THE FLORIDA CASE BEFORE THE ELECTORAL COMMISSION

by Lavinia Kumar

Cornelia Adele Fassett (1831-1898), Florida Case Before the Electoral Commission

                  

If Cornelia Fassett were here today,

she’d have painted a disputed election even larger.

 

The piece would have Facebook friends and tweets,

shown her Supreme Court chamber streamed live to millions.

 

Samuel Tilden won many more votes

but Rutherford Hayes fought the Electoral tally—

with twenty Electoral votes too short

he claimed voter intimidation and all sorts of fraud.

 

A Commission stood to create a miracle,

and debated nine days about voters in four states.

 

And, lo, they sought and found the needed,

which switched the Electoral College to Republican.

 

Ah, yes, it is said that history repeats,

but ghosts will tell that is not true of miracles.

Lavinia Kumar is currently interested in writing of unsung women of the past, Her poetry has appeared in US, Irish, & UK publications. Her books include Hear Ye, Hear Ye: Women, Women: Soldiers, Spies of Revolutionary and Civil Wars and No Longer Silent Women: the Silk and Iron of Women Scientists.

SKUNK HOUR

by Martin H. Levinson

 

His lawyers inept,

meandering, defending

the indefensible dimly

and dully, doing everything

they can but talk about the

constitutional question of

whether an out of office

president can be tried for

inciting insurrection, as the

Senators sitting in judgment

suffer their ambling, rambling

arguments made in response

to the House Managers logical,

precedent-based contentions

that a carny US Chief-of-State

can be punished for stirring up

mob violence and an invasion

of the Capitol that a video

montage has detailed in all

its nauseating horror.

Martin H. Levinson is a member of the Authors Guild, National Book Critics Circle, PEN America; the book review editor for ETC: A Review of General Semantics, and a contributing editor to The Satirist. He has published nine books and numerous articles and poems.

WHEN IT IS OVER

by Katherine Tian

A weekend afternoon, the park near my room,

the stone table where my friends and I used to sit is covered with a thick layer of dust.

Untrodden weeds cross the dirt path.

When it is over,

we will come together like a wind gust.

Our friendship will only bloom.

 

After a long day at work, a nurse mother goes home with a sigh of bliss.

She can only embrace her toddling daughter with her gaze and tears,

close at hand, but on opposite sides of the canyon.

When it is over,

my little dear,

Mom will hug you in her arms with a long kiss.

 

During a festival, I walk on the empty square,

music and fragrance that once wafted through the restaurant disappear like a cloud.

Now only cold wind blows through.

When it is over,

the long-lost crowd

will gather again to breathe the free, healthy air.

 

Golden wedding grandparents pass away in isolation, looking at each other like new lovers.

The memory and close goodbye can only dwell

in the relatives’ sorrow hearts.

When it is over,

the belated remembrances and farewells

will turn into rainy tears and falling flowers.

 

I miss the sound of my teacher's marker scratching on the white board,

the crowd in the hallway,

the morning flock of school buses.

When it is over,

to my dear teachers, I will say,

in the back of the classroom, I will never fall asleep or get bored.

 

The early spring flowers are about to sprout.

The birds in the trees are singing happily as they cheer.

At this darkest moment of the pandemic,

my dear friends,

can you hear

the footsteps of the warm sunshine behind the heavy cloud?

Katherine Tian is a senior at Ward Melville High School on Long Island, New York. She is a long-time dancer and a long-term volunteer at a local elder-care center.

LUXURIOUS FEAR

by Rebecca Leet

Source: We Do Geek

My head sinks into the pillow

and fear floats forward

like a ghoul set to stalk my dreams

 

so easy to keep ghosts

tautly moored when sun shines,

before night ingests hope.

 

I worry past the present pandemic

past the wild, sad souls ensnared

by visions of prurient perfidies

 

to a time closer than we dare declare

when swelling seas, infernos of forests,

acres of arid, fallow farmlands

 

push civilization to survival of the fittest

and my newborn grandchild, one day,

must claw over others or succumb.

 

Then morning comes and as I sip tea

news reports speak of children suffocating

from poison gas in Syria        girls kidnapped

 

by Boko Haram in Nigeria      a boy killed

in a random shooting five miles away.

And I realize my fear, today, is a luxury.

 

Rebecca Leet lives a stone's throw from Washington, DC.  Her collection Living with the Doors Wide Open was published in 2018.

JANUARY SIXTH

by Diane Vogel Ferri

The Jan. 6 rally of Trump supporters before the assault on the Capitol.Credit: Nina Berman/NOOR/Redux via The New York Times.

Let us not forget 

how we heard the crack of the breach

in every state, the unholy war

with bloated flags waving

dishonorably, whipping

in the felonious wind

Let us not forget

the terrorism of groupthink

the righteous pounding and shattering

the victims in their glory

holding blue-line banners

while violating blue lives

Let us not forget 

what we saw in real-time

the slurs we heard

the trashing of Jesus

of our tax dollars

our house a crime scene

Let us not forget

the present disremembering

of the big lie

how it is in the past now

consequences suffered only

by the dead

Diane Vogel Ferri is a teacher, poet, and writer living in Solon, Ohio. Her essays have been published in Scene Magazine, Cleveland Stories, Yellow Arrow Journal, and Good Works Review among others. Her poems can be found in numerous journals such as Plainsongs, Rubbertop Review, and Poet Lore. Her previous publications are Liquid Rubies (poetry), The Volume of Our Incongruity (poetry), The Desire Path (novel) and her newest novel No Life But This: A Novel of Emily Warren Roebling.

PILGRIMS PROGRESS

by Deborah Gorlin

Phineas Pratt's Grave in Charlestown MA

The inscriptions a kid could cartoon

on a gravestone, crude and simplistic,

the skull-soul effigy a kind of gothic lithic

Jack-o-lantern, wide hollows for eyes,

triangle for nose, slotted mouth,

snaggle-toothed, Medusa-like heads

winging hair. A second childhood

for the Puritan church as some feature

breasts, amen, as God-besotted poet

Edward Taylor wrote unblushingly,

his syntax, don’t ask, “to put these

nibbles, then my mouth into and suckle

me therewith humbly pray.” Gravestones

that put one in mind of crumbly English

biscuits, taken at teatime. Their headboards

face east towards the sunrise, when the dead

will wake one fine Sunday morning to the smell

of pancakes the Lord makes at a sleepover.

 

But the news today tells me they won’t

wait—rebranded their black white outfits,

buckled shoes, top hats, dressed this time

as the half-naked shaman in bear skins,

horn helmet, face paint, just like their old

enemies the Indians, why not, it’s on their land,

the Senate floor, to save us from those devils

in Pederast Forest. Fake 'em out. Boys. 

An impatient breed these new pilgrims, grown

young, who, in their first iteration, claimed

that specters in dreams and visions, those

with a third nipple, an ugly birthmark, a black

cat familiar, were evidence in a court of law

for burning witches and warlocks. Emboldened,

always exceptional, they invent new ways to rise

from their shallow graves of history, their scraggly

tombstones askew, who refuse, even their God, to die.

 

Deborah Gorlin is the author of two books of poems, Bodily Course (White Pine Poetry Press Prize) and Life of the Garment (Bauhan Publishing, winner of the 2014 May Sarton New Hampshire Poetry Prize). She has published in a wide range of journals including Poetry, Antioch Review, American Poetry Review, Seneca Review, The Massachusetts Review, The Harvard Review, Green Mountains Review, Bomb, Connecticut Review, Women’s Review of Books, New England Review, and Best Spiritual Writing 2000. Recent poems appear in Plume, On the Seawall, Chicago Quarterly, Trampoline, and the Ekphrastic Review. Emeritus associate faculty of the Writing Program at Hampshire College, she serves as a poetry editor at The Massachusetts Review. 

LOOKING FOR AMERICA

by George Salamon 

I looked for the American character,

and I saw the contours fading, the

words to sing of it sour or drab, I

seek refuge in old photo albums, 

capturing dignity and pride, coming

together in many kinds of work and

fulfillment, revealing what we had or

what we thought we had, now that

we're seeking the causes of our loss

as if our minds had shut down and our

hands and feet were bound, yet no

cause is so deep it cannot be found.

George Salamon live in the heartland of America, St. Louis, MO, and contributes to The Asses of Parnassus, One Sentence Poems, and The New Verse News.

TO KNOW A MONARCH

by Phyllis Klein

To know it only as a photograph, a memory.

Never to witness again a community of millions clustered 

on Eucalyptus branches, now empty.

These fragile slivers of stained glass

no longer clinging to winter respites.

What is a world that would allow

this extravagant pollinator to die off?

This migrational miracle. 

Rumi says, You were born 

with wings, why prefer to crawl through life?

I want a humanity that weeps 

copiously for this animal who starts off 

in a crawl, shows us how to fly. I want

processions, dirges everywhere,

want to howl over milkweed, bereft, without 

purpose. So much loss. I want to rend my garments.

Burn kaleidoscopes of butterflies into my skin.

What good would that do? Or I could slice

open the sky, so their ghosts torrent down. 

What do I know of softness—my origins 

in an ice-house, in a tradition of cruelty,

of abhorration, torn appendages. Where

are the wings for this? Where the flashes 

of orange slipped through our fingers?

Phyllis Klein’s work has appeared in numerous journals and anthologies. She is a finalist in the Sweet Poetry Contest, 2017, the Carolyn Forché Humanitarian Poetry Contest, 2019, and the Fischer Prize, 2019. She was nominated for a Pushcart prize in 2018 and again in 2020. She has a new book, The Full Moon Herald  from Grayson Books. Living in the San Francisco Bay Area for over 30 years, she sees writing as artistic dialogue between author and readers—an intimate relationship-building process that fosters healing on many levels. 

THE WHITE SUPREMACIST IN MY LIVING ROOM

by Lesléa Newman

White Supremacist’s Coat Rack by Enrico Bertuccioli.

staring out of my TV screen is white

of course. He has dark Charlie Manson hair,

a scraggly Unabomber beard,

and an old black dog with big black eyes

sprawled across his lap and gazing

up at him with absolute adoration.

The white supremacist on my TV screen

sits under the gun on his wall at ease

in his easy chair, leaning back

peering out at the camera intently.

He has a message for me but I do not care

to listen. Instead I prefer to watch

the watchful eyes of the old black dog

who is hanging on his master’s every word.

The white supremacist has unruly hair

that falls across his forehead into his eyes.

He rakes his long skinny fingers

through his long stringy hair

and then lets his hand float slowly

down toward the old black dog

who sits up straight, every atom

of his ancient body quivering

with joy as if he has been waiting all his life

for the white supremacist’s hand

to land on top of his head so gently

and with such genuine tenderness

that the old black dog’s mouth drops

open, showing his old black tongue

and jagged yellow teeth. The old black dog

is grinning. He is in on the joke.

His old black eyes look out at the camera

for just an instant as though he wants

to make sure I am seeing this great show

of affection before he turns back

to the white supremacist who warns

the world at large to beware of what lies

ahead. And now the white supremacist

removes his hand from the old black dog’s head

and rests it on the arm of his chair

and the old black dog rests his head happily

on the white supremacist’s knee

shutting his eyes and sighing a sigh

completely content and safe

in the knowledge that all is right

with the world. So much love.

So much hate. I turn my TV off.

Lesléa Newman has created 75 books for readers of all ages including the poetry collections, I Carry My Mother and I Wish My Father (a pair of memoirs-in-verse) and October Mourning: A Song for Matthew Shepard  (novel-in-verse); and the children’s books, Sparkle Boy and Heather Has Two Mommies. She has received poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation, two National Jewish Book Awards, the Massachusetts Book Award, the Sydney Taylor Award, and half a dozen Pushcart Prize nominations. From 2008 - 2010, she served as the poet laureate of Northampton, Massachusetts. Currently she teaches at Spalding University’s School of Creative and Professional Writing.

HANDS

by Ruth Lehrer

Russian opposition leader Alexei Navalny makes a heart gesture with his hands while in a cage in the Moscow City Court on Tuesday. His suspended sentence from his 2014 criminal conviction was ultimately converted to a prison term. (Press Service of Simonovsky District Court/Handout/Reuters via CBC)

He’s in a glass box right now they call it the aquarium we can’t hear him 

    can he hear us

the judge pretends to read judgment the news already knows already 

    prints her words

before they exit her mouth leave her tongue like a corrupt mind meld 

    two years eight

months in a prison colony with his silent hands he flashes a heart to his wife 

    who takes

off her mask and waves.

Ruth Lehrer is a writer and sign language interpreter living in western Massachusetts. She is the author of the novel Being Fishkill and the poetry chapbook Tiger Laughs When You Push.

NORTHEAST WINGS

by W.F. Lantry

Small unfamiliar birds with opened wings—

their feathers leaving patterns in the snow

each time they light beside hand scattered seed—

gather just now past dawn along the fence

and in the pine bough drifts, as if to wait

for some break in the lengthening cascades

falling around them everywhere. Now wind

twirls the needles, shakes the laden twigs,

and great clusters of light, in unison,

fall silently to earth. It is a sign

I cannot read or hope to understand

but universal to those sunrise wings.

And each, in harmony, flits to the rail,

then leaps down gently to the crystal drift

where millet, fallen from the feeders, spreads

rough patterns, as bird shadows interweave

bright multicolored leaping mirrored forms

against the silken backdrop of new snow.

W.F. Lantry spent many years gardening in his native San Diego and in the South of France. Currently he lives in the frozen North of DC. He has two full-length collections: The Structure of Desire (Little Red Tree), winner of a 2013 Nautilus Award, and The Terraced Mountain (Little Red Tree). Honors include: The National Hackney Literary Award, Lindberg Foundation International Poetry for Peace Prize (Israel), CutBank Patricia Goedicke Prize, Crucible Editors' Prize, Old Red Kimono Paris Lake Poetry Prize, and Potomac Review Prize. He is the editor of Peacock Journal. 

ON HEARING JOE BIDEN SPEAK IN 1971

by Jane Patten

What did I care of

Fiscal fairness

Divided among

The three counties of

Little Delaware,

With its chicken on a banner,

Its battered boardwalks,

And soybeans everywhere?

 

Someone tapped me on the shoulder:

An elderly aide, a kindhearted sage

Who needed to impart

Something worthy to a jaded juvenile:

Quiet, please.

Listen carefully.  

This man is going to be President—

Some day.

 

So I listened

And remembered his name:

And waited

Long enough to know

That for some of us 

Destiny is late in coming

But just as sure, just as strong,

Needed more now than then.

 

For numbered years are nothing

When one can last forever and

Four can be disaster:

For fifty can be calming fate

To this time and 

To this place.

After retiring and moving to Huntsville, Jane Patten decided to write about her adventures thus far, including growing up in Delaware and her career as a teacher in rural Georgia. She enjoys traveling, creative writing, and spending time with family. Her poetry has been published in Outloud HSV: A Year in Review for 2017, 2018, and 2019.

WHEEL OF FORTUNE

 by Mary K O’Melveny

“Vaccine Wheel of Fortune” by JMbucholtz at Deviant Art.

               In the Circle of Life

                    It's the wheel of fortune

                    It's the leap of faith

                    It's the band of hope

                    Till we find our place…

—“The Circle of Life” (Lyrics by Tim Rice)

No one wants to be the last woman down before the cure.

So everyone is staring at computer screens, leaning into

laptops, cradling cell phones. Legions of faithful vaccine

seekers are as determined as El Camino de Santiago pilgrims.

Or would-be buyers of Hamilton tickets back when Broadway

was still open.  There are waiting lists, rumors, promises.

Appointments made, then cancelled. Lines form, disband.

Recorded messages say don’t call us, we’ll call you.

 

Everyone is at risk. But not enough to be advanced to more

fortunate categories. We reside in data bases far and wide.

We’ve filled out forms as if they were lottery tickets, sent

every scrap of personal data to would-be hackers around

the globe, called doctors we’ve not seen in years, even searched

for fake college IDs that might jump us to new age brackets.

Some neighbors raced to appointments in neighborhoods they

had never seen, forgetting who the odds had already disfavored.

 

As usual, the privileged see serendipity. Everyone else

knows how often the game is rigged. Kismet is a figment.

The carnival barker is gone but his fabrications linger

like smoke from a cheap cigar. Even as chilled vials traverse

the highways like pilgrim caravans, new viral strains mutate,

shapeshift. Before all our waiting arms are raised, half a million

will likely die. So we click and call and cry for our chance

at good fortune. Once again, Lady Luck smiles, then disappoints.

Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

POSTCARDS FROM MY PLACE IN LINE

by Sandra Fees

Tweeted by Apoorva Mandavilli <@apoorva_nyc> based on the “Find Your Place in the Vaccine Line” app at The New York Times.

Phase 1A

I’m a rationed portion of myself. Loungewear

and sweatpants, no bra. Yesterday I spent four

hours trawling the provider map to get in line

online. No appointments. Is this what a ration

line feels like? Except now we wait on laptops.

It’s not my turn. But it is my boyfriend’s and

my friend’s and my sister’s and there's no place

in line. Just today someone tried to steal a turn.

 

Phase 1B

That’s me, 1B. There isn’t a line—yet.

Clergy to queue up with first responders,

educators, and grocery store workers

who stock shelves and fill my trunk

with groceries. Today, the young man who

emptied the sleet-spritzed cart warned

drive carefully out there. I hope he gets

the vaccine soon. Isn’t it scarier in there?

 

Phase 1C

The CDC matrix is a scramble of phrases

like prevention of morbidity & mortality

and preservation of societal functioning.

They position them on the scales called

equity. Everyone wants to weigh in.

 

Phase 2

Dr. Fauci says by summer. I miss

the ocean. Last year I had to pay

a cancelation fee. Is it okay to wear

my royal blue bikini from last year?

 

Phase 3

This week Moderna launched a booster trial,

like a rocket. I hope the space program boosts

its rockets too, speeds us where we need to go.

 

Sandra Fees is the author of The Temporary Vase of Hands (Finishing Line Press, 2017) and served a term as Berks County, Pennsylvania, Poet Laureate (2016-2018). Her work has appeared in Sky Island Journal, Poets Reading the News, Chiron Review, and others.