HERE, NOW, ON WOBBLY LEGS

by Ronald J. Pelias

AI graphic by Nightcafé for The New Verse News

When our earth stands on its wobbly legs,

its ankles broken, knee ligaments torn,

its lungs black with soot and sorrow

 

when our chemicals pollute and poison,

our air and water contaminate our bodies,

and pandemics become commonplace

 

when the heat rises each day to record levels

and oceans rise above our frightened feet

faster than any barrier can be built

 

when fires eat the landscape, tornadoes

tear through our homes, and hurricanes

can’t be measured with current categories

 

when polar bears starve as the ice melts,

whales wash on shore with bellies filled

with plastic, and bees die from insecticide

 

when steadfast scientists, overwhelmed

by the enormity of earth’s physical deterioration,

insist on triage priority for our fading planet

 

when environmentalists warn and warn

and the politicians do nothing to change course,

to save, here and now, the blue ball we call home

 

when other celestial bodies are beyond

reach, dreams of a better future fade,

and hope washes away with the latest flood

 

when words fall on the deaf ears of deniers

and our earth collapses on its wobbly legs,

it might be helpful to offer a steadying hand.

Ronald J. Pelias has spent his career working with the fusion of performance, literature, and qualitative research methods. His most recent books are The Creative Qualitative Researcher (Routledge), Lessons on Aging and Dying (Routledge) and Writing and Other Familiar Things (Routledge).

SHORTAGE

by Tara Menon

The Boston Globe states
there’s a shortage of breast biopsy needles 
in the nation, the result of a recall.
Doctors need to conserve their supply.
Breast cancer diagnoses are delayed. 
 
We mustn’t sprout cancer cells 
at least until the end of March.
Better yet, we must remain healthy 
our entire lives while science
invents ways to cure or prevent diseases.
 
What do we do about shortages
when the Strait of Hormuz closes
or when nations hoard supplies as weapons of wars
or when global warming results in more pandemics,
overwhelming hospitals to prioritize surgeries,
or when doctors are forced to turn down patients
or when the cost of insurance swells to smother us?
What then?
 
None of those scenarios have to happen, you know.
The worst enemy is the shrug of shoulders.

Tara Menon is an Indian-American writer based in Lexington, Massachusetts. She is a two-time finalist for the Willow Run Poetry Book Award. Her latest poems are forthcoming or have appeared in AMPLIFY (Sheila-Na-Gig), The Sucharnochee Review, Tipton Poetry Journal, ONE ART: a journal of poetry, Chaotic Merge Magazine, and Grey Sparrow Journal.

BIRNAM WOULD

by Adele Evershed

There was anger and sadness among people who turned out over the Easter Bank Holiday weekend to protest at the destruction of a tree in Enfield thought to be up to 500 years old… The pedunculate oak, which was cut down on 3 April, was located on the edge of an Enfield council-owned park in north London and overlooked the Toby Carvery pub... Mitchells & Butlers, the owners of the Toby Carvery pub chain, said they cut down the tree after being told it was dead. —BBC, April 21, 2025

I was born in a time of unrest,
where tongues swelled against
religion and unfaithful wives,
riots in the street,
and resentments as large as cats
festering in unemptied bins.

I grew through it all—
pandemics and plagues,
great fires and floods,
watching people work themselves to death,
to be replaced as easily as spokes on a wheel,
bent on moving the carts forward,
but I was in no hurry,
so I was left alone.

The Thames iced over
while frost fairs and firing squads
amused the people,
and all the artists with numb fingers
captured the scenes—
though sometimes they painted over
dead children in the snow.
I never forgot they were there.

The wind moved through me,
leaving a coating of urban sprawl,
and I was the one left
bearing witness to
bombs, broken nights, boozy slashes
oozing rivers of blood,
the good and the very, very bad—
I survived it all,
until a man from a toby-jug pub,
came with a weapon of mass destruction
and cut me down.

Soon there will be no thing left
to tell the old stories,
and how will you know yourselves then?

Adele Evershed is a Welsh writer who swapped the valleys for the American East Coast. You can find some of her writing in Gyroscope, Free Flash Fiction, Trash Cat Lit, Janus Lit, and Poetry Wales. Adele has two poetry collections, Turbulence in Small Spaces (Finishing Line Press) and The Brink of Silence (Bottlecap Press). Her third collection In the Belly of the Wail is upcoming with Querencia Press. She has published two novellas in flash, Wannabe and Schooled (Alien Buddha Press), and has a forthcoming novella, A History of Hand Thrown Walls, with Unsolicited Press.