Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Thursday, November 22, 2012

FIRST GLASSES

by Laurie Lamon


Fifty years ago I waited
in a room lined with
chairs where everyone
was old behind the dark
glasses that unfolded
and rippled, pressed
to eyes and temples,
and tremulous as my voice
when I read every street
sign and billboard each mile
home, 1963, the world 
for the first time hard
and fast and unmistakable.








Laurie Lamon's work has appeared in The Atlantic, The New Republic, The New Criterion, Ploughshares, Arts & Letters Journal of Contemporary Culture, Plume, and other magazines and journals, including 180 More Extraordinary Poems for Ordinary Days, edited by Billy Collins, and thePoetry Daily and Verse Daily websites. In 2007 Lamon received a Witter Bynner award, selected by Poet Laureate Donald Hall. Lamon has also received a Pushcart Prize. Laurie Lamon has two collections of poetry are The Fork Without Hunger and Without Wings, CavanKerry Press (NJ), 2005 and 2009. Lamon is a professor of English at Whitworth University in Spokane, Washington and the poetry editor for Rock & Sling.

Wednesday, November 21, 2012

CLEANING UP AFTER THE HURRICANE

by Joan Mazza
 
                           for those still suffering

Along the streets of New York, Long Island,
and Staten Island, mounds of debris at the curb
after Hurricane Sandy. Couches and bedding,
pillows and papers, broken dinnerware.
Soggy books already molding. Boats on lawns,
cars deluged. Homes washed away or burned.

Like after Andrew in Miami—
equal to thirty years worth of garbage,
truck after truck in a caravan to the landfill.

Years of clothing gone, some new, coats
knitted sweaters, handmade quilts, towels,
embroidered tablecloths. Trashed.

Some things can’t be replaced by insurance:
the stuffed dog I’ve had since I was three,
my notebooks with first drafts of poetry.
family portraits on the wall, these pie tins
handled by my mother, ladle my grandmother
brought back from Italy. Beloved junk.
 
Joan Mazza has worked as a psychotherapist, writing coach, certified sex therapist, and medical microbiologist, has appeared on radio and TV as a dream specialist. She is the author of six books, including Dreaming Your Real Self (Perigee/Putnam). Her work has appeared in Kestrel, Stone’s Throw, Rattle, Writer's Digest, Playgirl, and Writer's Journal. She now writes poetry and does fabric art in rural central Virginia.

Tuesday, November 20, 2012

INVASION OF GAZA 2012

by Buff Whitman-Bradley


Image source: Occupy Wall Street


Inside the heart of the invader
There is a cave where the corpses are stored
A cave of ice that keeps the bodies
From decomposing and putrefying
So the invader needn’t suffer the stink
Deep cold freezes the last expressions of terror
On children’s faces
Freezes the arms of dead parents
Around their slaughtered infants

The frozen bodies are neatly stacked
In the lightless cavern inside the invader’s heart
To make the most efficient use of space
So there will always be room for more
Because the bodies keep coming and coming
And they must be put away somewhere
The grandfather mowed down
In his olive grove
The teen picked off trying to get home to family
The pregnant mother crushed
By her collapsing roof
The toddler burnt to a crisp
By white phosphorous

Inside the heart of the occupier
Are bleak frigid factories that turn the murdered
Into building materials
For constructing homes on stolen land
With lovely gardens and swimming pools
Inside the heart of the occupier
Are bitterly cold prisons
Of torture and indefinite detention
For those who resist
The relentless encroachments
Of the mad blind machine

Inside the heart of the nation
In a cave of black ice
The explosive voice of self-righteous hypocrisy
Booms and echoes off the walls
We are defending ourselves
We are the upright and the good
We are the chosen and
All we do is the will of God

But there are other voices as well
Inside the heart of the nation
And inside the heart of the world
The small voices of grasses in green pastures
The healing voices of warm rain and still waters
The steadfast valiant voices of those
Who refuse to cooperate with bulldozer politicians
With marauding colonists
With tormentors of the rightful inhabitants
Voices nearly impossible to hear
In the roar of war and propaganda
But necessary to hear and to heed
If true justice is to roll down like waters
And true righteousness like a mighty stream


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.

Monday, November 19, 2012

FOR BOTH: TWO HAIKU

by Mary Krane Derr


Image source:   EPA/MOHAMMED SABER in The Telegraph


Israel, Gaza:
same panic rockets over
next-of-kin faces.

Parents dash to shield
children with their bodies though
bodies can't suffice.



Mary Krane Derr is a poet, writer, musician, and nonviolence activist from the South Side of Chicago. Her poems "Rubble Dream,", "At This Address," "Prevents Conception/By Her Very Own Choice,"   and "Transit of Venus?" all previously appeared in The New Verse News. "Transit of Venus?" has been nominated for a Pushcart Prize.

Sunday, November 18, 2012

ETHNICITY IN MY SMALL TOWN

by Emily Ramser

Image source: Newspaper Rock


“We have Asians here,
shouldn’t we get an award or something for that?”
Partin whispers as we turn
Our heads like zoo goers watching
Animals in cages. With all
Their colors, it wouldn’t surprise me
If someone shouted
“Amazing”
or used the rifle hanging in the window
of their pickup truck to hunt exotic pelts.

It’s so unusual here to find
Someone not of pale snow or cream
Walking the streets that
They all turn their heads
And stare
Like they’re watching zoo animals
In cages. 


Emily Ramser grew up in Sacramento's gay district, or at least experienced puberty there, but later moved to the southern Bible-belt of North Carolina to finish out her high school career. Rather than average society, she prefers to surround herself with furries, Baptist seminary students, and high school dropouts. Emily works with Impact Magazine editing religious testimonies and translating them into Spanish and is also a reporter and columnist for Wake Forest-Rolesville High School's paper, The Forest Fire. She has been published multiple magazines, but prefers to stick business cards with her poems scribbled on the back on coffee shop bulletin boards. 

Saturday, November 17, 2012

INSTRUCTIONS

by Laurie Lamon

Image source: Mind Maps


Put them into the scissors’ ovals made for making
parts; fold them into the shape of the bird
crossing a wall, then vanishing into light’s room.
Let one warm the face turned on its side;
let one come to the breast as a sleepwalker touches
a door. Let them both envy the tongue.            
Let them count money like miseries that close
the eyes. Have them write in pencil the forty-two
resolutions against Israel. Have them handle
and return the identity cards of those who are here
and not here. Let them ease the burdens of smoke.
Instruct them to scatter straw, earth’s estate
to be carried in the mouths of the smallest animals.



Laurie Lamon's work has appeared in The Atlantic, The New Republic, The New Criterion, Ploughshares, Arts & Letters Journal of Contemporary Culture, Plume, and other magazines and journals, including 180 More Extraordinary Poems for Ordinary Days, edited by Billy Collins, and thePoetry Daily and Verse Daily websites. In 2007 Lamon received a Witter Bynner award, selected by Poet Laureate Donald Hall. Lamon has also received a Pushcart Prize. Laurie Lamon has two collections of poetry are The Fork Without Hunger and Without Wings, CavanKerry Press (NJ), 2005 and 2009. Lamon is a professor of English at Whitworth University in Spokane, Washington and the poetry editor for Rock & Sling.

Friday, November 16, 2012

AN AFFAIR OF THE HARD

by Wayne Scheer


Sure, General P
should have kept
it in his pants;
sure, Ms B,
wife, mom
biographer,
should have
maintained
journalistic distance,
but these things
happen.
What is
unbelievable,
to me,
is how a man,
whose job it is
to snoop
and oversee
snooping,
would communicate
to his lover
via email.

They
could have
at least
used code.

Now
a valiant general
is reduced
to Newt Gingrich-like
fodder for comics.

No more sex
with his biographer,
one points out,
now he'll only
have sex
with his
autobiographer.

Even people
like me,
who shouldn't be
allowed to breathe
the same air
as General P,
wonders aloud
if he slept
nude with Ms B
or kept
his purple heart on.

The mighty fall
just as the small,
only with
a louder
thud.

I find this
reassuring.

Still,
emails General P?
Really?


Wayne Scheer has locked himself in a room with his computer and turtle since his retirement. (Wayne's, not the turtle's.) To keep from going back to work, he's published hundreds of short stories, essays and poems, including Revealing Moments, a collection of flash stories. He's been nominated for four Pushcart Prizes and a Best of the Net. Wayne lives in Atlanta with his wife and can be contacted at wvscheer(at)aol.com.

Thursday, November 15, 2012

IFFY FUTURE FORECAST

Poem by Charles Frederickson
Graphic by Saknarin Chinayote 




Topsy-turvy third planet from Sun
Upside-down silk lining turned inside-out
Biofuel technological solutions replacing geological
Asteroid mining commercial solar power

Oceans cannot absorb greenhouse emissions
Cataclysmic climate effects current adrift
Digital radar storm tracking surveillance
Arctic shrinkage meltdown icebergs overturned

Handle With Care survival issues
Over-consumption splurge space tourism colonies
Funny business as usual until
Endangered resource depletion runs out

Nanotech manipulating nothing’s the matter
On quantum atomic molecular scale
Biosphere demands exceeding global biocapacity
Supply chain profit margins unlinked

Systematic holistic challenges about-face turnabout
Equitable sustainable cosmos needs different
Set of values bankrupting nature
Contaminated eco-environment next generation’s legacy

Regenerative telemedicine cloning dinosaur egg
Autonomous robots emotionless artificial intelligence
Discovering fast-forward ways toward happier
More contented resilient co-existence habitation


 No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 .

Wednesday, November 14, 2012

THE FACTORY

by David Chorlton

"Richmond Hill" by LS Lowry

I
When they laid the first brick they said
This is progress,
and then they laid another, promising to carry on
until there was a wall
where previously the wind had blown without obstruction
across the grass. The wall
was high and strong, with just one row of narrow
windows for light to pass through.
Look at what is possible, they said
as they drew up plans for the second wall.
These will stand through any storms, they claimed,
and storms came to test them
and the walls remained.
Foxes came to sniff. They didn’t understand
what was happening. Swallows
flew above and in between the walls
until the third and fourth sides of a mighty rectangle
were complete. Sometimes a swallow
would go in through a window and fly playfully
out of the open space held aloft
by the walls. This is the future, they said,
this is the place
where darkness will turn to money.
So they covered the space with a roof
which blocked out light
except for the long, dusty shafts
that streamed in when the sun
was on the window side, and the valley appeared
to sit deeper in the earth
because of the weight
pushing down. Only a circling hawk
remained of the sky. They raised a tall chimney
and fed it with coal. This is the power, they said,
that nature forgot, and as they bowed their heads
in prayer a viper
slithered by and spat a hiss.

II
Many came to see it. Many more
entered by the door and stayed inside until each day
was over. Those who praised it
never went inside, but said to those who did,
You’re fortunate, be grateful. So the line formed
every morning, and each man
bowed his head as he moved to his assigned position
while outside, the deer
on their way to the river ran by
until water no longer ran there
because it had been redirected
and after it had been used
it became a kind of poison
so the decision was made
to have it soak into the ground and disappear,
but it was still there,
like fire just beneath the surface of the earth.

III
We need another one just like it,
they said, and they marked the ground
for the new one to stand on. We must cut down
these trees, they said, and lay a new foundation
that will seal the earth.
It looked just like the one before it
and those who entered looked
just like the ones who entered the first one.
Two were not enough.
However many they built
they kept on finding people to feed into them
and the many chimneys
poured waste into the sky
as if to make an offering to whichever gods
survived in the smoke.

IV
So it continued, each one followed by the next
until no trace remained
of the grass in the valley and the trees on the hills,
and nobody who came to see
what had replaced them
could ever imagine the way it used to be
when the air was clear enough
for the sparrows to be seen
with their feathers turning gold
as they flocked in early sun.
Don’t think about the past,
they said, your memories will not feed you.
And they kept on building,
beating down the earth
to make it level for another floor,
creating enclosures where once had been space,
and when they were sure
nobody could remember what they had replaced
a man old enough to have been dead several times
stood up to speak about what had been lost
but he could not be heard
above the growling of machines.

V
More, they said, we need more.
And it did not matter how many,
they were too few. Some sparrows appeared,
and a lost fox, but no matter
how few were the animals
they said, They are too many.


David Chorlton was born in Austria, grew up in England, and spent several years in Vienna before moving to Phoenix in1978. He pursued his visual art and had several shows as well as writing and publishing his poetry in magazines and collections, the latest of which is The Devil’s Sonata from FutureCycle Press. Although he became ever more interested in the desert and its wildlife, the shadow side of Vienna emerges in his fiction and The Taste of Fog, which was published by Rain Mountain Press.

DIRE WARNINGS

by Linda Lerner

Image source: Linda Lerner


we were warned to keep away from strangers
to be suspicious of anyone not like us

people of other races and of different religions from ours
atheists and all free spirits especially artists

we were warned about sleeping in other people’s homes
eating food we weren’t familiar with

getting overexcited and too emotional about things
of danger lurking in sleep away camp and open road clubs

discouraged from swimming, bike riding getting too much sun
we were warned about touching ourselves and

of men who only wanted one thing
about drugs and sex and how “the more you get the more you want”

we were warned about many things
but nobody warned us about the trees

we played ring around the rosy under
that kept the sun from burning us

trees whose leaves dazzled us with color every autumn
infested with fungus or mold and dying of root rot

environmentalists sent out alarms with  predictions
we dismissed along with climate change as nonsense

nobody warned us that the trees would become killers
and uproot lifting up slabs of concrete from under us

break thru iron gates into homes flattening cars 
killing anyone in their way

nobody warned us…


Linda Lerner's Takes Guts and Years Sometimes (New & Selected Poems) is published by New York Quarterly Press.

Tuesday, November 13, 2012

PEACE BROKERS

by Angie Trudell Vasquez


Peace Brokers dance
even when there’s no chance
of winning, they move to
their own beat path
plan for the best and worst
and recant all previous positions
if necessary – they are not
too proud to say they were wrong
or misguided; and listen to the hand
extended in warmth, gripping
close with their own heart
all that they hold dear; and
perchance a day of reckoning comes near
and the dead rise from their graves
find their tongue and debate
with heat about the success
of so many years spent lying beneath the grass;
the peace brokers listen, take tea,
nod when they agree,
hold up a pen
when they do not
indicating they’d like time
at the podium of truth
when the others are done speaking;
peace brokers take notes, ask questions,
and resolve not to leave the table
until all has been said, heard and agreed
until an action plan is set for the next meet
and they do not give up ever or admit defeat
because what is to gain is so sweet.


Angie Trudell Vasquez is a poet and writer currently living in Milwaukee, WI. She's been published by Verse Wisconsin, Burdock, Raven Chronicles, Real Change and was the featured poet for the Latina Monologues from 2009 to 2011. In 2003 she was a featured poet at Bumbershoot, Seattle's Music and Art Festival. Her first book The Force Your Face Carries has been published under her own label, Art Night Books.

Monday, November 12, 2012

THE FRAGONARDS PLAY A HOME GAME

by M. A. Schaffner

Image source: Pébéo


Through all my life I’ve grown up just enough
to step back through the looking glass and sing
nonsense songs while shaving.  You know the tunes.
Context has everything to do with death,
and that changes constantly, so today
I’ll settle for a six pack and a game
of football or Scrabble.  Let small dogs watch
as we wrestle with ambition and win
one more time, because we know its weak points.
Last night there was a moon.  There will be again
long after we uncork our last bottle.
We solved the world’s problems.  It will have more,
but I don’t need to work them any more
than will finches nesting over the grill,
or their neighbors, the squirrels, or the cats
hunting stupidly, garden to garden.


M. A. Schaffner has work recently published or forthcoming in The Hollins Critic, Magma, Tulane Review, Gargoyle, and Skirmish Magazine.  Other writings include the poetry collection The Good Opinion of Squirrels, and the novel War Boys.  Schaffner used to work as a civil servant, but now serves civil pugs.

Saturday, November 10, 2012

YPRES

by Howie Good                            
                                      
                                            for Sarah M. & Tom C.


Tyne Cot cemetery on the Ypres Salient, Belgium.

Despite
a cold
misty rain

poplars
stand
at attention

as

we wander
jet-lagged

down rows
& rows
of gravestones

40,000
stubby
white teeth

bared


Howie Good, a journalism professor at SUNY New Paltz, is the author of the full-length poetry collections Lovesick (Press Americana, 2009), Heart With a Dirty Windshield (BeWrite Books, 2010), and Everything Reminds Me of Me (Desperanto, 2011), as well as numerous print and digital poetry chapbooks, including most recently Love Dagger from Right Hand Pointing, To Shadowy Blue from Gold Wake Press and Love in a Time of Paranoia from Diamond Point Press.

ELECTION CANVASSING IN NEW HAMPSHIRE, 2012

by Mary Dingee Fillmore

Illustration by Christiane Engel


The woman who never votes
cracks the door.  Her grimy trailer stinks
of smoke and despair.  She says no,
the election’s nothing to do with her,
as she shoves her kids behind her, swats
at the dog.  I can’t persuade her.

Walking down her rotting steps, I go on
driving the streets, knocking on doors, not
for him, the President, likeable and whole
but for her, her young face already sagging.
I have to stop a white man burdened
with too many Cadillacs, whose every meal
is cooked by a woman, who hasn’t ironed
a shirt for decades. To stop him now
from clawing away the last of her few
rights, the right to whatever’s left
of her beautiful, human body
so like mine.


Mary Dingee Fillmore is a poet and novelist who writes about the Holocaust and Resistance in the Netherlands among other subjects.  Her work has been published here, the Atlanta Review, Slant, Upstreet, Pearl, Diner, Westview, Main Street Rag, Pinyon and Blueline.  In her spare time, she helps nonprofit organizations decide what to do and why, and has had her own business, Changing Work, since 1982.