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Showing posts with label shoot. Show all posts
Showing posts with label shoot. Show all posts

Monday, April 29, 2024

THE DEEP STATE MADE ME DO IT

by Steven Kent


"Conservatives condemn Kristi Noem for 'twisted' admission of killing dog" —The Guardian, April 27, 2024



Within the MAGA GOP

It's possible, apparently,

To cross a line. (Who knew? Not me.)

Now Kristi Noem, VP-to-be,

Is suddenly a falling star.


They'll tolerate mere bigotry,

Caucasian male supremacy,

Repealing rights, dishonesty,

Assaults on our democracy,

But shoot your dog? A bridge too far!



Steven Kent is the poetic alter ego of writer and musician Kent Burnside. His work appears in 251, Asses of Parnassus, Light, Lighten Up Online, The New Verse News, Philosophy Now, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, and Snakeskin. His collection I Tried (And Other Poems, Too) was published in 2023 by Kelsay Books.

Thursday, June 03, 2021

MYANMAR MILITARY IN PURSUIT OF POETS

by Phyllis Klein

including two excerpts of incriminating lines


Poetry remains alive in Myanmar, where unconventional weapons are being used to fight a military that has killed more than 800 people since it staged a coup on Feb. 1 and ousted an elected government. For some democracy activists, their politics cannot be separated from their poetry. Sensing the power of carefully chosen words, the generals have imprisoned more than 30 poets since the putsch, according to the National Poets’ Union. At least four have been killed, all from the township of Monywa, which is nestled in the hot plains of central Myanmar and has emerged as a center of fierce resistance to the coup. Photo: Ko Chan Thar Swe, who had left the Buddhist monkhood to write poetry, was killed in March. —The New York Times, May 28, 2021


They shoot down hands filled with artilleries
of verse, beat up feet filing into lines
of protest. They shoot at heads

but they do not know that revolution 
lives in the heart. In darkness, in daylight,
minds and hearts bulleted, to make them 
stop. But no silence. Poetry sharpens its quills, 

aims arrows into its targets. They began to burn 
the poets when the smoke of burned books could
no longer choke the lungs heavy with dissent. 
Now their smoke is everywhere as poets are doused
and matched. And still they write. Scratch words 

into cell walls with rocks, or with metal on plastic— 
bitter-cold vinyl ballads. Or memorized signposts
of the mind, indelible. Troubadours of protest 
in waves of heat. In monsoons on horizons. 

On every street in the world. Pursued by silver-ribboned 
militias climbing up a tyrannical ladder. Nibs filled 
with poison-to-the-wicked-ink. Fingerprints cupping my

face, your face, walls of alarms clanging 
against silence, revolutions of clocks’ hands.


Phyllis Klein’s work has appeared in numerous journals and anthologies. She is a finalist in the Sweet Poetry Contest, 2017, the Carolyn Forche Humanitarian Poetry Contest, 2019, and the Fischer Prize, 2019. She was nominated for a Pushcart prize in 2018 and again in 2020. She has a new book, The Full Moon Herald, from Grayson Books that just won honorable mention for poetry from the Eric Hoffer Book Award, 2021. Living in the San Francisco Bay Area for over 30 years, she sees writing as artistic dialogue between author and readers—an intimate relationship-building process that fosters healing on many levels.

Monday, August 10, 2015

HUNTING SEASON

by Jay Sizemore






Pearly whites. Teeth. Not teeth.
Privilege.
$50,000 to kill a black man.
In the safari grassland of Zimbabwe,
a man with white skin, white teeth, white erectile dysfunction,
draws back his bow. He knows the dark has no soul.
It’s only an animal.
The grass ripples in waves, flashing between shades
of brown and yellow and green.
His arrow strikes true, bowstring vibrato hum,
the familiar inhuman cry.
The rifle to finish the job. A bullet through the heart,
the animal heart.
Careful to get no blood on his khakis.
Poses for photographs with his trophy,
his prized fetish, fresh frothy crimson, foaming
from its mouth. He’ll cut off its head, mount it on his wall,
maybe make its black skin into a rug.
Just another dead thing to stand on.

Blue lights. Blue shirts. Blue eyes.
Privilege.
The lion doesn’t have a license plate.
The lion doesn’t have a license.
Lions shouldn’t be driving, their primal instinct
is to kill, to gnaw marrow from healthy bones.
Question the lion. These things don’t speak English.
The lion will grunt and growl, avoid eye contact,
that dead yellow stare,
that scent of bloody breath.
This is why he carries a handgun.
This is why he’s trained his trigger hand.
The lion has no pride, it’s been drinking gin,
dribbled it down its beautiful black mane.
Old car animal sweat, fight or flight.
It’ll reach for its keys.
Tell the lion to stop.
It’ll reach under the seat.
Don’t think twice.
Shoot the lion in the head.
No one will riot.


Jay Sizemore doesn’t win awards. Founder of Crow Hollow Books, he writes poems and stories and scribbles his name a lot onto electronic pads for material possessions. He listens to Ryan Adams and drinks Four Roses. You can find his work online in places if you go looking, including his chapbook Confessions of a Porn Addict, available on Amazon. His wife puts up with his shit in Nashville, TN.

Sunday, August 02, 2015

ON THE CASE OF CECIL LION VS. POACHER PALMER

by Jen Hinton



Template source: PHOTOS5.com



I donno.
I need a little more information
about this lion first.

What did he do
to make the Poacher shoot him?

Did he look the Poacher in the eye
and roar,
causing him to fear for his life?

After he was shot with a crossbow,
and began bleeding out,

why did he run away?
What did he have to hide?

Perhaps he had some weed
in his system?

And where did he get that fancy mane?
Did he steal it?

My advice to all lions would be this:
Get jobs, start paying taxes;
Take care of your cubs;
Clean up your habitats.

Start showing a little more respect
for authority.

Next time a Poacher approaches you,
remember he might be having a bad day.

He paid 50,000 of his hard-earned money
to shoot you. Stop hassling him.

Stop being a lion.

Try being a lamb.


Jen Hinton is a writer and college administrator living in Chicago, IL. Her previous TheNewVerse.News poem "Something for Harvey" was nominated for a Pushcart Prize.

Friday, September 20, 2013

SHOOT THE BASTARDS DOWN

by Janice Lynch Schuster




They will know us by our guns
The fierce industry of our arms
As we drag our heavy bodies
Loaded and overwrought
Into coffee shops where we never sit
With our backs to the door

We will think they love us
When really, it is fear that keeps them
Frozen at our sides, unable to turn
In any direction.  We can take them out
And never feel a thing.

We will carve our names and terrors
Into wood and steel, the way we once
Left our initials in trees and school desks

We will want someone to know
That we were here, and by damn
When the levee breaks
We will shoot that water down.


Janice Lynch Schuster
is the author of a collection, Saturday at the Gym, and has been published in various print and online venues, including Poet Lore, Your Daily Poem, and The Broadkill Review. She writes about health care and public policy, lives in Annapolis, MD, and works in Washington, DC.