DONALD TRUMP’S BIRTHDAY PARADE AS IF CELEBRATED IN GAZA

by Roberta Batorsky

U.S. Army photo by Bernardo Fuller • Public domain

In orderly formation 

the parade’s vanguard 

advances:

a scrawny teen carries 

a flag depicting an empty bowl,

leads a battalion of stiffly marching, 

starved children.

The main detachment 

follows. These children, 

missing various limbs, 

some aided by crutches or 

in wheelchairs sport head bandages,

slings, plaster casts or eye patches,

proceed down the fairway 

in wobbly, uneven rows.

The rear guard, made up of

several pint-sized caskets,

is solemnly wheeled 

past the reviewing station,

its tail end brought up 

by a lone small girl

soulfully bugling “Taps.”

These casualties-

heart-rending results

of senseless war;

We must break ranks 

with our generals,

blend into their procession,

embrace fully their humanity;

no other way.

Day is done

Gone the sun

Thanks and praise

For our days

As we go

This we know

God is nigh

Roberta Batorsky is a Biology teacher, poet and freelance science writer. She has published poems in Fine-lines and Heron Clan and is working on her first poetry book. Her science blog is https://solipsistssoiree.blogspot.com and her instagram is RobertaBatorsky_poetry.

MYANMAR MILITARY IN PURSUIT OF POETS

by Phyllis Klein

including two excerpts of incriminating lines

Poetry remains alive in Myanmar, where unconventional weapons are being used to fight a military that has killed more than 800 people since it staged a coup on Feb. 1 and ousted an elected government. For some democracy activists, their politics cannot be separated from their poetry. Sensing the power of carefully chosen words, the generals have imprisoned more than 30 poets since the putsch, according to the National Poets’ Union. At least four have been killed, all from the township of Monywa, which is nestled in the hot plains of central Myanmar and has emerged as a center of fierce resistance to the coup. Photo: Ko Chan Thar Swe, who had left the Buddhist monkhood to write poetry, was killed in March. —The New York Times, May 28, 2021

They shoot down hands filled with artilleries

of verse, beat up feet filing into lines

of protest. They shoot at heads

but they do not know that revolution 

lives in the heart. In darkness, in daylight,

minds and hearts bulleted, to make them 

stop. But no silence. Poetry sharpens its quills, 

aims arrows into its targets. They began to burn 

the poets when the smoke of burned books could

no longer choke the lungs heavy with dissent. 

Now their smoke is everywhere as poets are doused

and matched. And still they write. Scratch words 

into cell walls with rocks, or with metal on plastic— 

bitter-cold vinyl ballads. Or memorized signposts

of the mind, indelible. Troubadours of protest 

in waves of heat. In monsoons on horizons. 

On every street in the world. Pursued by silver-ribboned 

militias climbing up a tyrannical ladder. Nibs filled 

with poison-to-the-wicked-ink. Fingerprints cupping my

face, your face, walls of alarms clanging 

against silence, revolutions of clocks’ hands.

Phyllis Klein’s work has appeared in numerous journals and anthologies. She is a finalist in the Sweet Poetry Contest, 2017, the Carolyn Forche Humanitarian Poetry Contest, 2019, and the Fischer Prize, 2019. She was nominated for a Pushcart prize in 2018 and again in 2020. She has a new book, The Full Moon Herald, from Grayson Books that just won honorable mention for poetry from the Eric Hoffer Book Award, 2021. Living in the San Francisco Bay Area for over 30 years, she sees writing as artistic dialogue between author and readers—an intimate relationship-building process that fosters healing on many levels.

GYRATIONS ON THE NATION-STATE: A MOVEMENT IN STRINGS

by Diane Raptosh


 

Any man who stands

                  near a place the U.S. bombs

                                    is straight off

                                                      Enemy Combatant :

                                                                        One might call this

                                                                                          standing while war.

                                    Still I have yet to speak

                                                       of this in any classroom, yet to speak

                                                                        of nature recently freshened

to Brand: Wilderness™

                  as new world currency;

                                    I’ve yet to point

                                                      to the system

                                                                        of criminal justice

                                                                                          as so many schemas

                                    evolving in tandem;

                                              yet to point

                                                          to higher ed as host

to new mall cities,

                  not to mention

                                    the privatization

                                                      of all that used to be part

                                                                        of the Commons :

                                                                                          schools, public works

                                    parks, fire

                                                      departments  :   soon enough

                                                                        the postal and ambulance service,

Medicare / Medicaid.

                  The making public

                                    of the formerly private :  the orderly

                                                      outsource of chi

                                                                        to handheld devices,

                                                                                          the offshore of memory

                                    to the machine—

                                                      the shower, last bastion of solitude.

                                                                        They don’t have ears

and yet spiders

                  will shake

                                    their strings, reframing

                                                                        vibrations other

                                                                                          arachnids feel

                                                                                                            when leaves

                                                      they’re standing

                                                                           on quiver.  Whatever :

                                                                                         Thoughts glide in

on rhythmic pulses,

                  nothing like

                                    linear-sequence flows

                                                                        we’ve been taught

                                                                                           to instill   drill in   construct

                                                                                                            and there’s something

                                                      mugged about all

                                                                        the states’ answers—somehow

                                                                                          violence-airbrushed,

thesis statements sticking

                  to their guns.

                                    To take in scenes

                                                                        like stands

                                                                                    of weeping birch trees

                                                                                                      asks for a wholeness-synthesis-

                                                         simultaneity, so here

                                                                          I’ll smuggle in

                                                                                          a smithied image:

 pinnate leaves—

                  ridged like vaginal walls

                                      to fetch the attention

                                                                        of winds. Still listening?

                                                                                          I’m a little down

                                                                                                            about every system

                                                         of ranking, down on

                                                                        the quantification

                                                                                          of no end of thing     ~~    quick

name the quotient

                  of a cubed human squeeze  ~~

                                    down about

                                                                        the billionaires’ balls-out-incursion

                                                                                    into food/earth. Water/air.

                                                                                                      Furrowed vaginas. Against that

                                                      junta of generals

                                                                        hunched in power’s tower

                                                                                          graphing the next class war/

world war what-have-you.

                     And while I’m on a roll,

                                    might I gently suggest

                                                      the conscious uncoupling

                                                                                          of market from self? Of big-league

                                                                                          fake from the real?

                                                      This is to say that if over all

                                                                        I seem at a hard bloodboil

                                                                                                      against most scenes like state

-by-state financial cleansing, or floored

                        by the foreground status

                                    of the mock-up self—the world-scale

                                                                        rape of hallowed, heaving truth;

                                                                                          the statutory frack

                                                                                                            of commonplace terms

                                                like entitlement,

                                                                        political correctness   liberal bias;

                                                                                          states’ rights   law and order

sexual preference;

                      Shariah Law   illegal alien

                                     and food stamps  ~~ as if welfare

                                                        meant actual transfer

                                                                        of wealth to minorities. It’s mostly due

                                                                                          to the ways reigning narcissists

                                                      vivisect language

                                                                        to more or less moon you.

                                                                                          This sort of act’s

moral errancy actually lifts them,

                  how the Fed early

                                    this month huddled in

                                                                        to hoick up its rates.

                                                                                          Which brings us

                                                                                                            to the housing crisis,

                                                      the files of rank poverties

                                                                        birthed by nation-state’s neglect,

                                                                                          the Reichwing crew busy

blading their hands in a bid

                  to remake Magnate Nation more openly

                                    vampire-wan. I think

                                                                        I was saying that if I seem

                                                                                          not entirely myself

                                                                                                            you’ll have to forgive.

                                                      I’m pretty sure

                                                                        my sole choice now

                                                                                      is to become an expat

                  of the exterior.

                                    Step into here.

Diane Raptosh’s fourth book of poetry American Amnesiac (Etruscan Press) was longlisted for the 2013 National Book Award and was a finalist for the Housatonic Book Award. The recipient of three fellowships in literature from the Idaho Commission on the Arts, she served as the Boise Poet Laureate (2013) as well as the Idaho Writer-in-Residence (2013-2016), the highest literary honor in the state. Her poems have appeared in numerous literary journals and anthologies in the U.S. and Canada. A highly active ambassador for poetry, she has given poetry workshops everywhere from riverbanks to maximum security prisons. She teaches creative writing and runs the program in Criminal Justice/Prison Studies at The College of Idaho. Her most recent collection of poems Human Directional was released by Etruscan Press in Fall 2016.