8647

by Mark Danowsky

 

 

sorry no

martyrdom

let the devil

bury himself

stay vigilant

only real victors

write history

let him be

a footnote

fool's gold

let him burn

for sins

gone down

the worst

known loser

all will say

he lost

no mercy

capital punishment?

erasure

a name stripped

from collective memory

 

Mark Danowsky is the Founder and Editor-in-Chief of ONE ART: a journal of poetry, Poetry Craft Essays Editor for Cleaver Magazine, and curator of Stay Curious on Substack. His latest poetry collection is Take Care (Moon Tide Press).  

JANUARY COUP

by Mark Danowsky

J.D. Crowe | jdcrowe@al.com

Vulgar 45, self-chosen wunder-king Insists he can take a life with a 45 Fifth Ave, broad daylight No one stops him Ha, as if he would stop himself Hang any henchmen Who defy a single wicked whim He begs you call him a joker A clown, a magician He calls himself master Of misdirection, of monopoly A game, he jests That one about life Behemoth of rage & spite Batter truth with lies Until truth cowers in a corner Smirk of feckless beast Mirror, mirror, what of this hair Send a few minions Storm the Capitol Torch the word of fair Suit of Big Mac & Diet Coke Asks only the McPoem be gilded 45 laughs & laughs Knowing a loss will be refused As only a loser can lose False god of the not unforsaken majority False demon elite who preys on the powerless He who claims to love what he loathes He who cannot sanitize what he is He who lets disease run rampant To disenfranchise those already wronged He who barks orders at the grotesque To carry out the obscene He who breaks the back of a thousand innocents To grease his palms in 18 holes Let us hope, yes, let us hope Some few brainwashed undrink the Kool-Aid There is no time like the present to accept Our past is full of atrocity And yes we can choose a new path Back towards democracy

Mark Danowsky is Editor-in-Chief of ONE ART: a journal of poetry, Senior Editor for Schuylkill Valley Journal, Poetry Craft Essays Editor for Cleaver Magazine, and a Regular Contributor for Versification. He is author of the poetry collection As Falls Trees (NightBallet Press) and JAWN forthcoming from Moonstone Press.

TIME'S UP

by Richard Meyer

Follow the online bot that tweets the elapsed amount of the T***p presidency in 0.1% increments .

Deranged, incompetent, irate,

the loser won’t admit he lost.

Refusing to accept his fate,

he’ll lie and cheat at any cost

and even wreck the ship of state

while claiming he’s been double-crossed.

But he’s defeated, shamed, undone.

The unrelenting countdown clock

keeps dropping digits one by one.

He cannot stop the tick and tock.

He’s out of time. His end has come,

a failure there’s no hiding from.

He’s squeezed inside an hourglass,                 

dissipating grain by grain.

The dwindling moments come and pass,                    

and nothing of him will remain.

His legacy and final brand

will be a little mound of sand.

Richard Meyer’s poems have appeared in various publications, including Able Muse, The Raintown Review, Think, Measure, Light, TheNewVerse.News, Alabama Literary Review, and The Evansville Review. He was awarded the 2012 Robert Frost Farm Prize for his poem “Fieldstone” and was the recipient of the 2014 String Poet Prize for his poem “The Autumn Way.” A book of his collected poems, Orbital Paths, was a silver medalist winner in the 2016 IBPA Benjamin Franklin Awards.

APERTURE

by Erin Murphy

Embed from Getty Images

November 2020  

 

The cloud bank is a mountain— 

no, a continent—in the gun metal                               

 

sky and beneath it a cavalry  

of trees, mostly oak, limbs rhyming  

 

in Vs. Look closer to see the anarchy  

of leaves—some refusing                                

 

to surrender even after three nights  

of frost. What will it take? 

 

Remember the film in which  

the boys were cloned from evil DNA. 

 

Remember half your neighbors 

voted for—and from—hate. 

 

Who has won? Who has lost? 

Zoom in to the tip of a twig  

 

where a caterpillar—backlit  

by sunlight—stakes its claim,  

 

chrysalis of history spooled tight  

as a movie plot. Inside: maybe  

 

a monarch. Maybe a tiger 

moth. 

Erin Murphy’s eighth book of poems, Human Resources, is forthcoming from Salmon Poetry. Her work has appeared in such journals as The Georgia Review, Field, Southern Humanities Review, Glass, and Women’s Studies Quarterly. She is Professor of English at Penn State Altoona and serves as Poetry Editor of The Summerset Review. 

THE ROLE OF A LIFETIME

Robert West is the author of three chapbooks of poems, including Convalescent (Finishing Line Press, 2011); the co-editor of Succinct: The Broadstone Anthology of Short Poems (Broadstone Books, 2013); and the editor of both volumes of The Complete Poems of A. R. Ammons (W. W. Norton, 2017).

A RUSTED SCREW

by Richard Matta

forgotten will be the steel

grip, the battering the head 

and threads took as it 

held fast to secure and preserve

as best it could under relentless 

stresses seen and silent

for a rusted screw won’t 

leave in peace—

it bleeds and stains without

regard, it’s red head strips

leaving stubborn shaft, requires 

special tools to drill it out

and that’s all we’ll remember

Richard Matta grew up in New York, attended the University of Notre Dame, and is now living in San Diego, California. His work is found in San Diego Poetry Annual, Dewdrop, Little Old Ladies (humor), and Healing Muse.

GUZZLING DOWN THE BLUES

a post-election ghazal
by Joe Pacheco

I wake up each morning but can’t turn on the news,
My coffee’s cold and bitter with the Sore Loser Blues.

Start to write a poem, but I can’t find my muse,
She’s run away and left me with just Sore Loser Blues.

Called up Liberty Travel for a one-way Canada cruise,
They told me they’re booked solid with the Sore Loser Blues.

I’m keeping my Clinton sign, in case we didn’t lose,
But don’t know where to hide it with these Sore Loser Blues.

Maybe I’ll jump into the mainstream and drown my liberal views,
It’ll be easier to swim the narrows with the Sore Loser Blues.

The President-elect is desperate, no Dems left to abuse,
He’s willing to twitter anyone with the Sore Loser Blues.

Our nation’s divided, Pacheco, pick a side to choose,
It’s either freeloading Red states or the Sore Loser Blues.

Joseph Pacheco is a retired New York City superintendent  living on Sanibel Island. His  poetry has been featured several times on National Public Radio’s Morning Edition, Latino USA and WGCU. He has performed his poetry with David Amram’s jazz quartet at the Bowery Poets Café and Cornelia Street Café in New York City. He writes a poetry column for the Sanibel Islander and his poetry has appeared in English and Spanish in the News-Press. In 2008 he received the Literary Artist of the  Year award from Alliance for the Arts. He has published three books of poetry, The First of the Nuyoricans/Sailing to  Sanibel, Alligator in the Sky and, Sanibel Joe’s Songbook.

CARLY'S POLITICAL ACHIEVEMENTS

by Richard Hacken

Image by DonkeyHotey

Ms. Carly Fiorina once ran Hewlett-Packard,
Reaping pay package privileges stock-option lacquered.
Critics say she ran HP straight down to the bottom,
And the Board sent her packing four months after autumn.

With executive branch as next target for Carly,
Sure, she lost the primary, but proved herself snarly.
So Cruz tabbed her for VP and heaped her with praise,
And at that announcement she fell off the stage.

After Carly’s VP gig in utero aborted,
A new world record for her was reported:
She had set a new standard of debacle perfection
By losing two times in the selfsame election.

Richard Hacken, an ultraviolet Soul politically trapped in an infrared State, has never been in Hackensack.  A librarian and poet, he has translated the poetry of Galsan Tschinag, a Mongolian poet who writes in German.

REFLECTING THE WORLD

by Richard Schnap

When he learned that
To lose was to
Be spit upon
He wore a Superman outfit

And when he discovered that
Hate was becoming
More fashionable than love
He wore a swastika armband

And when he found that
The future was looking
More like the past
He wore a watch that ran backwards

And when he saw that
To be different was
The worst of all
He wore a mask made of mirrors

Richard Schnap is a poet, songwriter, and collagist living in Pittsburgh, Pennsylvania. His poems have most recently appeared locally, nationally and overseas in a variety of print and online publications.

THE MAN WHO WANTED IT TOO MUCH

by David Spicer 

        From the age of five the man’s ambition was to be President of the most powerful nation on earth. This desire burned so intensely he acquired a swarthy, handsome demeanor that attracted beautiful women. He chose the loveliest and they worked together to fulfill his dream. He graduated from the top business school and felt that since government was the biggest business, he was uniquely qualified. His successes mounted and his family of five sons thrived. He craved leadership like a man desperate in a desert. He sweated desire and ambition. When he mounted his campaign for President after serving as savior of the Olympics and governor of a small state, the people did not trust him. They called him a liar and a fraud. His party renounced him and then slowly accepted him without passion. His opponent grinned and charmed people, his eloquent intellect a coin that dazzled. One pundit branded the man whose lifelong ambition dangled within reach a clumsy buffoon who wanted it too much. Voters agreed. On election day they chose the stunning intellectual by the slimmest margin, and the handsome businessman flew into the desert and disappeared.

Author of one collection, Everybody Has a Story, four chapbooks, and six unpublished poetry manuscripts, David Spicer has previously published in The New Verse News and also has work in Alcatraz, Nitty Gritty, Aura, Brown God, Hinchas de Poesia, Crack the Spine, Dirtflask, Spudgun, Mad Rush, Used Furniture Review, Fur-Lined Ghettos, Spudgun, Bop Dead City, The American Poetry Review, Ploughshares, Resurgo, and elsewhere.