GROUND SUPPORT

by Allison Berry

After Joan Mitchell’s "Little Trip" 1969

In my bed, she explains how her arms
have hardened without her rifle. Her fingers and thumbs
homesick for a place no one ever intended
she call home. Home is pelts strung to drip
from guttering, her sisters
backsplashed by wood paneling,
their voices reaching the back porch as a melody.
No detail of sand or mission will ever make Iraq home
for me. Today, the president asked congress
for authorization, for ground forces.
I’m already homesick for her breasts.
I explain how my chest will empty, how the red pulse
will turn and drip. Congress goes on considering.
I take all her longing as a command.


Editor's Note: The proposed legislation Mr. Obama sent to Capitol Hill would impose a three-year limit on American action that has been conducted largely from the air and, while allowing Special Operations commandos and other limited missions, would rule out sustained, large-scale ground combat. It would also finally repeal the expansive 2002 congressional measure that authorized President George W. Bush’s war in Iraq. --New York Times, February 11, 2015


Allison Berry is working on her MFA at Queens University of Charlotte and is a Lecturer for the Women's Studies department at Pittsburg State University and the English department at Missouri Southern State University. Her poetry has appeared in or is forthcoming in such journals as The Minnesota Review, Sinister Wisdom, and Green Hills Literary Lantern. She is also a contributor to the anthologies To The Stars, Through Difficulties and Begin Again: 150 Kansas Poems. She lives in Joplin, Missouri, with her two children.

COURTING

by Gil Hoy

Should a black man
in America

love his country?

She should be
lovely to be loved,

not my country
right or wrong.

Only White Men
wrote the constitution with
their rich quill pens

from imperial England,
and white fruits flourished

atop Broken Black Backs,
Flagellation and snapped
roped necks.

America elected a President
of all colors, perhaps Her
finest hour,

But the slave's legacy
in America is still
one of subjugation---

So an NAACP office
is bombed, white
cops kill black boys

NYC mayor warns son
"be wary", whips

speak to supremacists,
and a homeless black man

named Africa
should be careful
where he reaches.


Gil Hoy is a regular contributor to The New Verse News.  He is a Boston trial lawyer and studied poetry at Boston University, majoring in philosophy. Gil started writing his own poetry and fiction in February of last year.  Since then, his poems and fiction have been published in multiple journals, most recently in The Potomac, The Zodiac Review, Harbinger Asylum and Earl of Plaid Literary Journal.

BIBI BLUSTERS

by Charles Frederickson





I scream for eye cream
Bibi risking US – Israeli relations
On partisan politics dangerously revolting
Insulting Ugly American mental floss

Vainella unilateral Bibi sitter bluster
Insolence impudence impertinence arrogance dance
Butter toasted butt-out pee-can
Stinging cheeky slap in faceoff

While Obama opposed invasion costing
Trillion greenbacks thousands of lives
Creating geopolitical ballyhooed wink debacle
Bibi championed Iraqi Road invasion

Washington DCeit caramel knowledge poisonalities
Cabana Oreo banana Obama split
Cheery cherry Kerry no-go-tiation pits
Caramel kvetch chutzpah Nutty-Yahoo

Imagine Whirled Peace froZEN meltdown
Never too shockolate yo-yogurt
Game of cones no surebert
Why can’t we be friends


Dr. Charles Frederickson has been a regular contributor to The New Verse News since 2006.

TWO ROADS

by Judith Terzi

“You don’t have to read Robert Frost to know. You have to live life to know that the difficult path is usually the one less traveled, but it will make all the difference for the future of my country, the security of the Middle East and the peace of the world, the peace, we all desire.” --Prime Minister Benjamin Netanyahu’s address to the United States Congress, March 3, 2015

after Robert Frost

Two roads diverged on a snowy morning
on Congress' floor. The travelers could not
journey together along each path, one trodden
with storm of angst & warrior remains.
The other looked about the same, but hope
was sprinkled along the edges of the trail,
& sunlight could be seen streaming through
the fabric of oak & pine & fir. The travelers
listened to the vibes of each path, cupped
seasoned hands to ears to hear the trials
of trees, the brag of wind, the bend of earth.
Now some preferred the leitmotif that emerged
from one––a lighter tune they heard, say
a Mozart flute. They chose that road, skipped
stones into a mountain lake, while Spanish
broom stretched yellow necks toward
rain-swept sky. And two hummingbirds
tangoed overhead as if to say: "You've taken
this road, & it will make all the difference."


Judith Terzi is a poet and educator living in Southern California. She is the author of Sharing Tabouli, Ghazal for a Chambermaid, and most recently, If You Spot Your Brother Floating By (Kattywompus). Her poems appear widely in online and print journals and are included in anthologies such as Forgetting Home: Poems about Alzheimer's (Barefoot Muse), Times They Were A-Changing: Women Remember the 60s & 70s (She Writes), and Wide Awake: The Poets of Los Angeles and Beyond (Beyond Baroque). 

ONLY IN MY ROOM, NOT IN GAZA

by Catherine Wald

“Everything is beautiful in my room, but only in my room, not in Gaza.” --Nidaa Badwan quoted by Jodi Rudoren in The New York Times February 28, 2015

Call me radical, you who uphold
hegemony of the hothead; call me
artist when I find beauty on the
inside, where it’s supposed to
have been stamped out; call
me traditionalist, locked away in
my own self-inflicted zenana.

Here, no one will beat me or throw
stones after me.  Here, I can forget about
which missile coming from which side
may explode my face. Here, I have
rediscovered what safety feels like.
Look carefully: let me remind you, too.

This is the only way I know to honor
perfection of nests and eggs and those
fledglings straining at the windows who
will have to learn to fly inside their heads
like I have, like we all have, in this ageless
conga line of barefoot women on hot sands.

Here, when I am punched in the gut, it’s by sunlight
or soul; colors or ideas. Freedom, I call this freedom.
No need to send for a doctor. This is how I heal.

Some day I would like to fit the whole world into this room.

Catherine Wald's books include poetry (Distant, burned-out stars, Finishing Line Press, 2011), nonfiction (The Resilient Writer: Stories of Rejection and Triumph From 23 Top Authors, Persea Books, 2005) and a translation from French of Valery Larbaud’s Childish Things (Sun & Moon Press). Her poems have been published in American Journal of Nursing, Buddhist Poetry Review, Chronogram, Exit 13, Friends Journal, Jewish Literary Journal, The New Poet, Society of Classical Poets, The 5-2 Crime Poetry Weekly and Westchester Review.

CONTEXT

by George Held

Barbarians come and go

with history's ebb and flow.

IS are the new iconoclasts

in a long line of enthusiasts.

Remember the Alexandria library

built by the pharoah Ptolemy?

Among those who burned it

was a pope of the Coptic

persuasion, 300 years

after Julius Caesar's

arson there. So remember,

while some wait for the barbarians,

others welcome them with honor

and others react with horror.

History's all about context:
burnt books precede new texts.

George Held, a regular contributor to The New Verse News, has a new book out from Poets Wear Prada, Culling: New & Selected Nature Poems.

GOING TO CLASS BEFORE EVERYTHING CHANGES

by Anuja Ghimire

Two teenage Nepalese schoolgirls suffered burn injuries after a boy hurled acid at them early Sunday, police said. The girls, aged 15 and 16, were admitted to a hospital with burn injuries after the youth attacked them with a bottle of acid. The two were sitting in class at a coaching centre in Kathmandu waiting for other students when the attack occurred. "A masked boy came into the room and threw acid at them," senior police officer Narayan Khadka told AFP. Khadka said an investigation was underway to find the attacker, and added that his motive had not yet been established. Acid attacks, which disfigure and often blind their overwhelmingly female victims, are often a form of revenge in South Asia linked to dowry, land disputes or refusal to a man's advances. Although acid attacks are now a criminal offence in neighbouring India, there are no specific laws addressing it in Nepal.  --Yahoo! News, February 22, 2015; Kathmandu Post photo by NARENDRA SHRESTHA & Nimesh Jang rai

To stick
a little round ball
of chewed gum under the desk
And spread notebooks
over the two initials and the arrow
Carved with a ball point pen,
shielded with a heart
Your mouth
buried in a friend’s ear
The latest
on the boy who smiled
 in the hallway,
again
The crumpled yellow paper
wet with your sweat
Because words
only spoken
are too soon
forgotten

To relearn
Pythagorean theorem,
though you don’t understand
why
You wear
the red sweater
 your mother hand washed
-- It should last another year --
And the white shirt
your father ironed
So the collar is creased
just right
Because rules
followed
unlock
happy tomorrows

To pull out
the new protractor
your brother bought
The last one
chipped and broke
into three uneven bits
You measure
the angles of triangles,
your duty
And sit
with dreams
folded in your pockets
Before the unguarded door
opens
letting in
the rushed steps
Because you
are beautiful,
but you have
to become someone


Anuja Ghimire is from Kathmandu. Her poetry is published in Riverlit, Glass, Clay, Ishaan Literary Review, Zest, Right Hand Pointing, Stone Path Review, Constellations, and others. She lives in Dallas. 

APPROACHING CERES

by Geoffrey A. Landis

This image was taken by NASA's Dawn spacecraft of dwarf planet Ceres on Feb. 19 from a distance of nearly 29,000 miles (46,000 kilometers). It shows that the brightest spot on Ceres has a dimmer companion, which apparently lies in the same basin. Image Credit: NASA/JPL-Caltech/UCLA/MPS/DLR/IDA

dimpled spinning ball
ice in bottoms of craters
glints bright in sunlight


Geoffrey A. Landis is a scientist, a science fiction writer, and a poet. As a scientist, he works at NASA John Glenn Research Center on developing new technology for space.  As a science fiction writer, he's written one novel and over fifty short stories, winning the Hugo and Nebula awards. As a poet, he has written numerous poems, including this one.

FOR LEONARD NIMOY

by William Cullen Jr.





On the day Spock died
some thought the world
became a better place
freed of one less voice of reason
the elemental powers rejoiced
but the Id of the universe
did not take part
knowing eternity’s too long a time
to wait for another
sparring partner.


William Cullen Jr. is a veteran and works at a non-profit in Brooklyn, NY. His poetry has appeared in Canary, Gulf Stream, Right Hand Pointing, Spillway, Word Riot and Written River: A Journal of Eco-Poetics.

AMERICAN LOVE STORY

by Chris O’Carroll

Rudy Giuliani Is Now Trump, Minus the Hair. 

--Frank Rich, New York Magazine, February 25, 2015

“Barack Obama doesn’t love me!” Giuliani cries.
“Rudy, chill.  Nobody does,” the whole wide world replies.

But then Hizzoner takes it up a notch: “He doesn’t love
America, which is the country he’s the POTUS of.

“I know he doesn’t love this nation.  If he did, he’d say
That Islam’s always evil, and so’s marriage if you’re gay.

“He’d say that workers shouldn’t have the right to unionize.
Protecting the environment is something he’d despise.

“Of birth control and women’s right to choose he would be scornful,
And when black guys get killed by cops, he wouldn’t be so mournful.

“He’d shut up about plans to keep the poor insured and healthy,
And dedicate himself to lower taxes for the wealthy.

“He’d say non-Christians aren’t protected by the Constitution,
And there’s no evidence for climate change or evolution.

“From Fox News he would take his cues about what’s patriotic.
As you can see, I’m not irrelevant or idiotic.”


Chris O’Carroll has published a number of poems in The New Verse News.  Some Americans love his work.  Others, not so much.

SELF-MADE MAN

by Tom Russell

I gave birth to myself.

I discovered fire so that I could eat
whatever I, alone, produced.

I didn’t read your books,
you read mine.

I coined all the phrases.

I invented the wheel
and built all the roads
that wheels carry my money on.

I did all this with no help from anyone.

I created the dial tones and cyberspace
and made all the deals.

I forged all my own tools,
and that includes you.

Now you want to abuse me
with your regulations and taxations.
Blathering about responsibility
and shared sacrifice.

Suck it up, weasels.
Next you’ll be wanting your own bootstraps.

I don’t care who among you
gets sick or dies.
It pleases me
to see the spite you have for each other.

You are blind and weak.
Even if you could see my curtain
you wouldn’t be able to move it
and know that I am there.


Tom Russell works for the Omaha Public Library in Omaha, Nebraska. His poems have appeared in The New Verse News, Shot Glass Journal, and Crab Fat Literary Magazine.

TO A YOUNGER FRIEND PREFERRING BOYHOOD OVER BIRDMAN

by Rick Mullin

 

Of course you can relate.  After all,

you were a boy once too. And you might
marry and put one through the system yourself.

I hardly recommend it. But despite

having raised three girls and never having beaten
my wife, I can tell you that Linklater got it right.

He gave us life… to a point.

On technical concept, let’s call it a draw.

But as for my favorite of the two, allow me

to share my experience in movie-going:

Detesting all inside-theater baseball,

I checked out in the early scenes, allowing
confusion to hold sway over narrative.
 

I sought entertainment in light and color,

haircuts, tits and ass in wardrobe, repartee,

until I saw myself, POW!, who was once a boy

and survived all that. Who was loved but wonders now.
Who has exited the stage door, boarded planes,

attended conferences in underpants or worse,
a recurring dream of dashing to a suitcase
or a car in which my legs are iffy
and the voices in my head surmount facetious,

glib, forgotten or remembered joke.

You didn’t like the ending? Well, I would say

[no spoiler] that the bird was captured by the day.

I will honor your opinion, friend.

But when you are old, and your future is behind you,
watch these films again! Especially if your future
was comprised of bogus costume heroics and
one or two memorable spots on Letterman.

Rick Mullin's poetry has appeared in various journals and anthologies. His most recent book, Sonnets from the Voyage of the Beagle was published in December by Dos Madres Press, Loveland, Ohio.

OSCAR POSTS ON FACEBOOK

by Earl J Wilcox

What a night! I was hugged, fondled,
stroked, laughed at, cried upon, nestled
in the arms of a dude who encouraged
every weird person to stay weird,
molded into chocolate and stuck under
Oprah’s seat, then found myself staring
at this chick who had no panties on,
plus getting too close to a very mature
Doogie Howser who paraded his package
in tighty-whities. But the highlight
of the evening for this Oscar came
when old J. K. finally grasped me,
waved and yelled to everyone
about calling their parents. Dang
if that Oscar After-Party didn’t go
on all night while I sat on tables,
on leather limo seats, on toilet seats,
and on one cute little table during a one-
night stand between you’ll never guess
who, but I am not telling, though I will
say this: not everything is a theory anymore.


Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.

NO WAY BACK

by David Chorlton

Image source: Mars One

            "To me, when someone asks, 'why would you want to go?'

            all I can think of is, why wouldn't you want to go?" she added.

                                    -Leila Zucker, one of the 100 Mars One finalists

                                    selected to train for a mission to Mars

A room is waiting

in a place where the wind

has nothing to hold on to,

where it’s colder than Fargo

at Christmas and the atmosphere

is so thin there’s never any rain,

just an occasional shower of snowflakes

that turn into illusions

before they can touch ground.

It has a bunk that rocks on thunder,

windows so small they reveal

only specks of the surroundings,

and furnishings in a gray

that chills the eye. This

                                      could be home

for anyone seeking answers

to questions a monk once asked

in his medieval cell. Voices

marinated in persuasion

offer invitations to be a part

of history . . . to inspire people

around the world and make

isolation as attractive

as embarking on a tour with all

meals provided, time to relax

and read, play games, write, paint

 work out in the gym, watch TV,

use the Internet, contact friends at home

as life becomes more and more

like fingering a tiny device with a screen

to busy your hands while sitting

on a bus you can never get off.

Who has what it takes

                                never to return?

Who will seek claustrophobia

in the midst of boundless

space? Who has what it takes . . .

Who believes our future

cannot be confined

we must explore and look up
court death by radiation

                                        or life

so deep in boredom

the only consolation

is that . . . . the future

belongs to those who believe

in the beauty of their dreams

                                              even

if the dreams come quietly

and turn into a nightmare

at the moment

of the ultimate goodbye,

in realizing a particular tree is the last

you’ll ever see; the mailman

won’t stop at your house again;

you’ll never hold money, hear

sparrows, go out

to a restaurant meal. Rivers

will finally have flowed off the edge

of the Earth, we’ll be back

to the first of all questions: where

are we from? As if the answer

could be found by going

where nobody belongs.


David Chorlton came to Arizona in 1978 after living in England and Austria. He has spent more than three decades stretched between cultures and writing poetry, the pick of which has just appeared as his Selected Poems, from FutureCycle Press.