BEATRICE'S TURN

by Michelle DeRose

Beatrice (a Portrait of Jane Morris) by Dante Gabriel Rossetti (1828-1882)

If poets are the unacknowledged 

legislators of our world, then may

their list come out as a sonnet,

an epic, an elegy for their lost

childhoods. They have more cause

than Dante to assign names

to descending rings. Only in dreams

and nightmares have sinners paid,

limbs frozen in impotent angles

like bent wisps of straw, forced

to face forever through lids locked

on open how their flesh partook in fraud.

Michelle DeRose lives and writes in Grand Rapids, Michigan. She is Professor Emerita of English at Aquinas College, where she sometimes used her specialty in epic poetry in her teaching. Every new nation/kingdom/regime established in an epic is built upon or requires the destruction of another.

HUMAN

by Darrell Petska

Photograph and sculpture by Yuichi Ikehata

I’m part American, part Czech, part
Israeli and Kenyan, part Russian, Swedish,
Palestinian, part northern hemisphere
and southern, part all things spawned
from stardust in the roiling sea of space,

so why does my body war with itself,
one eye peering left, the other right, one ear
denying what the other one hears, each leg
opposing the other’s direction while my hands
hammer and claw each other till they bleed?

One by one, I pare away my warring parts,
yet the battles rage on. Soon, of all I was,
only my two-sided heart shall remain.
Already, each side argues a different allegiance—
surely one will stop beating just to spite the other,

and there I’ll lie, at last a heap of bones some
beast shall drag into its lair as lesson to its offspring
of what transpires when a body’s many parts
fail to live in harmony. More fortunate stolid
stone and knobbly bark than unruly human flesh.

Darrell Petska, a Wisconsin poet, is one part of a large and loving family.

ACCOUNTABILITY

by Michaela Mayer

See also yesterday’s New York Times report: “The Civilian Casualty Files.”

if you slip through the thin curtain between 

this world and another, you will see him:

Ahmadi lifting jugs of clean water to the lips

of children gulping thirstily in the Afghan

heat. not standard procedure, but then,

these things are allowed those blown to bits

by American payload. or so I like to imagine.

the real Ahmadi is red mist and sharp shards

of bone on the tarmac in Kabul, and the children

too. all we get of them are a few dark pixels

on our news sites. meanwhile, the men

whose game condemned them lean back,

hands behind heads, and acquit themselves:

a righteous strike. pay the families a few 

dollars for their grief. slaps on the back,

handshakes. America, our carnivorous country, 

feeds on remains—flesh hanging from

its ghastly mouth, and us behind our screens,

gaping at scraps wedged in its teeth—our minds

slipping back and forth between the two worlds.

Michaela Mayer (she/her) is a 26-year-old elementary school teacher and poet from Virginia. Her works have been previously published in Feral, Barren Magazine, Perhappened, Claw & Blossom, and others. She has forthcoming poems with Olit, Monstering Mag, MAYDAY, and The Lickety~Split, and can be found on Twitter@mswannmayer5.

VISIBLE THREAT

by Mark Ward

U.S. national-security officials have ordered a Chinese company to sell gay-dating app Grindr, citing the risk that the personal data it collects could be exploited by Beijing to blackmail individuals with security clearances, according to people familiar with the situation. —Wall Street Journal, March 27, 2019. Graphic credit: Hong Kong Free Press.

Because faggotry is still a cold war
causing hard glares and opportunism,

whereas heterosexuals can happily keyswop;
their loins are tinder looking for a match.

So their marriage breaks up, so what?
Rather that than exploitation, nothing

to be ashamed of, unlike the down low
romeos exposing torsos, headless homos

send a message: the unveiling is a risk,
each cropped angle is complicit.

We cannot trust a man
whose flesh is pliable

to not be ruled
by its kneading.


Mark Ward is the author of Circumference (Finishing Line Press, 2018). His work has appeared in The Irish Times, Poetry Ireland Review, Cordite, Assaracus, Softblow, and many more. He is the founding editor of Impossible Archetype, an international journal of LGBTQ+ poetry. He is currently working on his first full-length collection, Nightlight.

BY ANY STANDARD

by Kenneth Salzmann

The Confederate flag represents Southern culture, Anna Robb said. In an interview with the News-Leader on Monday, she said the flag represents faith, family and freedom — not slavery, racism or white supremacy. On Thursday, the News-Leader was alerted by readers that Robb’s husband Nathan, co-owner of the store, once tried to adopt a highway in Arkansas on behalf of the Ku Klux Klan, and that Nathan Robb’s father is Thomas Robb, the national director of the KKK. (Photo: Valerie Mosley/News-Leader) —Springfield News-Leader, June 26, 2015

Far be it from me to rag on
the beloved flag that yet waves
not (as some say) to celebrate
the keeping of slaves but (as you
assure me) to pay all due tribute
to your valorous ancestors
who waged brave war against
the relentless arc of history even as
they carved your glorious home
land out of stubborn red
clay and soft lacerated flesh.

All praise be to those
who came before you bearing
whips and shackles ax handles
at the doors of shabby
roadside restaurants christly
crosses fierce fires
of redemption and the proud
blood that even now
flows freely in your veins.


Kenneth Salzmann is a writer and poet whose work has appeared in numerous newspapers, magazines, literary journals and anthologies, including The New Verse News, Rattle, Comstock Review, Child of My Child: Poems and Stories for Grandparents (Gelles-Cole Literary Enterprises), Beloved on the Earth: 150 Poems of Grief and Gratitude (Holy Cow! Press), Riverine: An Anthology of Hudson Valley Writers (Codhill Press), The Heart of All That Is: Reflections on Home (Holy Cow! Press).