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Showing posts with label progress. Show all posts
Showing posts with label progress. Show all posts

Monday, February 10, 2025

BARRIERS WORTH BREAKING

by Tammy Smith


Supersonic prototype jet breaks sound barrier on US test flight: Boom Supersonic’s XB-1 hit Mach 1.1 over Mojave desert, bringing company closer to planned supersonic airliner. —The Guardian, January 29, 2025

Over the Mojave Desert —a sleek 
white object             breaking
the speed of sound —BOOM!
seems less grounding
in the middle of other exhilarating events
when I need less to suggest more
doesn’t have to mean faster 
measures represent progress.
 
If only the high-pitched hum
reverberating tens of thousands of feet 
above a crowd of captivating onlookers 
seared their sense of sovereignty. 
 
The return of supersonic travel
reminds me to pause. Focus
on the fullness of my breath. 
Dig my heels deep
into the             center 
of my purple yoga mat.  
Gently lower my body down
to rest in a child's pose.
 

Tammy Smith is a social worker and a single mother from New Jersey. Her writing has been published in Grand Little Things, Eunoia Review, Poem Alone, and Verse-Virtual

Wednesday, May 22, 2024

BEQUEATHED

 a golden shovel by Bonnie Proudfoot




No meaning but what we find here.

No purpose but what we make.

 

That, and the beloved’s clear instructions:

Turn me into song; sing me awake.

                               —Gregory Orr

 

 

Say you are at the supermarket, no

say you are at the farmer's market, meaning

you don't go in for plastic wrapped food, but

you bring your stringy hemp bag. How nice, but what

did you think, that one tomato at a time we

can stop climate change, find

a way to keep butterflies and songbirds here?

 

Say you'll install solar panels on your roof, no

say you've already installed them, your purpose

feels urgent, you are off the power grid, but

the sun feels stronger every day, what

you never expected was tornados, floods, we

can barely hold on to any progress we make. 

 

Today each weather warning lasts longer, that

way the window of safety shrinks, and

we huddle closer, protect ourselves, our beloved,

while lightning sparks, we wait for all to clear

though we need more time to prepare, instructions

 

to face this new future. The earth will turn

against us, beyond the ladders of light leaning into

the clouds, beyond the hymns and songs

to creation, show me a new song to sing,

not king coal, not drill baby oil, give me

more songbirds to hallelujah my grandchildren awake.



Bonnie Proudfoot is a poet, fiction writer, essayist, and reviewer whose work has appeared in online journals and anthologies. Her novel Goshen Road  (OU / Swallow Press) was longlisted for the PEN/ Hemingway and received the WCONA Book of the Year Award. Her recent book of poems Household Gods can be found on Sheila-Na-Gig Editions.

Friday, January 20, 2023

CAUGHT IN BETWEEN

by Phyllis Frakt


Florida Gov. Ron DeSantis’ administration has blocked a new Advanced Placement course on African American studies from being taught in high schools, saying it violates state law and is historically inaccurate. The state education department rejected the program in a letter last week to the College Board, which oversees AP classes. Florida education officials did not specify exactly what content the state found objectionable but said, “As presented, the content of this course is inexplicably contrary to Florida law and significantly lacks educational value.” …In a statement, the College Board said, “Like all new AP courses, AP African American Studies is undergoing a rigorous, multi-year pilot phase, collecting feedback from teachers, students, scholars and policymakers.”—AP, January 20, 2023. PHOTOS: From left to right: Poet and social activist Langston Hughes, Supreme Court Justice Thurgood Marshall, and novelist Toni Morrison. All three are among the Black luminaries taught as part of a new AP African American Studies course that is being piloted in high schools across the U.S. Getty Images via TIME


I thought I was born at the perfect time
when fear yielded to democracy
and morality’s arc bent toward justice.
Hopeful they seemed, the sweet years between.
           
But now a time of conspiring tyrants
whose denials belie repeated crimes.
Facts scrapped for lies online and prime time.
I curse the reversal of sweet years between.
          
Skeptics deem all a delusion, a dream.
Grand claims of progress dismiss history
of morality deferred, justice rebuffed.
Deceived by smokescreen, those years between.
 
Some drag with doubt, some dare to dream,
I’m with still others, caught in between.


Phyllis Frakt, formerly an academic administrator, has moved from writing memos to writing poems. Her poem “Recoveries” (2022) appeared in Worksheets 67. Her poem “Teach to the Test" appeared in The New Verse News, also in 2022. She lives in New Jersey.

Saturday, November 07, 2020

GOOD FOOLISHNESS

by Michael L. Ruffin




We've been through
some bad foolishness
the last four years.

We'll go through
more foolishness
the next four. 

We'll see efforts to do
foolish things such as

expand health care,
address climate change,
deal rationally with pandemics,
address systemic racism,
follow science, and
seek economic fairness.

Such efforts will
face resistance,
confront opposition, and
be labeled radical.

They'll make progress.
We'll make progress.

Get ready 
for more foolishness,
for necessary foolishness,
for meaningful foolishness,
for compassionate foolishness
for positive foolishness,
for helpful foolishness
for hopeful foolishness.

Get ready 
for good foolishness.


Michael L. Ruffin is a writer, editor, preacher, and teacher living and working in Georgia. He posts poems on Instagram (@michaell.ruffin) and prose opinions at On the Jericho Road. He is author of Fifty-Seven: A Memoir of Death and Life and of the forthcoming Praying with Matthew. His poetry has appeared at The New Verse NewsRat's Ass Review3 Moon Magazine, and U-Rights Magazine.

Saturday, January 03, 2015

SPIFFY SPARES

by Charles Frederickson & Saknarin Chinayote





old year bowled over kingpins
toppled tumbling down automated fresh
start reset kegglers taking aim
guts or gutters clean sweep

no split is too wide
if you’ve got rock ‘n roll
pinhead right spin big balls
striving for progress not perfection

to bowl perchance to dream
re-creation in your spare time
12 strikes and you’re perfect
i bowl therefore i am

bowling alleys are poor guys’
country clubs always a champion
when only one in competition
300 nobody else keeping score



No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 

Wednesday, November 14, 2012

THE FACTORY

by David Chorlton

"Richmond Hill" by LS Lowry

I
When they laid the first brick they said
This is progress,
and then they laid another, promising to carry on
until there was a wall
where previously the wind had blown without obstruction
across the grass. The wall
was high and strong, with just one row of narrow
windows for light to pass through.
Look at what is possible, they said
as they drew up plans for the second wall.
These will stand through any storms, they claimed,
and storms came to test them
and the walls remained.
Foxes came to sniff. They didn’t understand
what was happening. Swallows
flew above and in between the walls
until the third and fourth sides of a mighty rectangle
were complete. Sometimes a swallow
would go in through a window and fly playfully
out of the open space held aloft
by the walls. This is the future, they said,
this is the place
where darkness will turn to money.
So they covered the space with a roof
which blocked out light
except for the long, dusty shafts
that streamed in when the sun
was on the window side, and the valley appeared
to sit deeper in the earth
because of the weight
pushing down. Only a circling hawk
remained of the sky. They raised a tall chimney
and fed it with coal. This is the power, they said,
that nature forgot, and as they bowed their heads
in prayer a viper
slithered by and spat a hiss.

II
Many came to see it. Many more
entered by the door and stayed inside until each day
was over. Those who praised it
never went inside, but said to those who did,
You’re fortunate, be grateful. So the line formed
every morning, and each man
bowed his head as he moved to his assigned position
while outside, the deer
on their way to the river ran by
until water no longer ran there
because it had been redirected
and after it had been used
it became a kind of poison
so the decision was made
to have it soak into the ground and disappear,
but it was still there,
like fire just beneath the surface of the earth.

III
We need another one just like it,
they said, and they marked the ground
for the new one to stand on. We must cut down
these trees, they said, and lay a new foundation
that will seal the earth.
It looked just like the one before it
and those who entered looked
just like the ones who entered the first one.
Two were not enough.
However many they built
they kept on finding people to feed into them
and the many chimneys
poured waste into the sky
as if to make an offering to whichever gods
survived in the smoke.

IV
So it continued, each one followed by the next
until no trace remained
of the grass in the valley and the trees on the hills,
and nobody who came to see
what had replaced them
could ever imagine the way it used to be
when the air was clear enough
for the sparrows to be seen
with their feathers turning gold
as they flocked in early sun.
Don’t think about the past,
they said, your memories will not feed you.
And they kept on building,
beating down the earth
to make it level for another floor,
creating enclosures where once had been space,
and when they were sure
nobody could remember what they had replaced
a man old enough to have been dead several times
stood up to speak about what had been lost
but he could not be heard
above the growling of machines.

V
More, they said, we need more.
And it did not matter how many,
they were too few. Some sparrows appeared,
and a lost fox, but no matter
how few were the animals
they said, They are too many.


David Chorlton was born in Austria, grew up in England, and spent several years in Vienna before moving to Phoenix in1978. He pursued his visual art and had several shows as well as writing and publishing his poetry in magazines and collections, the latest of which is The Devil’s Sonata from FutureCycle Press. Although he became ever more interested in the desert and its wildlife, the shadow side of Vienna emerges in his fiction and The Taste of Fog, which was published by Rain Mountain Press.