TROMPE-L’OEIL

by Suzanne Morris

Whenever I look at the

portrait of him 50 years ago

peering out from beneath

the smart billed cap

of his U.S. Army

dress uniform,

his eyes seem fixed on

grim reality:

he was drafted just before

his 25th birthday

during a war that he

already suspected

we should not be fighting,

and the casualties were

mounting at an alarming rate.

What a relief when he was made

a levee clerk in the Medical Corps,

posted at Fort Lewis, Washington.

Yet... sending others into action

while remaining safely behind

left its own set of scars.

Long after the war was over,

he suffered nightmares

of being under fire in Viet Nam.

I would lay beside him in the dark,

transfixed as he described

in terrifying detail

the first-hand experience of

a combat veteran.

This year I watched the

Memorial Day Concert on PBS,

with patriotic music and

stories of valor—

a resounding tribute to all who had died

defending American ideals

over the last 250 years.

By the time the show closed

with a haunting rendition of Taps

I was clutching his picture

against my heart,

knowing how grim

his face would be

had he lived long enough to see

the abdication of those ideals

by a President afflicted with

gilded bone spurs,

and thinking ahead to the

taxpayer-financed military parade

scheduled in Washington, D.C.

on June 14th,

a faux tribute to the U.S. Army that is

sure to make Trump’s pal Vladimir

red-faced with envy.

Anyone who dares to crash Trump’s

45-million-dollar birthday party

will be met with great force

as in the case of the protests

against his immigration raids in L.A.,

drafting U.S. troops

to engage in a war

they should not be fighting.

Suzanne Morris is a novelist with eight published works, and a poet. Her poems have appeared in online journals including The New Verse News and Texas Poetry Assignment, and anthologies including The Senior Class - 100 Poets on Aging (Lamar University Literary Press, 2024). A native Houstonian, she has resided in Cherokee County, Texas, since 2008. 

SHAPED LIKE A FISH

by Bonnie Naradzay

Earlier this year, scientists discovered that there is about as much microplastics in the brain as a whole plastic spoon. The paper, published in Nature Medicine in February, revealed that the amount of microplastics—tiny plastic particles smaller than 5 millimeters—in the human brain appears to be increasing: Concentrations rose by about 50% between 2016 and 2024. —Fortune, May 20, 2025

Reading about how NASA astronauts

grew edible zinnias while orbiting 

above us in space, I think of ways

we've chosen to live on this earth. 

 

Red lilies and oleander were the first 

flowering plants to thrive in Hiroshima’s 

charred remains.  In the rubble, gamma 

rays made the blooms even brighter.

 

Fields of sunflowers, grown in Chernobyl, 

change the radioactive dirt effectively, 

scientists say. Meanwhile, Agent Orange 

is everywhere in the soil in Viet Nam.

 

Flowers that have grown mutations, 

though near Fukushima, may be 

a mistake. Could that happen anyway?

On islands in the Tasman Sea, birds 

 

mistake ocean plastics for food to feed

their chicks, and dead birds were found

having ingested single-use soy sauce 

plastic bottles, shaped like a fish.  

 

When you mistake the song of a bird
for the death rattle of another species, 

It’s already over.  The world is filled

with microplastics, like our brains.

Source: Heliograf

Bonnie Naradzay’s manuscript will be published this year by Slant Books.  For years, she has led weekly poetry sessions at homeless shelters and a retirement community.  Poems, three of which have been nominated for Pushcarts, have appeared in AGNI, New Letters, RHINO, Tampa Review, EPOCH, Dappled Things, and other places. While at Harvard she was in Robert Lowell’s class on “The King James Bible as English Literature.” In 2010 she was awarded the University of New Orleans Poetry Prize – a month’s stay in Northern Italy – in the South Tyrol castle of Ezra Pound’s daughter Mary.  There, Bonnie had tea with Mary, hiked the Dolomites, and read drafts of Pound’s translations. 

THE BOOMERS' BURDENS

by Tricia Knoll

BBC Panorama has released footage of an apparent incendiary bombing of a playground in Aleppo, northern Syria, with 15-year-old Ahmed (pictured) among those injured. --The Independent (UK), Aug. 30, 2013.

We sang we ain’t gonna study war no more
     no more, no more, no more
     no one really believed it

we boomers
     the children of sixteen million who came home
         after the nuking of Hiroshima, Nagasaki
     children of ones who liked Ike
     we cowered under desks, in pencil dust,
        from atomic bombs
     everyone said wars were cold
     we couldn’t watch the war in Korea over dinner
       some people forgot
    
no one said World War II was the war to end all wars
     there’s no believing that in death camps
     there’s no hiding the snow and dust
     of camps in Tule Lake

Viet Nam: our lovers talked about Canada
    we sang, we marched, we swore
    war was no longer cold, just secret
    the agents were orange
    we heard death counts
    veterans came home, stooped
       to pick up pieces

We have been there
      green rocket traceries on the night sky
      friendly fire, civilian casualties
      surgical intervention minus surgeons
     Operation Desert Storm    Panama    Libya
     Afghanistan   Iraq   Somalia
     Syria

we declared wars
   on poverty    hunger     terror
   in the name of enduring freedom

I stand here today tempted to lay my burdens
down -- but there’s no safe place for rusted freedoms.
         Our children are hungry.
         They cannot afford higher education.
         We are still afraid.


Tricia Knoll is a Portland, Oregon poet whose work has appeared in many journal publications. She is a regular contributor to The New Verse News.