Times.


A lot of dash, a lot of flash.
     Sublime. Serene. Bold and brash.
          The maestro with the biggest splash.


Richard Meyer’s poems have appeared in various publications, including Able Muse, The Raintown Review, Think, Measure, Light, TheNewVerse.News, Alabama Literary Review, and The Evansville Review. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems, Orbital Paths was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Monday, November 23, 2020

TIME'S UP

by Richard Meyer
Follow the online bot that tweets the elapsed amount of the T***p presidency in 0.1% increments .


Deranged, incompetent, irate,
the loser won’t admit he lost.
Refusing to accept his fate,
he’ll lie and cheat at any cost
and even wreck the ship of state
while claiming he’s been double-crossed.

But he’s defeated, shamed, undone.
The unrelenting countdown clock
keeps dropping digits one by one.
He cannot stop the tick and tock.
He’s out of time. His end has come,
a failure there’s no hiding from.

He’s squeezed inside an hourglass,                 
dissipating grain by grain.
The dwindling moments come and pass,                    
and nothing of him will remain.
His legacy and final brand
will be a little mound of sand.


Richard Meyer’s poems have appeared in various publications, including Able Muse, The Raintown Review, Think, Measure, Light, TheNewVerse.News, Alabama Literary Review, and The Evansville Review. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems, Orbital Paths, was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Sunday, April 26, 2020

THE TRIED-AND-TRUE

by Richard Meyer




’Tis magic, magic that hath ravished me.
            — from Doctor Faustus by Christopher Marlowe


Place your faith on the tried-and-true,
the wisdom that our forebears knew.
It worked for them in times before.

Nail a horseshoe to your door,
paint the lintel and the jamb
with blood of slaughtered goat or lamb.

Salt the threshold twice a day                      
to keep the pestilence at bay.
Hang up a cross and pentagram.                  

Burn sage and myrrh to cleanse the air,
light a candle, say a prayer.
Use magic to protect yourself.

Put amulets on every shelf:                                    
a hamsa hand, a Wiccan moon,
the Eye of Horus, Viking rune,

a witch’s knot, a scarab stone,
a totem turtle carved from bone.
Don’t trust in science coming through                                

to save the day and rescue you.
Keep superstition by your side.
The paranormal will provide.


Richard Meyer, a former English and humanities teacher, lives in Mankato, MN. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems, Orbital Paths, was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Monday, April 06, 2020

AUGURY




Richard Meyer, a former English and humanities teacher, lives in Mankato, MN. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems, Orbital Paths, was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Wednesday, April 18, 2018

LESSONS OF THE OSTRACODS

by Richard Meyer

The male ostracod Cypideis salebrosa, his genitals shaded in the photograph. (Maria João Fernandes Martins)


By studying dozens of fossilized ostracods, [researchers] have found that species where males . . .  have larger penises—disappear far more quickly. They say that it’s not size that matters, but what you do with it; what ostracods do with it is go extinct. —The Atlantic, 11 April 2018


Attention homo sapiens—
the men, that is, the average ones,
the less endowed below the belt—
that insufficiency you’ve felt
is but a myth—you’re now set free
by studies in biology.

Among the creatures in the sea,
the species known as ostracods
whose males possessed prodigious rods
became extinct while others thrived.

No longer lacking, flawed, deprived,
with evolution on your side,
embrace your normal tools with pride
and know in life, to their chagrin,
the biggest pricks don’t always win.


Richard Meyer’s poems have appeared in various publications, including Able Muse, The Raintown Review, Think, Measure, Light, TheNewVerse.News, Alabama Literary Review, and The Evansville Review. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems, Orbital Paths, was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Thursday, April 27, 2017

THE GREAT DENIERS

by Richard Meyer


Thirty prominent climate scientists sent a letter to Environmental Protection Agency Administrator Scott Pruitt on Monday, refuting his recent false statement that carbon dioxide is not a primary driver of climate change. —Inside Climate News, March 13, 2017. Image source: DonkeyHotey.


Their mental houses have a leaky roof
and cracked foundations built on shaky ground.
They squat inside, benighted and aloof,
imagining the Earth is safe and sound.                                

For them a fact is nothing but a spoof
devised by eggheads in a lab somewhere.
They blindly scoff at scientific proof
that points to threatened water, land, and air.

They sit in darkness, make-believe what’s true,
and bar the door so reason can’t get through.


Richard Meyer, a former English and humanities teacher, lives in the home his father built in Mankato, a city at the bend of the Minnesota River. His poems have appeared in various publications, including Able Muse, The Raintown Review, Think, Measure, Alabama Literary Review, Light, and The Evansville Review. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems Orbital Paths was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

Thursday, January 17, 2013

APOLOGIA PRO VITA SUA

by Richard Meyer

on Christian Ward plagiarizing a poem by Helen Mort

Image source: Brainstuck.com


"The poet Christian Ward has said that he had "no intention of deliberately plagiarising" the work of another writer after it was discovered that his prize-winning entry to a poetry competition was lifted "almost word-for-word" from a poem by Helen Mort." --The Guardian, January 14, 2013


It little profits that an idle king poet
Should say: “That is not what I meant at all.”
I am a part of all that I have met read
Now recollected in tranquility.
Tho’ much is taken, much abides, and though to take.
To strive, to seek, to find, and not to yield.
I am the silence in a snowy field.
The lady doth protest too much, methinks.
Look on my works, ye mighty, and despair.
Tread softly, because you tread on my dreams.
When I am dead, I hope it may be said:

"His sins were scarlet, but his books thefts were read."


Richard Meyer, a former English and humanities teacher, lives in the home his father built in Mankato, a city at the bend of the Minnesota River. His poems have appeared or are forthcoming in various print and online publications, including Able Muse, 14 Magazine, Per Contra, The Flea, Measure, and The Evansville Review. His poem “Fieldstone” was selected as the winner of the 2012 Frost Farm Prize.