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Thursday, December 10, 2015

DECEMBER 8

by John Azrak





On this day in history
Raymond Carver came to town
a hulking man with sapphire blue eyes
drinker's nose and a tipsy finger-
tip handshake with time to kill
before his reading at Columbia University;
He shared cocaine at the apartment
of a young writer, Jay, who idolized Ray's
piercing minimalist fiction, his own life
a bent out of shape Carver character,
having recently lost his mother,
wife to divorce, any notion of self-discipline,
his fact-checking job at The New Yorker.
Ray, of course, knew from dissipation
and suggested that the young writer
might want to flee the dangers and distractions
of the big city to work on his craft far upstate.
On the train uptown Jay worried the idea
as if he had a writer's stake in the heart
of the publishing world, worried it more so
in the room where the soon to be huge
Ray Carver read “Put Yourself in My Shoes”
to a small but ecstatic audience
while not fifty blocks away Mark Chapman
hid in an alcove at the stately Dakota.


John Azrak has published widely in literary magazines and anthologies; his most recent poems, in Nimrod and Stoneboat, deal with the war in Syria. He is an admirer of the work of Raymond Carver and John Lennon.

Wednesday, December 09, 2015

JUST SAY A PRAYER

by Sarah E. Colona


NY Daily News, Dec. 3, 2015


just say a prayer
   would halt that hand
      which holds a gun
            its bullets itch
               to unwrite life

      just say a prayer
         would shield one child
            teflon coated
                  kevlar mittened
                     future made flesh

         just say a prayer
            would lop off rot
               hard sear all grief
                     stitch forgiveness
                        forceful and swift

            just say a prayer
                our dead won’t hear
                  fresh ghosts are proof
                       each Second takes
                            more than it gives


Sarah E. Colona lives and teaches in her home state of New Jersey. She is the author of three poetry collections: Hibernaculum (Gold Wake Press, 2013), Thimbles (dancing girl press, 2012) and That Sister, which will be published by dgp in 2016.

Tuesday, December 08, 2015

FUTURE FASCISM

by Ed Werstein



New York Daily News (@NYDailyNews) December 9, 2015

David Neiwert, perhaps our nation’s most respected writer on white supremacy and right-wing extremism, says Donald Trump is probably not actually a fascist because he lacks the white supremacist bona fides and because he is a lazy narcissist rather than a coherent thinker. But he’s certainly moving us along the fascist road. It’s both scary and sad. —Lawyers, Guns & Money, December 3, 2015


In this game
the Joker’s wild
and money is Trump
he has all the diamonds
and no heart
hires clubs to beat us
hands us a spade
just before the execution.


Ed Werstein, spent 22 years in manufacturing and union activity before his muse awoke and dragged herself out of bed. He advocates for peace and against corporate power. His poetry has appeared in Verse Wisconsin, Blue Collar Review, Stoneboat, Gyroscope Review, and other publications. His chapbook Who Are We Then? was published in 2013 by Partisan Press.

PRAY

by Jennifer Hernandez



Credit: MacLeodCartoons



By all means, pray.
Pray to God
Allah
Lord Vishnu
Chi-manidoo
Eirene
La Virgen
the Universe.

Pray for San Bernardino
Savannah
Colorado Springs
Boston
Conway
Houston
Minneapolis.

Implore. Plead.
Beat your fists on the ground.
Howl until your throat is raw.

That this may end. That we may creep
from the shadows in which we cower,
push back against the boulder of learned
helplessness. Speak the language of Enough.
No more.

Pound on the gates. Flood the ears of every one,
Every One, who votes yea or nay, who makes our laws.
Our laws. Ours.

Make them.


Jennifer Hernandez lives in the Minneapolis area where she teaches immigrant youth, wrangles three sons and writes for her sanity. Her work appears in Talking Stick, Red Weather,  Silver Birch Press, and elsewhere.  She has recently read her poetry in the Cracked Walnut Literary Festival and as honorable mention in the Elephant Rock Flash Prose contest.

Monday, December 07, 2015

UNION RAT

by Joan Colby


KOHLER, WIS. — Talks have been resumed between the Kohler Co. and the union that's been on strike for nearly three weeks in Wisconsin. Tim Tayloe, president of Local 833 of the United Auto Workers, said in a text message Friday that the union and the company met this week, and will meet again next week. A Kohler representative confirmed to the Milwaukee Journal Sentinel that negotiations have resumed. Local 833 represents about 2,000 workers at Kohler's kitchen and bath-ware plant in the Village of Kohler and at a generator factory north of Sheboygan. The union went on strike Nov. 15. The union wants to do away with a two-tiered pay scale that it says unfairly limits new employees to roughly $13 an hour. Kohler has said its contract offer was fair. —The News & Observer, Dec. 5, 2015


The inflated rat sits outside the fence
Where strikers protest unfair wages
Or conditions no human would endure.
The rat has a pink snout, sharp fangs
And a large round eye, orange as a
Setting sun, lacking a pupil, soulless.
Its jaw is ajar, its claws
Like those of the wicked bosses
Who rip up contracts that say
Workmen deserve to make a living.

I wave, thumbs up, as I drive by.
My grandpa was a Wobbly,
Back in the copper mines, back in the day
When men were hung for protests
Like this one. I’d like to have a rat
To blow up every time I feel abused
By a misguided friend who thinks a fascist
Is what we need to restore law and order.
How satisfying it would be to park
That big ugly rodent in her driveway.
Better than just unfriending her on Facebook.


Joan Colby has published widely in journals such as Poetry, Atlanta Review, South Dakota Review, The Spoon River Poetry Review, New York Quarterly, the new renaissance, Grand Street, Epoch, and Prairie Schooner. Awards include two Illinois Arts Council Literary Awards, Rhino Poetry Award, the new renaissance Award for Poetry, and an Illinois Arts Council Fellowship in Literature. She was a finalist in the GSU Poetry Contest (2007), Nimrod International Pablo Neruda Prize (2009, 2012), and received honorable mentions in the North American Review's James Hearst Poetry Contest (2008, 2010). She is the editor of Illinois Racing News, and lives on a small horse farm in Northern Illinois. She has published 11 books including The Lonely Hearts Killers and How the Sky Begins to Fall (Spoon River Press), The Atrocity Book (Lynx House Press) and Dead Horses and Selected Poems from FutureCycle Press. Selected Poems received the 2013 FutureCycle Prize.  Properties of Matter was published in spring of 2014 by Aldrich Press (Kelsay Books). Two chapbooks are forthcoming in 2014: Bittersweet (Main Street Rag Press) and Ah Clio (Kattywompus Press). Colby is also an associate editor of Kentucky Review and FutureCycle Press. 

Sunday, December 06, 2015

A COIN OR A COMB

by Laura M Kaminski





"We can't continue to play the ostrich game anymore, especially 
for those of us who still insist on being called POETS..."
— Chiedu Ezeanah


Who will pay me for a poem, read
one and be moved to action? Who
will open their ears and remove
the deafening silence? Who will
pay a coin of attention, enough
for a pack of combs, a book of
poems, and add to a small stipend
for a volunteer to go and read
to orphans while they learn to
pick and braid each other's hair?

Do you not remember when you
yourself were small, the feel
of your mother's hands upon
your head? Do you not recall
your impatience on occasions
when you were eager to be on
your way, finished with this
process? But when you left,
did you not carry the sense
of her affection with you,
the confidence that she would
not have loosed you until
you were your most presentable?

Who will pay me for a poem,
send a coin or a comb? And
who will take time to visit
orphaned children, offer them
the reassurance of adult
affection, let them know they
are not forgotten, that an
entire nation is present
to serve as surrogates for
parents they have lost? But
there is so much silence.

Are we afraid to face their
destitution and their grief?
Do we believe there are too
many for us to make a real
difference, and afraid of
failure, fail to even try?
Is there no path from silence
into action? What use is a poet
who will not be a beacon? If
there is no path, then let
the poets set the course
with words and wear it with
their feet, don't let the words
be empty. Let the poets lead.


Laura M Kaminski grew up in northern Nigeria, went to school in New Orleans, and currently lives in rural Missouri. She is an Associate Editor at Right Hand Pointing, and the author of several poetry chapbooks and collections, most recently Dance Here (Origami Books, an imprint of Parrésia Publishers Ltd, Lagos, Nigeria).  

SUPPOSE

by Carolyn Dack Maki 



A Kalamazoo woman facing a deportation to war torn Nigeria breathed a sigh of relief Monday as immigration officials decided to extend her order of supervision until May 4, 2016. The hearing in Detroit was the last chance for Rejoice Musa and Frederick, her 3 year old, American-born son. She had exhausted every other appeal to stay in the country, but this time came with the names of hundreds of people who signed a petition over the weekend and the support of Michigan Senators Peters and Stabenow. Now Musa will wait with millions of other undocumented parents in the US as the Supreme Court rules on the President’s action to help immigrants in her position. —Michigan United, Nov. 24, 2015


Suppose
that Rejoice didn’t have an electronic tether slapped on
by immigration agents whose best advice was to get married
and prevent deportation to Nigeria.
Her family’s arms are not open to her.

What if
three-year-old son Frederick born out of wedlock wasn’t a US citizen.
Nothing about him resembles “anchor baby.”
This gregarious child loved by all carries a death sentence.
Mother’s indiscretion and Western education are condemned.

And
that Rejoice wasn’t admitted to a graduate aviation program
that she didn’t have family-supporting employment
that the job anticipated through her high-ranking uncle now comes
with a calling card from Boko Haram’s midnight murder squads.

Suppose
that she wasn’t trying to abide by US law pleading for asylum.
Now she must report for detention and deportation
rampant under US policy she’s dispassionately told.
Tonight she sits with a bottle of Tylenol wondering is this is an answer.

Consider
that tomorrow she might approach a casual acquaintance
with a marriage proposal. Please, she will beg, I’ll support you.
Yes, I am using you. You can use me.
So contrary to her Christian faith.

Suppose
that she would be successful in saving their lives,
that her birth name is prophetic,
that their future could mean joy.
Just suppose.


Carolyn Dack Maki is a resident of Southwest Michigan.  A retired speech/language pathologist she is passionate about politics and public discourse.  She studies poetry at the Kalamazoo Institute of Art.

Saturday, December 05, 2015

BUT HE'S WHITE

by Catherine McGuire



He had a fake federal air marshal ID in one pocket, a Ruger .380-caliber pistol in the other and was driving around Long Island with ballistic body armor and a loaded AR-15 assault rifle. He also had an arsenal of weapons at his gated home. But don’t worry folks, Mark Vicars wasn’t a threat to anyone, Nassau County officials insisted Friday. The amount of firepower is comparable to what terror couple Syed Farook and Tashfeen Malik had during the massacre they committed Wednesday in San Bernardino, Calif. “At this time we don’t see any immediate threat to the public,” Nassau County Police Department spokesman Det. Lt. Richard LeBrun told reporters. —NY Daily News, Dec. 4, 2015


Forget the guns – he’s not a dusky
son of some other soil.
Homegrown is American –
every blond mother’s son
likes to have a little fun.
The badge? Maybe leftover
from Halloween – no sweat.
We know what we’re looking for –
the profile is clear, and we’re not swerved
by accidental discoveries.
Give ‘em a break.
Everyone needs a hobby.


Catherine McGuire is a writer/artist with a deep interest in philosophy. Using nature as a mirror, she explores the way humans perceive themselves and their world. She has poems published in the US and abroad and has four chapbooks: Palimpsests, (Uttered Chaos, 2011) Glimpses of a Garden, Poetry and Chickens, and Joy Holding Stillness.

FLIGHT CHECK

by Lee Nash


A British Airways pilot has reportedly been left with significant damage to his eyesight after a “military-strength” laser was shone into the cockpit of his plane landing at Heathrow, in what appears to be the most serious laser attack to date in the UK. The pilot suffered a burned retina in his right eye and has not worked since, according to the head of the British Airline Pilots’ Association (Balpa). The incident has escalated concerns over the problem of laser attacks. Balpa claims that one in two pilots has been in a plane targeted with lasers in the last 12 months. . . . In the US, the Federal Aviation Administration said the number of incidents had grown steadily since it started collating information on laser attacks in 2005. More than 3,700 incidents have been reported in the US this year. —The Guardian, Nov. 23, 2015. Photograph: Steve Parsons/PA via The Guardian: A plane lands at Heathrow. 



You may think that the most important
piece of equipment on this passenger jet
is the undercarriage,
or the recently serviced turbofan engine,
or the locking mechanism on the cockpit door.
Or the enhanced GPWS,
or the pitot-static system.
You may be afraid that the flight director
will freeze,
that the rear pressure bulkhead is not airtight.
You may be concerned that human error will occur
over at control tower,
or you may be anxious
that the security check you just passed
to ensure no incendiary device is on board,
in some innocuous soda can, for instance,
has failed.
If there’s enough fuel.
If autopilot somehow flipped to descent.
When you’ve run through the list in your mind,
don’t forget to fret
about one more thing,
the two things that are actually flying
this crate,
two precise, acutely sensitive optical instruments,
and the left one just got fried
when someone in the rundown high-rise opposite
(bypassing every operational sensor
and every moral censor)
shone a military-strength laser
(through the cockpit, into the orbit of the eye,
though pupil, lens and vitreous body)
onto the pilot’s retina.


Lee Nash lives in France and freelances as an editorial designer for a UK publisher. Her poems have appeared or are forthcoming in print and online journals in the UK, the US and France including The French Literary Review, The Dawntreader, The Lake, Ink, Sweat and Tears, Orbis, Sentinel Literary Quarterly, The Interpreter's House, The Journal (UK), Brittle Star, The World Haiku Review, Black Poppy Review and Silver Birch Press.

Friday, December 04, 2015

HOME GROWN TERRORISM

by F.I. Goldhaber



In the years since the 9/11 attacks, the United States has suffered sixty-five assaults associated with right-wing ideologies—“sovereign citizens,” white supremacists, and anti-abortion extremists—and twenty-four by Muslim extremists, according to the National Consortium for the Study of Terrorism and Responses to Terrorism, at the University of Maryland. You might think that this underrepresents the risk of a spectacular, high-casualty attack, but, as my colleague John Cassidy has written, the security officials who protect the public against both domestic and foreign terrorists say the domestic risk is greater. The terrorism experts Charles Kurzman, of the University of North Carolina at Chapel Hill, and David Schanzer, of Duke, surveyed nearly four hundred state and local police agencies, and found that the “main terrorist threat in the United States is not from violent Muslim extremists but from right-wing extremists.” . . . It will take time to discover what mix of ideas and madness contributed to the attacks in Colorado Springs and San Bernardino. But it is a different kind of madness to pretend that we’ve learned nothing about why these types of events happen. In a study published this year in the journal American Behavioral Scientist, Mark Pitcavage, of the Anti-Defamation League, examined thirty-five “lone wolf” attackers—their tactics and ideas, and the consequences of their actions. He found that “ideology seems to have played a substantial role in the majority of the violent acts.” Nearly two-thirds of the attackers had a clear sense of what they were doing to their “perceived enemies,” and why. —Evan Osnos, The New Yorker, Dec. 2, 2015. CREDIT PHOTOGRAPH BY NICK COTE / THE NEW YORK TIMES VIA REDUX VIA THE NEW YORKER


The hypocrites rage on, refusing to accept responsibility
when one of their own slaughters police, doctors, and innocent bystanders.
The rhetoric that sends terrorists to attack women seeking health care
erupts anew as those fomenting hate spew vitriol across airwaves.

No one questions why medical facilities find it necessary
to have safe rooms and armored doors. Too many accept how easily those
with criminal records and mental instability acquire weapons.

Those who immediately condemned all Muslims after some radical
fundamentalists violated their own religious texts to bomb and
shoot Parisians, urge us to wait for all the facts when their protégés
splatter the blood of strangers and destroy buildings on American soil.

Violent extremists threaten the U.S., but they call themselves "Christians,"
use Bibles not Qurʾans to justify destruction and murder. We won't
eradicate terrorism if we ignore the ones we raise at home.


As a reporter, editor, business writer, and marketing communications consultant, F.I. Goldhaber produced news stories, feature articles, essays, editorial columns, and reviews for newspapers, corporations, governments, and non-profits in five states. Now, her poems, short stories, novelettes, essays, and reviews appear in paper, electronic, and audio magazines, ezines, newspapers, calendars, and anthologies.  Her newest book of poetry Subversive Verse collects poems about corporate cruelty, gender grievances, supreme shambles, political perversion, and race relations. 

Thursday, December 03, 2015

FALSE FLAG

by Elizabeth McMunn-Tetangco


     
"Even among right-wing radio hosts, Alex Jones is a standout. Where Rush Limbaugh offers a torrent of conservative views that largely align with Republican policy preferences, Jones labels 9/11 an 'inside job.' Where Mark Levin touts radical constitutional theories that, nonetheless, have grown popular in Republican circles, Jones ties same-sex marriage on 'the eugenicist/globalist view.' Jones is the king of fringe conspiracy theories. Among other things, he may be the nation’s most prominent proponent of the view that the Sandy Hook shooting that killed 26 people an elementary school was a 'synthetic, completely fake — with actors, in my view — manufactured' hoax. And one hour before another terrible mass shooting occurred in San Bernardino, California on Wednesday, Jones hosted a very special guest on his radio show — Republican presidential frontrunner Donald Trump. 
     "Alex Jones' website, Infowars, already has an article suggesting the San Bernardino shooting was a false flag operation: https://twitter.com/JuddLegum/status/672235629577682944." --ThinkProgress.org



The night of,
we go out
to look at Christmas lights. There:
snow
made of white flashes
on a  lawn; a bony
reindeer.

Pale fog drifts in sweaty
heaps
across the windshield.

On the radio,
a man says
the attacks

are a false flag,
that he will not allow himself
to be

oppressed.

Does this make sense?

Down the street,
flashing blue lights
surround a door.

Jesus looks up
from a manger
on a roof

at distant stars.


Elizabeth McMunn-Tetangco lives in California's Central Valley. Her work has appeared in TheNewVerse.News, The Potomac Review, Paper Nautilus, The Tule Review, and the Kentucky Review, among others.

Wednesday, December 02, 2015

I AM FROM A TURBULENT WORLD

by Elizabeth S. Wolf




I am from Paris.
I am drinking café,
watching football, screaming
along with the band.
I am from Beirut, being
bombed for what I am not.
I am from Jerusalem, being
stabbed for who I am
and who I love.
I am from Abu Ghraib
and some callow American youth
has me down on all fours, wearing
a leash for a dog.
I am back from Iraq
home in Colorado Springs
gunned down at
Planned Parenthood.
I am from Bangladesh, being
hacked by an axe for blogging a story.
I am a young man from New Hampshire
beheaded for trying to understand
the story to tell.
I am from San Bernadino and I go to
a special school where today
we were having a party when
the bad men burst in.
I am from Sandy Hook Elementary School.
I am from kindergarten, learning
the belly of a ‘b’ goes this way
and the belly of a ‘d’ goes that way
and bullets go everywhere.
I am from Syria but I am
running for my life and if I
do not die along the way,
I don’t know where I will arrive.
I am the truth, fractured into
thousands of brilliant faceted carats.
I am the glare so bright that one
sliver of truth is blind to
all of the others.

I am from Paris. I am
the unnamed young man towing
a piano, by bicycle, so that I can play
John Lennon’s “Imagine”
in front of the Bataclan Theater.
I am the hope that someday you will join us
and the world will live as one.


Elizabeth S. Wolf has previously published poems in local anthologies (Merrimac Mic: Gleanings from the First Year; 30 Poems in November 2014; Amherst Storybook Project). She lives in MA and maintains a day job as a Technical Metadata Librarian.

DESIGN

by Gil Hoy



Climate change demonstrations are expected to take place worldwide in the lead up to the Paris summit [File: AP via ALJAZEERA]



In third grade, I often trekked to my best friend's home
up the street, a backpack of books
strapped to my small back.

We flipped through pages and pages then,
in a quiet little study in a corner of his red brick house.
The glow from the fireplace flames
illuminated the russet wood on cold winter days---
like a solemn Friends meeting house.

My friend’s mother sometimes would set out
milk and cookies for us to eat.

They looked like planets of dirt and black rocks
circling two white stars.  She was always so kind
and so warm. The earth is a sky blue marble
with white swirls from the vantage point

of the sterile rock of the white moon,
so pretty and elegant.

The better the book, the more you didn’t
want it to end.  You start with chapter one.

If there were twenty, by the time you got to ten or so,
you were tormented by the prospect of finishing.
And the pages went by so fast then, like a speeding bus
you run after but miss, and you knew that the end
was coming, like the last bite of a favorite meal.

It occurred to me on one of those quiet
unspeaking afternoons that my death
was much like my book, and that I was on chapter four.

I wasn’t deeply troubled because there was still
so far to go. But the words and the pages
seemed different then, each page a whole day nearer,
as what remained of the unread pages
grew thinner and thinner.

Today, I am sixty years old. My angst is different now.
I read about ISIS and Paris murders, Trump’s fantasies,
Ben Carson's portrayal of his younger years, and Rubio’s
foreign policy. I listen to a grayer noble black President
talk about protecting the homeland, gun control, climate change
and medical care for the poor.

I hear grievous political candidates say
what they think you want to hear because
it’s politically expedient, rather than do the country’s business.

You grow tired of hearing grown men lie,
and you come to doubt our institutions and the law---
no polish will remove that stain.

I wonder now if the world can survive its woes
and whether the grandchildren of my grandchildren
will even get here. Perhaps nuclear war

with just too many missiles and countries involved
for the world ever to recover, or a pretty colorful solar storm
much more powerful than the one in 1859.

Maybe global warming, disobedient armies
of self-preserving computers, or runaway asteroids
exploding oceans, like ruinous bombs raining down
on villages of the weak. I worry that the world

is like my old third grade book, now more worn
but still true, and I have no idea what chapter
the world may be on.

What does it mean that the Milky Way
is just one of billions of galaxies?  What immortal blacksmith
or powerful imagination created infinite space?

Is the universe dying? Can we read its obituary in the stars?
Given the big bang, like an explosion of planets
from the head of a ruderal species,
futures of finite and infinite duration are both possible
depending upon physical properties and the expansion rate.

Some scientists say that the universe is flat like a silver dollar
and will expand forever, contingent on its shape
and the role dark energy plays as the universe ages.

Otherwise, the big rip tears the earth away,
like a murderous albino spider on a white flower carrying away a dead moth,
or a lion’s fearsome symmetry in a death spiral with a spent zebra.

The ephemeral perfection of goldilocks planet has always been
that it is not too hot and not too cold, with just
the right amount of water.

When I got to my friend’s home on that rainy afternoon,
I learned that his mother had died that morning.

The house was so cold and so dark. I didn’t know what to do.
But I knew there was no time to waste.

Had she played a part in stopping her heart from beating at such
an early age?  How many oceans and mountains had she never seen?
And in what directions? What had I to do with being at her red brick house,
at that time and on that day? I didn’t know.

But I filled up my backpack and started the long trudge
back home.  For I knew there was no time to waste.


Gil Hoy is a Boston trial lawyer, writer and poet. He studied poetry at Boston University, while receiving a BA in Philosophy and Political Science. Gil received an MA in Government from Georgetown University and a JD from the University of Virginia School of Law. He served as a Brookline, Massachusetts Selectman for four terms. His poetry has appeared most recently in Third Wednesday, The Write Room, The Eclectic Muse, Clark Street Review and TheNewVerse.News.

Tuesday, December 01, 2015

AS THE PARIS CLIMATE TALKS BEGIN

by Buff Whitman-Bradley



Place de la République on Sunday. Thousands of activists took to the streets of Paris ahead of climate summit, despite a ban on public demonstrations following the Nov. 13 attacks. (Eric Gaillard/Reuters via CBC News.



The weather has turned cold.
The sky is dirty white.
A crow caws without enthusiasm
From high up in a bare maple
As I scuffle through piles of leaves
On my way home from the post office.
The day is deeply still
As if holding its breath in anticipation
Of the massive storms
That have been predicted for this winter
After years of drought.
A sudden shower spatters the leaves
The decaying gardens, the pavement
Then stops abruptly
Leaving the ground barely wet
And the air smelling of winter rain.
I scan the clouds for signs of big weather
But see nothing that suggests
The downpour we so eagerly await
Not without some anxiety
Since heedless and profligate profiteering
Have so drastically mangled
The natural systems that have made the Earth
Habitable for us and others
And once the deluges begin
We cannot be certain that they will end
Before catastrophe.

We march in the streets
We block entrances and intersections
We interrupt and interfere with business as usual
Demanding an end to the toxic practices
That could mean the end of us.
But time is running out
And the ones with their hands on the throttles and gears
Act reluctantly
If at all.

I open my front door
And step inside the warm house
My morning's errands completed.
I have bought a few groceries
Returned a library book
And mailed a birthday gift to my daughter.
And now I settle down
With a magazine and a cup of tea
Glancing from time to time
Out the big front window
Wondering when it will rain.


Buff Whitman-Bradley's poetry has appeared in many print and online journals, including Atlanta Review, Bryant Literary Review, Concho River Review, Crannog, december, Hawai'i Review, Pinyon, Rockhurst Review, Solstice, Third Wednesday and others. He has published several collections of poems, most recently, To Get Our Bearings in this Wheeling World. His interviews with soldiers who refused to fight in Iraq and Afghanistan became the book About Face: Military Resisters Turn Against War. He lives in northern California with his wife Cynthia.