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Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
Guidelines
Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Monday, January 12, 2026
LISTEN
AUBADES FOR WOMEN LOST
So—
(An Aubade for a Woman Lost
So he gave her a pearl handled gun,
its skull and crossbones in a red red rose.
So she packed it moonlighting
driving nights for a ride share.
So she never used it.
So it was used on her.
So he shoved it sideways inside her
mouth smeared bloody with lipstick.
So her temple bore a jewel of a bullet bloom.
So her dark eyes rolled backwards ghastly white.
So she kept on talking: no, oh no, oh no.
So he was a person of interest let go.
So they strung a cardboard toe tag
where she had worn his gold band.
So they put her in the cold bed
silenced in a morgue drawer.
So at daybreak on her birthday, he ate
that same gun, metallic on the tongue,
crying out: no, oh no, oh no.
So it never even made the evening news.
—for Georgeann Eskievich Rettberg
(1952-2003)
She—
(Another Aubade for a Woman Lost)
She, mother of three
in the routine of another day,
shot down driving away
in the Minnesota snow
from ICE officers
mixed and missed dictates.
She, another woman lost,
her wife and observers
in a chorus of fear
calling out
oh no, oh no, oh no.
She, a poet who wrote
of solipsist sunsets,
tercets from cicadas,
that the bible and qur’an
and bhagavad gita…
make room for wonder.
She, now a metaphor
of lilies and lavender,
votives and tea lights
peace signs and queer flags
for what could have been,
what could be for any of us.
She, in a murderous
last rite anointed as fucking bitch
silenced by three bullets,
face awash in blood.
She, reduced
to an endless loop
of twisted narratives
on the news circuits
while women cry out
again and again an endless
oh no, oh no, oh no.
—for Renee Nicole Good
(1989-2026)
Andrena Zawinski is the author of four full-length collections of poetry, most recently Born Under the Influence. Her work has been lauded for its appreciation of nature, spirituality, social concern, and craft. Her writing appears widely online and in print, including at Verse Daily. Born and raised in Pittsburgh, PA, she has made her home on Alameda Island in the San Francisco Bay Area.
THE AMERICAN DREAM
Hiroshima
The Addict
The Gazan
Marsha P. Johnson
Renee Nicole Good
INSTEAD OF CLICKING IN CHATGPT
I would rather consult anyone’s grandma.
Ask a whale or crow or beetle.
Find an answer in the next song playing.
Ask my dreams. Ask all our dreams.
Listen to what the stream’s current says.
Find the truth in the oldest stories
and those told by the youngest children.
Ask the artists, the scientists, the unhoused man
whose tent is hidden among brambles in the park.
Consult an oracle, the Tarot,
the Magic 8 Ball still there waiting in the toy box.
Open the nearest library book, eyes closed,
and drop my finger on the page for an answer.
Ask the void. Ask the angels.
Ask the seed waiting for spring.
Ask beyond the question
until answers are no longer the point.
Laura Grace Weldon lives in a township too tiny for traffic lights where she works as a book editor, teaches writing workshops, serves as Braided Way editor, and chronically maxes out her library card. Laura was Ohio’s 2019 Poet of the Year and is the author of four books.
Sunday, January 11, 2026
CRYPTOQUIPS
Steve Hellyard Swartz has contributed several poems to The New Verse News over the past many years. Twice-nominated for a Pushcart Prize Poetry, he has served as Poet Laureate of Schenectady county in upstate New York, been a finalist four times in the Eugene O' Neill National Playwrights' Conference, and won a Green Eyeshades Award for Excellence in Broadcasting awarded by the Society of Professional Journalists. His movie Never Leave Nevada which he wrote and directed and in which he co-starred, opened at the US Sundance Film Festival in January of 1990.
LOOK UP AND LOOK OUT!
On the darkest night of the year
when stars glow like brilliant diamonds
reminding us that we are indeed star dust
that has taken human form on this planet,
we should be grateful for the moonlight
under which tides flow, nocturnal animals
emerge from safe shelters and lovers kiss.
Look up once more then slowly realize that
what you thought were stars are actually
more than 100 million pieces of rockets
and satellites, tools discarded on spacewalks,
junk floating in space.
Here, on this planet, huge landfills stacked high
like mountains with
computers,
electronics,
batteries,
styrofoam,
ink cartridges,
glass bottles,
diapers,
enough paper to fill several decimated forests
and, of course, the toxic poisons released
from human garbage.
The Earth is not large enough to handle this waste.
In a world that can seem like a warehouse of commodities,
where capitalism begs for your dollars, once again
human exceptionalism does not seem to care.
Trash the planet or trash space,
it’s all the same to those in power.
And once all that space junk begins to collide,
sending more satellites into orbit will become
too risky. Without such devices to enhance
communication, predict weather patterns,
bring about scientific breakthroughs.
Even the possibility of intergalactic travel,
the dreams of science fiction writers and
futurists, writers and artists, will fall into
darkness while humans, who once looked
up to the stars for hope and creative
inspiration, protect themselves from
any space junk falling from the sky.
Ron Shapiro, an award-winning teacher, has published over 20 poems in publications including Nova Bards 24 & 25, Virginia Writers Project, The New Verse News, Poetry X Hunger, Minute Musings, Backchannels, Gezer Kibbutz Gallery, All Your Poems, Paper Cranes Literary Magazine, Zest of the Lemon and twochapbooks: Sacred Spaces, Wonderings and Understory, a collection of nature poetry.


