NEW YEAR'S EVE

by Buff Whitman-Bradley

Image source: Sessions College

Wars bleed
From one year to the next
Greed takes no holiday
Poverty and desperation spread
Like black mold
Across the pages
Of the calendar
I see no reasons to believe
That the coming year
Will be any better
Than the last and
Likely it will be worse
Nevertheless at midnight
I stand outside
In the shivering blackness
And feel myself elated
Once more
By the ancient tableaux
Of winter constellations
Settled into their familiar places
Among the icy stars . . .

No sound no sign
No flash of light
No message from heaven
No harps or bells
But a moment of beauty
On a winter’s night
And an old pessimist’s blind hope
That all will be well


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War.  He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective).  He lives in northern California.

GOING OVER

by Marjorie Maddox





not the white cliffs of Dover, but our own steep igneous face,
weathered to the core, all fossilized
values chipped away—with pick, with chisel—
while the granite-grey sledgehammer in the room
of House and Senate smashes three hundred million
blue-collar manufactured piggy banks
into bipartisan shards, and the coins, their faces
likewise eroded, cascade like water-
                                                                   falls.


Professor of English and Director of Creative Writing at Lock Haven University, Marjorie Maddox has published 8 poetry collections, 2 children's books, and over 400 poems, stories, and essays in journals and anthologies. Co-editor of Common Wealth: Contemporary Poets on Pennsylvania, she is the recipient of numerous awards.

TO THE DEAD

by Sarah Edwards

They say

you died for something noble

flag

cause

defense

revolution

greater good

They say

you died for something gained.

​ground

​territory

​respect

​equality

​justice

But if you are a child…

they say

this time you died for nothing

except my right to kill you

before you learn nobility and gain,

before you get a chance to choose

what is worth dying for

Rev. Sarah Edwards is a retired clergyperson in the United Church of Christ.  She is active in the North Carolina Poetry Society, is a student of poetry at Duke University and the poetry of life.

CNN UNIVERSE

by Don Kingfisher Campbell

Beirut car bomb kills 8
Charred buildings, smoke in air
Chaos in the streets
Photos: aftermath of the blast
Rover spots shiny objects on Mars
Meteor lights up sky in California
Taliban threaten reporters
Beheaded for refusing to be prostitute
Dad in disbelief over son's terror arrest
U.S. contractors drunk on tape
Four women shot at Florida hair salon
Parents: man mocked disabled kid
Will Cain: Room for GOP at colleges?
Court: Fort hood suspect can be shaved
Elephant crushes Australian zookeeper
Man dumped, wins $30.5M lottery
Two-time rape victim fights for justice
Justin Bieber's mom on raising the star
McJordan BBQ sauce sells for $10K
Youth coach hits ref in face
Coroner: Heroin killed son of NFL coach
Duck lives with arrow in head
Cheerleaders OK'd to cheer God


Don Kingfisher Campbell has recently been published in Crack The Spine,
Lummox, Poetic Diversity, The Sun Runner, Poetry Breakfast, Pink Litter and
the Inner Child Press’ Hot Summer Nights anthology.  He is currently working
on an MFA in Creative Writing at Antioch University, Los Angeles.

BEAN ME UP^ SCOTTY!

Poem by Charles Frederickson

Graphic by Saknarin Chinayote 

Human beans emerging from seedpods
Lentil rentals uprooted humanure soil
Colorful multiversity uniquely different flavors
Green Creole bayou Cannellini white

Boston Baked sturdy ceramic pot
South American Andes Lima natives
Japanese adzuki Tex-Mex frijole pintos
Thigh legumes muscle sprouts workouts

Brazilian feijado Goomba Garbanzo chickpeas
Spanish spinach guisante French pois
Yellow wax red kidney succotash
Black-eyed cowpeas symbolizing Good Luck

Lebanese hummus disguised as legumes
Coffee beans actually berry seeds
Soybeans miso tofu protein powerhouse
Source of potassium iron magnesium

My fave veggie is salsa
Delicioso feuds always fattening fitness
Retired has-bean angry grump-peas
Clearing old farts’ gassy air

What the health bean appetite
Whirled peas visualized from afar
Avant-garden auld nutrition recycled
Unzipped shucked shells soupy split

 No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 .

MARS

by Howie Good

The god of carnage has grown

a balding man’s stringy ponytail.

Red, he says, means danger.

He shrugs his cruelly thin shoulders.

A tractor stands abandoned

in a field of what looks from here

like black puddles of blood.

The future will burn a full 40 days.

We will walk beside our coffins.

Starvelings will stare out

from behind barbed wire.

Mothers will shriek. There will be

nice grass in the cemetery.

Howie Good, a journalism professor at SUNY New Paltz, is the author of five poetry collections, most recently Cryptic Endearments from Knives Forks & Spoons Press. He has a number of chapbooks forthcoming, including Elephant Gun from Dog on a Chain Press. His poetry has been nominated multiple times for the Pushcart Prize and Best of the Net anthology. goodh51(at)gmail.com.

CIVILIZED DENTISTRY

by Caru Cadoc

We pay dentists to shave down our canines

nice and flush with the others

to help us dress up

and play humanists.

It's vain but honest.

They're such savage looking teeth.

And who needs canines anyway

when we have blow guns of chrome

Powered by powder more forcful than our little jaws

To project shards of metal designed to tear far deeper

Than our quaint little teeth.

Caru Cadoc is the lyricist for the Pseudosufis.  His work has appeared in Dead Flowers,The Boiler, MAKE, Jersey Devil Press, Word Catalyst and Storyglossia.

THE APOCALYPSE GOES UNNOTICED IN NEWTOWN

by Catherine McGuire

No one needs predictions, there.

And on Turkish borders, huddled tents

have no preps for crisis. Trenton slums,

the barrios of Rio, the drained and droughty deltas

of Tigris, or Sudan – Apocalypse can knock

and enter; no one will care.

Which is to say, the world is always ending;

our treasures crumble, dust to dust.

The myth-inflated bogeys threaten

while behind our backs, our futures rust.

Catherine McGuire is a writer and artist with a deep interest in philosophy, the “Why we are here?” question that lurks under so much of our lives. She will have a chapbook released by Uttered Chaos in September. It is tentatively titled, Reflections, Echoes and Palimpsests. She is webmaster for the Oregon Poetry Society and claims her entire garden as her 'poetry office'.

THE CHRISTMAS AFTER

by Carolyn W. Callighan A storm the size of all of Europe blew Along the coast. The buildings and the dunes, Mere toys against a sea, urged through the moon's Insistent push of water, spun and flew In all directions. Picked up by the wind, Possessions were encased in sand. Each one, Grief-stricken, stared at damage done. And, turning, Sand and damage to no end. . . . And now, weeks later, holidays and lights ring in A time of joy, but how to celebrate When all is topsy-turvy? How do we create A place of peace and joy, and stop the spin? We look within ourselves, and here we find The strength we need to heal, and to be kind. Carolyn W. Callighan grew up in Nashville, Tennessee, then moved to the East Coast for college and work thereafter.  She lived and worked for several decades in Boston, Phildalphia, Washington, and, finally, the New York City area.  Now, after several decades, she is back in Nashville.

A CHRISTMAS LYRIC FOR THE NVN SURVIVORS

by Earl J. Wilcox

If (as the old adage goes)

only two things are certain,

death and taxes—

and the Apocalypse did not

happen, then what

are we left with. Right!

Taxes and Christmas fruitcake.

Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.

FOR THE REPOSE OF SOULS

by Carol Alexander

A Berkeley, CA vigil held to remember the victims and families of the Newtown, CT, massacre. Photo: Jeremy Pollack/Creative Commons

A pair of peafowl floats down from the trees,
the wan hen and florid cock picking their way
while the river slowly slips back in its banks.

The boy in his tall wading books creeps after,
licking rust from the muzzle of his gun.

The juddering of a turquoise fan perhaps will be
as close to flame of phoenix  as spirit will draw.
But we were born in fire, and to fire will come.

The woman with the small communion dress
rocks in her chair in her ordinary room
room with its proportions rudely skewed;
shocked feathers of the peafowls gently float down.

With their saintly calendar of woes,
country men and women walk in sober twos.

Still the shops stay open; trees blink red and green,
children dash across the street, cars swerve,
we hear the Morse code of the coming snow,
birds in starry park all the news that we can bear.

A pallid smoke in its helix twists and frays,
as if to question who to go and how to stay?
You mummers in a masquerade of death
shoot off your pop guns, begging cakes and ale.

Neither the country nor the quiet grave where we lay
our old ones down in the lightness of their years,
is this cold town where we have just begun to pray.

But unicorns and little maids remain entwined
(in sable trees an archer waits and strings his silent bow).


A writer for trade and educational publishing, Carol Alexander has authored numerous children’s books, served as a ghostwriter for radio and trade publishing, and taught at colleges around the metropolitan area. In 2011-2012, her poetry appears—or is scheduled to appear-- in literary journals and anthologies published by Avocet, Boyne Berries (UK), Chiron Review, Cave Moon Press, The Canary, Danse Macabre, Earthspeak, Eunoia Review, Fade Poetry Journal (UK), Fat Daddy’s Farm Press, Fried Chicken and Coffee, The Mad Hatter’s Review, Mobius, Numinous, OVS, Red Poppy Review, Red River Review, River Poets Journal, Sleeping Cat Books, The Whistling Fire, and Write Wing Publishing.

THE RAIN OF MERCY

by Laura Rodley

Image source: Dipity.

Now your waves drink the sky,
an everflowing cup,
that soothes your skin
constantly scorched by daily sun.
See how my raindrops
speckle you with sweet relief
so your tides can surge
upon the sand, keeping
the promise of everlasting life
a promise in danger of being broken
but here, the falling drops
wet and seal the cracks
so your waves tumble, tumble,
the ground sure beneath your reach.


Laura Rodley’s New Verse News poem “Resurrection” has won a Pushcart Prize and appears in The Pushcart Prlze XXXVII: Best of the Small Presses (2013 edition). She was nominated twice before for the Prize as well as for Best of the Net. Her chapbook Rappelling Blue Light, a Mass Book Award nominee,  won honorable mention for the New England Poetry Society Jean Pedrick Award. Her second chapbook Your Left Front Wheel is Coming Loose was also nominated for a Mass Book Award and a L.L.Winship/Penn New England Award. Both were published by Finishing Line Press.  Co-curator of the Collected Poets Series, she teaches creative writing and works as contributing writer and photographer for the Daily Hampshire Gazette.  She edited As You Write It, A Franklin County Anthology, Volume I and Volume II.

THE NEWTOWN MASSACRE

by Buff Whitman-Bradley

Human Giraffe by Subwaysurfer. Image source: Art Jumble Blog

When my children were little
I used to tell them that I was a giraffe
You’re not a giraffe, Daddy!
They would insist
But I stuck to my story
Oh yes I am

When their friends came over
My children would say
Our Daddy says he is a giraffe
But he’s not
The friends would look at me quizzically
And I would say
Oh yes I am

One year I decorated a birthday cake
With a pink and green giraffe
That’s me I said
And although my daughter was growing older
And no longer amused by the same old routine
She indulged me and said
You’re not a giraffe, Daddy
But I could see in her eyes
What she was really thinking –
Whatever
And soon I stopped being a giraffe
Once and for all

I remembered all this today
As I stood silently in the rain
In our little town’s park
With one of my grown daughters
And a score of others grieving the gunning down
Of twenty school children in Connecticut
And I thought about
All the silly-dumb-boring family jokes
Those murdered children will not hear
Over and over and over again
About all the stories that will not be read aloud
About the bikes and games and snazzy sneakers
That won’t get bought for birthdays
About the pet names and nicknames
That will go unused
Missy, Natty, Buddy Boy, Baby Cakes
Mikey, Skeeter, Nan

I believe I chose to be a giraffe
Because it seems such an odd and improbable creature
Something Evolution doodled on a notepad
During a long dull meeting
A goofy-looking non-threatening beast
That doesn’t scare little ones
A gentle quiet Mister Rogers kind of animal
With a body as big as a house
Where a child could take shelter during a storm
And be safe

It is morning in the Serengeti
Clear skies 60-plus degrees and climbing
And while giraffes are waking up to another day
Of browsing in the treetops
And caring for their young
A long cold dark night begins
In Newtown, Connecticut
And in the wintery, violence-wracked heart of America


Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.

A CALENDAR BROKE

by Martha Landman

            for John

            and heaven is imagined as whole and unceasing

                        -- Christina Murphy

Dawn enlightens a Puter jungle

a classic world

ends

in different time zones

God grins

yesterday

my Mayan calendar broke —

guess it’s no use

claiming on the warranty.

The moon, the earth

the stars dance a wild galaxy

a small eternity

this earth

this planet

a last cigarette

suffocates a man’s son

Gerald Benedict broods in

silence

tomorrow has come.

Martha Landman is a South African-born Australian poet residing in tropical Queensland.  She has published on- and off-line and recently co-authored a book of poems and short stories with Michael Fitzgerald-Clarke, titled The Paradoxophies, which is available on www.lulu.com.