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Showing posts with label drawings. Show all posts
Showing posts with label drawings. Show all posts

Thursday, October 29, 2026

PEAT MOSS AND CLOVER

by Julie Steiner


Photo credit: Julie Steiner


Some smells are Portkeys: following your nose
will take you where you wouldn't choose. The past,
as patient as a paparazzo, lies
in wait in harmless objects, poised to spring.
One soap brand’s scent assaults you. (There’s no way
you’d share that silly symptom with a doctor.)

Your mother had a friend who was a doctor —
the sort of gent who won’t look down his nose
at those beneath him. Honored by the way
they’re treated, social climbers think they’ve passed
some test that’s caused their public stock to spring
up fifty points. (We tell ourselves such lies.)

Our own redemption makes us idolize
such reputable citizens as Doctor
Snow. We’re baptized in their sacred spring.
If kissing up to them should brown your nose,
you hold them blameless. Demigods are past
reproach. Shit happens, but some other way.

So when your kid complains about the way
he shows affection, know the trouble lies
in misinterpretation. No one’s passed
the slightest ugly hint about the doctor.
He hugs a lot—that, everybody knows—
but Honi soit qui mal y pense. Don’t spring

to damaging conclusions. Irish Spring
(a bar held in her mouth) should wash away
the filth she’s said. But soon the whole town knows
about your kid’s attention-getting lies.
She starts accusing classmates, not just Doctor
Snow. The social life you loved is past.

And now these drawings! When will she get past
this stage? You hope her sex craze doesn’t spring
from something in your gene pool. Playing doctor,
miming sex acts—this could be the way
your grandpas went so wrong. Salvation lies
in moving to a place where no one knows

your problem child. There, doctor up her past.
Ignore her noes. Keep buying Irish Spring.
Don't cave to tantrums. That way madness lies.


Author's Note: The following context for the sestina "Peat Moss and Clover"—named for the scent profile of Irish Spring deodorant soap—might cast light on two recent news stories: first, the attack ad featuring Ohio gubernatorial candidate Amy Acton's mother calling her a liar, and second, the Cornell Seven situation.

The second-person narrator changes from the child's perspective to the mother's over the course of the poem, to reflect the erasure I have felt whenever I've tried to get my mom to acknowledge that I did, indeed, experience sexual abuse from ages five to seven, and that she and my father punished me for trying to report it (as well as for my attempts to come to terms with it, through drawings and playacting). She still clings to her preferred narrative—namely, that I was a deeply sinful kid, but through firm parental discipline and fervent prayer, she and my father saved me from being a pervert like the many convicted sexual predators in her family tree.

It is unsurprising that both my own mom and Amy Acton's are so deeply invested in characterizing their daughters as liars. The alternative is admitting that they made a bad situation worse for their kids, and that they continue to wrong us by being in such obstinate denial decades later. If I can't expect my mother, with whom I am otherwise on good terms, to give up the self-exonerating idea that her young daughter's claims of sexual abuse were just attention-seeking lies, I certainly wouldn't expect Acton's estranged and unstable mom to be able do so.

I had thought that the sexual abuse I experienced from other kids was an outlier, because my elementary school situation seemed unique. Many of my classmates were years older than I was, because I was put into an "open education" class—my elementary school's dumping ground for special needs kids of mixed ages. Hans Asperger was still a decade away from publishing the news that some individuals with autism have average, or even high, intelligence, but can be overwhelmed by sensory input (such as buzzing fluorescent lights, or by an entire classroom's worth of kids radiating laundry detergent and shampoo perfumes). My school didn't know what to do with me. I had entered kindergarten as a strong reader and was excellent at math, but I disrupted any classroom I was put into with my near-daily tantrums and distracting "stimming" behaviors. So they put me where I would only disrupt the almost non-existent education of the throwaway kids—those referred to in the day's lingo as "mentally retarded." These kids also happened to represent the population that is at the highest risk for being targeted by sexual predators. Some of my classmates were probably experiencing sexual contact outside of school, and were trying to make sense of it by experimenting on younger kids, like me. (I regret to say that I, in turn, did the same thing myself, when given the opportunity.)

But perhaps my victimization by, and of, other children was less unique than I'd thought. In an Oct. 20 PBS NewsHour interview, an expert on child sexual abuse said: 

"Up to 70% of contact offenses in the U.S. are caused by other kids. People are surprised that a lot of it is at the hands of other kids, and it can be every bit as harmful as adult-perpetrated abuse. But kids often do it for different reasons and under different circumstances [than adult offenders]. [...] Being cognizant of the fact that your kids are capable of causing harm, and teaching them not only about giving consent, but also about receivingconsent—this topic is coming up more and more, especially in the moment with the Cornell Seven. A lot of people are looking at the parents' involvement, and thinking about 'How did they teach their kids?' [...] It's a really good example of how we should be teaching our sons and our daughters about both sides of the [consent] equation."

I highly recommend the full interview with authors Elizabeth Letourneau and Luke Malone about their book One in Five: Why Child Sexual Abuse Is Our Biggest Public Health Crisis, available for free viewing on the PBS NewsHour website. It is surprisingly hopeful.


Editor’s note: The New Verse News is honored to continue to host, in the wake of the news at Cornell, a series of courageous memoir poems.


Julie Steiner is a pseudonym in San Diego. For her other poems in repeating forms and/or on this topic—many of them first published in The New Verse News—see her Substack, Off-Piste on Mount Parnassus.



Saturday, March 07, 2026

CLAMPDOWN AT DILLEY DETENTION CENTER

by Ellen Romano


Children detained at the immigrant family detention center in Dilley, Texas, speaking with ProPublica reporter Mica Rosenberg over video call. Clockwise from top left: Diana Crespo, Luka Mora, Juan Nicolas Mo, Alexander Perez, Amalia Arrieta, Mayra Delgado. Mica Rosenberg/ProPublica. Click here to donate to ProPublica.


 

Imagine the children’s drawings, 

a family of three, standing in a cage, 

a family of five, standing in a cage, their faces blank,

a family of seven lying down in a cage, labelled

with the words, me quiero ir,  I want to go home. 

 

Imagine the children’s letters,

We are kidnapped, help.

There’s an agent here, he’s watching us.

I can’t see Willi, accompanied by a picture of a pet cat.

 

On the day the art supplies are confiscated,

crayons, pencils, drawing paper,

the letters and pictures are seized as well,

portraits of friends, the tracing of a child’s hand,

tears and a frowning face in the palm,

even a five year-old’s picture of a peaked roof house,

lit from one corner by an inextinguishable sun.

 

One mother saves a handful of shredded pages,

all that is left of her daughter’s drawings. In a place

that is never warm enough, another mother hides

the drawings of as many children as she can

in the sleeves of her puffy jacket, carries them

everywhere. 

 

Imagine a government that tries to steal 

a child’s ability to imagine, imagine a five-year old

wearing a detention uniform, a replacement 

for the blue, bunny-eared jacket taken from him,

the conejo that shared his name,

 

imagine a child’s voice too dangerous to be heard,

though no louder than the sound

a crayon makes on a scrap of paper.



Author’s note: All descriptions of children's letters and art work were taken from various news articles except for the description of a five-year old's picture of a house, which as an elementary school educator I feel is quite typical.



Ellen Romano, she/her, is an educator, mother, grandmother, widow, and beekeeper living with her dog, Doc, in Hayward, California. She is the winner of Third Wednesday’s 2023 Poetry Prize, and won second place in Naugatuck River Review’s 2023 Narrative Poetry Contest. Other work has appeared in Lascaux Review, The Deadlands, december magazine, and other publications. 

Tuesday, November 22, 2016

SALIENTS

by Mara Adamitz Scrupe


Adamitz Scrupe's original drawings “Fallible” (left) and “What” are from a series entitled “Mourning Drawings”. More information about these and other artwork is available at www.scrupe.com.


                        in meth lab country              we shove rags           
                                                                                    in our mouths           
so nobody knows      we’re             abandoned   

lately I hear   more

            than I have in years in referendum’s         heat
so hot
                         we’re home-stunned/ advantaged still     

whispering/ triumphal:       if all my dreams         came true                              

            rednecks & crackers            & good old boys        
(accurate as anything           I guess) alongside my aunties & uncles

& first cousins left-behind Jack Pine Savages      if you’re looking up  
 north

            know a .22’s perfect for squirrel     dead aim blind

            sharpshooters           in this homegrown war you never
saw coming    & the angels of our better natures shift

                        to snipers/ take the blunt/ try hard          not to die
 (for whatever that’s worth)                        & journalists opine


            & pundits outline options    it won’t last    long    
or        get off your over-educated asses       & rumble        

                                    respectively

            & the spotlight's on misfits & white woman renegades & lip
service & the other audience/ the other side/ half          over the shoulder

                        patriots           ever bruise-less         ever unblemished
 cocksure until                       


            today the tree guy I’ve known since he was a twelve year old kid                 

                     came by (& Iraq        & Afghanistan  & a bad attitude)

stands at my door  we two in-country real-life rural witnessers       


            we in the fire             we       waiting it out in a gale hermetic
as felted wool            we two     fixed        in the blind spot      


                                                            our salients                spelled out


Mara Adamitz Scrupe is a writer and visual artist. She was born and raised in Minnesota and has lived in Virginia for the past thirty years. While both her home and her adopted States went for the Democratic candidate, she’s pretty sure almost all of her relatives voted Republican.