BLACK LIVES MATTER?

by Shoshauna Shy

Another daughter gone missing
and this time the prime suspect
her fiancé.
In the 'newsroom,' Jerry brightens:
This'll loop in the masses since
the Jan 6 redux and Pfizer boosters
fizzed flat, the public worn thin
by Ivermectin, Gresham memoirs,
voting laws rewritten, so here's
a scoop to revive our
sagging revenues.

I locate her photo off Instagram,
prep to launch the story when Jerry
muscles me aside.
Think Natalee Aruba, Mormon Smart Girl,
JonBenét—and he photoshops bluer eyes,
streaks the chick's hair more blonde.
Nobody will click if she's beige
or black or brown.


Author of The Splash of Easy Laughter and four other poetry collections, two of which won an Outstanding Achievement Award from the Wisconsin Library Association, Shoshauna Shy's poems have appeared in a variety of anthologies, journals and magazines, inspired videos and even decorated the hind quarters of city buses. One of her poems was nominated for the Best of the Net 2021, and flash fiction pieces were selected for the Best Microfiction 2021 anthology, and another was among the seven finalists for the Fish Flash Fiction Prize out of County Cork, Ireland. She is the founder of the Poetry Jumps Off the Shelf program, and the Woodrow Hall Top Shelf Awards.

ZERO SUM HUMANITY

by Tricia L. Somers

“All the People—Oppressed by Black Cloud,” 1982, by Evelyn Williams

Under the rubble

Our loved ones, homes, and any kind of hope

We’ve been robbed

by a criminal we cannot see

Our loved ones killed and already buried

We are victims of this Climate Crime Catastrophe

Under a bridge

Huddled with our scared children

Our faith has been shaken

and our babies are still...shaking

Invite the world to witness your humanity

Anxious and jittery awaiting a fleeting glimpse

Like an endangered species or already extinct

Under hooves and cracking whip

We find ourselves in seeking but a mere chance

Have us to walk over your bridges

Only in shame do you chase us away

You don’t necessarily need an earthquake

for your country to crumble away

Tricia L. Somers can be found at Outlaw Poetry, Milk Carton Blog, and the upcoming Rat’s Ass Review for Winter 2021. Also the semi-annual print journal The American Dissident includes poetry, essays and debates with the editor, who is known to be somewhat testy. Issues 41 and upcoming 42.

CIRCUS

by Imogen Arate

Met Police officer Wayne Couzens has been sentenced to a whole-life term for the murder of Sarah Everard (above), in a case that sparked national outrage and calls for more action to tackle violence against women. Couzens admitted the kidnap, rape, and murder of the 33-year-old marketing executive when he appeared in court several months ago. But it was only during his sentencing that the full details of his crimes emerged. —BBC News, October 1, 2021

Don’t ask me to write a poem about her death

because there’ll be another before I can find

the perfect synonym that excites murders to titillate

Though I think we’ll be just fine with our hot

breath fogging up whichever screen that

protects our voyeurism as a news craze

Don’t look for nuance as there won’t be

hues apart from those that sell well

Misogyny has a target market like any

I mean do we really care about the loss

of peoples whose value we’ve decided 

to debase long ago except during

their assigned celebratory terms

How else can we virtual signal without

Ah sorry #Timesup For your month

I mean Not your demise Amphitheaters

must be filled Come come we’ve broken

through the boundaries of brick-and-mortar 

decades ago but bloodlust is evergreen 

And since we’ve dispensed with shame

only thumbs ups are allowed 

though we’ll deliver all the same 😉

Imogen Arate is an award-winning Asian-American poet and writer and the Executive Producer and Host of Poets and Muses (https://poetsandmuses.com), a weekly poetry podcast that won second place at National Federation of Press Women's 2020 Communications Contest. She has written in four languages and published in two. Her works were most recently published in Rigorous and The Opiate and on the Global Vaccine Poem project. You can find her @PoetsandMuses on Twitter and Instagram.

AMERICA SINNING

by Robert Knox

via Demcast

Walt Whitman heard ‘America Singing’

I’m hearing things as well,

some of them sadly off-key.

In Texas those who run the place

like the last rodeo of the unforgiven

want to make voting hard to do

for those who have already run the obstacle course

     of history,

returning the privilege of suffrage to a comfortable,

white-sheeted nightmare 

from back somewhere before the Voting Rights Act of 1965.

 

We once stayed (in our day; not Walt’s, not King’s)

in Florida, next to the motel where they poisoned the pool

to keep those they did not wish to see at the polls

out of their purely chlorinated water as well.

Everybody out of the pool! 

and nobody at the polls.

 

‘Some better day,’ as we so often say, we will look back

shaking our heads in horror

at what our fellow Americans got up to.

Sorry, sun-sick Florida, hypocritical Texas,

I am voting you out of the club.

Fly the battle flags of your disgrace all you want,

but you are no longer part of my America.

Robert Knox is a poet, fiction writer, and Boston Globe correspondent. As a contributing editor for the online poetry journal Verse-Virtual, his poems appear regularly on that site. They have also appeared in journals such as The American Journal of Poetry, Eunoia Review, and Unlikely Stories. His poetry chapbook Gardeners Do It With Their Hands Dirty was nominated for a Massachusetts Best Book award. He is the winner of the 2019 Anita McAndrews Poetry Award.

THE USHERS OF AID

a villanelle by Jeannie E. Roberts

“Giant sequoias are hardy souls. They have stood their ground in California for as long as thousands of years, surviving drought, earthquakes and wildfire. With their thick bark and seemingly sky-high crowns, they have generally defied any fire that would turn them into kindling—and even thrived after a burn. The heat causes the trees’ pine cones to burst open and release seeds to the ground. But as hotter blazes like the KNP Complex fire—ignited by lightning on Sept. 9 and still uncontained—headed into the Sequoia and Kings Canyon National Parks in the Sierra Nevada, the trees needed some extra help. And they got it in the form of aluminum foil. Now, the largest tree, by volume, in the world is cradled in shiny, silvery wrap.” Carla Hall, Los Angeles Times, September 26, 2021. Photo: The historic General Sherman tree is wrapped in protective aluminum foil at Sequoia National Park in California. (Gary Kazanjian / AFP via Getty Images via Los Angeles Times)

The world is on fire, flames fill our home. 

The Earth’s rising heat ignites global burn. 

The ushers of aid fall to humans alone.

The forest floors smolder as embers roam. 

Infernos scorch fauna, flora, and fern. 

The world is on fire, flames fill our home.

Some trees are stalwart, persist as if stone—

most render ash, where Earth serves as urn. 

The ushers of aid fall to humans alone.

Encircled in tin, from large base to loam, 

General Sherman stood strong, ever firm.

The world is on fire, flames fill our home.

The famous sequoia thrived, held its own—

it beat the fierce grind, conquered the quern. 

The ushers of aid fall to humans alone.

Envision our planet polished like chrome, 

where vigor exists with each gleaming turn. 

The world is on fire, flames fill our home. 

The ushers of aid fall to humans alone.

Jeannie E. Roberts has authored five poetry collections and two illustrated children's books. Her work appears in Sky Island Journal, The New Verse News, Verse-Virtual, and elsewhere. Her newest collection, As If Labyrinth—Pandemic Inspired Poems, was released by Kelsay Books in April of 2021. She is a Best of the Net award nominee.

GOOD-BYE, IVORY BILL

by Sally Zakariya

The ivory-billed woodpecker is one of nearly two dozen species of animals and plants that the U.S. Fish and Wildlife Service has officially declared extinct. (Auscape/Universal Images Group/Getty Images via The Washington Post, September 29, 2021)

Few were privileged to see it

(if in fact they saw it)

but many clung to hope

that the Lord God Bird

would show himself

in all his feathered glory

a refugee from the primeval garden 

rising with majestic shudder of wings

opening his massive beak

wailing a proud “I Am!”

Was it overactive imagination

or just silly optimism

to think that God might save 

his wondrous creature 

as a sign for us of immortality?

Or must we, as the scientists 

now say, vainly watch 

for one who never comes again?

Sally Zakariya’s poetry has appeared in some 80 print and online journals and been nominated for the Pushcart Prize and Best of the Net. Her most recent publication is Something Like a Life (Gyroscope Press). She is also the author of Muslim Wife, The Unknowable Mystery of Other People, Personal Astronomy, When You Escape, Insectomania, and Arithmetic and other verses, as well as the editor of a poetry anthology, Joys of the Table.

BURROWING

by Farah Art Griffin

“Into the Void” by DINA D’ARGO, 56, SPRINGFIELD, TENN. Acrylic on canvas via The Washington Post. “‘Into the Void’ symbolizes stepping into the unknown — the idea of life ‘after the pandemic’ and the insecurity of not knowing what lies ahead.” 

still burrowing —

drowning in yesterday's time

past grips us in its palm

wounds

            still wet

            still dripping

memories

            still clear

            still swimming

cave of unforgotten sorrow —

echoes in the dark

Farah Art Griffin is a literary and visual artist. She holds an EdM in Arts in Education from Harvard University. Her work is forthcoming in The American Journal of Poetry.

MICRO-PLASTIC CURRENTS

by Virginia Aronson

Autumn sky unfurls a white cloud balm

between the splash of forget-me-not blues;

the sea's hand welcomes us to calm,

her salt tang warming as it soothes.

Fish chew our feet, nibbling dead skin,

crabs' little pincers that make us laugh;

we wade out, sink, rise up deeper in

the lap of our mother, her womb a bath.

Wide-winged osprey dive down to warn us

over and over their sharp, bitter cry:

destruction from that which will soon engulf us—

ill nature, yes; and we too shall die.

What is so small we know not its weight

building up, amassing—until it's too late?

 

Virginia Aronson is the Director of Food and Nutrition Resources Foundation. Her novel about food and climate change, A Garden on Top of the World, was published by activist press Dixi Books in 2019. Dixi also published Mottainai: A Journey in Search of the Zero Waste Life.

HORRIBLE

by Alejandro Escudé

‘We must demand that national leaders create a fair and humane immigration system, including a path to citizenship for immigrants, and a safe and fair asylum process for Haitians and all others seeking refuge in the US.’ —Xochitl Oseguera, The Guardian, September 28, 2021. Photograph: Félix Márquez/AP

There are horses galloping 

Within the word, horrible.

Lashing at migrants, 

Centaur on the Rio Grande.

The water parts at first 

To let in the fifteen thousand,

Refugees from Atlantis 

Who bore a hurricane, a quake. 

Children held aloft by mothers 

With earth-bare arms.

I paint the scene for you 

In poetic bronze, a cowboy

Breaking a colt in chaps 

On a corner store in Sedona.

Only this bronze is flesh, 

A border patrol agent in chaps,

Lassoing a sun containing 

The origin of language. 

Syllables like hooves, 

Ten gallon hats, and boots along

The river the color of bronze, 

Dividing a land formed 

Of bodies from the land itself. 

Congo moon, Texas slug. 

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

ON THE DEATH OF ANOTHER AGED MOVIE STAR

by Earl J. Wilcox

 

So sorry to relegate your obit

to a short poem which might,

but does not, describe your many

roles with other aged stars long gone

along with their contemporaries—

and yours. 

 

So sorry we don’t even know a single

movie you made, nor do we recognize

most of the stars with which you danced

or lay in bed with or any song you sang

with a catchy tune back in the day. 

 

The news of the day, alas, is too crowded

with stories about starving kids, murdered

brides, corrupt lawyers, not to mention

floods and droughts and hurricanes

and wild fires and earthquakes...

for us to know how much we’ll miss you.

 

 

Earl Wilcox notes with sadness the passing of Jane Powell, Ed Asner, and way too many others to list here, though he will miss them.

HEARTACHE FROM THE NUMBERS

by Ken Gosse

Cartoon by Pat Byrnes at Cagle.

They laudit, applaudit,

and so many boughtit—

the Big Lie the former guy nurtured—

they taughtit.

Eschewing all facts,

praising mutinous acts,

so many fools caughtit

and none of them foughtit,

the great pumpkin’s pie in the sky—

AZ Fraudit.

Ken Gosse generally writes light, rhyming verse. First published in First Literary Review-East in 2016, since then by Pure Slush, Spillwords, The Ekphrastic Review, and others. Raised in the Chicago suburbs, now retired, he and his wife have lived in Mesa, AZ, over twenty years with rescue dogs and cats underfoot.

LA PALMA

James Schwartz is a poet, writer, slam performer and author of 5 poetry collections including The Literary Party: Growing Up Gay and Amish in America. Twitter: @queeraspoetry

CONFLUENCES IN SEPTEMBER, 18 MONTHS OF LOSS

by Mark Danowsky

Fighting a Losing Battle 8, a print by Alexis Lekat at Saatchi Art

It was so nice to read Butler revisiting Butler—

their change to they for our times

* 

We let some people off so easy

& others we will forever push to the limit

* 

Waiting on the next check

for survival

* 

We are losing our birds

& much more than I know how to notice

* 

I want to save our homeless

more than I want to save children abroad 

* 

The people I know are not pleased

with my ethical quandaries

* 

My city’s beverage tax is abysmal

when we’re debating if 200K or 400K means rich

* 

A credit card notification informs me 

my address falls in a natural disaster location

* 

All signs point to no one coming for aid  

* 

I know it’s tempting to pretend

the worst might be over in 6 to 8 months

* 

Try 10 years of losing

only to lose the nexus of all your efforts

* 

Let the record show I tried

Mark Danowsky is Editor-in-Chief of ONE ART: a journal of poetry, Senior Editor for Schuylkill Valley Journal, Poetry Craft Essays Editor for Cleaver Magazine, and a Regular Contributor for Versification. He is author of the poetry collection As Falls Trees (NightBallet Press) and JAWN forthcoming from Moonstone Press.

EVEN THE DOG

by Barbara Loots

Three family members whose bodies were found in the living room of a Glenaire house over the summer all died of natural causes possibly related to the untimely  death of the home caretaker… The family dog was also found dead next to a toilet in the bathroom. —Kansas City STAR, September 21, 2021

No one knew it when the old man died.

The uncollected mail, unanswered phone,

untended grass.  Nobody notified

authorities.  He’d always coped alone

with caring for his sister and his mother,

dependent as the dog for food and drink

on one who didn’t want to be a bother

to friends or neighbors.  What are we to think

of this small tragedy?  Whom shall we curse?        

Who counts inconsequential lives like these,

as millions vanish from the universe

from hunger, guns, disaster, and disease?

Humanity has nothing new to learn.

When time has ended, still the stars will burn.

 

Barbara Loots wonders why we worry when we are all so small in the overall scheme of things.