by Earl J. Wilcox
While it is true
all this world’s a stage,
our space was too small.
The lines we gave you
Inadequate,
mere noises, too calm,
too quiet, seldom shrill
enough nor adequate
to swell the sounds
already fading
before you could
exit.
Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
Guidelines
Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Monday, August 11, 2014
PLAYBILL FOR ROBIN
Labels:
death,
Earl Wilcox,
exit,
new verse news,
obituary,
poetry,
Robin Williams,
stage
A YEAR FOR WEATHER
by Terese Coe
It’s been a year for weather.
Popocatepetl blew—
the cloud of ash dimmed Gretna Green,
Des Moines and Malibu.
In Black Hills, South Dakota, none
survived except the Sioux,
and Stinson Beach was starving but
for grazing caribou.
Spurts of lava blackened Shasta
and on Winnemucca Flats,
fiberoptic cables crackled,
vaporizing technocrats.
The system crashed, the networks fizzed
as if there’d been a purge
the night the blackout swept around
the world in the final surge.
Survivors took to houseboats,
a quake hit Pocatello,
LaBrea tar hit One-O-One
and buried Kate’s bordello.
The ooze has taken life and love,
last going for a fiver,
but fracking and the toxins meant
we lost the last survivor.
Terese Coe’s poems and translations have been published in Agenda (UK), New American Writing, Ploughshares, Poetry, Poetry Review, The Stinging Fly, The Threepenny Review, and the TLS, among many other journals in the US, UK, and Ireland.
| The release of methane on a large scale has long worried scientists. The greenhouse gas is 20 times more damaging to the Earth over a 100-year period than CO2, and is even more potent in the short term. Should the deposits trapped within the Arctic escape into the air, it could kick off a highly destructive climate feedback loop: The methane would cause rapid warming, which would melt more of the Arctic, which would release more methane, which would cause more warming. --Moyers & Company, August 8, 2014 |
It’s been a year for weather.
Popocatepetl blew—
the cloud of ash dimmed Gretna Green,
Des Moines and Malibu.
In Black Hills, South Dakota, none
survived except the Sioux,
and Stinson Beach was starving but
for grazing caribou.
Spurts of lava blackened Shasta
and on Winnemucca Flats,
fiberoptic cables crackled,
vaporizing technocrats.
The system crashed, the networks fizzed
as if there’d been a purge
the night the blackout swept around
the world in the final surge.
Survivors took to houseboats,
a quake hit Pocatello,
LaBrea tar hit One-O-One
and buried Kate’s bordello.
The ooze has taken life and love,
last going for a fiver,
but fracking and the toxins meant
we lost the last survivor.
Terese Coe’s poems and translations have been published in Agenda (UK), New American Writing, Ploughshares, Poetry, Poetry Review, The Stinging Fly, The Threepenny Review, and the TLS, among many other journals in the US, UK, and Ireland.
Labels:
Black Hills,
Des Moines,
fracking,
Gretna Green,
LaBrea,
Malibu,
new verse news,
Pocatello,
poetry,
Popocatepetl,
Shasta,
Stinson Beach,
Terese Coe,
toxins,
weather,
Winnemucca
Sunday, August 10, 2014
THE PALESTINE PROJECT
by Michelle Marie
still breathing as the ambulance arrived.
mind, once riddled with thought,
waned faintly and then all at once,
but not before registering the touch of a human hand.
awoke to the crashing of the waves
though there was no ocean nearby,
only the ebb and flow of nations at the rendezvous of victory.
Michelle Marie is author of countless protest letters archived at americanlemon.blogspot.com and a weird piece called "Fucking" in Bluestockings Magazine Issue 4.
![]() |
| instagram media by hanz_revo |
still breathing as the ambulance arrived.
mind, once riddled with thought,
waned faintly and then all at once,
but not before registering the touch of a human hand.
awoke to the crashing of the waves
though there was no ocean nearby,
only the ebb and flow of nations at the rendezvous of victory.
Michelle Marie is author of countless protest letters archived at americanlemon.blogspot.com and a weird piece called "Fucking" in Bluestockings Magazine Issue 4.
Labels:
ambulance,
Gaza,
Michelle Marie,
new verse news,
Palestine,
poetry,
rendezvous of victory
Saturday, August 09, 2014
OLIVE PITS IN GAZA
by Heather M. Browne
They looked like olives
Falling
From the sky
Tiny gifts from Heaven
With that glisteny sheen
The ripeness
Ready to burst
In our open mouths
Ready to receive
Flavoring
Saturation
We’d suck on them
Gnawing off each bit of meat
Between our hungry teeth
Leaving nothing but pit and bone
Grateful for this communion
They looked like olives
Armied green falling from the sky
Our mouths open
Waiting for their burst
Heather M. Browne is a faith-based psychotherapist and recently emerged poet, published in the Orange Room, Boston Literary Review, Page & Spine, Eunoia Review, Poetry Quarterly, The Poetry Bus, Red Fez, The Muse, An International Journal of Poetry, Deep Water Literary Journal, Electric Windmill, Maelstrom, mad swirl, and Dual Coast. Her first chapbook We Look for Magic and Feed the Hungry has been published by MCI. She just won the Nantucket Poetry Competition. She has been married 20 years to her love, has 2 amazing teens, and can be found frolicking in the waves.
![]() |
| A Palestinian woman hugs an olive tree uprooted by armed Israelis (Photo: Frank M. Rafik via Haiti Chery). |
They looked like olives
Falling
From the sky
Tiny gifts from Heaven
With that glisteny sheen
The ripeness
Ready to burst
In our open mouths
Ready to receive
Flavoring
Saturation
We’d suck on them
Gnawing off each bit of meat
Between our hungry teeth
Leaving nothing but pit and bone
Grateful for this communion
They looked like olives
Armied green falling from the sky
Our mouths open
Waiting for their burst
Heather M. Browne is a faith-based psychotherapist and recently emerged poet, published in the Orange Room, Boston Literary Review, Page & Spine, Eunoia Review, Poetry Quarterly, The Poetry Bus, Red Fez, The Muse, An International Journal of Poetry, Deep Water Literary Journal, Electric Windmill, Maelstrom, mad swirl, and Dual Coast. Her first chapbook We Look for Magic and Feed the Hungry has been published by MCI. She just won the Nantucket Poetry Competition. She has been married 20 years to her love, has 2 amazing teens, and can be found frolicking in the waves.
Labels:
bombs,
Gaza,
Heather M. Browne,
new verse news,
olives,
pits,
poetry,
war
Friday, August 08, 2014
THE CRUELEST ANIMAL
by Howie Good
I don’t know what to do
about the deaths from Ebola,
or the distress in republics
of the former Soviet Union,
or the hunt for the Taliban,
but the mammoth sunflowers
I grew from seed will tell me,
by the bend in their necks
& the stricken look on their faces,
that it’s finally time to remove
(with new titanium shears!) their heads
Howie Good's latest book of poetry is The Complete Absence of Twilight (2014) from MadHat Press. He co-edits White Knuckle Press with Dale Wisely, who does most of the real work.
![]() |
| Image source: Love the Giver |
I don’t know what to do
about the deaths from Ebola,
or the distress in republics
of the former Soviet Union,
or the hunt for the Taliban,
but the mammoth sunflowers
I grew from seed will tell me,
by the bend in their necks
& the stricken look on their faces,
that it’s finally time to remove
(with new titanium shears!) their heads
Howie Good's latest book of poetry is The Complete Absence of Twilight (2014) from MadHat Press. He co-edits White Knuckle Press with Dale Wisely, who does most of the real work.
Labels:
action,
Ebola,
Howie Good,
new verse news,
poetry,
refugees,
Taliban,
Ukraine
Thursday, August 07, 2014
SNEAKING ACROSS THE BORDER
by Linda Lerner
He never spoke of what it was like
those three years in Amsterdam
waiting to get to America
and I never asked….
I heard about it from her, not him
he & I lived in separate countries;
there was no crossing over, not then;
day after day I read about those thousands
of migrant children…. many 17 and younger…
and I hear my mother’s voice from
before I was ready to listen, only 17 when his father
forced him to join a group of youths
fleeing Russian pogroms…
In an album she left me are photos of
the family he’d never see again…
using their story I sneak across the border;
among the children coming thru Mexico,
Central America, some drowning or getting shot
I see that Russian boy
standing with others who made it here
forced to explain WHY what
he’ll be asking himself his whole life
A chapbook of Linda Lerner’s poems using nursery rhymes as a taking off place Ding Dong The Bell Pussy in the Well, illustrated by Donna Kerness was published by Lummox Press, in Feb. 2014. Her next full length collection Yes, the Ducks Were Real will be published by New York Quarterly books in Fall 2014.
![]() |
| The author's father's family. |
He never spoke of what it was like
those three years in Amsterdam
waiting to get to America
and I never asked….
I heard about it from her, not him
he & I lived in separate countries;
there was no crossing over, not then;
day after day I read about those thousands
of migrant children…. many 17 and younger…
and I hear my mother’s voice from
before I was ready to listen, only 17 when his father
forced him to join a group of youths
fleeing Russian pogroms…
In an album she left me are photos of
the family he’d never see again…
using their story I sneak across the border;
among the children coming thru Mexico,
Central America, some drowning or getting shot
I see that Russian boy
standing with others who made it here
forced to explain WHY what
he’ll be asking himself his whole life
A chapbook of Linda Lerner’s poems using nursery rhymes as a taking off place Ding Dong The Bell Pussy in the Well, illustrated by Donna Kerness was published by Lummox Press, in Feb. 2014. Her next full length collection Yes, the Ducks Were Real will be published by New York Quarterly books in Fall 2014.
Labels:
America,
Amsterdam,
Central America,
children,
immigration,
Linda Lerner,
Mexico,
migrant,
new verse news,
poetry,
pogrom,
Russia
Wednesday, August 06, 2014
NOW, MEN HERE
by Dana Yost
Now, men here
Mask their faces
With bandannas,
Raise black hoods over their
Heads, and stand beside
One another in the desert,
Semiautomatic rifles
Held at 45-degree angles
Across their chests.
Sentinels, they say,
Now, men here pose
Beside convoys of civilian cars,
Chase down school buses of day campers,
And they look no different
Than the cave rats of Tora Bora,
The festering sores that preen
In little fiefs of Mogadishu,
Or the drug-gang death squads
Of Juarez and Nuevo Laredo.
Now, men here
Mask their faces,
As little girls sleep
In handed-down jeans
On the other side of a wall
In the desert, sing themselves
To sleep with American songs
Learned while hiding
Under floor boards
Or manacled to bed posts
Under rain forest heat.
The good are dying.
The men in masks
And black hoods want to keep me safe,
They say. I'd rather they'd been
In Baghdad, catching shrapnel
Before it split the face
Of my nephew's best friend,
I do not fear
Little children
Who want to sing songs
From our radios.
I do not fear
Little men
Who hide their faces
When they kill.
Dana Yost ended his 29-year career as an award-winning daily newspaper editor in 2008. Since then, he has authored four books. His poems have appeared in several literary journals, and he is a two-time Pushcart Prize nominee. He has lived in Forest City, Iowa, since 2010.
![]() |
| SAN ANTONIO — Militia groups along the Texas-Mexico border have grown to more than 10 active "teams" from El Paso to the Rio Grande Valley, despite warnings from U.S. Customs and Border Protection and state lawmakers. More than 30 photos obtained by the San Antonio Express-News show dozens of members carrying semi-automatic rifles and wearing masks, camouflage and tactical gear, providing a first glimpse of the militias. --San Antonio Express-News, August 1, 2014 |
Now, men here
Mask their faces
With bandannas,
Raise black hoods over their
Heads, and stand beside
One another in the desert,
Semiautomatic rifles
Held at 45-degree angles
Across their chests.
Sentinels, they say,
Now, men here pose
Beside convoys of civilian cars,
Chase down school buses of day campers,
And they look no different
Than the cave rats of Tora Bora,
The festering sores that preen
In little fiefs of Mogadishu,
Or the drug-gang death squads
Of Juarez and Nuevo Laredo.
Now, men here
Mask their faces,
As little girls sleep
In handed-down jeans
On the other side of a wall
In the desert, sing themselves
To sleep with American songs
Learned while hiding
Under floor boards
Or manacled to bed posts
Under rain forest heat.
The good are dying.
The men in masks
And black hoods want to keep me safe,
They say. I'd rather they'd been
In Baghdad, catching shrapnel
Before it split the face
Of my nephew's best friend,
I do not fear
Little children
Who want to sing songs
From our radios.
I do not fear
Little men
Who hide their faces
When they kill.
Dana Yost ended his 29-year career as an award-winning daily newspaper editor in 2008. Since then, he has authored four books. His poems have appeared in several literary journals, and he is a two-time Pushcart Prize nominee. He has lived in Forest City, Iowa, since 2010.
Tuesday, August 05, 2014
NORTHWEST OF TOMBSTONE
by David Chorlton
The Butterfield Stage doesn’t run
anymore. A six-minute drive
out of Tombstone
leads to a checkpoint
twenty-six miles from Mexico,
that shows how wide the border
has become
and the O.K. Corral
is a hundred-and-thirty-three years
back down the road. This is where
the law turned into scrubland
and gunfire. Nothing
grows tall enough to obstruct the view
wherever you look, and Highway 80
runs straight as truth
until it touches the sky. The only reason
to slow down
is the Stop sign
beside the prefabricated unit
whose manufacturer left
a 1-800 number
for anyone interested to order
a model just like it, with bars
on the windows and an air conditioning unit
working hard beneath a flag
raised for wild animals to see
which country they are in.
Pull over; roll the window down,
and speak in clear English
when the officer asks
where you’re going
and tells you it’s just a routine
unless someone moves
in the trunk. The land all around
looks best in a Western sunset
just before it fades
and insects pour
into the cold light from carbon arc lamps
with nighthawks sweeping out
of the grass to catch them. Getting
this far is an easy ride
except for anyone
who needs to take another route
and move at night, perhaps
across the Huachucas,
or by following
the San Pedro River past
Miracle Valley (where the only miracles
are summer rains), or passing Bisbee
to find out how high and lonesome
High Lonesome Road actually is
at the crest
where a new moon
is the claw by which hope hangs
for everyone to see.
![]() |
| In January, the ACLU of Arizona filed an administrative complaint with DHS regarding abuses at six different southern Arizona checkpoints . . . These interior checkpoints are in part the result of decades-old regulations giving Border Patrol authority to operate within a "reasonable distance" of the border. That distance was defined in federal regulations in the 1950's —with no public comment or debate, and at a time when the Border Patrol comprised fewer than 1,100 agents—as 100 miles from any external boundary of the U.S. That area that now encompasses roughly two-thirds of the U.S. population, nine of the ten largest cities, and the entirety of ten states. The law also gives Border Patrol authority to enter private lands within 25 miles of the border. In practice, however, Border Patrol often goes even further into the interior. In 2008, Senator Patrick Leahy (D-Vt.) was stopped at a checkpoint 125 miles from the Canadian border, one of many examples of agents disregarding the geographic and legal limits on their authority. Many are also surprised to learn that Border Patrol operates checkpoints in northern states too, and that even more could be on the way: a recent ACLU Freedom of Information Act (FOIA) request revealed design plans for permanent Border Patrol checkpoints on southbound New England highways. --ACLU. Image source: People Helping People in the Border Zone |
The Butterfield Stage doesn’t run
anymore. A six-minute drive
out of Tombstone
leads to a checkpoint
twenty-six miles from Mexico,
that shows how wide the border
has become
and the O.K. Corral
is a hundred-and-thirty-three years
back down the road. This is where
the law turned into scrubland
and gunfire. Nothing
grows tall enough to obstruct the view
wherever you look, and Highway 80
runs straight as truth
until it touches the sky. The only reason
to slow down
is the Stop sign
beside the prefabricated unit
whose manufacturer left
a 1-800 number
for anyone interested to order
a model just like it, with bars
on the windows and an air conditioning unit
working hard beneath a flag
raised for wild animals to see
which country they are in.
Pull over; roll the window down,
and speak in clear English
when the officer asks
where you’re going
and tells you it’s just a routine
unless someone moves
in the trunk. The land all around
looks best in a Western sunset
just before it fades
and insects pour
into the cold light from carbon arc lamps
with nighthawks sweeping out
of the grass to catch them. Getting
this far is an easy ride
except for anyone
who needs to take another route
and move at night, perhaps
across the Huachucas,
or by following
the San Pedro River past
Miracle Valley (where the only miracles
are summer rains), or passing Bisbee
to find out how high and lonesome
High Lonesome Road actually is
at the crest
where a new moon
is the claw by which hope hangs
for everyone to see.
David Chorlton came to Arizona in 1978 after living in England and Austria. He has spent more than three decades stretched between cultures and writing poetry, the pick of which has just appeared as his Selected Poems, from FutureCycle Press.
Monday, August 04, 2014
WHEN FACEBOOK CRASHES
by Peg Quinn
Let's see a line-up
of the users who called 911
or the Sheriff’s Department
when Facebook crashed
for just one hour.
A Sheriff twitting,
This is not a law enforcement problem!
though Facebook lives were ravaged,
swept asunder.
Let each step forward,
explaining to the world
what they had lost.
Peg Quinn, a two-time Pushcart Prize nominee is a mural painter and teaches art at a private elementary school in Santa Barbara, California.
| A number of Los Angeles residents . . . actually dialed 911 – the emergency helpline number used in the United States to report crimes, medical emergencies, fires, and the occasional cat-in-tree crisis – after [Facebook] crashed for nearly 30 minutes at 9:30 pm IST Thursday. --Business Standard (India), August 2, 2014 |
Let's see a line-up
of the users who called 911
or the Sheriff’s Department
when Facebook crashed
for just one hour.
A Sheriff twitting,
This is not a law enforcement problem!
though Facebook lives were ravaged,
swept asunder.
Let each step forward,
explaining to the world
what they had lost.
Peg Quinn, a two-time Pushcart Prize nominee is a mural painter and teaches art at a private elementary school in Santa Barbara, California.
Sunday, August 03, 2014
PRESIDENTIAL HAIKU
We sang old folk songs,
bought folk art, ate folk cooking,
then tortured some folks.
Molly Redmond lives in St. Paul, MN. She thinks that shredding the Bill of Rights was a mistake the US should not have made. She heads a peace group at her church.
Labels:
folks,
haiku,
Molly Redmond,
new verse news,
obama,
poetry,
turture
THE LIES
by Buff Whitman-Bradley
The lies rise early
To shower and shave
And don their heroic flight suits
(The lies are nothing
If not clean-cut
And smartly turned-out)
At breakfast the lies
Playfully mock each other
And make light
Of the dangers of their upcoming mission
Over enemy territory
(The lies are nothing
If not courageous)
During their preflight briefing
The lies receive
Aerial photographs
And location coordinates
For surgical strikes
Against terrorist targets
(The lies are nothing
If not precise)
In the cockpits of their F16s
The lies crack jokes
Over their crackling radios
About mowing down “future terrorists”
(The lies are nothing
If not witty)
When they return to base
The lies meet over a few beers
To review their day’s work
And pledge allegiance once again
To the founding myths
While on enemy ground
Countless small truths
Bleed into soil and sand
Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.
![]() |
| Some Gazans have admitted that they were afraid of criticizing Hamas, but none have said they had been forced by the organisation to stay in places of danger and become unwilling human-shields. The Bani Sobeila area, near Khan Younis, where the Abu Jamaa deaths took place received leaflets dropped from the air last week warning them to leave. But almost all stayed. One reason for that was many of the houses belonged to the Abu Jamaa clan who felt there was safety in staying together. Another reason was given by a neighbour, Abdullah al-Daweish: “Where do we go to? Some people moved from the outer edge of Khan Younis to Khan Younis centre after Israelis told them to, then the centre got bombed. People have moved from this area to Gaza City, and Gaza City has been bombed. It’s not Hamas who is ordering us in this, it’s the Israelis.” --“Israel-Gaza conflict: The myth of Hamas’s human shields.” The Independent (UK), July 21, 2014. Image source: Israel Defense Forces. |
The lies rise early
To shower and shave
And don their heroic flight suits
(The lies are nothing
If not clean-cut
And smartly turned-out)
At breakfast the lies
Playfully mock each other
And make light
Of the dangers of their upcoming mission
Over enemy territory
(The lies are nothing
If not courageous)
During their preflight briefing
The lies receive
Aerial photographs
And location coordinates
For surgical strikes
Against terrorist targets
(The lies are nothing
If not precise)
In the cockpits of their F16s
The lies crack jokes
Over their crackling radios
About mowing down “future terrorists”
(The lies are nothing
If not witty)
When they return to base
The lies meet over a few beers
To review their day’s work
And pledge allegiance once again
To the founding myths
While on enemy ground
Countless small truths
Bleed into soil and sand
Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.
Saturday, August 02, 2014
TUNNEL VISION
by Charles Frederickson
Borderline Gaza underground trading places
Insufficient economic lifeline subterranean threat
Booby-trapped shaft grinding to halt
Both sides’ losses underwhelming gains
I know the sun rises
Every morning and there’s light
At end of tunnel darkness
Insightful optimistic outlook hopeful redemption
If you can see glimmers
Where collapsed cave-in winds down
You’re looking the wrong way
Dim prospects no exit unhappiness
Encountering mountaintop ascent don’t quit
Keep striving climb over obstacles
Find pass through tunnel underneath
Only way to go upward
Shortcut drilling through planet crust
Existent molten mess called asthenosphere
On which floats Earth’s cool
Epidermis tectonic plates way out
At given point you decide
To follow disintegrating candlewick flicker
There’s no going back total
Focus definite purpose concentrated viewpoint
Panic causes blurry tunnel vision
Stress prone to untimely pressure
Calm acceptance of danger allows
Reassessing situation choosing viable options
No Holds Bard Dr. Charles Frederickson proudly presents YouTube mini-movies @ YouTube – CharlesThai1 .
Borderline Gaza underground trading places
Insufficient economic lifeline subterranean threat
Booby-trapped shaft grinding to halt
Both sides’ losses underwhelming gains
I know the sun rises
Every morning and there’s light
At end of tunnel darkness
Insightful optimistic outlook hopeful redemption
If you can see glimmers
Where collapsed cave-in winds down
You’re looking the wrong way
Dim prospects no exit unhappiness
Encountering mountaintop ascent don’t quit
Keep striving climb over obstacles
Find pass through tunnel underneath
Only way to go upward
Shortcut drilling through planet crust
Existent molten mess called asthenosphere
On which floats Earth’s cool
Epidermis tectonic plates way out
At given point you decide
To follow disintegrating candlewick flicker
There’s no going back total
Focus definite purpose concentrated viewpoint
Panic causes blurry tunnel vision
Stress prone to untimely pressure
Calm acceptance of danger allows
Reassessing situation choosing viable options
No Holds Bard Dr. Charles Frederickson proudly presents YouTube mini-movies @ YouTube – CharlesThai1 .
Labels:
Charles Frederickson,
Gaza,
Israel,
new verse news,
Palestine,
poetry,
tunnels
HELL IS CALLED GAZA
by Nathalie Kuroiwa-Lewis
If you had been the astronaut descending hell
the territory of unknown claims and bargains
Unimagined grievances and verdicts
going back to the ages
so long ago no one knows when it all began
Had you been there with me
Next to children, eyes closed, bodies floating in dreams,
harkening to ballads of far away muses in sea blue skies
embraced by rapturous blankets
kissed by the waking lips of wide-eyed mothers
in a UN fortified school
(what could be more secure for levitation)
Had you heard the long whistle
Then cracking thunder
Seen the black clouds hover high and higher
Like a tsunami tumbling in skies
And when down below, inside the classroom
the black mist cleared
had you seen the sharded glass, bloodied blankets
feathers for pillows, shoes
And limbs of children and mothers scattering all directions
East and West
Had you heard the wails of scarlet faces
Had you tasted the shadow of death
Would you have passed US resolution S. Res 526?
Would you have supplied the grenades and mortars?
Would you have said Yes to the War Reserves Stock Allies programme?
Would you have exclaimed in high voice, teetering to heavens,
“We stand with Israel and its right to defend itself?”
Have you forgotten?
The children slept before exploding into atoms in the ether.
Nathalie Kuroiwa-Lewis lives in Olympia, WA with her husband and daughter. She is now revising a series of poems and other creative works to be completed 2015-2016.
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| A Palestinian man carries a wounded girl at the Kamal Adwan hospital in Beit Lahiya after receiving treatment for her wounds caused by an Israeli strike at a U.N. school in Jebaliya refugee camp on Wednesday, July 30, 2014. (Photo: AP/Khalil Hamra via Common Dreams) |
The Senate passed a resolution Tuesday that states the Senate’s support of Israel’s right to defend itself from Hamas rocket attacks and condemns a “bias” United Nation’s report. S.Res. 526 was passed through a unanimous consent agreement. The resolution also condemns a United Nation’s Human Right Council report that stated Israel had committed human rights violations against the Palestinian people. Senate Majority Leader Harry Reid (D-Nev.) said that U.N. report was “disgusting” and failed to recognize that Israel is defending itself from attacks started by Hamas, a terrorist organization. “I’ve always been a supporter of the U.N. but what I saw last week disgusted me,” Reid said of the report. “It was so one-sided.” --The Hill, July 29, 2014
If you had been the astronaut descending hell
the territory of unknown claims and bargains
Unimagined grievances and verdicts
going back to the ages
so long ago no one knows when it all began
Had you been there with me
Next to children, eyes closed, bodies floating in dreams,
harkening to ballads of far away muses in sea blue skies
embraced by rapturous blankets
kissed by the waking lips of wide-eyed mothers
in a UN fortified school
(what could be more secure for levitation)
Had you heard the long whistle
Then cracking thunder
Seen the black clouds hover high and higher
Like a tsunami tumbling in skies
And when down below, inside the classroom
the black mist cleared
had you seen the sharded glass, bloodied blankets
feathers for pillows, shoes
And limbs of children and mothers scattering all directions
East and West
Had you heard the wails of scarlet faces
Had you tasted the shadow of death
Would you have passed US resolution S. Res 526?
Would you have supplied the grenades and mortars?
Would you have said Yes to the War Reserves Stock Allies programme?
Would you have exclaimed in high voice, teetering to heavens,
“We stand with Israel and its right to defend itself?”
Have you forgotten?
The children slept before exploding into atoms in the ether.
Nathalie Kuroiwa-Lewis lives in Olympia, WA with her husband and daughter. She is now revising a series of poems and other creative works to be completed 2015-2016.
Friday, August 01, 2014
NORTH WAZIRISTAN
by Grace Mattern
I would sell my grandmother’s diamond
to write this poem.
I would invite ground hogs and deer into my pea patch
to write this poem.
I would drop my sails and turn into the wind
to write this poem.
I would walk a hot highway in thin flip flops
to write this poem.
I would tear my daughter’s wedding dress
to write this poem.
I would fast without water from sunset to sunset
to write this poem.
I would close my eyes to swallows in the summer sky
to write this poem.
I would wash and dry and fold one hundred strangers’ clothes
to write this poem.
I would bind my ankles and stop running
to write this poem.
I would let the trees in my yard burn to ash
to write this poem.
I would sleep alone again
to write this poem.
I have never been told
not to write this poem.
How do I earn this poem?
How do I give this poem away?
Grace Mattern’s poems have appeared in The Sun, Prairie Schooner, Hanging Loose, Yankee and elsewhere. She has received fellowships from the NH State Arts Council and Vermont Studio Center and has published two books of poetry. She has worked in the movement to end violence against women for 35 years.
Aid distribution for some of the tens of thousands who have fled North Waziristan. © UNHCR, July 2, 2014
BANNU, Pakistan — For more than five centuries, poets in remote northwestern Pakistan have recited verses about the area’s mountainous scenery, their tribal culture and love. That all changed as Islamist militants tightened their hold on Pakistan’s tribal regions after the Sept. 11, 2001, terrorist attacks. The Taliban and its allies quickly crushed the poets’ words and spirits. They were warned not to write phrases that referred to women or serenity and instead ordered to compose jihadist messages of war, brutality and conformity. Now, about 50 poets are part of a mass migration of more than 700,000 Pakistanis who have been displaced from the North Waziristan region as the military seeks to dislodge Islamist militants there. And amid the chaos of refugee life, they are restoring tradition to their verses. --Aamir Iqbal and Tim Craig, Washington Post, July 25, 2014
I would sell my grandmother’s diamond
to write this poem.
I would invite ground hogs and deer into my pea patch
to write this poem.
I would drop my sails and turn into the wind
to write this poem.
I would walk a hot highway in thin flip flops
to write this poem.
I would tear my daughter’s wedding dress
to write this poem.
I would fast without water from sunset to sunset
to write this poem.
I would close my eyes to swallows in the summer sky
to write this poem.
I would wash and dry and fold one hundred strangers’ clothes
to write this poem.
I would bind my ankles and stop running
to write this poem.
I would let the trees in my yard burn to ash
to write this poem.
I would sleep alone again
to write this poem.
I have never been told
not to write this poem.
How do I earn this poem?
How do I give this poem away?
Grace Mattern’s poems have appeared in The Sun, Prairie Schooner, Hanging Loose, Yankee and elsewhere. She has received fellowships from the NH State Arts Council and Vermont Studio Center and has published two books of poetry. She has worked in the movement to end violence against women for 35 years.
Labels:
Bannu,
Grace Mattern,
migrants,
new verse news,
North Waziristan,
Pakistan,
poetry,
poets,
refugees,
Taliban
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