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Showing posts with label taps. Show all posts
Showing posts with label taps. Show all posts

Monday, June 30, 2025

DONALD TRUMP’S BIRTHDAY PARADE AS IF CELEBRATED IN GAZA

by Roberta Batorsky


U.S. Army photo by Bernardo Fuller • Public domain


In orderly formation 
the parade’s vanguard 
advances:
a scrawny teen carries 
a flag depicting an empty bowl,
leads a battalion of stiffly marching, 
starved children.

The main detachment 
follows. These children, 
missing various limbs, 
some aided by crutches or 
in wheelchairs sport head bandages,
slings, plaster casts or eye patches,
proceed down the fairway 
in wobbly, uneven rows.

The rear guard, made up of
several pint-sized caskets,
is solemnly wheeled 
past the reviewing station,
its tail end brought up 
by a lone small girl
soulfully bugling “Taps.”

These casualties-
heart-rending results
of senseless war;
We must break ranks 
with our generals,
blend into their procession,
embrace fully their humanity;
no other way.

Gone the sun
Thanks and praise
For our days
As we go
This we know
God is nigh




Roberta Batorsky is a Biology teacher, poet and freelance science writer. She has published poems in Fine-lines and Heron Clan and is working on her first poetry book. Her science blog is https://solipsistssoiree.blogspot.com and her instagram is RobertaBatorsky_poetry.

Friday, June 13, 2025

TROMPE-L’OEIL

by Suzanne Morris




Whenever I look at the
portrait of him 50 years ago

peering out from beneath
the smart billed cap

of his U.S. Army
dress uniform,

his eyes seem fixed on
grim reality:

he was drafted just before
his 25th birthday

during a war that he
already suspected

we should not be fighting,

and the casualties were
mounting at an alarming rate.

What a relief when he was made
a levee clerk in the Medical Corps,

posted at Fort Lewis, Washington.

Yet... sending others into action
while remaining safely behind

left its own set of scars.

Long after the war was over,
he suffered nightmares

of being under fire in Viet Nam.

I would lay beside him in the dark,
transfixed as he described

in terrifying detail

the first-hand experience of
a combat veteran.

This year I watched the
Memorial Day Concert on PBS,

with patriotic music and
stories of valor—

a resounding tribute to all who had died

defending American ideals
over the last 250 years.

By the time the show closed
with a haunting rendition of Taps

I was clutching his picture
against my heart,

knowing how grim
his face would be

had he lived long enough to see
the abdication of those ideals

by a President afflicted with
gilded bone spurs,

and thinking ahead to the
taxpayer-financed military parade

scheduled in Washington, D.C.
on June 14th,

a faux tribute to the U.S. Army that is

sure to make Trump’s pal Vladimir
red-faced with envy.

Anyone who dares to crash Trump’s
45-million-dollar birthday party

will be met with great force

as in the case of the protests
against his immigration raids in L.A.,

drafting U.S. troops
to engage in a war

they should not be fighting.


Suzanne Morris is a novelist with eight published works, and a poet. Her poems have appeared in online journals including The New Verse News and Texas Poetry Assignment, and anthologies including The Senior Class - 100 Poets on Aging (Lamar University Literary Press, 2024). A native Houstonian, she has resided in Cherokee County, Texas, since 2008. 

Tuesday, August 03, 2021

TOSSING DICE IN FLORIDA

by Mickey J. Corrigan


"Florida Hurdles" — Claytoonz by Clay Jones


You flip a seven and—
the day hatches bright, shiny
new penny in the white sand
bronze bodies washing off 
emptiness at the azure shore.

Morning brings no escape
from one's and two's
wild gaze, rocky wonders
a better hand today
to grasp straws with claws.

The afternoon overheats
hard scowls over face cards
erasing your winnings
double-crossing the house.

Happy hour obliterates 
all of tomorrow's concerns:
another wave of cool luck
or a fast ride under glass
flashing lights ablaze.

Night sounds simmer down
squelched by humid air 
the eerie cries of coyotes
nosing barrels of scraps
soaked in fresh blood.

The unknown lingers:
that you awaken again
to another day of play
fate on your side… 
or you're forced to fold
beating, beating
like bones on a drum—
taps, not reveille.


Originally from Boston, Mickey J. Corrigan writes tropical noir with a dark humor. Her poetry has been widely published in literary journals and chapbooks. In 2020, Grandma Moses Press released Florida Man. Her novel The Physics of Grief puts the fun back in funerals while taking a serious look at the process of mourning (QuoScript, UK, 2021).