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Showing posts with label labor. Show all posts
Showing posts with label labor. Show all posts

Saturday, March 14, 2026

BREADCRUMBS IN A NATION OF LOAVES

by Jazmine Crandall 
 
 


The economic fallout of the US-Israeli assault and Tehran’s retaliation is spreading fast, and pushing the most vulnerable towards disaster. —The Guardian, March 12, 2026 
 

In the marble halls where voices echo  
like coins dropped into deep, indifferent wells, 
they debate the price of labor 
as though it were a frivolous shadow; 
weightless, distant, theoretical. 

Outside, the morning opens its weary eyes. 

A banker straightens his Hermes tie 
that costs more than a week of someone's rent. 
His salary is quite the dome; 
built stone by stone, pension and bonus, 
arches of security rising 
towards stained-glass futures. 

A manager clocks in, 
midway up the ladder of breathing space. 
Her wages are a narrow bridge—
not golden, not broken,  
but sturdy enough to cross the river of bills 
if the current stays calm. 

And then there is the worker 
whose hands smell of fryer oil and sanitizer, 
whose chapped palms hold the ghosts  
of a thousand barcodes, 
and ears fatigue of a million complaints. 

Their meager wage is a candle in winter. 

Each hour they feed the flame, 
yet the room refuses to grow warm. 

And no one says the quiet truth aloud: 
this fire was never meant to heat the house. 

It was meant to prove endurance. 

So the worker learns the mathematics of survival—
how many hours equal a gallon of milk  
and a carton of eggs, 
how many aching hours on torn soles 
and blistered toes equal rent, 
how many meals must disappear 
so the light bill does not. 


Jazmine Crandall is a Colombian-Cuban poet in Atlanta, Georgia. She's beginning her journey of sharing her poetry and strives to make a difference. Her work explores feminism, inequality, and the struggles of immigrants and the working class, using her writing to advocate for marginalized voices.

Saturday, January 03, 2026

BLOW WINDS BLOW

by Joy Kreves


 

New Jersey had two Jersey Shore towns report wind gusts of 60 mph on Monday night. More windy weather is expected Tuesday. Canva for NJ.com, December 30, 2025

Kick this era out into the cold

tail between its legs, thrash  

it with your breath ‘till it whimpers

 

Blow   blow    blow

clear out all the hangers-on

clinging to the corners

 

Blast like the pig-hunting wolf

but with strong enough huffs

to tumble brick walls

 

Slide your exhale across cold hearts, 

melt them like the wicked witch,

Ice down, down, drown 

 

Blow, bluster, dust off 

old peace signs, bring back butterflies

reignite a summer of love 

 

Roll sushi, tie tamales, shape samosas,

ribbon takeout containers in rainbow twine

Delight in the fruits of people’s labors

 

Then let us awaken to a calm, 

a steady sun that seeps its warmth

into our naked limbs



Sun Geode Rock, sculpture by Joy Kreves



Joy Kreves is a visual artist and poet living in New Jersey. She detests wind and lives with a big, white fluffy dog who everyone assumes loves snow, but he does not. However, he doesn't mind wind, even in large gusts. Kreves wrote this poem on the recent cold, gusty day.

Wednesday, September 17, 2025

WHAT'S IN A NAME?

by Phyllis Frakt


AI-generated graphic by Shutterstock for The New Verse News.


Let’s call them all Department of War.

I love the power in that name.

It shows what America is truly for.

 

At DOJ, HUD, State, or Labor,

offensive goals are all the same.

Let’s call them all Department of War.

 

Power, dominance, mayhem, gore

to injure, disable, cripple, maim.

That’s what each department is for.

 

Commerce, Agriculture, Interior—

old labels are so woke, so lame.

Let’s call them all Department of War.

 

A Nobel for me (if not more)

when they see aggression is my game

and what America is truly for. 

 

Defense was War in the Great Before.

Let’s Make America Great Again!

Call them all Department of War

and show the World what we’re for.



Phyllis Frakt writes poetry in New Jersey. The New Verse News previously published seven of her poems.

Sunday, August 24, 2025

REWRITING THE BORDER

by David Chorlton




It’s doves and thorns and sunsets
all the way into night, and blue mountains
float away at dusk. The border
isn’t what it used to be, no
Spanish is the Lovin’ Tongue or Marty Robbins
riding out of El Paso. Used to be
a line between the cowboy sky
and shops whose colors overflow
to make tourists feel as happy
as they couldn’t be at home. A hawk still hovers
with each wing in a different country
and ravens cross over with ease when they
dip and dive for joy, but there are
no visas for the jaguars
drawn by the scent of survival. Twenty pesos
for a dollar, undocumented sunlight,
new lives for old and corridos
from the radio playing
on an August roof in Phoenix. Taco Tuesday
in El Norte, deportation
on the menu every day. A flag of wind
still flying west of Lukeville, hammer tap
in a mechanic’s workshop, trucks
with hearts of steel between
Brownsville and Tijuana, highway never
sleeping, flan for dessert. A family lost
and a Rufous-capped warbler
in southern Arizona, slow river
leading a line of cheap labor
to the interstate; wasn’t that a time
when water was the passport
for anybody carrying their first home
in their pockets. Cheap labor on the move,
supply and demand, a cupful of rain
for a day digging fields. A trogon
calling from the oaks and sycamores. Summer 
is his time before the sky opens;
fly south, fly north, never fly at all
for fear that dreams
come only in translation.


David Chorlton is a longtime resident of Phoenix who continues to learn what he can from the desert about writing and art as well as the natural world. 

Sunday, May 26, 2024

NEW CALEDONIA NATIVES FIGHT FOR RIGHTS

by Lavinia Kumar


New Caledonia has been under French control since 1853. The indigenous Kanak population, who make up approximately 40% of the territory’s 270,000 residents, has long sought independence from France. The 1998 Nouméa Accord provided a framework for gradual autonomy and promised three referendums on independence. The first two referendums in 2018 and 2020 saw close results against independence, while the third in 2021, heavily boycotted by pro-independence groups due to the COVID-19 pandemic, resulted in an overwhelming vote to remain part of France. The recent violence erupted after the French National Assembly approved a constitutional amendment allowing French citizens who have lived in New Caledonia for at least 10 years to vote in provincial elections. This change is viewed by pro-independence leaders and most Kanaks as a threat to Kanak representation, as it could significantly increase the number of pro-France and non-indigenous voters. —Mirage, May 23, 2024. Photo: Police forces pushed back rioters near a shopping center in Dumbéa Sur Mer, New Caledonia, on Wednesday. Credit: Bruno Favre/EPA, via Shutterstock and The New York Times, May 22, 2024.


3000 BC is when Kanaks made home
in the west Pacific, in Oceana,
          south of Papua New Guinea, 
          north of New Zealand.
 
10,000-miles-away-France, took over
the islands in1853, parked its prisoners,
          destroyed crops of the Kanaks,
          forced labor, and brought disease.
 
1854 marked the discovery of nickel,
began years of foreign mine expansion –
            nearly ten mining sites –
            one selling nickel to car-maker Tesla.
 
A 1998 Accord enscribed island voting rights. 
Then 40,000 more French arrived, and
          today rights undone by Paris law—
          expanded migrant voting, diluting Kanaks.*
 
Today Caledonia’s nickel is third in world.
Today Kanaks have no control over the mines.
Today Paris has sent President, ministers, 3000 troops, police.
Today Kanaks block roads, fight for freedom.


* President Emmanuel Macron says he will not force through a controversial voting reform in the French Pacific territory of New Caledonia following deadly rioting. Speaking on a visit to the main island, Mr Macron said local leaders should engage in dialogue to find an alternative agreement for the archipelago's future. —BBC, May 23, 2024


Lavinia Kumar writes in New Jersey.  Her latest poem is here.

Friday, February 03, 2023

AC-CENT-TCHU-ATE THE POSITIVE

by George Salamon



"After heavy criticism from Gov. Ron DeSantis, the College Board released on Wednesday an official curriculum for its new Advanced Placement course in African American Studies—stripped of much of the subject matter that had angered the governor and other conservatives.” —The New York Times, February 1, 2023


My country 'tis of thee, sweet 
land of hypocrisy, you cannot
make evil look good.
We had our own good try at a
Holocaust of the Indians, Black
slaves were privately owned
properties down home on the
plantation, young immigrant girls
were exploited in sweatshops in
Manhattan's garment district, coal
miners robbed of their meager
wages and their health, and our
bosses and Robber Barons hired
private dicks to beat up those
workers who dared to strike or
protest.
Nine decades ago our president
pushed through laws that brought
relief from capitalism's cruel rule, 
and he was called a traitor to his
class.
That class is back firmer in the
saddle than before, and the publican
politicians want keep our history washed
white of dark stains of blood, 
tears and despair


George Salamon does not think another FDR is waiting in the wings of our political theater, but he wishes one were there.

Tuesday, October 04, 2022

FIRST ROUND, BRAZIL

by Indran Amirthanayagam


The former president, Luiz Inácio Lula da Silva, speaking after election results were announced on Sunday. Mr. da Silva and President Jair Bolsonaro will face each other in a runoff later this month. Photo Credit: Victor Moriyama for The New York Times
Credit...Victor Moriyama for The New York Times


It's a long night with strong emotion,
the whole world is listening to the results,
and after seventy percent counted
Lula finally has a slight advantage.
I am tranquil now, the world quiet. 
It's like the dice game between 
the Pandavas and the Kauravas, 
or between Putin and the allies,
 
or it's just an election. We must 
not let our fears get out. We 
will see tomorrow. Let's go 
to work for the Amazon 
 
rainforest, for humble workers 
who appreciate the labor of 
one of their own. Lula, my 
brother, even though I live 
 
far from Brazil, today and 
always, I join the community 
of the left, of human and animal 
rights, of plant, forest and land 
 
rights. of rights that are going
with you to the Alvorada Palace.

***

É uma longa noite com uma emoção forte,
todo o mundo está escutando os resultados
e depois de setenta por cento contado
Lula tem finalmente uma leve vantagem.
 
Estou tranquilo agora. O mundo 
é tranquilo. É como o jogo de dados 
entre os Pandavas e os Kauravas, 
o entre Putin e os aliados,
 
o é uma simples eleição. Não 
devemos deixar que os medos saiam. 
Veremos amanhã. Vamos 
a trabalhar para a Mata Amazonas, 
 
para os trabalhadores humildes 
que apreciam o labor dum deles, 
Lula, meu irmão. Ainda 
que moro longe da Brasil
 
hoje e sempre me uno 
a comunidade da esquerda, 
dos direitos humanos e animais, 
de direitos de plantas e de floresta, 
 
de direitos da terra, de direitos 
que vão com você ao Palácio da Alvorada.


Indran Amirthanayagam's newest book is Ten Thousand Steps Against the Tyrant (BroadstoneBooks). Recently published is Blue Window (Ventana Azul), translated by Jennifer Rathbun.(Dialogos Books). In 2020, Indran produced a “world" record by publishing three new poetry books written in three languages: The Migrant States (Hanging Loose Press, New York), Sur l'île nostalgique (L’Harmattan, Paris) and Lírica a tiempo (Mesa Redonda, Lima). He writes in English, Spanish, French, Portuguese, Haitian Creole and has twenty poetry books as well as a music album Rankont Dout. He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He won the Paterson Prize and received fellowships from The Foundation for the Contemporary Arts, New York Foundation for the Arts, US/Mexico Fund For Culture, and the MacDowell Colony. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Monday, July 15, 2019

BOXCUTTER BLUES

by Damian Balassone


They put me in these overalls
They put me in these shoes
Yeah, they put me in these overalls
They put me in these shoes
They handed me a Stanley knife
Said, ‘son it’s time to pay yer dues’

Well, the stock is rolling in
And the stock is rolling out
Yeah, the stock is rolling in
And the stock is rolling out
I’m walking like a branded slave
When all I wanna do is twist and shout

Well, mama get me outta here
This ain’t the life I choose
I said mama get me outta here
This ain’t the life I choose
I’m shackled to this factory
Lord, I got the boxcutter blues


Damian Balassone is an Australian poet whose work has appeared in over 100 publications, most notably in The New York Times.  He is the author of three volumes of poetry, including the forthcoming Strange Game in a Strange Land.

Thursday, August 09, 2018

DARWIN AT WORK

by Howard Winn


When watching orangutans in nature documentaries, it is easy to imagine them as graceful rulers of the canopy; to whom climbing and brachiating through the trees is as natural and simple as breathing. This, however, would be an incorrect assumption. Just as toddlers learn to walk from following their parents, and through plenty of trial and error, young orangutans too must learn how to navigate the world around them. As the largest arboreal mammal in the world, orangutans face a steep learning curve when first grasping how to maneuver on their own in the forest. —Borneo Orangutan Survival Foundation, August 1, 2018


If humanity does not change its ways
soon there will be no orangutans
we are told by the latest scientific
findings and the survey of these
strange beasts who seem like the
crazy cousins of homo sapiens
but in a world run by the rules of
business capitalism these sub-human
beasts have no union to protect their
status in a jungle with profit hidden
in the vines and the rain forests
just waiting for the latest entrepreneur
to make the proper business move
perhaps Chinese or Middle Eastern
to join the one percent who own
the semi-civilized world stash the
profits off-shore and buy expensive
real estate in London or New York
while the residual orangutans in
their diminishing jungle residences
find themselves as homeless as
the other immigrants of this time
with no where to go and no welcome
there or anywhere even if labor
is running short in the civilized nations.


Howard Winn's novel Acropolis is published by Propertius Press. He has poems in the Pennsylvania Literary Journal and in Evening Street Magazine.

Saturday, January 06, 2018

THE BOSSES’ DREAM: ONE SALARY, THREE WORKERS

by Gil Fagiani




Juanito stands with his back to the counter,
customers shouting out their orders,
his apron spotted with ketchup, mayonnaise,
mustard, arms and hands a blur of motion.
On his left, he layers a turkey and Swiss hero,
in front, he plasters tuna salad on a roll
with lettuce and tomato, on his right, he flips
a Spanish omelet, spinning to tear off sheets
of wax paper, tin foil, snapping open a brown bag.


Gil Fagiani is a translator, essayist, short story writer, and poet. His latest book is Logos (Guernica Editions, 2015). Fagiani co-hosts the Italian American Writers’ Association’s monthly readings in Manhattan and is a founding member of the Vito Marcantonio Forum. In 2014, he was the subject of a New York Times article by David Gonzalez, “A Poet Mines Memories of Drug Addiction.”

Saturday, July 15, 2017

AFTER THE MARE FINISHES JUMPING

by Tricia Knoll 




a hand holds out a cookie of molasses and oats.
Square in the center of that little cake,
red licorice, or black, a peppermint.
Job well done. Time for rest

and health care, cool water,
baths, consideration
of overtime, a refuge
with a solid roof,
greens, a kind hand,
good neighbors,
legal papers,
retirement benefits
and a living wage.


Tricia Knoll has loved to be around horses all her life. One of those kind of poet-girls. This poem came to her after watching a spectacular jumping competition in Wilsonville, Oregon. Tricia’s new book of poetry Broadfork Farm compiles love songs to a small organic farm in Trout Lake, Washington—and includes one other poem about horses in the midst of those about dogs, chickens, pigs, goats, farmers, and orchards. @triciaknollwind

Thursday, February 09, 2017

BANANAS

by Scott C. Kaestner




tired of writing about the t***p administration
so today gonna’ write about… um
hmm… let’s see… that’s it…
bananas!
ya’ heard me, bananas!
the potassium rich phallic fruit
bright yellow and ready for action
affordable and portable, simply delicious
just peel back the outer layer and bite into it
an andy warhol painting, a velvet underground album cover
founder of republics, foreign multinational corporate dominance
impoverishing the working class and abusing their labor… you see
the world is bananas… a place where fruit can be a tool to abuse power
a place that has everything for everyone being denied by a greedy few
instead of feeding the masses bananas are used to entrap the masses
sometimes too green or too rotten or they fall into tiny lil’ spoiled hands
which leads me to our current president… oh wait… fuck… nevermind…

BANANAS!


Scott C. Kaestner is a Los Angeles poet, a dad, Lakers fan, guacamole aficionado, and leftist dreamer. Google 'scott kaestner poetry' to peruse his musings.

Sunday, January 29, 2017

ATTITUDE

by Brigitte Goetze


Archive photo: AP Photo/The Canadian Press, Winnipeg Free Press-Wayne Glowacki

The alternative ways are in stark opposition, but if she works patiently through her difficulties, trusting herself to life, living each day as fully and as truly as possible, seeking through sincerity of living to solve the problem of their opposition, she may perhaps find a way to a reconciliation. —Ester Harding


Power will have its way,
no matter how damned
its path. Like flood water
it will widen a small crack,
splitting the land into two,
uprooting what stands innocently
in its commandeered course.

You, who live upstream,
pick up whatever tool you have,
wheelbarrow, shovel, hoe,
rush up the Hill, help
draw a ditch across the slope,
diverting the deluge’s downpour
away from seedlings and old shrubs.

And you, who live downstream,
join your neighbors,
fill sandbags or nourish those
working: many a place can be
cordoned off from the swollen,
murky, ice-cold torrent against
which weapons of war are useless.

Energy cannot be destroyed, but
it can be channeled. Even if some will not
be protected from the inevitable
mud flow, yet, it may not devour all.
We are able, willing, and ready
to defend with our hands and hearts
what we have labored so hard to build.


Brigitte Goetze lives in Western Oregon. A retired biologist and a goat farmer, she now divides her time between writing and fiber work.

Wednesday, November 27, 2013

AGAINST WAR

Translated by Richard O'Connell from the Latin of Tibullus




What is the cause of war and grief that it imparts
but greed for gold, corrupting human hearts;
once long ago there was a golden age
without the curse of jealousy and rage.
Gods of my fathers, save me from the wild
blood lust of war; you knew me as a child
plain and simple, when the herdsman slept
In his low hovel and the faith was kept
by farmers coming to your tree-carved shrines
with thankful gifts of honey cakes and wines.
No battle bugles them, no scarred and torn up earth
but happy songs of harvest and unbridled mirth.
No sieges, rapes and pillage, loudly boasted of,
but lovers in close combat on the bed of love.
Here let me live in peace till I am crowned
with white hair and my offspring clustered round.
Let Peace, bright Peace shine down on our fair fields
blest with the abundance honest labor yields.




Richard O'Connell lives in Deerfield Beach, Florida. Collections of his poetry include RetroWorlds, Simulations, Voyages, and The Bright Tower, all published by the University of Salzburg Press (now Poetry Salzburg).

Wednesday, December 12, 2012

5TH AND AVENUE E

by Stephen Cafagna



“Bus Stop” by Reginald Marsh. Image source: Encore Editions


i stod at the bus stop as a man late for work
looking down the street
wishing this bus would appare from thin air
I’d trade the life of every passing car for my bus

I stod at the bus stop alone
feeling as if i where to die at any moment
almost in shock that i wasnt

i stod as a man looking for his only ride
like when I was four
me and my father waited for the tractor
to take us around the apple ranch
i look down

staring at my hands
think if all i have done with these
ive build, destroyed, takin and give
but what did you do?
What was your triumph?

I stod at the bus stop as a boy
hearing the rpms
twine as when the transmission shifts
the complete stop
Kushhh! brakes awoke me to another dream…

And the only thing i had of my father’s was a glass from Venezuela
He died when i was 5, his glass went when i was 21
the corner where it broke still smells of old whiskey

I had my heart ripped out before
I dont like doing it to others, tho it happens…
Would you rather be the gun shot victum?


This poem by Stephen Cafagna is from his dissertation, finalized in Fayetteville. It functions in the interstices of language and urban life -- in dialect, representing a bridge of sorts, connecting the world of illiteracy, in all its unappreciated beauty, to the literary world.