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Showing posts with label Russia. Show all posts
Showing posts with label Russia. Show all posts

Thursday, August 13, 2026

TABOO

by L. Roger Owens




In the evening of the day that negotiations
over the Strait of Hormuz threaten again to collapse

and Russian missiles kill seventeen souls
in Kyiv—we saw seven bodies still lying there, one

reporter says—the same day a progressive democrat
declares victory in a senate primary in Michigan,

the family of my daughter’s boyfriend joins us
for a game night. We’ve made brownies. They bring cookies,

peanut butter ones. Ice cream chills in the freezer.
The whole gang comes: mother, father, sister and her boyfriend

(who went to high school with my boys), younger cousin,
and the boyfriend himself, it goes without saying.

We sit in a circle in the family room like a shape poem,
our names prosodic when spoken,

the consonance of the v’s and m’s, hard g’s beat--
boxing; two r’s waltz together sweetly.

The game is one in which you prompt your teammates
to guess a word, but there are several you can’t say.

My word is banana, and five more are forbidden me:
fruit, peel, yellow, split, and bread. I make

banana bread whenever a family member returns home,
from college, say, or from a trip away

(something dead citizens of Kyiv will never do again).
“Welcome Home Banana Bread,” we’ve named it

in the family cookbook, and three bananas
are browning in the kitchen now, waiting to be smashed

into pancake batter. My teammates know none of this.
I yearn to say peel yellow fruit, and time runs out.

I alone decline crumbed cookie between my brownie
and ice cream, and while we spoon dessert

into our mouths, no one dares to speak
of the widening fiasco in the Middle East or allude

to human remains strewn among the streets of that great city,
its Golden Gate immortalized by Mussorgsky.

No one says, Thank God the centrist lost.
But you don’t mention these things, of course you don’t,

not when your families are gaming together for the first time—
you don’t. More ice cream, anyone?

 
L. Roger Owens teaches spirituality, ministry, and creative writing at Pittsburgh Theological Seminary. He is an MFA student at Ashland University.

Sunday, April 19, 2026

THE LEAST OF WHAT WE DO

by Pilar Saavedra-Vela

 
Vusala Yusifova and her daughter, Inji, asylum seekers from Azerbaijan, cutting a client’s hair in Monteverde, Costa Rica. 

 
Trump Deported Them. A Costa Rican Mountain Town Took Them In. —The New York Times, April 16, 2026
 
 
Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me. —Matthew 25:31-46
 
 
The cicadas have been silenced
by the chill of the oncoming night
 
On the highway, under a tree,
cardboard  is home  to a warm body
 
The cloud village of Monteverde
welcomes  deported families
 
from Russia and Azerbaijan who sought
asylum in America
 
One Russian witnessed  election cheating
another  man protested in Azerbaijan
 
Imagine being denied American
solidarity, shown instead a boot
 
all the way to  Costa Rican limbo
to find help among  the Quakers
 
Korean war objectors
who settled  a mountain top
 
The poet’s song has been silenced
 by the chill of the oncoming night
 
The tired, poor yearning masses
cradled by the foreigners as their own.


Pilar Saavedra-Vela is a student of poetry, painting, and acting, former editor and translator.  Born in Colombia, she grew up in the US  and now lives in Costa Rica. Pilar's poetry has been published in Passagers and The New Verse News.

Sunday, January 11, 2026

CRYPTOQUIPS

by Steve Hellyard Swartz


My grandfather, tears in his eyes, his false teeth in a glass of water on the table beside him, pounded the arm of his easy chair and screamed, "What does a man have to do to get borscht around here?" What he meant was "Why, when I was six, did I have to hide in a pickle barrel when the Cossacks came looking for Jews to kill?"
My uncle came into my bedroom and caught me dancing like I was on Shindig to the Beatles' “Twist and Shout”. "When you fall in love for the first time, you'll stop listening to garbage like this." What he meant was "Why am I working for the State when I should be a millionaire?"
My mother slapped my face when I read to her from a TV Guide that David McCallum, who played Ilya Kuriyakin on The Man From U.N.C.L.E., was America's new sex symbol. What she meant was, "Why am I not married to a doctor who hates football?"
My creative writing teacher gave my poems a "D" because the assignment was to write from the heart and I write from my knees. What she meant was, "You are not a serious person, and poetry is a deadly serious business."
My girl friend touched my face, looked deeply into my eyes, and said, "When you get tired, you look like Henry Kissinger." What she meant was, "I thought maybe you might be my ticket out of here, but you're actually more fucked up than I am."
My neighbor said that "If you look at every angle of what happened in Minneapolis, you can see that the Antifa girl was trying to ram the ICE guy." What he meant was the same as what I mean: the same thing all of them have ever meant, I have ever meant to them, all our lives long.
"Okay, enough. I give up."



Steve Hellyard Swartz has contributed several poems to The New Verse News over the past many years. Twice-nominated for a Pushcart Prize Poetry, he has served as Poet Laureate of Schenectady county in upstate New York, been a finalist four times in the Eugene O' Neill National Playwrights' Conference, and won a Green Eyeshades Award for Excellence in Broadcasting awarded by the Society of Professional Journalists. His movie Never Leave Nevada which he wrote and directed and in which he co-starred, opened at the US Sundance Film Festival in January of 1990.

Wednesday, December 31, 2025

ZAPORIZHZHIA OBLAST

by James Gage


MOSCOW, Dec 29 (Reuters) - President Vladimir Putin on Monday told his army to press on with a campaign to take full control of the Zaporizhzhia region in southern Ukraine after a Russian commander said Moscow's forces were 15 kilometres (9.3 miles) from its biggest city.


Goodbye 

to the merely discarded 

wrenched from their clutches 

and penchants 

and bright pearl-knit bags.

 

Goodbye

to the voices of 

the ironclad poor 

and the hapless yank,

the misanthrope’s trope 

adrift in the mainstream 

at the salon or the square

where Vicky’s mint cookies

and yesterday’s masts read

The Waters Run Red 

From Putin’s Unprovoked War.

 

These unprovoked lies 

rise up like smoke 

over the grim granite markers

in Kiev or Donetsk,  

over the lit cherry blossoms 

and redneck ears

of the keeper 

in pursuit of the truth

because there is only one truth

that will huddle the masses.

 

So live and let live, the gravekeeper pled

and watched from a distance as the leftovers fled.





James Gage is an anti-war poet and songwriter whose work has been published in dozens of periodicals and literary journals including Main Street Rag, Inkwell, Wordrunner, Sand Hills, New Verse News, Mountain Gazette, Oyster River Pages, and others. His first two books of poems True If Destroyed (2016) and True If Not Destroyed (2025) are available from Finishing Line Press.

Monday, April 07, 2025

JUST ANOTHER DAY IN TRUMPMERICA… IS IT JUST ME?

by Robin Stevens Payes


Art by Adam Bissonnette at Michael Moore Substack


Tired, headachy, lethargic. Is it just me? Perhaps it’s the weather—80 degrees and sunny one day; 50 and foggy the next. The air is close, closing in. Maybe it’s not the weather. The world is closing in. Tariffs, abductions, mass firings. Check your feed. War, threats of war, trading wars. I’m stunned it’s only taken 73 days to destroy US, America the Beautiful. 250 years to build a never-perfect, ever-striving union. Less than a quarter of one to tear it down. Is it just me? Everything looks the same; people keep saying so. I must see for myself. I’m sitting in Panera over a chai tea latte. Frivolous purchase, I know. We are a beautiful hodgepodge of America here: women, men white, black, immigrant, young, old. People smiling and holding open doors for each other. Pleases and thank yous. Chess game in the corner. Regular kaffeeklatsch arguing over who knows what. Friends schmoozing. Babies cooing. Liberation Day. Is it just me? Liberating US from prosperity. Trade wars with friends. Who needs friends? Or lumber, paper, car parts. Semiconductors stranded. Champagne uncorked. Hurray, it’s Liberation Day, who’s rallying? Is it just me?  Domestic pain. Prices rise. Kentucky bourbon for US alone. Chickens no longer laying. Check your feed! Factory cows bellowing in pain for wont of milking. Grain rotting across the fruited plain. What’s a rally in reverse? Markets tumbling. Panicked 401k holders. Is it just me? Temporary, they say. The trumpists trumpet prosperity. Our full faith and credit: In Who We Trust? We have met the gangster and it is US. Oops, roped up the wrong bad guy. Tattoos—you know; they all look alike. All deportations final: no returns. Sorry, not sorry. This is the plan, they keep saying. Breaking news. Breaking US. Check our feed. A blizzard of factless, faceless counterfactuals blowing, billowing, burying US in unreason. Ah, but yes, there are faces. Starring Trump, Musk. Musk, Trump. Bit parts for SecDef, HHS, ICE. IRS, Treasury, because, billionaires. State, misstated. Walk-offs for WWE, monkeys in the GOP. Have you memorized your lines? Get your cues down! NEVER disagree.  Enemies gain. Deus ex machina Putin putting in appearances. Begin bombing. Erdogan saving Syria for Russia. China selling TikTok; keeping the algorithms. Keeping US in its cheap Big Data net. Digitize US. Creators creating AI fear it’s surpassed us. Why would Nero fiddle when AI’s mastered music from every composer ever? Better, cheaper, quicker. They’ve lost control. Just another day in Trumpmerica. We are a beautiful hodgepodge of America here: women, men white, black, immigrant, young, old. US. We the People must not loose our reign. Tired, headachy, lethargic. Rally on! I won’t lose control. Is it just me?


 

Robin Stevens Payes is a time traveler who reasons that time and space are just inconvenient rules that other people decided the world must follow. After decades of trying to fit some notion of “normal” she chose to dive deeper into the offbeat, allowing verse to fill a poetic void. She is author of the YA-time travel adventure book series, Edge of Yesterday. Her poetry has appeared in The New Verse NewsDawn Horizons, East Sea Bards, Maryland Bards Poetry Reviews, and Reflections. She is time traveling to retrieve fragments of her grandmother Sophie’s story in [re]member the world, weaving together poetry, memoir, history and science. She writes about the process of weaving memory into a tapestry on her Substack https://remembertheworld.substack.com/

Tuesday, January 07, 2025

BEAUTY AND THE WOOLY BEAST

by Lisa Seidenberg


Left: Archaeologist Kathleen Martinez believes a marble statue discovered at a temple site portrays the face of Cleopatra. (Image courtesy Egypt Ministry of Tourism and Antiquities via Hyperallergic. Right: Researchers inspect the remains of a baby mammoth found in the Siberian permafrost in Russia's Batagaika crater. (Image by Roman Kutukov / Reuters via NBC News.)


A female wooly mammoth was found
In the frozen reaches of the “mouth of hell”
Nestled in a crater underground

50,000 years since she made a sound
Did she leave with a tale to tell
Nestled in her crater underground?

She was named Yana, a gentle sound
We don’t know if she let out a yell
Stumbled down by chance or forced underground

Cleopatra’s stone head was found uncrowned
Along with coins and other bagatelles
Scattered near her tomb recovered underground

Burial sites are a scientist’s playground
Clues in bones, a grown-up show and tell
Treasures from an ancient lost and found

Might the wooly beast and the Egyptian Queen 
prefer their secrets to remain unseen?
Safe-keeping their private lives 
Locked away from prying eyes



Lisa Seidenberg is a writer and filmmaker who resides in coastal Connecticut. She is a nominee for the 2025 Pushcart Prize. Her recent work has been published in Asymptote Journal, The New Verse News, OneArt: A Journal of Poetry, and Gyroscope Review. She is peer poetry reviewer for Whale Road Review.

Friday, December 06, 2024

GEORGIANS ON MY MIND

by Jacqueline Coleman-Fried



George Balanchine with, Mourka, his cat. Photo by Martha Swope (1964). NYPL Digital Collections, Image ID: 5120841



Police behind riot shields beat protesters facing Europe,

robed in Georgian flags, calling for new elections.

 

     Sometimes Russia moves with planes and tanks.    

     Sometimes it strangles slowly, so no one notices.

 

Cat floats around my home like a ballet dancer

waving her curved plume tail, padding on velvet paws.perfume, 

 

     Sinking on velvet paws, she pliés

     before jumping, leaping.

 

Choreographer Balanchine used to throw his cat

in the air and photograph her on the way down.

 

     Threw his cat in the air to watch her gymnastic grace.

     Taught his dancers to move like that.

 

Taught them, too, the perfume of Russian ballet.

Though his real name, Balanchivadze, was Georgian.

 

 

Jacqueline Coleman-Fried is a poet who lives in Tuckahoe, NY. Her work has appeared in The New Verse News, Nixes Mate Review, Streelight Magazine, Witcraft, and The Orchard Poetry Journal.

Sunday, November 24, 2024

LAND MINES

by Tricia Knoll






The Biden administration has approved supplying Ukraine with American anti-personnel mines to bolster defenses against Russian attacks as Ukrainian front lines in the country’s east have buckled, Defense Secretary Lloyd Austin said on Wednesday. —The New York Times, November 20, 2024


I hear those words and think of Diana

in head gear walking in Angola,

 

facing pitfalls and explosives

as she walked for peace. 

 

I hear those words and remember that rat

Magawa who won a gold medal for sniffing,

 

alerting and the giant Gambian pouch rats

that followed, searching for buried armaments, 

 

whom handlers named Harry Potter and Godiva. Rats

that live nine years, a good training investment. 

 

Battlefields laced with mines to remove legs and end lives,

in places distant from me – Iran, Iraq, Sudan,

 

Syria, Vietnam, Burma, Cambodia, and more

My country never a signatory to the treaty

 

to prohibit them. The cost to make a mine

one hundredth of the cost to remove. 

 

I thought of land mines and never thought

my people would plant them 

 

in fields sowed for sunflowers.  



Tricia Knoll has no great love for rats, having lived with a few, but respects the capabilities of  pouched rats. Her work appears widely in journals and nine publications, either full-length books or chapbooks. She is a Contributing Editor to the online poetry journal Verse Virtual. She is grateful to The New Verse News for allowing her to write feelings that the news of today sparks.

Sunday, January 14, 2024

TWO WIDOWS OF UKRAINE

by Jacqueline Coleman-Fried


 

I live only for the child, Daryna. He’ll never ride his father’s shoulders again. Our wide bed makes me cry. But this is my country. Someone must pick clean the soil sown with bullets, missiles, mines. Find the brainwashed children, the looted paintings and Scythian gold—some older than the Russian empire. I will finish my husband’s war, our war. In that, I may find purpose. In that, I may find purpose.
 
You are foolish, Nadiya. The sky is thick with missiles; our army is thin. And even if the Russians leave, like vampires, their lust will survive. They’ll come back to seize our farms, our ports, our women. We are soldiers’ wives; do you think they’ll shower us with roses? No, my children and I must go. I want to forget cities smashed to pebbles. Winters lit by candles. Men turned to crosses. I want everything new. I want everything new.


Author's Note: Fighting Russian aggression has taken the lives of many, many Ukrainian soldiers and created many war widows—often young women with children, who are devastated. Support groups have sprung up to help them cope. In this poem, I imagined two possible ways of coping: staying in Ukraine to help rebuild it, and leaving Ukraine to start a completely new life somewhere else. I also invented two women, Nadiya and Daryna, to personify the two approaches. 
 
 
Jacqueline Coleman-Fried is a poet living in Tuckahoe, NY. Her work has appeared in The New Verse News, Topical Poetry, Consequence, The Orchards Poetry Journal, Sparks of Calliope, and pacificREVIEW.

Sunday, December 31, 2023

NEW BEGINNING IN ISRAEL

by Lenore Weiss


Menachem Begin (Mark Reinstein/Getty Images)


Menachem Begin was Dodo’s first cousin.
She and my mother were best friends.
Dodo lived on the ground floor.
We lived on the other side of the apartment building.
Sometimes I babysat her dog Cocoa who pooped
on the living room rug before she returned home
from vacationing in Israel where she drank coffee
with her cousin, the same Menachem Begin.

Dodo’s mother was Mrs. Bagoon who lived
under the elevated near Southern Boulevard
and painted her veins purple with Gentian Violet
wearing support stockings that made her feet sweat.
Her brother was Menachem’s son
whose family came from Russia, and as far as I knew,
Israel was a collection basket for the poor and huddled masses
all yearning. Sharon, from third-grade, went to Israel
with her mother every summer to plant a tree
in her father’s memory, and Aunt Clara sent money
through her women’s organization.

I never remember my mother or father
sending money to Israel even though Menachem Begin
was Dodo’s first cousin, but they did send me
to a Zionist sleep-away camp
because that’s where Dodo sent her daughter
who really liked it. My father didn’t talk much
about Israel, at least not in English, or about the family
he’d lost in Hungary, but made it clear
he didn't think Zionism was the same winning ticket
others hoped for, not the same
new beginning for the Jewish people
even though Menachem’s
last name was spelled like that.


Lenore Weiss serves as the Associate Creative Nonfiction (CNF) Editor for the Mud Season Review and lives in Oakland, California with Zebra the Brave and Granola the Shy. Her environmental novel Pulp into Paper is forthcoming from Atmosphere Press as is a new poetry collection, Video Game Pointers from WordTech Communications.

Tuesday, October 17, 2023

UKRAINE (CONTINUED)

by David Radavich


Russia-Ukraine war at a glance: what we know on day 601 of the invasion: Russia testing defences around Kupiansk-Lyman as its Avdiivka offensive wanes, says Ukraine; Moscow admits reliance on China for drones —The Guardian, October 17, 2023


You used to be
on our front pages.

 

Now there are
other wars,
other headlines.

 

Almost a footnote
of human suffering.

 

The bombed-out
churches and schools,
houses and hospitals,
are still rubble,

 

the dead are
still barely buried.

 

We can only stand
so much news:
we have our own issues.

 

Forgive us our 
short attention span,
our time-worn
generosity.

 

We meant well
once.



David Radavich has published a variety of poetry, drama, and essays.  His latest book is Unter der Sonne / Under the Sun: German and English Poems (Deutscher Lyrik Verlag, 2021).

Tuesday, October 10, 2023

RED BLOOD OF HUMANS

by George Salamon


Icarius (Diomedes Wounding Aphrodite When She Tries To Recover The Body Of Aeneas) by Arthur Heinrich Wilhelm Fitger via wikigallery.



"Israeli-Hamas war death toll nears 1,500..." CBS News, October 9, 2023


Red hot blood of old men,
red hot blood of toddlers,
red hot blood of grandmas,
red hot blood of soldiers,
red hot blood of musicians,
we spill you in Israel and we
spill you in Gaza, we spill you
in Ukraine and Russia while
they're counting the corpses
and wait until they reach the
numbers when the world's
institutions urge  an end
to bloodshed  and demand
return to the old status quo.
There's no elixir for bloodlust,
there's no drug to cure madness,
there's no vaccine to calm the
fever of death and destruction.
We never conquered humanity's
cruel face, its heart's hungry
gorge, the human form of its
terror.

We heard answers, but watched
as the messengers died on the
cross, by fire or by bullet, we are
left alone by and to ourselves.
Nothing is more terrifying in a
soul-less and bleeding world.


George Salamon was born in Vienna in 1934, as Communists and Fascists were shooting at each other in low-income housing areas. The Holocaust was a decade later, the Israeli-Arab wars of "annihilation" followed, then the bloody wars in Asia and Africa for wealth and economic "supremacy," and the endless Israeli-Palestinian bloodshed and terror for ownership of the "Holy Land." The carousel is still spinning.

Sunday, August 06, 2023

NORWEGIANS ACCUSED

by Lavinia Kumar



Russian Nature reserve demands NOK 47 million for Norwegian reindeer grazing on its territory—The Barents Observer, July 28, 2023


Such disrespect for interests of another country

it was said—yet not one inch of land stolen.

 

It is true they used up a ration of lichen and shrubs,

but kept mindfully to this vegetarian diet.

 

Such disrespect for land reserved and preserved—

insisting, we know on using four, not just two, hooves.

 

Such arrogance and disrespect for nature!

But they forbore, we’re sure, human murder and rape.

 

Yet degradation of vegetation needs compensation—

for full two months of 40 Norwegian reindeer grazing.

 

Russia’s Ministry of Foreign Affairs expert on invasion

demands $4.6 million for, tsk, tsk, illegal incursion.



Lavinia Kumar’s recent poems appear (or will soon) in Kelsey Review, Schuylkill Valley Journal, MacQueen’s Quinterly, New Jersey Journal of Poetry, Paterson Literary Review, Tiny Seed.  She is an immigrant married to an immigrant, and lives in New Jersey.

Thursday, May 25, 2023

OH, TO BELONG

by Alan Walowitz


Russia has expanded its list of sanctioned Americans in a tit-for-tat retaliation for the latest curbs imposed by the United States. But what is particularly striking is how much President Vladimir V. Putin of Russia is adopting perceived enemies of former President Donald J. Trump as his own. —The New York Times, May 21, 2023

I want to get on that Russia-list.

To be among those who can’t go to Moscow—

would be so Chekhovian, bittersweet

not to see the Cyrillic sights, or trade in  

Gazprom futures, or pass gas in Red Square.

Here in the Times is a list of my peeps, my peers—

the Jews, the odd, the Kleptocrat wannabes, 

the comedians, the gays, the left-wingers, a few right

who despise George Santos, his lies which

make them queasy, though wonder at how easy. 

Some who grew up in Brighton, or 108th in Queens—

and here a Huckabee from Arkansas, 

notorious for lying herself. 

And others, much kinder, smarter—

actors, heiresses, entrepreneurs, free-thinkers

who submit clever Shouts to The New Yorker,

most never to be heard

except for an occasional squint 

through that imperious monocle.

All of us who would have been

red diaper-babes once upon a time

whose mothers never lived to see the day

our names had made the Russia-list 

in The New York Times.



Alan Walowitz is a Contributing Editor at Verse-Virtual, an Online Community Journal of Poetry.  His chapbook Exactly Like Love comes from Osedax Press. The full-length The Story of the Milkman and Other Poems is available from Truth Serum Press. Most recently, from Arroyo Seco Press, is the chapbook In the Muddle of the Night written with poet Betsy Mars. Now available for free download is the collection The Poems of the Air from Red Wolf Editions.