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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Sufi. Show all posts
Showing posts with label Sufi. Show all posts

Wednesday, August 20, 2025

THE SOUND OF THE WELL

by Shirin Jabalameli




Beneath a cracked and ancient dome,
the wind slips through fissures,
circling the hull of a stranded ship.

Coffee grows cold upon the table,
and the Sufi, in quiet prayer,
speaks to the blackness of a crow.

From the dragon’s mouth
a rope of light leaps forth
onto masks that melt, one by one,
their cracking faces ringing
like a forgotten church bell
through the air of poverty’s hell.

The city,
a fractured mirror,
sees its own face in a thousand shattered pieces
and screams.

The broken tick-tock of a clock
scratches the latch of time’s doors,
and from a silent well
the voice of a child rises,
still remembering the name of their mother.

The crow spreads its wings,
and the wind carries the scent of stale bread.
The Sufi stirs the coffee in a whirlpool
and with a sip drinks the world anew.


Shirin Jabalameli is a multifaceted Iranian artist, poet, painter, photographer, and writer. She has authored books including Crows Rarely Laugh, Apranik, and 101 Moments. Her latest work, an illustrated poetry collection titled 25 Fell from the Frame was recently published. Her poems have appeared in international journals such as Braided Way Magazine (USA), The Lake (UK), and The New Verse News (USA).


Shirin’s poem in its original Persian follows:

صدای چاه

زیر گنبدی ترک‌خورده
باد از شکاف‌ها عبور می‌کند
و بر شانه‌ی کشتی به گل‌نشسته می‌چرخد.

قهوه روی میز سرد شده است
و صوفی در سکوت
با سیاهی یک کلاغ مناجات می‌کند.

از دهان اژدها
ریسمان نور می‌جهد
بر ماسک‌هایی که یکی‌یکی
ذوب می‌شوند،
و صدای ترک‌خوردن چهره‌ها
چون ناقوس کلیسای فراموش‌شده
در هوای جهنم می‌پیچد.

شهر،
چون آینه‌ای ترک‌خورده،
چهره‌اش را در هزار پاره‌ی مخدوش می‌بیند
و جیغ می‌کشد.

تیک‌تاکِ از کارافتاده‌ی ساعت
کلون درهای زمان را می‌خراشد
و در چاهی خاموش،
صدای کودکی می‌پیچد
که هنوز نام مادرش را از یاد نبرده است.

کلاغ بال‌هایش را باز می‌کند
و باد بوی نمِ نانِ کهنه را می‌برد.
صوفی قهوه را در گرداب می‌چرخاند
و با جرعه‌ای جهان را دوباره می‌نوشد.

Sunday, December 15, 2024

POEM TO RUMI

for my granddaughter

by Tina Williams


AI-generated graphic by NightCafe for The New Verse News.



“Ken Paxton sues New York doctor accused of prescribing abortion pills to Texas woman: This case sets up a legal battle between Texas’ near-total abortion ban and New York’s shield law that protects doctors from out-of-state prosecution.” —The Texas Tribune, December 13, 2024


A week before the election,

my neighbor next door overnight

posted a Women for Trump

sign and I was too incensed

the next day to wave to her

as she stood on her porch

with a smile as big as Texas

which is where we live

and where my 17-year-old

granddaughter could be raped

tomorrow and made to bear

the damage done

no questions asked.

 

Meanwhile Rumi 

calls from a wall

in my office

that out beyond 

the ideas 

of wrongdoing 

and rightdoing

there is a field

and that we should 

meet each other there

but, Rumi, my dear 

dead Sufi poet,

you never met

my neighbor's 

grab ’em 

by the pussy hero.

 

You never saw

freckles dance

on my 

granddaughter’s

cheeks.

 

In some poems 

there is a field 

too far.



Tina Williams’s poems have appeared in the San Pedro River Review, Quartet Journal, Amethyst Review, The New Verse News, As It Ought To Be Magazine, Stone Poetry Journal, and Green Ink Poetry.

Sunday, November 24, 2013

A COMPANION OF HONOUR

by Martha Landman





            “. . . the sign of a mind that is restless but not wandering.”  -- The Guardian


A farm girl, lover of cats,
started writing and never stopped
the controversy

from communism to feminism
a sharp contrarian
chanting slogans
a step away from lunacy

ran away from motherhood
into a household of adolescent
waifs and strays

“I will not”
written in her Bible

every pigeonhole declined
a curtsied “no” to damehood
in a non-existent empire

her visionary power captured
in a golden notebook on a
dinosaur typewriter
her novels and scepticism
travelled the world

she thought freely, independently
an irascible soul with little tact

an impenetrable icon of wisdom
a lover of Sufis and cats.


Martha Landman writes poetry in North Queensland, Australia.  Her work has appeared in various journals including Every Day Poets, Poetry 24, Eunoia Review, Muse.