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Showing posts with label white supremacy. Show all posts
Showing posts with label white supremacy. Show all posts

Tuesday, April 11, 2023

YOU BAN BOOKS, YOU BAN DRAG, KIDS ARE STILL IN BODY BAGS!

by Patricia Phillips-Batoma




“Neighbor is not a geographical term,
it is a moral concept.”


On Tuesday, my neighbor’s white magnolia scintillates against a beach blue sky. I wear shades to trek past farm fields and pines to vote in spring’s local elections. 

 

I hope to stem the tide of “back to basics” policies, fig leaves for fears—tax dollars spent on gender neutral bathrooms, light shed on our egregious system of chattel slavery, 

 

calls to address our cancer of white supremacy. These questions that refuse to fold themselves back inside the bottle are not our enemies. The universe calls us to travel along 

 

their twisting turning highways and open to the sacred space of meaning. I pass a small corner beauty shop where a flag flaps today at half mast, like every flag across America 

 

until the three nine-year-old children and three adults slaughtered at Nashville’s Covenant School are properly buried. I have another neighbor who hides inside his garage a truck bearing

 

a bumper sticker from the local gun shop. It is bright yellow with red letters that drip as loudly as the thirteen stripes on our flag. This guy has planted that flag in his yard 

 

alongside a sunflower flag, flags of pastoral scenes bought at the local garden shop, sometimes a MAGA flag. The American psyche is the backyard of men like this, 

 

staked with false flags and strewn with dollar-store lawn trinkets that look like they were dumped there by last week-end’s severe storm. Only all this stuff—

 

fiberglass giraffes and mushrooms, bunnies and Celtic crosses—is intentionally placed. Tell me again what Jesus said about loving our neighbors, even those who cry wolf

 

when some neighbors speaking truth into bullhorns don’t look like the Bull Connor neighbors who have burdened us with day after day of our children’s humanity stunted 

 

by the ever-hardening space of schools with metal detectors and SROs in combat gear. Last week, in an adjacent town, an eighth grader shot dead a 10th grader. 

 

Also, my neighbors.


Patricia Phillips-Batoma is a writer and teacher who lives in Illinois. She has published poems in The New Verse News, OffCourse, Plants & Poetry, Parentheses, Tuck Magazine, and Spilling Cocoa over Martin Amis.

Sunday, September 11, 2022

LIFE EXPECTANCY

by Martha Deed


Gravestone inscription: Erected in memory of Mrs. Kezia Cutter, wife of Mr. Richard Cutter, departed this life Dec. ye 1788, in ye 63rd Year of her age. "Watch ye, that live, for ye don't know / How near you are to death. / Or what may give the fatal blow / To stop your fleeting breath."



Life expectancy in the U.S. fell in 2021, for the second year in a row. It was the first time life expectancy dropped two years in a row in 100 years. —NPR, August 30, 2022

You could die of a sudden attack in church
be run over by a buffalo in Montana
be felled by a tree if you wielded an ax unwisely
or TB, smallpox or Typhoid
in a bomber over Northern France
starve
drown at sea
die in childbirth
fall off a horse or a runaway train in the Rockies
be kicked by a Union officer’s horse between battles
be killed at Deerfield or in Narrangansett Swamp
by a rogue at a card game in Deadwood

Death was just around the corner in those olden days
Everyone knew that life was a delicate thread
stitching oblivion before birth to oblivion after death
survival provisional and linked to mere chance

The old-timers knew
You can’t turn your back on death
Death can find you any place any time

But now—now we 21st Century descendants
in a time of shrinking life expectancy
think we control our destiny
having survived hiding under desks
to fool the atom bomb

Now we do not await the trickiness of Fate
Now we have to look for the nearest exit
the place to run, hide or fight
at the grocery store or church or school
because we have turned nasty
or have not silenced others who have turned nasty—
the nastiest among us declaring supremacy
and the right to kill at will
die quickly on the street
or slowly by telling all the scientists
to go to hell


Martha Deed's poetry has appeared in The New Verse News and most recently or forthcoming in Moss Trill, Mason Street, Autumn Sky Poetry Daily, Grand Little Things, The Skinny Poetry Journal. Her poetry collections Under the Rock (2019) and Climate Change (2014) and a third collection forthcoming from FootHills Publishing. She is a retired psychologist who makes trouble with poetry inspired by crises and other mishaps around her house on the Erie Canal in Western New York.

Wednesday, October 20, 2021

THEY CALLED HIM A "F-ING N—"

by Rémy Dambron


Ahmaud Arbery's aunt, Theawanza Brooks, says, "Nobody has the decision to make as far as being the judge, jury and executioner." Her nephew was shot and killed in 2020. The trial is set to begin Monday in Brunswick, Ga. —NPR, October 18, 2021. Photo: NICOLE BUCHANAN FOR NPR


Once again, it falls 
on Georgians to guide the way

to be our nation’s conscience,
filtering out the noise, the hyperbole,

the lies.

Once again, it falls
on Georgians to decipher the truth

to act not on our prejudices or partisanships, but on our collective

humanness.

Once again, it falls
on Georgians to rise,

to stand as one and affirm 
that this man was not a thief,

was not burglar, was not a prowler, was not a criminal, was not a threat,

just a jogger.

Once again, it falls 
on Georgians to convince the courts

not to fear him for his skin,
not to judge him for their rage,

but to picture them standing over his bloodied body, shotgun still smoking

with the gall to call him that horrible word.

Once again it falls,
on Georgians to uphold the law,

to make right the wrongs 
of centuries of recklessness,

of supremacy.

To make good on the little remaining scraps of a social contract we used to

cherish.

Once again it falls,
on Georgians and a jury of their peers 

to demand that justice be done 
but never done,

screaming one more time
into the void of voids

enough is enough.


Rémy is a teacher and Portland-based activist whose work focuses on denouncing political corruption and advocating for social and environmental justice. With the help of his loving wife and chief editor, his poetry has appeared in What Rough Beast, Poets Reading the News, Writers Resist, Society of Classical Poets, and The New Verse News. 

Monday, December 07, 2020

WHITE TURNS TO BLACK

by Mary Clurman




i.

don’t know Black

don’t think Black

don’t speak Black

but like to listen

hear the sharp breaks

twists and turns


White is privilege.

In COVID

we garden

        cook

 think bitter thoughts

await a different regime.


ii.

Hasn’t changed yet!

Not for better:

Made the ballot secret 

  Blacks can’t vote if they can’t read—

can’t win anyway—

  Don’t even try!

  Only eggheads need good schools

   and what do eggheads know?

 Bus ‘em!
     so what,

      got no brains to think with anyway.

Then came jazz.

Music changed.

Boys of Summer

black, winning

Shut the doors!

  Keep ‘em out!

basketball 

Blues 

Hip-Hop


Thurgood Marshall Martin King Anita Hill

strong black middle class


iii.

Who was it

Packed the court,

just stacked ‘em in!

forgetting

           They still get to serve us coffee

coughing 

while our white blood flows as red as it can get. 


It’s time Whites learn from Black.



Mary Clurman, Princeton, NJ, retired Montessori teacher, struggling with the virus news and changing what I can.

Wednesday, September 16, 2020

WESTERN BLUEBIRDS, AMERICAN ROBINS

at the Peace & Justice 2020 (virtual) Fair (Vancouver, U.S.A.)


by Gwendolyn Morgan



Gwendolyn Morgan reads her poem in this video.



this is how it begins
first Light: cheerio song of Robins
loops of blue sky between stars
Eagle whistles before anyone wakes up
prayers in Arabic, Spanish, Hebrew
Chuukese, Cambodian, Russian, Swahili
100 languages spoken here as
the alphabet arcs toward aleph
alleluia of red-breasted Robins
golden dome of Sikh temple
Celtic Cross of Catholic, Presbyterian & Unity Church
Methodist or Lutheran hymns, so many Christians
the Bahá'í and UUs have every symbol represented
even the Pagans are putting peanut butter & raspberry jam
on whole wheat toast before you
who is putting honey on sopapillas, honeycrisp apples,
drinking Masala chai or sweet tea?
who has lost their homes due to fires?
looking at privilege:  who was evicted this week?
who was arrested?
Break it down like the U.S. census
the unmarked car outside the housing complex
“No solicitors” sign outside the apartment door
“I’m not soliciting” the ICE agent says
flashes a gold star or badge with implicit bias
scan the skin color, then license plate
drinking an Americano while they wait for you
Wait! this isn’t justice
the peace & justice fair is on Saturday every year
Sabbath day of rest for everyone
who goes to a synagogue or is Seventh Day
Rainbow Flags flying next to Black Lives Matter
upside down Americana
the Western Bluebirds gather at the river
singing their own prayers, plain song
1000 languages, songs of other species, intersectionality
the watershed of white fragility, white supremacy
unspoken privilege of having more than enough
when the child in front of you hasn’t had breakfast
no money in the purse for groceries, no savings account
no internet access, maybe a chrome book from school
with a sticker of a white llama on it
this child is hungry for more than justice
losing their breath for peace
this is how it begins.


Gwendolyn Morgan is a Pacific Northwest poet and artist who serves in interfaith Spiritual Care in a medical center in the midst of COVID19.  The Clark County Poet Laureate 2018-2020 in Washington State, her third book of poetry Before the Sun Rises is a Nautilus Silver Winner in Poetry. Gwendolyn and her spouse Judy A. Rose focused on poetry and music during a Winter 2020 Centrum Artist Residency. As a multiracial family in a multispecies watershed, they are committed to equity work and inclusion for all.

Saturday, September 21, 2019

I PLAY INTO WHAT THEY FEAR MOST

by Guillermo Filice Castro




I have crossed you, taken your job. I am
a non-divine force, succubus to wholesome
American households. Here to clean you out,
me, a spick-and-span spic. May your ears
fester with my yips and squeals after you latch
the cage. Ay ay ay ay ay ay ay ay. But ah,
what an angel Earth once was to all creatures,
prey and non-prey. And your prayer is open carry
and semiautomatic. Build a wall, build a fire.
In your man cave we can safely un-selfie
one another. Mira, mister, I’m hungry,
a rude corpse. The zombie Uber you never called.
I will rise from wherever you toxic-dump me.
Darling, I’ve come to oxycontin you.


Guillermo Filice Castro is a queer immigrant from Argentina. His most recent chapbook is Mixtape for a War from Seven Kitchens Press. He lives in New Jersey.

Friday, August 09, 2019

AFTER THE SHOOTING IN EL PASO

by Tina Barry


Image by Melissa Joskow / Media Matters


Invade with your            hot mouth   lie
uncovered among the fragrance      of the world!  
Look at what comes    Look at them    An invasion 
what marches toward us    marches with night-
eyes   An invasion   To be invaded       To be  
“simply defending my country” To deafen
To defend “from cultural and ethnic replace
ment”   The rest are in the light that bursts
into secret        Where what are?  
Things that begin  when fire-
blue waves open fire on 
                    the poor
                parched heart


Author’s Note: The poem’s lines are borrowed from Pablo Neruda’s Love Sonnet “I” in his 100 Love Sonnets and from “El Paso Shooting Suspect’s Manifesto Echoes Trump’s Language,” by Peter Baker and Michael D. Shear, The New York Times, August 4, 2019.


Tina Barry is a freelance writer, poet, short fiction writer and curator. She is the author of Mall Flower (Big Table Publishing, 2016). Tina’s writing has been included in The Best Short Fictions 2016, Drunken Boat, Inch Magazine, Yes, Poetry, Connotation Press, and several anthologies including Nasty Women Poets: An Unapologetic Anthology of Subversive Verse, Feckless Cunt and A Constellation of Kisses. In 2018-2019, Tina conceived and curated “The Virginia Project,” a collaborative written word and visual art exhibition that celebrated Virginia Haggard, the partner of the artist Marc Chagall, and Haggard’s daughter Jean McNeil. Beautiful Raft, the writing that launched the exhibit, will be published this fall. Tina is a teaching artist at The Poetry Barn and Gemini Ink. 

Friday, May 04, 2018

MEMORIAL

by Akua Lezli Hope


The National Memorial for Peace and Justice . . .  is dedicated to the victims of American white supremacy. And it demands a reckoning with one of the nation’s least recognized atrocities: the lynching of thousands of black people in a decades-long campaign of racist terror. —The New York Times, April 25, 2018


We are constrained by the smog
created by this history
between slavery and civil rights
something obscures understanding
death, maintaining status quo
pain of the unrequited
failed promises, justice denied
no explanation for why
assassinated aspirations
the tumult and terror of
long enduring enslavement
large jars of soil from profane sites
of murder, disinter witless tragedy
to forget is to disable
to forget is to cripple
steel pillars are mute towers
piercing witness, carved remembrances
aligned, mass incarceration now
wrongfully convicted prisoners
presumptions of guilt for those
summarily dispatched unarmed,
whose names are known and multiply in
bleak countings of perpetuated loss
to forget is to repeat


Akua Lezli Hope is a creator who uses sound, words, fiber, glass, handmade paper and wire to create poems, patterns, stories, music, adornments, sculpture and peace whenever possible. She has published 125 crochet designs. Her poetry collection THEM GONE will be published by The Word Works Publishing in June, 2018.