Alan Walowitz is a Contributing Editor at Verse-Virtual, an Online Community Journal of Poetry. His chapbook Exactly Like Love comes from Osedax Press. The Story of the Milkman and Other Poems is available from Truth Serum Press. From Arroyo Seco Press, In the Muddle of the Night, written with poet Betsy Mars. The chapbook The Poems of the Air is from Red Wolf Editions and is free for downloading.
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Tuesday, February 10, 2026
DANCING WITH MR. BUNNY
Monday, February 24, 2025
DARK TIMES
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“CPAC speech transcript aka Stop Me If You’ve Heard This One Before” by Jesse Duquette |
Tuesday, February 06, 2024
RED TEAM VERSUS RED TEAM
Saturday, February 18, 2023
LAST SATURDAY
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Arizona Attorney General Kris Mayes said Maricopa County has the legal authority to temporarily provide water to residents in Rio Verde Foothills. The City of Scottsdale cut off Rio Verde residents from its municipal water supply last month in an effort to conserve resources. Because Rio Verde is located in an unincorporated area, Scottsdale officials have argued that the city's not responsible for providing water service. —12News, February 15, 2023. Photo: A water hauler set up hoses to fill the tank for a home that is listed for sale in Rio Verde Foothills outside of Scottsdale, Ariz. Water prices have tripled for some residents of the unincorporated neighborhood. Credit Erin Schaff, The New York Times, January 16, 2023 |
Broken cloud and pigeons overhead;
a hummingbird inside her nest
at the neighbor’s fence; Valentine’s Day
approaching and the wind
is circling her tongue in the mountain’s ear.
Word crackles
through the neighborhood
with news of police cars at Ranch Circle
and Thirty-ninth Street with tape
as yellow as front yard desert marigolds.
Maybe it was suicide
though some say dementia
but only the moon was watching
the man go into the pond.
are busy preparing for tomorrow’s game
while the odds favor hotter
than usual days in Arizona come July
with a little comfort falling
as monsoon rains, even on the million dollar
homes in Rio Verde,
north of rush hour
traffic, master-planned for golf and scenery,
where life would be perfection
if only one could drink
the swimming pools and bathe
in Chardonnay.
It’s late afternoon
back here on Walatowa; shadows float and soften
on the rocks; the mail van’s late;
starlings mob a suet cake and lost cars
circle the cul-de-sac in endless
search for the meaning
hurrying to find the answer
before the sky runs dry.
David Chorlton grew up in Manchester, England, in a city known for its rainy days. After some years in Vienna, Austria, he came to Phoenix and adjusted to the desert. His newest book Poetry Mountain owes much to the part of the city he lives in now, with a view of a desert mountain to soften the impact of the city.
Sunday, February 12, 2023
SUPER BOWL LVII: A MEDITATION
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| “The NFL Operates Like. Monopoly Which Fortifies Systemic Racism”—Choice, February 9, 2023 |
our annual festival of gladiators. Modern pads
and helmets make a man’s body a lethal spear;
and yes, Roman coliseums also had luxury boxes.
As ever, spectators make book on the combatants
under their aegis, just as owners once wagered
on dark-skinned men compelled to box each other,
hate each other, on hot Sunday afternoons.
Imagine, afterwards: the plantation owner,
rotund, pink-flushed from heat, bourbon, and
bloodlust, making his happy stumbling way
to the barn, where Missy waits, as she must.
He says he won’t sell her if she behaves;
she waits, prays to be good. God must be in
His heaven, he thinks, to have made the process
of creating property so damned pleasurable.
Friday, December 02, 2016
HAMILTON STILL SOLD OUT ON THE GREAT WHITE WAY
"History is happening in Manhattan: Hamilton has set a record for the most money ever made in a single week by a Broadway show."—The New York Times, November 28, 2016.
That autumn a silver-haired man came
to see what was so highly rated.
The dancing, rapping, the black and brown
bodies bodiced and laced to build
a country from the pink soles up.
It wasn’t the livestock show
at the Indiana State Fair
or Peyton winning Super Bowl XLI
for the Colts stolen from Baltimore.
It wasn’t the cars going around
and around the Brickyard, spewing
fumes on Memorial Day.
It wasn’t even poor James Dean lying
beneath a marble slab in Fairmount
in the shadow of his uncle’s pig farm.
And it sure wasn’t talk radio,
Sunday pass the collection plate
church, or after home-school
milk and cookies. Not a goddamn
Oreo in sight.
Of course, the silver-haired man
knew this, only wanted credit
for trying to love the Founding Fathers
before being Secret Serviced out.
Dust rising, dust settling.
What did they think would happen?
It’s theatre. The show goes on.
The hills still alive with the sound
of that new music, the bold story
that must be sung.
A time-told tale that unleashes
rhyming tongues, night
after night, with men and women
who dance joyfully, freely on the graves
of any who might wish to enslave.
Sunday, February 14, 2016
MAKE-BELIEVE QUEEN BEY
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many a gay have played Beyoncé
for a day. a night really. we drag our-
selves on stage, reach for revenge in
that paper—those ones & fives we tuck
under the seams. tuck, like everything else
between our thighs. down in the bayou,
I wove a weave into my own fair hair,
glued fierceness to my lashes, layered
my face w/ base after a close shave—
that green shimmering beneath my eyes.
how i filled nude hose with rice, tied two
knots for c cups so the boys could cop
a more natural feel—as if they would
know the difference. how i cinched my love
handles w/ a duct-tape corset, squeezed
into red sequin hot pants & stomped those
six-inch stilettos down the steps. Bootylicious.
i knew my audience. how they watched me—
bite by bite—down that pb&j on stage. they
weren’t ready for that jelly. you can’t serve
a crowd what they expect. but i’ll never be
the Queen. my body can’t fill those cups.
i’ll never wipe away the base & still carry
color on my face. no natural ’fro to tuck
beneath a black beret, & i’d never fit into
leather hot pants these days. i can’t afford
the golden rounds of ammo to drape over my
flat-chested fantasy of what it must be like.
but I do know that bullets look so much
better outside of a beautiful black body.
Matty Layne is an MFA candidate in Creative Writing & Environment at Iowa State University. His queer 'lil ditties on social justice have appeared in or are forthcoming from TheNewVerse.News, This Week in Poetry & The Furious Gazelle.
Saturday, December 27, 2014
WORK WE'VE FAILED TO DO
In the wings,
trouble greets submission;
guns speak. Murder calls
random numbers.
Mine? Yours?
The guy who commands
Curiosity to find water
on Mars?
He's distracted or
he will be
when the Super Bowl draws
nigh or when Miley
wears little or nothing but
the gunman is not
distracted. Like an actor,
he loves his role so much
we can't keep him
in the wings.
For more than fifty years, Barry Koplen has been writing poetry and prose. Often published by friendly journals too arcane to mention, he received his MFA from Queens University in Charlotte, NC. Recently, he completed the second half of a two-volume collection of poems and essays. The first, Whale of Grief, complements Wail of Joy, the second; both are related to impressions of life as a Jew in a non-Jewish world. His No Gold Stars





