BURN ME, I TELL THE TRUTH

by Amy Wolf 

AI-generated graphic by Shutterstock for The New Verse News.

Burn me, I tell the truth.

In the hardwood floor, pine cool green painted wall calm

Of the yoga studios of Seattle

A battle rages.

Some say, “I am having my sound baths. I am going to reiki circle

I will not talk about politics . I am on a FAST from news media.

I am taking care of my mental well being.

I am not letting THAT MAN take another thing from me.”

Some, in the self-same yoga studios, aware of their skin color to the point of pain,

Say, “I am engaging in mutual aid. I am marching on Saturday. I am standing

Between my neighbors and ICE.

We all have a responsibility. First they came for the immigrants

And trans people

And I know how that poem ends so I fucking did something.”

The two sides do not meet. They do not speak. Mostly because the self-care

Sound bath socially reclusive “my mental health” crowd will not speak.

Fingers in ears, loudly chanting La la la la la at need,

They watch the ICE cars go by.

They watch their neighbors lose jobs, and hormones, security, and housing.

But they are secure in their soymilk organic mudbath facepeels and they do not despair.

“My guru tells me self-care is the very best thing I can do for the planet,

So Monday I leave for Sedona,” they say.

While Vanessa travels to the prisons to teach yoga to inmates

And Jack packs sandwiches and handwarmers to hand out to the people in tents under

the freeway

And Martha learns how to advocate for the undocumented and takes a few into her

house, her huge house, and hides them.

Amy does little but express herself to all the people who could lock her up if they so

chose,

For disparaging the regime, for insisting on rights , not just hers but other peoples.

And in the yoga studios of Seattle, the battle rages on.

Mostly in silence

Because they leave, when we tell them that the world around them is their business

And we none of us have this luxury at this time.

These are the days we spoke of, when we asked, “why didn’t the ordinary people of

Germany stop them?”

If you ever wondered what you would have done then,

Ask yourself what you are doing now, and you will have your answer.

Writers, healers, poets, musicians, humans: take care of yourself

But like the buffalo, face into the storm

Running and hiding will not protect you.

Not this time.

We will remember, when it is over, who fought

And who did not.

You might not wish to face that chill reception.

Amy Wolf is an LMT and energy worker who resides in Seattle, WA, and is studying writing.

NO JUSTICE

by Mary Saracino 

Source: Pinterest

In what pocket of my heart do I shove my grief  

over vigilante white boys being exonerated?

In this land of justice, justice was not served.

The scales of Lady Justice have been upended. 

The blindfold covering her eyes has been torn asunder.

She weeps with outrage.

She wails with sorrow.

She sees the abuse of power.

She calls us to resist.

And for the preservation of humankind

we must act

for love is a verb

and resistance is the antidote

to evil, to fear, to hatred,

the only medicine that

can heal

what festers deepest in the wounds of America's inglorious story.

No shining city on the hill,

a nation founded on unspeakable atrocities

must tourniquet its bleeding limbs

suture its oozing lesions 

nurse its traumatized people back to wholeness.

Together we must embark on this  

beautiful and necessary mending.

Or die trying. 

Mary Saracino is a novelist, memoir writer, and poet. Her most recent novel Heretics: A Love Story (2014) was published by Pearlsong Press. Her novel The Singing of Swans (Pearlsong Press 2006) was named a 2007 Lambda Literary Awards finalist in the Spirituality category.

A POEM IN WHICH I COMPARE MYSELF TO THE PRESIDENT

by Mark Williams

The President plays catch with former New York Yankees Hall of Fame pitcher Mariano Rivera as he greets youth baseball players on the South Lawn of the White House to mark Opening Day for Major League Baseball, Thursday, July 23, 2020, in Washington. (Drew Angerer/Getty Images via Chicago Tribune)

The lines are straight, votes streaming in

like a fastball from the hand of Larry Broerman.

That’s me at the plate. I am ten years old,

squaring around to bunt in fear. Notice

how the ball is coming in too fast for me to move.

Watch me catch it with my groin. See 

the coaches and my parents run onto the field

and huddle round my crumpled, writhing form. 

Watch my father unbutton my pants and say, “Breathe.”

 

I don’t care about my team. My only interest

is my stats. I bat in the low .200’s, but if you ask,

I’ll tell you about the double I once hit. Never mind 

I make consistent errors in right field.

Occasionally, I catch one. But for now,

 

behold me as I stand. Gaze upon me 

as I trot toward first base, even as my still-

unbuttoned pants fall from my waist, slide down my legs, 

and drop onto the first base path. Consider 

how the fans go wild. Listen to them cheer

as my short-lived, unaccomplished baseball career

comes to its ignominious end.

Mark Williams's poems have appeared in The Southern Review, Rattle, and The American Journal of Poetry. His poems in response to the current administration have appeared in The New Verse News, Writers Resist, Poets Reading the News, and Tuck Magazine. His baseball career ended in Evansville, Indiana, where he still lives.

JEREMIAH 2020AD

by Julie Kramer

Immigrant families wait in May 2019 in Los Ebanos, Tex., to be searched and taken to a U.S. Border Patrol station after they were caught illegally crossing into the United States from Mexico. Credit: Jabin Botsford/The Washington Post, October 23, 2020

“Suffer little children, and forbid them not, to come unto me: for of such is the kingdom of heaven.” —Matthew 19:14

 

You put them in cages

    and arm their enemies with AK47s

You take away their food

   and say that it is for their own good

You dirty their air and water

   and point to it as progress

You make their world uninhabitable

   and call their cries a hoax

You let your police

   murder them in their beds

   and say they deserved it

You punish their governors

   for standing up for them

You take away their families’ health insurance

   and say it’s in service of freedom

You beat them in the streets

   because they challenge your authority

You promise them relief

   and present it to the rich

You insult their allies

   and sell out their friends

You sit by as they die of a dread disease

  saying it will just... go away

You defile and debase

   the halls of their government

   with petty criminals and yes men

You make their lives less sane, less safe, and less free

 

You think that their God is sleeping

   do not be deceived

God will bring about his justice

   through the least of things

Including teenage TikTokers

               small dollar donations

                                absentee ballots

                                               and subpoenas.

 

Julie Kramer is a molecular biologist, lay minister, marketer, and mom of three teenagers living in Madison, Wisconsin.  In 2012, she made the unforeseen and disconcerting discovery that she is also a poet. Her themes include family, religion, #me too, and current events. She has had previous work published in the Journal of Women and Religion, and the Wisconsin UCC Conference newsletter.

A SONNET FOR GEORGE FLOYD AND MANY MORE

by Scot Slaby

Old white knights sit atop white steeds
believing blindly that their deeds
are God-ordained—a Christian right-
ness coupled with systemic white-
ness—ancient notions from the West.
They claim their weapons are the best.
Their helmets shield us from their faces.
Do they protect and serve all places?
Black knights have seen this all before:
refusing to bow before a Moor,
white knights wage wars to hold their power.
They raze our homes; their flames devour.

We must resist. We know it's right
to kneel. To raise one fist. To fight.

Scot Slaby's chapbooks include The Cards We've Drawn (Bright Hill Press, 2013) and Bugs Us All (Entasis Press, 2016). His poems have appeared in The Book of Forms: A Handbook of Poetics Including Odd and Invented Forms, Arcana: The Tarot Poetry Anthology, Like Light: 25 Years of Poetry & Prose by Bright Hill Poets & Authors, unsplendid, and elsewhere. An international educator, he divides his time between Shanghai, China and Minneapolis, Minnesota.

BUG

by Gil Hoy

I know it's not
what you want,
but I can't live
if I can't get
inside of you.
To be precise,
I'm not really living
at all. I have no cellular
organelles, no DNA.
I can't grow on my own
and require your genetic
instructions to survive.
I can't continue to multiply
and thrive outside of you. Soap
and water are my kryptonite. Is it
selfish of me to want to exist?
I pray you don't really think so.
Even if  what I have is not much
of a life. Please consider things
from my perspective. If I could,
I'd organize my fellow contagions.
Get us all together to create
a super Pac. I long to keep
the status quo. Both Biden
and Sanders, they scare me.
They listen to scientists. That
nescient man in the White House
doesn't understand what I'm about.
Which is fine with me. Think of me
as a microscopic, infective agent
just looking to blossom. Be kind,
be compassionate come November.
Let's keep our arrangement of quiet
indifference intact. Let's just leave
well enough alone.

Gil Hoy is a Boston poet, Democratic political activist, and semi-retired trial lawyer. He studied poetry at Boston University through its Evergreen program. Hoy received a B.A. in Philosophy and Political Science from Boston University, an M.A. in Government from Georgetown University, and a J.D. from the University of Virginia School of Law. He served as a Brookline, Massachusetts Selectman for four terms. Hoy’s poetry has appeared, or will be appearing, in TheNewVerse.News,  Mobius: The Journal of Social Change, Tipton Poetry Journal, Chiron Review, Ariel Chart, MisfitMagazine, The Potomac, The Penmen Review, One Sentence Poems and elsewhere.

CREDIBILITY GAP

Robert West is the author of three chapbooks of poems, including Convalescent (Finishing Line Press, 2011); the co-editor of Succinct: The Broadstone Anthology of Short Poems (Broadstone Books, 2013); and the editor of both volumes of The Complete Poems of A. R. Ammons (W. W. Norton, 2017).

OCTOBER LIGHT

by Buff Whitman-Bradley





It is quiet now
In the corners
Where dust collects itself
And afternoon light
Relaxes its shoulders
As it prepares
For its daily departure.
All day it has been
Early October
Hot as August or July
And drier than dry—
But we are not fooled.
Look at the leaves
Teasing us
With the faintest hints
Of the russets and golds
And wild vermillions
That soon enough
Will inhabit the snug dwellings
Where their green sister chlorophyll
Has resided
Since the February arrival
Of spring.
Look at the long shadows
Falling across houses and streets
Lounging in parks and playgrounds,
Look at the honeyed light
Sprawling on manicured lawns
And fading gardens.
Feel the air,
Apologetically hot
And promising that this heat,
This spit-thickening dryness,
Will not last much longer,
That the familiar, reassuring chill
Of autumn
Will soon return to our evenings
To herald the arrival
Of the season of heavy rains.
But of course these days
With the climate being systematically mauled
By billionaire carbon-suckers
We can’t be sure
What the coming months
Will have in store for us.
And for that matter
We cannot even count on October
Remaining the October
We have always loved,
That paragon of months,
The crown jewel
In the year’s annular passage,
The golden door
Between summer and winter.
We must struggle and hope,
Defy and resist and disrupt
To defeat those who are ravaging
Our weather and our earth
And replace them
With our kind of folks,
The ones who believe in communities
Of mutual support and nourishment,
The ones who reject profit
As a way to measure human worth,
The ones whose furious spirits take flight
In October light.


Buff Whitman-Bradley's poems have appeared in many print and online journals. His most recent books are To Get Our Bearings in this Wheeling World and Cancer Cantata. With his wife Cynthia, he produced the award-winning documentary film Outside In and, with the MIRC film collective, made the film Por Que Venimos. His interviews with soldiers refusing to fight in Iraq and Afghanistan were made into the book About Face: Military Resisters Turn Against War. He lives in northern California. He podcasts at: thirdactpoems.podbean.com .

PERSPECTIVE

by Janice D. Soderling





We are each but a minuscule dust mote
adrift for better or worse.
This earth is our bobbing lifeboat
in an alien universe.

So if T***p builds a Southern Wall
is of no consequence at all,
except for those on history's pages
who have their babies locked in cages.

Janice D. Soderling is widely published in print and online journals. Her work is included in the anthologies Nasty Women Poets and The Great American Wise Ass Poetry.

AT THE TEXAS BORDER CROSSING

by Wendy Hoffman





Justice is a pebble under the rug you trip over,
a slipped stitch on embroidery,
mail that fails to be delivered.

I want to give my kids life
so the gangs won’t rape
or kill them,
so we can buy food, not steal.

Does that make me a criminal?
It makes me unwanted.
I didn’t think we’d make it to the border
but we did, thirsty, filthy.

I thought the children would faint,
I carried the youngest.
Asylum: that was for the old days.

The stiff legged officers pace like dictators.
Some enjoy, some hate, their job.
All my children severed from my spine,

its sound like a building demolished.
Our pleading cries carry no weight,
our filled lungs don’t matter.

Will I hug empty air for the rest of my life?
I don’t know where they took my children,
I may never feel or smell them again.
The space between us is deeper than a grave.

How can people in uniforms rip out my soul?
This theft will be engraved in my children’s minds forever.
First starvation, then murder of our bond.
They send me home alone.

What will they do with my children,
who cares about them?
Asylum: a dream from the past,
democracy doesn’t exist.

The gangs are restless,
they know I am here,
they prowl.

Wendy Hoffman is a retired social worker. Karnac Books, London, published her memoirs in 2014 and 2015, and a co-authored book of essays, in 2017. Her books are now with Aeon Publishers in England and Routlege in New York. Her first book of poetry was published in 2016. A new memoir is forthcoming. She has a MFA in creative writing and lives on the Olympic Peninsula with her dog.

JUST THE FACTS

by g emil reutter

The shade is always drawn
bland as a meadow hiding from the sun
robin pecks at cracks in dirt
worms deep in hardened soil.

This poem could be about window shades
a meadow, a robin or worms but it isn’t.

Coffee maker gasps and chugs, good to the
last drop, I pour my morning fix. Sun is shy
today, humidity at 83%.

But this poem isn’t about a good cup of coffee
or the weather today.

On Wednesday I watched as the old man spoke
baggy eyes, drawn face. A serious man encircled
by the circus of sound bite panelists. He spoke
the truth, did not perform.

Not a hoax he said, integrity he said, obstruction
true he said, no conspiracy with the enemy he
said, contacts he said. Although there was a
sputter here and there, his just the facts response
reflected courage, the search for the truth.

The Russians are coming again in 2020 he said.

In this time of chicken-hawks, cowardly pols
self-important talking heads, this old man
pushed up the blind, let the sun in.

Down Pennsylvania Avenue, President Bone Spur
squints from the light, speaks of performance
distorts facts, criticizes the heroic old man whose
shoes he could never wear.

And so it is, moisture from the air seeps into the
ground, unrelenting robin hops and listens, plucks
a fat worm through the softened surface. Much as
the old man did on a Wednesday in July of 2019.


g emil reutter can be found at here.

COLORING

by Laura Lee Washburn

This drawing is part of an exhibition in Tucson, AZ of original watercolors and other artworks by kids whose families have fled to the U.S. seeking asylum. Casa Alitas operates a refugee shelter in a former Benedictine Monastery and offers art-making classes to traumatized kids released from detention.

“It’s not what you look at that matters,

  it’s what you see.”

—Henry David Thoreau

In the blue pool with jogging women
every morning this month I’ve seen
in distant tree yellow busted balloon.

I have ridden the packed dirt
on a brown three-speed bike
almost into long black snake.

I have been to the marsh
where green leaves reflect
from brown tannin waters.
I will go there again.

I have felt unease, eaten
too much sugar, sagged
at the loneliness of bad friendships.

I’ve helped light one hundred and forty candles
after dark, listened to testimony, heard
the names of six dead migrant children:

Darlyn, Jakelin, Felipe, Juanito, Wilmer, Carlos.
I’ve read the judicial arguments on soap
and sleep, toothpaste, blankets.

When the green leaves blow,
I watch through bamboo blinds,
live action but dim impressions of bright.

I have driven in blind white
sun on the turnpike’s upward curve
and made it south enough to see again.

I have driven twenty in storm
shocking white water rains
when the pea-sized summer hail
begins to tap.
I have not turned
around at the lake in the road.
 —I have judged and been judged—

Stupid people    this local woman
hosted a vigil because of “images” she saw.
How does she know [How does she know?]
the images are really detention centers?
    people who serve the DARK!
    scum invading      disease and violence
our president taking down the evil
Stop believing or search for the truth
everything is really a lie!

Laura Lee Washburn has taught how to tell creditable sources from biased sources, has never been held in a cell, and donates her time to a Southeast Kansas organization that helps women in poverty resolve crises.

THE COMMISSIONER OF TRANQUILITY

by William Aarnes 


                       

from the 2019 Independence Day speech

What’s troubling shouldn’t trouble us.  Whatever the news,
only the seditious believe the caging of refugee children

will go on too long.  Maybe, in some subversives’ imaginations,
addicts will keep overdosing.  Maybe storms will devastate

the islands where we vacation.  Maybe dictators will stay
in power in some foreign countries, countries where the rich

can count on the police but the poor can’t.   Maybe
in the once murky past hard-working laborers couldn’t pay

their rent—but never in this land of promise, never
in the comfort of our time.  We’re blessed we can focus

on the inspiring resolve of those families rebuilding
their burned-out homes. We’re lucky we can relish

hearing a decorated veteran belt out our national anthem
as if she’s cured of her PTSD, the athletes singing along,

all of them with hands on their hearts.  And aren’t we charmed
by the fourth-grade teacher who’s earned a raise

by bringing a gun to school?  Why give a moment’s thought
to hardships suffered by people who deserve them?

Didn’t our parents say, “Look on the bright side”?
Only those who belong elsewhere would deny that life

in our beloved country is the epitome of the bright side.
Why should we put up with any doubt?   Everyone’s happy

that what’s happening can never happen to us.


William Aarnes lives in South Carolina.

NEW MATH

by Tricia Knoll

We have to assume other people do his math.
Fill out the multiple lines on multiple forms
with different answers depending on to whom
he is giving his tax returns. Maybe he is even
math challenged and would never check
those figures for exaggerations. How would
he know one from the other; his life is base-ten
on bloat. We know he thinks parts per million
of CO2 in the atmosphere are not proportionate
with disturbing one fraction of a second of his time.

The military did the recent math for him,
he hadn’t asked until late in the game
about the rules: how many people could die
to balance the loss of a drone. He says
one hundred and fifty is too many.
Not proportionate. (And ludicrously
low we suspect.) So are they sitting
around right now trying to decide
what is the right proportion? A figure
that works for a world teetering
on the brink of another war disaster?
Math you can explain to a child
who can hold up two fingers
to tell his age?

He might be able to handle the old daisy oracle.
It’s pretty simple. Pluck a petal. Pluck a petal.
He loves me. He loves me not.

Tricia Knoll is a Vermont poet whose work appears widely in journals and anthologies. She is spending a lot of time pulling up invasive species in a woods, thinking about math and probabilities.

THE BILL OF RIGHTS: REDACTED VERSION

an erasure by Ed Werstein

"Redaction Distraction" by John McNamee posted at TheNib, February 10th, 2017

Article I: Congress shall make law prohibiting freedom of speech and petition of grievances.
Article II: Necessary to keep arms.
Article III: Consent of war to be prescribed by law.
Article IV: Searches and seizures shall issue. Persons, things, to be seized.
Article V: Persons held in jeopardy, compelled to witness against freedom without compensation.
Article VI: Criminal prosecutions by the State shall be compulsory.
Article VII: Suits shall exceed. Dollars shall be preserved. No fact shall be reexamined.
Article VIII: Excessive bail shall be required; punishments inflicted.
Article IX: The Constitution shall be construed to disparage the people.
Article X: Power to the United States!  


Ed Werstein, a regional VP of the Wisconsin Fellowship of Poets, was awarded the 2018 Lorine Niedecker Prize for Poetry by the Council For Wisconsin Writers. His work has appeared in Stoneboat, Blue Collar Review, Gyroscope Review, among other publications, and is forthcoming in Rosebud. His 2018 book A Tar Pit To Dye In is available from Kelsay Books. His chapbook Who Are We Then? was published in 2013 by Partisan Press.

SONNET: AMERICA IN 2019

by Robert Darling

Donald Trump — Riding the Wrecking Ball, by DonkeyHotey

A would-be tyrant and accomplished liar

as president, the courts deaf to the poor,

and Congress filled with dotards up for hire;

the churches silent on what they should deplore

with priests and pastors who serve their own desire,

and conscience quiet in communities at war

with common sense.  As once the drivers of slaves

claimed they were slaves themselves, is hypocrisy

the driver of our facts? We build on graves

of genocide and treat our history

as promised consummation, the end of days,

and claim our innocence has kept us free.

And if bare, battered Truth somehow appeared

would we have eyes to see or ears to hear? 

Robert Darling has published two full-length collections of poetry, So Far and Gleanings, three chapbooks of poems, Boundaries, The Craftsman’s Praise, and Breaking the Silence and a volume of criticism on the Australian poet A.D. Hope. He has contributed poems and reviews to over fifty magazines and articles in several reference books in the US, Great Britain, Canada, and Australia.  He is Professor in Humanities and Fine Arts at Keuka College. The above poem is a response/updating of Shelley's "Sonnet: England in 1819."

WINTER FRUIT

"Empire" star Jussie Smollett was hospitalized after “a possible racially charged” and homophobic assault and battery, Chief Anthony Guglielmi of the Chicago Police Department said in a statement Tuesday. —USA Today, January 29, 2019

James Penha edits TheNewVerse.News .

A GOLDEN SHOVEL AFTER REP. RASHIDA TLAIB

by Karen Shepherd

“People love you and you win, and when your son looks at you and says, ‘Mama, look, you won. Bullies don’t win.’ I said, ‘Baby, they don’t, because we’re going to go in there and we’re going to impeach the motherfucker.'”

They’re outside in their blue shirts with patches and neckerchiefs.  Oh mama!
The Cub Scouts are out in the rain recycling the disrobed trees again. Look—
the little ones are struggling to lift and load those noble corpses! You
know I’m not going out there to help. No way-too cold. I think they’ve won
the War on Christmas, by the way, those little deconstructionist bullies
hauling away holiday cheer for a donation sealed in a Ziplock bag. I don’t
really care, though. I’m teasing, eating too much chocolate. And I can win
at other things. Like raising a glass before lunch, refreshing newsfeeds and
licking the rim of the eggnog carton. With the ornaments packed, I
can pour more vodka in my coffee, light my bowl and kick it. Someone said
Be Best and you know I’m being and doing my best now, baby.
No one is paying or being paid, toilets overflow, the zoo is shut and they
say maybe it's really a strike. National emergency. Yeah, okay, chill. Don’t
you know smooth voiced 44 hit the Billboard charts? Yeah, that’s because
there is some karma left. And it dances, sings and swears. Now as we’re
forced into gingerbread cookie detox programs, I ain’t gonna
lie (like the king). This won’t be some “but-I-posted-about it” easy go.
Things get uglier before they get prettier. I had to put all the nutcrackers in
boxes that looked like coffins, pack up the merry-making, stack them there
in the garage 'til next Thanksgiving. The scouts are dragged out there, and
really, they just want to shoot arrows at camp. Go ahead, please, impeach
the Grinch, the happily-ever-privileged, the liars, the pussy grabbers, the—
never mind. I’m off to take a nap, hoping to sleep off this motherfucker.


Editor's Note: The Golden Shovel is a poetic form devised  by Terrance Hayes in homage to Gwendolyn Brooks. ("Golden Shovel" is a reference to "Seven at the Golden Shovel" in the Brooks poem "We Real Cool" from which Hayes built the first Golden Shovel poem.) The last words of each line in a Golden Shovel poem are, in order, words from a line or lines taken often, but not invariably, from a Brooks poem.

Karen Shepherd lives with her husband and two teenagers in the Pacific Northwest of the United States where she enjoys walking in forests and listening to the rain. Her poetry and short fiction have been published in various journals including Constellate Literary Journal, The Literary Nest, Halfway Down the Stairs, Riddled With Arrows and Wales Haiku Journal. 

ANOTHER YEAR

by George Held

Another year ends and a new year starts
and I have fewer—it’s just math—
to count on, but I’m glad to have
been born too young for WW 2
and too old for Korea and Nam

and too ancient for the all-volunteer
Army dispatched, like Caesar’s legions,
to any hot spot in the Empire,
though Afghanistan’s a region
a bit too far out for our ambition.

Another year, the President’s third
in office, on the horizon for him
to continue our retreats
from remote and alien climes
(poetic word for “region” and for rhymes)

or to launch new strikes, like missiles
out of the blue: it’s all up to him,
our grand commander-in-chief,
our modern chief executive officer
and main deal-maker and pussy-grabber.

Will this be another year of immunity
for executive privilege, the one man
above the law, for him who has slouched
from the bestial floor in Bethlehem
to rename the world like a neo-Adam,

whose jutting chin recalls Mussolini
and racist rants echo Hitler’s
and whose repeated lies outdo Goebbels’
but who knows how to talk the talk
that enthralls his adamantine Base.

Another year, or could it be our last
before the earth floods or a nuclear blast
solves our overpopulation problem?
The bourgeoisie now draw near the edge
over which many poor have lately plunged,

and the widespread wish of “Happy New Year”
seems frivolous if not a beard for fear.

A longtime contributor to the TheNewVerse.News, George Held writes from New York. His forthcoming book is Second Sight (Poets Wear Prada, 2019).

IF MY MOTHER WERE ALIVE

by Diane Elayne Dees

If my mother were alive, what would she say?
She might just laugh and make fun of his hair,
or turn her eyes and quickly walk away.

She might recall a loud and smoky day
when she huddled underground, alone and scared.
If my mother were alive, what would she say

about the way the mobs are stirred today?
She might act as though she doesn’t really care,
yet turn her eyes and quickly walk away.

When he talks about the ones who shouldn’t stay
among us, would she find that hard to bear,
if my mother were alive? What would she say

about the vulgar signs, the cruel display
of bigotry, the children in despair?
Might she turn her eyes and quickly walk away?

His grinning minions flatter, and obey
his orders—cruel, toxic and unfair.
If my mother were alive, what would she say?
Would she turn her eyes and quickly walk away?

Diane Elayne Dees' poems have been published in many journals and anthologies. Diane, a semi-retired psychotherapist in Covington, Louisiana, also publishes Women Who Serve, a blog that covers women's professional tennis throughout the world.