by Tricia Knoll
I walked four miles on a gym treadmill
as the hearse moved to the airport.
I looked at Sully’s picture at the casket
and loved how his care dog loved him.
How voice-over friends said he was kind,
decent, a good man as well as a President.
I know made mistakes and told his share of lies
but not every day, not four or five or six a day.
He was faithful to his wife, a love story
that played out in public. Gentle.
I never voted for him. He signed laws
to protect people with disabilities;
he never bullied them. He befriended
people he lost to. He voted against
his party when the candidate running
shocked him. Yes, a man who owned all
the sparkles of white privilege . . . a man
who fought in World War II; a man
of that generation. The most despicable
President in history is invited to his
funeral because that seemed right
to a man who honored the office
if not the weirdo sitting in the chair.
Tricia Knoll's How I Learned to Be White is now available from Antrim House—and on Amazon.
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
Guidelines
Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Tuesday, December 04, 2018
Monday, December 03, 2018
THANK YOU, STORMY
by Peggy Turnbull
You know how to manage power,
dressing like an offensive weapon,
steering through men, creating
a wake where dicks stir, leers creep,
implanting images
into strangers’ wet dreams,
your iconic self melting
into unknown imaginations,
smiling to evoke volt-filled fun,
teasing that leads to a luxe room
where naked Donald
awaits, stone-faced on the bed,
erection quivering beneath
the belly of his junk-food appetite,
a devilish abyss
gilded with pyrite,
where nature smokes, razed,
all gentleness cropped
like a mountaintop.
Grimacing, you absorb
his distilled contaminants.
Sorrowful angels
send you compassion.
A bouquet of cut roses
nods in recognition.
We all have bad days.
But the aftermath’s best.
You, refusing silence.
Peggy Turnbull lives in Wisconsin near Lake Michigan. Her micro-chapbook Rocking Chair Abstract was recently published by the Origami Poems Project.
You know how to manage power,
dressing like an offensive weapon,
steering through men, creating
a wake where dicks stir, leers creep,
implanting images
into strangers’ wet dreams,
your iconic self melting
into unknown imaginations,
smiling to evoke volt-filled fun,
teasing that leads to a luxe room
where naked Donald
awaits, stone-faced on the bed,
erection quivering beneath
the belly of his junk-food appetite,
a devilish abyss
gilded with pyrite,
where nature smokes, razed,
all gentleness cropped
like a mountaintop.
Grimacing, you absorb
his distilled contaminants.
Sorrowful angels
send you compassion.
A bouquet of cut roses
nods in recognition.
We all have bad days.
But the aftermath’s best.
You, refusing silence.
Peggy Turnbull lives in Wisconsin near Lake Michigan. Her micro-chapbook Rocking Chair Abstract was recently published by the Origami Poems Project.
Labels:
#fakePOTUS,
#PoetryandDemocracy,
#TheNewVerseNews,
abyss,
compassion,
erection,
gilded,
Peggy Turnbull,
power,
pyrite,
sex,
Stormy Daniels,
wet dreams
Sunday, December 02, 2018
A VOICE FROM THE BLUE
by George Held
Her sharp metallic voice says,
“Your record of on-time payments
Qualifies you for zero interest
On your new credit card. Please
Press 1 for our authentication department.”
God knows what questions will be
Asked, what fees charged if I press 1
But her sharp metallic voice
Warns me to beware. It’s like
The brisk, urgent frat-boy voice
That offers me forgiveness
Of my car loan or the sanctimonious
Voice of the pitch-man soliciting
My donation to some starving
Reservation in remote Montana.
The voices might as well welcome
Me to the age of vulnerability,
Of forgetfulness, of frailty,
Of being a mark for any con
Preying on the inept and the lonely,
On those who might be careless
Or dying to squander their shekels in reply
To a disembodied voice from the blue
And its promise of only connecting
For one last desperate minute.
Her sharp metallic voice says,
“Your record of on-time payments
Qualifies you for zero interest
On your new credit card. Please
Press 1 for our authentication department.”
God knows what questions will be
Asked, what fees charged if I press 1
But her sharp metallic voice
Warns me to beware. It’s like
The brisk, urgent frat-boy voice
That offers me forgiveness
Of my car loan or the sanctimonious
Voice of the pitch-man soliciting
My donation to some starving
Reservation in remote Montana.
The voices might as well welcome
Me to the age of vulnerability,
Of forgetfulness, of frailty,
Of being a mark for any con
Preying on the inept and the lonely,
On those who might be careless
Or dying to squander their shekels in reply
To a disembodied voice from the blue
And its promise of only connecting
For one last desperate minute.
A longtime contributor to the TheNewVerse.News, George Held writes from New York. His forthcoming book is Second Sight (Poets Wear Prada, 2019).
Labels:
#TheNewVerseNews,
Blue,
credit card,
George Held,
menu,
phone,
poetry,
press 1,
telemarketing,
voice
Saturday, December 01, 2018
MARS
by David Feela
isn’t ours
but what if
as our InSight
touched down,
shaking pink dust
off its gadgets
a robot camera
whirred and clicked
to photograph
the horrified face
of a dodo—
the same bird
we never suspected
could survive
an interplanetary
migratory escape
from a feckless
flightless human race.
David Feela writes a monthly column for The Four Corners Free Press and for The Durango Telegraph. A poetry chapbook, Thought Experiments, won the Southwest Poet Series. The Home Atlas appeared in 2009. A Collection of his essays, How Delicate These Arches, was a finalist for the Colorado Book Award. Unsolicited Press will release his new chapbook, Little Acres, in April 2019.
Labels:
#TheNewVerseNews,
bird,
camera,
David Feela,
dodo,
escape,
flightless,
InSight,
Mars,
poetry
Friday, November 30, 2018
THE CRISPR TWINS
by Albert Burgesser
Everyone saw it coming, my friend,
the Boomer, Gen X, and Millennial.
But what better way to ring in the end
of the Frankenstein bicentennial?
Everyone saw it coming, my friend,
the Boomer, Gen X, and Millennial.
But what better way to ring in the end
of the Frankenstein bicentennial?
Labels:
#TheNewVerseNews,
Albert Burgesser,
CRISPR,
Frankenstein,
poetry,
twins
Thursday, November 29, 2018
CAMP FIRE
by Sydney Doyle
“That to the heighth of this great argument I may assert eternal providence, and justify the ways of God to men.” —John Milton, Paradise Lost
Not lost, but devoured.
A whole town mouthed
entire and swallowed down
a burning throat
in what should have been
California’s rainy season.
We were warned
the garden was formed
with snake-sized holes,
but in this Eden,
all trees are forbidden.
We’ve left enlightenment
to a blind man—
and did he, sightless, know
that Paradise was left
exposed, not undefended,
but indefensible?
Sydney Doyle earned her MA in English and creative writing at the Pennsylvania State University and her MFA at Johns Hopkins University where she currently teaches courses in creative writing. Her poems have appeared or are forthcoming in Canary, Waccamaw, Animal Magazine, Glassworks, and elsewhere.
“That to the heighth of this great argument I may assert eternal providence, and justify the ways of God to men.” —John Milton, Paradise Lost
Not lost, but devoured.
A whole town mouthed
entire and swallowed down
a burning throat
in what should have been
California’s rainy season.
We were warned
the garden was formed
with snake-sized holes,
but in this Eden,
all trees are forbidden.
We’ve left enlightenment
to a blind man—
and did he, sightless, know
that Paradise was left
exposed, not undefended,
but indefensible?
Sydney Doyle earned her MA in English and creative writing at the Pennsylvania State University and her MFA at Johns Hopkins University where she currently teaches courses in creative writing. Her poems have appeared or are forthcoming in Canary, Waccamaw, Animal Magazine, Glassworks, and elsewhere.
Wednesday, November 28, 2018
REASONS FOR WATCHING FOX NEWS
by Max Gutmann
Gawking at lovely harassable females,
Daily reminders of Hillary's emails,
Colorful theories Sean Hannity spews,
These are all reasons for watching Fox News.
Hearing acquaintance rape labeled as courtly,
Learning what Donald will tweet about shortly,
Laughing with anchors at liberal views,
Very good reasons for watching Fox News.
Anger at libbers and cornerbacks kneeling,
Ads for gold coins that sound very appealing,
"12 Easy Ways to Try Liking Ted Cruz,"
Excellent reasons for watching Fox News.
When the Dems win, when the news stings,
When I'm feeling bad,
I turn on Fox News for my favorite things
And soon I'll be hopping mad!
Max Gutmann has contributed to The Spectator and other publications.
to the tune of "My Favorite Things"
Gawking at lovely harassable females,
Daily reminders of Hillary's emails,
Colorful theories Sean Hannity spews,
These are all reasons for watching Fox News.
Hearing acquaintance rape labeled as courtly,
Learning what Donald will tweet about shortly,
Laughing with anchors at liberal views,
Very good reasons for watching Fox News.
Anger at libbers and cornerbacks kneeling,
Ads for gold coins that sound very appealing,
"12 Easy Ways to Try Liking Ted Cruz,"
Excellent reasons for watching Fox News.
When the Dems win, when the news stings,
When I'm feeling bad,
I turn on Fox News for my favorite things
And soon I'll be hopping mad!
Max Gutmann has contributed to The Spectator and other publications.
Tuesday, November 27, 2018
WEIGHTLESS
by Sally Zakariya
“What we call ‘measurement’ is an estimate. . . . The true value, only the universe knows.” —Stephan Schlamminger, National Institute of Standards and Technology, quoted in The New York Times, November 16, 2018
I can’t hope to understand,
not with a C in high school physics,
but what was real, material, a sleek, smooth shape
with heft in the hand, is now—what?
abstraction, mathematical mystery
Avogadro’s number
Planck’s constant
arcana of the mind, someone else’s mind.
Le Grand K, as they called it when it still reigned,
is an artifact of history now, the reality of kilogram
a mental construct beyond my comprehension.
Well, let the universe do the math
as it does for all of us, for everything,
for the humming telephone wires
outside my window, for the squirrels
scurrying up the oak tree.
Let the universe measure my life, my worth,
and everyone’s. Knowing physics and math
won’t be enough—as hard as you hold
onto reality, the truth is seldom simple.
On November 16, 2018 the redefinition of the kilogram (as explained above) was approved at the general confrence on weights and measures in Versailles by a vote of 57 nations. Henceforth, all seven units in the International System of Units, otherwise known as the S.I., will no longer be defined by material objects and instead will be defined only by abstract constants of nature.
“What we call ‘measurement’ is an estimate. . . . The true value, only the universe knows.” —Stephan Schlamminger, National Institute of Standards and Technology, quoted in The New York Times, November 16, 2018
I can’t hope to understand,
not with a C in high school physics,
but what was real, material, a sleek, smooth shape
with heft in the hand, is now—what?
abstraction, mathematical mystery
Avogadro’s number
Planck’s constant
arcana of the mind, someone else’s mind.
Le Grand K, as they called it when it still reigned,
is an artifact of history now, the reality of kilogram
a mental construct beyond my comprehension.
Well, let the universe do the math
as it does for all of us, for everything,
for the humming telephone wires
outside my window, for the squirrels
scurrying up the oak tree.
Let the universe measure my life, my worth,
and everyone’s. Knowing physics and math
won’t be enough—as hard as you hold
onto reality, the truth is seldom simple.
Sally Zakariya’s poetry has appeared in some 75 journals and been nominated for the Pushcart Prize and Best of the Net. Her chapbook The Unknowable Mystery of Other People is forthcoming from the Poetry Box. She is also the author of Personal Astronomy, When You Escape, Insectomania, and Arithmetic and other verses, as well as the editor of a poetry anthology, Joys of the Table.
Monday, November 26, 2018
THE COLOR OF LIES
by Peter Witt
via GIPHY
White lies are weak and promote privilege
Black lies darken the history of a proud people
Brown lies hold back migrants
Yellow lies are evil in intent
Red lies abandon truth for power
Orange lies hold back a nation
All lies matter whatever their color
They twist our perceptions
Divide us, create angst and tears
Demean our welfare
Trap us in darkness
via GIPHY
White lies are weak and promote privilege
Black lies darken the history of a proud people
Brown lies hold back migrants
Yellow lies are evil in intent
Red lies abandon truth for power
Orange lies hold back a nation
All lies matter whatever their color
They twist our perceptions
Divide us, create angst and tears
Demean our welfare
Trap us in darkness
Peter Witt is a retired professor who now writes poetry and family history. He is the uthor of numerous articles and books on youth development, and a biography, through the Texas A&M Press, about the WWII Red Cross service and progressive life of his aunt, Edith Witt.
Sunday, November 25, 2018
WHATEVER HAPPENED TO GLOBAL WARMING
by William Marr
a heart as cold and hard
as an iceberg
our warning hot air
is nothing to him
but a passing breeze
"Major Trump administration climate report says damage is ‘intensifying across the country.’ Scientists are more certain than ever that climate change is already affecting the United States—and that it is going to be very expensive." —The Washington Post, November 23, 2018
a heart as cold and hard
as an iceberg
our warning hot air
is nothing to him
but a passing breeze
William Marr, a scientist by profession, has published 23 books of poetry and several books of translations. His poetry has been translated into more than ten languages. Some of his poems are used in high school and college textbooks in Taiwan, China, England, and Germany.
WHAT WE CALL NEWS
by Joan Mazza
Nambia, a shock! was in the news, and now
the town of Pleasure, burned so hot that cars melted.
Families hope for messages of bones of those
who didn’t escape, an answer, end to their search.
A president not mine promises Great Climate!
advises raking forests. Behold! His followers follow,
like those who thought they’d board Hale-Bopp,
dressed for this special occasion in jeans and sneakers,
pockets filled with quarters, plastic bags over their heads.
Ho-hum to a journalist’s murder, dismemberment.
His memory dissolved in acid. Business as usual
for those who value money over integrity and human
rights. Let’s carry on and kill those turkeys, worry
about stuffing and whether it’s safe to eat the lettuce.
I can smell those foul family members arguing
from miles away. It’s the age of FFS and WTF, when
evidence provides the excuse to dig in deeper, yell,
Fake News! when you don’t like the turn of events
or intelligence communities that bring facts. Ho-hum.
We carry on like those in Poland, not Jewish, not gay.
No risk of being chosen, hauled off. What’s for dessert?
Here it’s apple pie with ice cream and whipped cream.
We’re grateful, and we write our long list of blessings.
Nambia, a shock! was in the news, and now
the town of Pleasure, burned so hot that cars melted.
Families hope for messages of bones of those
who didn’t escape, an answer, end to their search.
A president not mine promises Great Climate!
advises raking forests. Behold! His followers follow,
like those who thought they’d board Hale-Bopp,
dressed for this special occasion in jeans and sneakers,
pockets filled with quarters, plastic bags over their heads.
Ho-hum to a journalist’s murder, dismemberment.
His memory dissolved in acid. Business as usual
for those who value money over integrity and human
rights. Let’s carry on and kill those turkeys, worry
about stuffing and whether it’s safe to eat the lettuce.
I can smell those foul family members arguing
from miles away. It’s the age of FFS and WTF, when
evidence provides the excuse to dig in deeper, yell,
Fake News! when you don’t like the turn of events
or intelligence communities that bring facts. Ho-hum.
We carry on like those in Poland, not Jewish, not gay.
No risk of being chosen, hauled off. What’s for dessert?
Here it’s apple pie with ice cream and whipped cream.
We’re grateful, and we write our long list of blessings.
Joan Mazza has worked as a medical microbiologist, psychotherapist, and has taught workshops nationally with a focus on understanding dreams and nightmares. She is the author of six books, including Dreaming Your Real Self (Penguin/Putnam), and her work has appeared in Rattle, The MacGuffin, Streetlight Magazine, Valparaiso Review, and The Nation. She lives in rural central Virginia.
Saturday, November 24, 2018
CHILD OF YEMEN
by Darrell Petska
Here I am
too thin for a shadow,
too weak to cry.
Can you see me?
I'm traveling light
down Paradise road.
I leave behind my mother
but go to see my brother
who feasts on heaven's bounty.
My face will shine again,
my feet fly with angels.
This sorrow I'll forget
which eats me from within
and abandons me to die,
a husk on my native sand.
Can you see me?
Is anyone there?
Does anyone care?
I am here,
hunger on the breeze
just beyond your window.
Editor's note: Recommended listening: The Daily Podcast: Why U.S. Bombs Are Falling in Yemen.
![]() |
| "The path to ending the war is clear. First, the United States and other countries must cease arms exports to Saudi Arabia and the UAE. The Security Council should pass a resolution demanding an immediate end to the war and compelling the Saudis and Emiratis to withdraw from Yemen. The United Nations must sponsor a political process that begins by obligating all parties to the conflict to disarm their militias." — Nobel Peace Prize laureate Tawakkol Karman, "Enough is enough: End the war in Yemen," The Washington Post, November 21, 2018. Photo: A Yemeni child after receiving treatment for malnutrition in a hospital in Taiz on Wednesday. (Ahmad Al-Basha/AFP/Getty Images via The Washington Post) |
Here I am
too thin for a shadow,
too weak to cry.
Can you see me?
I'm traveling light
down Paradise road.
I leave behind my mother
but go to see my brother
who feasts on heaven's bounty.
My face will shine again,
my feet fly with angels.
This sorrow I'll forget
which eats me from within
and abandons me to die,
a husk on my native sand.
Can you see me?
Is anyone there?
Does anyone care?
I am here,
hunger on the breeze
just beyond your window.
Editor's note: Recommended listening: The Daily Podcast: Why U.S. Bombs Are Falling in Yemen.
Darrell Petska is a Middleton, Wisconsin poet with many reasons to feel thankful. Sadly, there was no Thanksgiving in Yemen on Thursday.
Labels:
#TheNewVerseNews,
Darrell Petska,
death,
heaven,
humanitarian crisis,
malnutrition,
paradise,
poetry,
starvation,
war,
Yemen
Friday, November 23, 2018
TARGETS
by Tricia Knoll
Soft or hard: like ice cream?
The you-can’t-imagine bull’s-eyes
on the chest of the emergency
room doctor, but someone did.
The deepest Mars crater yawns
wide open for a rocky landing.
Today’s news has turkeys
playing soccer, fenced orphanages
for orangutans. What if instead
of seeing targets and borders
in every mapped topography
we visualize growth rings,
slow but steady widening
of enduring trees as they bow
under winter’s weight
or resprout from the fire?
For seeds of wildflowers.
Gratitude for mandala graces.
Author's note: Written in response to Monday's shooting at Mercy Hospital in Chicago.
![]() |
| Weathered growth rings in a horizontal cross section cut through a tree felled around AD 1111 used for the western building complex at Aztec Ruins National Monument, San Juan County, New Mexico, USA. Source: commons.wikimedia.org . Photographer: Michael Gäbler. |
Soft or hard: like ice cream?
The you-can’t-imagine bull’s-eyes
on the chest of the emergency
room doctor, but someone did.
The deepest Mars crater yawns
wide open for a rocky landing.
Today’s news has turkeys
playing soccer, fenced orphanages
for orangutans. What if instead
of seeing targets and borders
in every mapped topography
we visualize growth rings,
slow but steady widening
of enduring trees as they bow
under winter’s weight
or resprout from the fire?
For seeds of wildflowers.
Gratitude for mandala graces.
Author's note: Written in response to Monday's shooting at Mercy Hospital in Chicago.
Tricia Knoll was born in a Chicago hospital. She has a daily gratitude practice, trying to find that day's hint of beauty in the midst of news of wanton shootings, vicious pronouncements from the administration—a hint of something soothing somewhere.
Thursday, November 22, 2018
OUR MYTHS
by Howard Winn
from Pilgrim ancestry
that glorifies individuality
is a made-up story
that makes the official
history of our cultural
sources appear to honor
independence of belief
when in truth our national
first source was in the
world of the Puritans
quite willing to kill those
not of their sect with
other fables to guide them
to their versions of the moral
life for their redemption
in conflict with that of the pure
whom they would condemn
to the Hell of their dogma
for the beginning of our
nation was mired in the
bigotry of faith and creed
was the key to belonging
and individuality was a sin
Howard Winn's poetry has been published most recently in Mississippi's Valley Voices Literary Journal in Mississippi and Maine's The Aurorean Literary Journal.
from Pilgrim ancestry
that glorifies individuality
is a made-up story
that makes the official
history of our cultural
sources appear to honor
independence of belief
when in truth our national
first source was in the
world of the Puritans
quite willing to kill those
not of their sect with
other fables to guide them
to their versions of the moral
life for their redemption
in conflict with that of the pure
whom they would condemn
to the Hell of their dogma
for the beginning of our
nation was mired in the
bigotry of faith and creed
was the key to belonging
and individuality was a sin
Howard Winn's poetry has been published most recently in Mississippi's Valley Voices Literary Journal in Mississippi and Maine's The Aurorean Literary Journal.
Labels:
#TheNewVerseNews,
America,
bigotry,
dogma,
Howard Winn,
individuality,
pilgrims,
poetry,
Puritans,
racism,
sin,
Thanksgiving
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